KELLER – författare

Biological invasions are one of the strongest drivers of global environmental change, and invasive species are now often in the public discourse. At the same time, economists have begun to take a real interest in determining how invasive species interact with economic systems, and how invaders should be controlled to optimize societal welfare. Although the work from ecologists and economists have both greatly expanded our understanding of the drivers and impacts of invasions, little integration between the fields has occurred that would allow managers and policy-makers to identify the optimal expenditures on, for example, prevention and control of invasive species. Because the level of effort expended on invasive species management is intricately linked to the costs and projected benefits of that management, there is an urgent need for greater synthesis between ecology and economics. This book brings ecology and economics together in new ways to address how we deal with the dynamics and impacts of invasive species, and is the outcome of many years of collaborative research between a small group of economists and ecologists. The outcome is a clear demonstration of the utility of combining ecological and economic models for addressing critical questions in the management of invasive species.

Over the past fifteen years, a new dimension to the analysis of science has emerged. Feminist theory, combined with the insights of recent developments in the history, philosophy, and sociology of science, has raised a number of new and important questions about the content, practice, and traditional goals of science. Feminists have pointed to a bias in the choice and definition of problems with which scientists have concerned themselves, and in the actual design and interpretation of experiments, and have argued that modern science evolved out of a conceptual structuring of the world that incorporated particular and historically specific ideologies of gender. The seventeen outstanding articles in this volume reflect the diversity and strengths of feminist contributions to current thinking about science.

Explains and discusses how human speakers and listeners process speech and language. Focuses on those elements of current research which have the most bearing on future developments in the production of truly natural-sounding speech and the reliable recognition of continuous speech. Presents a concise and clear introduction to this increasingly complex and interdisciplinary field.

CUA Press is proud to announce the CUA Studies in Canon Law. In conjunction with the School of Canon Law of the Catholic University of America, we are making available, both digitally and in print, more than 400 canon law dissertations from the 1920s to 1960s, many of which have long been unavailable.These volumes are rich in historical content, yet remain relevant to canon lawyers today. Topics covered include such issues as abortion, excommunication, and infertility. Several studies are devoted to marriage and the annulment process; the acquiring and disposal of church property, including the union of parishes; the role and function of priests, vicars general, bishops, and cardinals; and juridical procedures within the church.For those who seek to understand current ecclesial practices in light of established canon law, these books will be an invaluable resource.

Doris Ulmann, one of the foremost photographers in the United States in the 1930s, disappeared from public awareness until the 1970s. She is best known for her quintessentially American pictures of the rural South. A prolific creator, she died before many of her last images could be printed. The latest addition to the acclaimed In Focus series present fifty-five pictures by Ulmann from the Museum's collection. Judith Keller, associate curator of photographs, wrote the extensive accompanying captions and participated, along with William Clift, David Featherstone, Charles Hagen, Weston Naef, Ron Pen, and Susan Millar Williams, in a colloquium on Ulmann and her work. The volume includes an edited transcript of their discussion and a chronological overview of Ulman's life.

This instalment in the acclaimed In Focus series examines the life and career of Dorothea Lange (1895-1965), who is most recognized for her social documentary work during the Great Depression of the 1930's The Getty Museum holds nearly one hundred of the artist's pictures, about fifty of which are discussed by Judith Keller, associate curator of photographs. These include the iconic images of homeless farm families as well as lesser-known Southwestern views, personal photographs Lange made at home in the 19505, and late compositions from an extensive trip to Asia and the Middle East In Focus: Dorothea Lange is published to coincide with an exhibition of her photographs at the Getty Museum from October 15, 2002 through February 9, 2003. The book includes an edited transcript of a colloquium on Lange, with participants Keller; Keith Davis, Fine Arts Programs Director, Hallmark Cards, Inc.;David Featherstone, independent curator, freelance writer, and editor; Therese Heyman, curator emeritus, Oakland Museum of Photography; Weston Naef, curator of photographs, Getty Museum; Sally Stein, associate professor of art history, University of California, Irvine; and Michael Williamson, Pulitzer Prize-winning photographer and author, currently working for the Washington Post Their animated conversation adds greatly to the understanding of the artist's creations. A complete chronology of major events in Lange's life rounds out the book

Stalking the streets of New York City at night alongside police detectives and barflies, the tough-talking, fedora-wearing, cigar-smoking photographer who called himself "Weegee" was ready at a moment's notice with his Speed Graphic to respond to the police radio. From the mid-1930s to 1950s he captured hundreds of pictures of accidents, murders, arrests, fires, and natural disasters, producing works that are both empathetic and sensational. This volume in the "In Focus" series presents approximately fifty of the ninety-five "Weegee" prints in the Getty's collection, surveying the photographer's probing vision of life in New York - from Harlem to Times Square, Greenwich Village, and the Bowery. Each of the photographs is accompanied by an introduction, a chronology, and commentary. The book also includes an edited transcript of a colloquium on Weegee's life and work that incorporates the author's comments along with those of seven other participants: David Featherstone, Michael Hargraves, Weston Naef, Miles Orvell, Ira Richer, Colin Westerbeck, and Cynthia Young."In Focus: Weegee" is published to coincide with an exhibition of the photographer's work at the Getty Museum in Los Angeles from September 20, 2005, through January 22, 2006.

Born in New York in 1909, Milton Rogovin has been photographing coal miners since 1962, working first in Appalachia and later, in the 1980s, in Europe, Asia, South Africa, China, Mexico, and Cuba. Particularly in these later portraits he concentrated on the lives of miners as revealed at work and at home. Men and women portrayed at a mine entrance or in a changing room, covered in coal dust, are barely recognizable in the accompanying photographs, where they proudly stand in their living rooms or backyards, holding a pet or posing with their families, surrounded by their cherished belongings. "Milton Rogovin: The Mining Photographs" presents more than one hundred of these direct and powerful images, usually in pairings that reveal Rogovin's unsentimental regard for men and women whose dangerous work is shown to be only one part of their complex lives.

Between 1979 and 1988, celebrated photographer Graciela Iturbide made a series of visits to Juchitan, Mexico, where - in her own words - she photographed the community and their way of life "in complicity with the people."Located in the state of Oaxaca, in the south of Mexico, Juchitan is an ancient matriarchal society that is open and generous, yet fiercely independent. Since the early twentieth century, the women of Juchitan - their dress and manner in particular - have become national symbols of strength and pride.Iturbide's stunning photographs perfectly capture the heart and soul of this rare matriarchal society, and give us a rare insight into the private and public lives of its inhabitants.

This volume offers a superbly illustrated review of the work of renowned photographer Jo Ann Callis. An artist who has long exploited the emotional power of colour and texture, Jo Ann Callis is widely known for her inventive photographs involving tactile objects and images of people in mysterious, often unsettling narratives. "Jo Ann Callis" is a magnificently illustrated volume that accompanies the exhibition to be held at the J. Paul Getty Museum between March and August 2009, and constitutes the first full-length treatment of Callis' work - from 1974 to 2005 - for nearly twenty years. Featuring both new and familiar works, this volume attests to Callis' singular vision of the delicate boundary between the world within and the world without.

Through a series of multidisciplinary readings, Environmental Ethics: The Big Questions contextualizes environmental ethics within the history of Western intellectual tradition and traces the development of theory since the 1970s. Includes an extended introduction that provides an historical and thematic introduction to the field of environmental ethicsFeatures a selection of brief original essays on why to study environmental ethics by leaders in the fieldContextualizes environmental ethics within the history of the Western intellectual tradition by exploring anthropocentric (human-centered) and nonanthropocentric precedentsOffers an interdisciplinary approach to the field by featuring seminal work from eminent philosophers, biologists, ecologists, historians, economists, sociologists, anthropologists, nature writers, business writers, and othersDesigned to be used with a web-site which contains a continuously updated archive of case studies:environmentalethics.info

This title offers a superbly illustrated overview of the evolution of two very different strains of modern Japanese photography. In the 1930s, Japanese photography evolved in two very directions: one toward a documentary style, the other favouring an experimental, or avant-garde, approach strongly influence by Western Surrealism. This book explores these two divergent paths through the work of two remarkable figures: Hiroshi Hamaya and Kansuke Yamamoto. Hiroshi Hamaya (1915-1999) was born and raised in Tokyo and, after an initial period of creative experimentation, turned his attention to recording traditional life and culture. He went on to record cultural changes in China, political protests in Japan, and landscapes around the world. Kansuke Yamamoto (1914-1987) became fascinated by the innovative approaches in art and literature exemplified by Western artists such as Man Ray and Magritte. He promoted Surrealist and avant-garde ideas in Japan through his poetry, paintings, sculptures, and photography.