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This set brings together three photographers who have strong European ties - Kertesz and Moholy-Nagy were born and grew to maturity there, and Man Ray spent almost 40 years there. Each was also active in America. The social and artistic ferment of two continents is reflected in their work. Each volume contains approximately 50 images with extended captions, an edited transcription of a colloqium and a time line of important dates in each photographer's life.

Doris Ulmann, one of the foremost photographers in the United States in the 1930s, disappeared from public awareness until the 1970s. She is best known for her quintessentially American pictures of the rural South. A prolific creator, she died before many of her last images could be printed. The latest addition to the acclaimed In Focus series present fifty-five pictures by Ulmann from the Museum's collection. Judith Keller, associate curator of photographs, wrote the extensive accompanying captions and participated, along with William Clift, David Featherstone, Charles Hagen, Weston Naef, Ron Pen, and Susan Millar Williams, in a colloquium on Ulmann and her work. The volume includes an edited transcript of their discussion and a chronological overview of Ulman's life.

French Tapestries and Textiles is a survey of the Getty Museum's seventeenth-and eighteenth-century French textiles-one of the world's finest collections. Featuring twenty-five extraordinary tapestries woven at the Gobelins and Beauvais manufactories, the catalogue also highlights three carpets, two knotted-pile screens, and two sets of embroidered bed hangings, one of which is the only complete lit a la duchesse surviving from the period. Among the magnificent textiles discussed in this lavish volume are the Emperor of China tapestry series, the whimsical Story of Don Quixote, and Boucher's cycle The Story of Psyche. A gatefold in the book opens to reveal a photograph of the stately twenty-nine-foot carpet commissioned for Louis XIV's Galerie du Bord de l'Eau at the Louvre, a piece not publicly displayed for more than 120 years.Each entry includes a listing of artists and weavers, date and place of manufacture, and materials and techniques used, followed by a complete description and a condition statement. The accompanying commentary provides information on the literary, historical, and visual source of design imagery as well as the context of the textile's commission and production. In addition, each textile shown has a complete provenance, exhibition history, and bibliography.For lovers of French decorative arts and connoisseurs of textiles, this book offers a study both of the art of tapestry- and textile-making and of the aesthetic tradition exemplified by these remarkable objects.

This volume presents 31 papers grouped into four topic areas: wood science and technology; history of panel manufacturing techniques; history of the structural conservation of panel paintings; and current approaches to the structural conservation of panel paintings.

This volume is devoted to the smaller and more unusually-shaped works of Carleton E. Watkins, many of which have not been published before. The book also contains an overview of his life, and an edited transcript of a colloquium on his career.

Shortly after the dawn of photography, the unlikely partnership between the respected painter David Octavius Hill and the young engineer Robert Adamson produced some of the most important photographs in the history of the medium. Their alliance began when Hill, while working on his large commemorative painting of the people involved in forming the Free Chruch of Scotland in 1843, began using photography as a tool to document the church elders. What followed was a four-and-a-half-year partnership - cut short by Adamson's untimely death in 1848 - that produced a large body of work. During their association Hill and Adamson experimented with some of the earliest calotype processes creating hundreds of portraits, staged dramatic photographs, and architectural and landscape images. The Getty Museum holds more than 400 works by Hill and Adamson, 47 of which are featured in this volume. The plates are accompanied by commentary from Anne M. Lyden, curatorial assistant in the Department of Photographs at the Museum. A colour foldout of Hill's above-referenced painting "The Signing of the Deed of Demission (The Disruption Picture)" appears in the back of the book.The book includes a chronology of the key events of the artists' partnership and an edited transcript of a colloquium on the artists, with participants: Lyden; Weston Naef, curator of photographs at the J. Paul Getty Museum; Sara Stevenson, curator of photographs at the Scottish National Portrait Gallery; Alison Morrison-Low, curator, History of Science Section, National Museums of Scotland; Jonathon Reff, photographer, Los Angeles; Michael Wilson, private collector, Los Angeles and London; and David Featherstone, independent editor and curator, San Francisco.

Written by the Mercedarian friar Martin de Murua, the Historia general del Piru (1616) is one of only three extant illustrated manuscripts on the history of Inca and early colonial Peru. This immensely important Andean manuscript is here made available in facsimile, its beautifully calligraphed text reproduced in halftone and its thirty-eight hand-colored images—mostly portraits of Inca kings and queens—in color. Boxed with the facsimile is a set of essays that discuss not only the manuscript's physical components—quires and watermarks, scripts and pigments—but also its relation to other Andean manuscripts, Inca textiles, European portraits, and Spanish sources and publication procedures. The sum is an unusually detailed and interdisciplinary analysis of the creation and fate of a historical and artistic treasure. The essay volume—comprising contributions by Rolena Adorno, Barbara Anderson, Ivan Boserup, Thomas B. F. Cummins, Juan M. Ossio, Elena Phipps, Karen Trentelman, and Nancy Turner—is also sold separately.

This book is a revised and fully updated guide to major objects in the collections at the Getty. This gorgeous new edition of The J Paul Getty Museum Handbook of the Collection features over 350 of the museum's most beloved objects. Updated to include numerous exciting new acquisitions-from the Gillion manuscript to Gauguin's Arii Matamoe (The Royal End), from J M W Turner's Modern Rome to Robert Mapplethorpe's famous Self Portrait-the handbook presents an overview of the Getty's world-renowned collections and provides a history of the museum and its famous founder. From treasures of the ancient world and medieval manuscripts to Renaissance drawings, French furniture, Impressionist paintings, iconic American photographs, and much more, the handbook offers an indispensable look at both the magnificently reimagined Getty Villa in Malibu and the dazzling Getty Center on a hilltop in Brentwood. Whether a regular visitor to the two sites or someone who hasn't yet made the trip, this richly illustrated and beautifully redesigned volume is a must-have for any art lover.

With more than 26,000 works, the Samuel J. Wagstaff Jr. collection of photographs is the largest single group of artworks in any medium at the J. Paul Getty Museum. Wagstaff (1921-1987) amassed his extraordinary collection between 1973 and 1984, recognizing early that photography was an undervalued art form on which he might have a profound impact as a collector. He was mainly attracted to photographs that stimulated his imagination, and his taste ran toward the idiosyncratic-images that surprised him chiefly because he had never seen them before.In choosing the 147 works reproduced in this volume, Paul Martineau selected masterpieces as well as images from obscure sources: daguerreotypes, cartes-de-visite, and stereographs, plus mug shots, medical photographs, and works by unknown makers. The latter category contains some of the most outstanding objects in the collection, demonstrating Wagstaff's willingness to position unfamiliar images alongside works by established masters as well as underrepresented contemporary artists of the time, including Jo Ann Callis, William Garnett, and Edmund Teske.This book is published to accompany an eponymous exhibition on view at the J.Paul Getty Museum from March 15 to July 31, 2016; at the Wadsworth Atheneum in Hartford, CT, from September 10 to December 11, 2016; and at the Portland Museum of Art in Portland, ME, from February 1 to April 30, 2017.

"I am convinced that the true collector does not acquire objects of art for himself alone. His is no selfish drive or desire to have and hold a painting, a sculpture, or a fine example of antique furniture so that only he may see and enjoy it. Appreciating the beauty of the object, he is willing and even eager to have others share his pleasure." -J. Paul Getty, The Joys of Collecting, 1965Rooted in a passion for the Italian Renaissance as well as Dutch and Flemish Baroque works, the original collection of J. Paul Getty (1892-1976) has been transformed over four decades to include seminal pieces by celebrated masters such as Masaccio, Titian, Parmigianino, Cranach, El Greco, Rubens, van Dyck, Rembrandt, Poussin, Canaletto, Fragonard, Turner, Manet, Degas, Renoir, Monet, van Gogh, Cezanne, and Ensor. Masterpiece Paintings in the J. Paul Getty Museum surveys more than one hundred of the most exquisite and significant paintings displayed in the museum's famed, daylight-suffused galleries. Vibrant full-colour illustrations and engaging descriptions of these masterworks reveal their fascinating histories and cultural, social, and religious meanings. Sure to enchant and edify all art lovers, this book is a spellbinding tour through the history of Western painting.

The first comprehensive catalogue of the Getty Museum's significant collection of French Rococo ebenisterie furniture. This catalogue focuses on French ebenisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum's founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum's collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696-ca. 1766), Jacques Dubois (1694-1763), and Jean-Francois Oeben (1721-1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection's acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. www.getty.edu/publications/rococo

"The collection of seventeenth- and eighteenth-century French silver at the J. Paul Getty Museum is of exceptional quality and state of preservation. Each piece is remarkable for its beauty, inventive form, skillful execution, illustrious provenance, and the renown of its maker. This volume is the first complete study of these exquisite objects, with more than 250 color photographs bringing into focus extraordinary details such as minuscule makers' marks, inscriptions, and heraldic armorials. The publication details the formation of the Museum's collection of French silver, several pieces of which were selected by J. Paul Getty himself, and discusses the regulations of the historic Parisian guild of gold- and silversmiths that set quality controls and consumer protections. Comprehensive entries catalogue a total of thirty-three pieces with descriptions, provenance, exhibition history, and technical information. The related commentaries shed light on the function of these objects and the roles they played in the daily lives of their prosperous owners. The book also includes maker biographies and a full bibliography. "

The J. Paul Getty Museum's collection of ancient glass-astonishingly delicate, richly hued, and fancifully shaped-is among the most celebrated in the United States. With objects ranging from the Bronze Age to the medieval period (1500 BCE-1000 CE), the 584 works included in this publication originated from a wide geographical area, including the Middle East, the Mediterranean, and central Europe.This catalogue, written by acclaimed scholar Anastassios Antonaras, begins with a fascinating essay on the history of glassmaking-a highly technical art form that is still practiced similarly today-and continues with detailed and informative entries on the pieces. Each entry is accompanied by vivid photography. The book also includes a history of the collection, glossary of glassmaking terms, technical study, and full bibliography. The free online edition of this open-access publication is available at getty.edu/publications/ancient-glass/ and includes 360-degree views and zoomable high-resolution photography. Also available are free PDF and EPUB downloads of the book, and JPG downloads of the main catalogue images.

Thisnew edition of The J. Paul Getty Museum Handbook of theCollection features over 380 of the museum's most beloved objects.It has been updated to include numerous exciting new acquisitions-such asFire Island by Adger Cowans and Portrait ofMai ("Omai") by Joshua Reynolds-and presents an overview ofGetty's world-renowned collection and a history of the museum and its famousfounder.From treasures of the ancient world and medievalmanuscripts to Renaissance drawings, French furniture, Impressionistpaintings, iconic American photographs, and much more, the handbook offers anindispensable look at the art at both the magnificently reimagined GettyVilla in Malibu and the dazzling Getty Center on a hilltop in Brentwood.Whether a regular visitor to the two sites or someone who hasn't yet made thetrip, this richly illustrated and beautifully redesigned volume is amust-have for any art lover.

Provides a history of the buildings that have housed the Getty Museum collections, overviews the collections themselves, and offers a biography of J. Paul Getty.

Fully revised and updated to include many major new pieces, as well as the more familiar masterpieces that millions of visitors have become acquainted with over the years, this superb volume presents a visually stunning journey through the unique collections of the J. Paul Getty Museum.This new edition also marks the historic moment when the Museum opened its doors at two sites simultaneously - the dazzling Getty Center in Brentwood, California and the magnificently re-imagined Getty Villa in Malibu which is devoted to Western antiquities."The Handbook of the Collections" will become a treasured reminder of wonderful memories for anyone who has ever visited the museum and a reliable resource for anyone planning to go.

In the ancient world, terracotta sculpture was ubiquitous. Readily available and economical-unlike stone suitable for carving-clay allowed artisans to craft figures of remarkable variety and expressiveness. Terracottas from South Italy and Sicily attest to the prolific coroplastic workshops that supplied sacred and decorative images for sanctuaries, settlements, and cemeteries. In addition to the comprehensive catalogue entries, the publication includes a guide to the full collection of over one thousand other figurines and moulds from the region by Getty curator of antiquities Claire Lyons.Reflecting the Getty's commitment to open content, Ancient Terracottas from South Italy and Sicily in the J. Paul Getty Museum is available online at www.getty.edu/publications/terracottas and may be downloaded free of charge in multiple formats. For readers who wish to have a bound reference copy, a paperback edition has been made available for sale.

In the collection of the J. Paul Getty Museum are more than six hundred ancient lamps that span the sixth century BCE to the seventh century CE, most from the Roman Imperial period and largely created in Asia Minor or North Africa. These lamps have much to reveal about life, religion, pottery, and trade in the ancient Graeco-Roman world. Most of the Museum's lamps have never before been published, and this extensive typological catalogue will thus be an invaluable scholarly resource for art historians, archaeologists, and those interested in the ancient world.