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When the French edition of Confronting Images appeared in 1990, it won immediate acclaim because of its far-reaching arguments about the structure of images and the histories ascribed to them by scholars and critics working in the tradition of Vasari and Panofsky. According to Didi-Huberman, visual representation has an “underside” in which seemingly intelligible forms lose their clarity and defy rational understanding. Art historians, he goes on to contend, have failed to engage this underside, where images harbor limits and contradictions, because their discipline is based upon the assumption that visual representation is made up of legible signs and lends itself to rational scholarly cognition epitomized in the “science of iconology.” To escape from this cul-de-sac, Didi-Huberman suggests that art historians look to Freud’s concept of the “dreamwork,” not for a code of interpretation, but rather to begin to think of representation as a mobile process that often involves substitution and contradiction. Confronting Images also offers brilliant, historically grounded readings of images ranging from the Shroud of Turin to Vermeer’s Lacemaker.

Hot flashes. Vaginal atrophy. Social stigma. The comics in this unapologetic anthology prove that when it comes to menopause and its attendant symptoms, no one needs to sweat it alone.Featuring works by comics luminaries such as Lynda Barry, Joyce Farmer, Ellen Forney, and Carol Tyler, Menopause is the perfect antidote to the simplistic, cheap-joke approach that treats menopause as a cultural taboo. This anthology challenges stereotypes with perspectives from a range of life experiences, ages, gender identities, ethnicities, and health conditions.Other contributors include Maureen Burdock, Jennifer Camper, KC Councilor, MK Czerwiec, Leslie Ewing, Ann M. Fox, Keet Geniza, Roberta Gregory, Teva Harrison, Rachael House, Leah Jones, Monica Lalanda, Cathy Leamy, Ajuan Mance, Jessica Moran, Mimi Pond, Sharon Rosenzweig, Joyce Schachter, Susan Merrill Squier, Emily Steinberg, Nicola Streeten, A. K. Summers, Kimiko Tobimatsu, Shelley L. Wall, and Dana Walrath.

It is unexpected in any era to find a woman writing a book on the art of warfare, but in the fifteenth century it was unbelievable. Not surprisingly, therefore, Christine de Pizan's The Book of Deeds of Arms and of Chivalry, written around 1410, has often been regarded with disdain. Many have assumed that Christine was simply copying or pilfering earlier military manuals. But, as Sumner Willard and Charity Cannon Willard show in this faithful English translation, The Book of Deeds of Arms and of Chivalry contains much that is original to Christine. As a military manual it tells us a great deal about the strategy, tactics, and technology of medieval warfare and is one of our most important sources for early gunpowder weapon technology. It also includes a fascinating discussion of Just War.Since the end of the fifteenth century, The Book of Deeds of Arms and of Chivalry has been available primarily through Antoine Vérard's imprint of 1488 or William Caxton's 1489 translation, The Book of the Order of Chivalry. Vérard even suggested that the work was his own translation of the Roman writer Vegetius, making no mention of Christine 's name. Caxton attributed the work to Christine, but it is impossible to identify the manuscript he used for his translation. Moreoever, both translations are inaccurate. The Willards correct these inaccuracies in a clear and easy-to-read translation, which they supplement with notes and an introduction that will greatly benefit students, scholars, and enthusiasts alike. Publication of this work should change our perception both of medieval warfare and of Christine de Pizan.

Hua-yen is regarded as the highest form of Buddhism by most modern Japanese and Chinese scholars. This book is a description and analysis of the Chinese form of Buddhism called Hua-yen (or Hwa-yea), Flower Ornament, based largely on one of the more systematic treatises of its third patriarch. Hua-yen Buddhism strongly resembles Whitehead's process philosophy, and has strong implications for modern philosophy and religion. Hua-yen Buddhism explores the philosophical system of Hua-yen in greater detail than does Garma C.C. Chang's The Buddhist Teaching of Totality (Penn State, 1971). An additional value is the development of the questions of ethics and history. Thus, Professor Cook presents a valuable sequel to Professor Chang's pioneering work. The Flower Ornament School was developed in China in the late 7th and early 8th centuries as an innovative interpretation of Indian Buddhist doctrines in the light of indigenous Chinese presuppositions, chiefly Taoist. Hua-yen is a cosmic ecology, which views all existence as an organic unity, so it has an obvious appeal to the modern individual, both students and layman.

In the eighteen years since Ivan Illich’s death, David Cayley has been reflecting on the meaning of his friend and teacher’s life and work. Now, in Ivan Illich: An Intellectual Journey, he presents Illich’s body of thought, locating it in its own time and retrieving its relevance for ours.Ivan Illich (1926–2002) was a revolutionary figure in the Roman Catholic Church and in the wider field of cultural criticism that began to take shape in the 1960s. His advocacy of a new, de-clericalized church and his opposition to American missionary programs in Latin America, which he saw as reactionary and imperialist, brought him into conflict with the Vatican and led him to withdraw from direct service to the church in 1969. His institutional critiques of the 1970s, from Deschooling Society to Medical Nemesis, promoted what he called institutional or cultural revolution. The last twenty years of his life were occupied with developing his theory of modernity as an extension of church history. Ranging over every phase of Illich’s career and meditating on each of his books, Cayley finds Illich to be as relevant today as ever and more likely to be understood, now that the many convergent crises he foresaw are in full public view and the church that rejected him is paralyzed in its “folkloric” shell.Not a conventional biography, though attentive to how Illich lived, Cayley’s book is “continuing a conversation” with Illich that will engage anyone who is interested in theology, philosophy, history, and the Catholic Church.

Few artists were as determined to shape their own legacy as James Abbott McNeill Whistler. Fiercely protective of his reputation, he denounced would-be biographers, published The Gentle Art of Making Enemies as his own autobiography, and destroyed works he thought unworthy of his genius, declaring more than once that “to destroy is to survive.” Yet despite his efforts at control, Whistler’s legacy has proved as unpredictable and contentious as the man himself.In this engagingly written book, Daniel E. Sutherland traces the turbulent fortunes of Whistler’s reputation since his death in 1903. He examines the friends, relatives, and acquaintances who first shaped the story of Whistler’s life and art and shows how three defining issues—the cultivated image of the dandy, his reputation for quarrelsomeness, and the origins of the nocturnes—came to dominate critical debates. Along the way, Sutherland challenges entrenched assumptions by questioning and often correcting the reasons behind Whistler’s controversial standing. He also demonstrates how these narratives have evolved through successive generations of critics, curators, and scholars, while seeping into popular culture as well.Offering the first sustained study of Whistler’s contested posthumous reputation, this book makes a significant contribution to the field of nineteenth-century art and biography. It will appeal to art historians, museum professionals, and scholars of modernism, as well as any admirers of Whistler eager to understand how and why he remains such a polarizing figure today.

Founded in 1960 by a group of relatively unknown young writers, Tel Quel quickly became one of the most influential literary journals and controversial intellectual movements in France. During the following two decades Tel Quel published the best in French intellectual thought and writing, including Roland Barthes, Georges Bataille, Jacques Derrida, Jean-Pierre Faye, Michel Foucault, Gérard Genette, Julia Kristeva, Bernard-Henri Lévy, Marcelin Pleynet, Philippe Sollers, and Tzvetan Todorov. By focusing on Tel Quel as an instrument of cultural renewal, Danielle Marx-Scouras demonstrates that literature—even when it claims to be disengaged—can never escape its historical ties. The book elucidates the complexities of French intellectual life and the role played by Tel Quel in the evolution of intellectual thought and writing in the 1960s and 1970s. Tel Quel's cultural politics have been fashioned as much by the unpredictable historical changes of the post-World War II and Cold War era as they have by the advances in literary studies, semiotics, philosophy, and psychoanalysis during this period. The journal ceased publication in 1982, shortly before the dissolution of Marxism-Communism marked by the demolition of the Berlin Wall, the reunification of Europe, and the collapse of the Soviet Union. Marx-Scouras ultimately finds in its cultural venture some significant parting thoughts on a vigorous period of European literary and intellectual history.

Even the most imperfect journey can lead to beauty.Tereza never thought she would go bald before her boyfriend did. She couldn’t imagine being unable to sweep her hair up in a ponytail or to style it in other ways. But when she lost all her hair in just a couple of months due to alopecia, her perspective on relationships and work—and above all, herself— radically changed.Navigating the particular trauma of female hair loss, Tereza comes to terms with her new reality with humor and self-reflection in this prize-winning graphic memoir featuring eye-catching art by Štěpánka Jislová.

Since its construction, Notre Dame Cathedral has played a central role in French cultural identity. In the wake of the tragic fire of 2019, questions of how to restore the fabric of this quintessential French monument are once more at the forefront. This all-too-prescient book, first published in French in 2013, takes a central place in the conversation. The Gothic cathedral par excellence, Notre Dame set the architectural bar in the competitive years of the third quarter of the twelfth century and dazzled the architects and aesthetes of the Enlightenment with its structural ingenuity. In the nineteenth century, the cathedral became the touchstone of a movement to restore medieval patrimony to its rightful place at the cultural heart of France: it was transformed into a colossal laboratory in which architects Jean-Baptiste Lassus and Eugène-Emmanuel Viollet-le-Duc anatomized structures, dismembered them, put them back, or built them anew—all the while documenting their work with scientific precision.Taking as their point of departure a three-dimensional laser scan of the cathedral created in 2010, architectural historians Dany Sandron and the late Andrew Tallon tell the story of the construction and reconstruction of Notre Dame in visual terms. With over a billion points of data, the scan supplies a highly accurate spatial map of the building, which is anatomized and rebuilt virtually. Fourteen double-page images represent the cathedral at specific points in time, while the accompanying text sets out the history of the building, addressing key topics such as the fundraising campaign, the construction of the vaults, and the liturgical function of the choir. Featuring 170 full-color illustrations and elegantly translated by Andrew Tallon and Lindsay Cook, Notre Dame Cathedral is an enlightening history of one of the world’s most treasured architectural achievements.

Most of the women and men who practiced magic in Tudor England were not hanged or burned as witches, despite being active members of their communities. These everyday magicians responded to common human problems such as the vagaries of money, love, property, and influence, and they were essential to the smooth functioning of English society. This illuminating book tells their stories through the legal texts in which they are named and the magic books that record their practices.In legal terms, their magic fell into the category of sin or petty crime, the sort that appeared in the lower courts and most often in church courts. Despite their relatively lowly status, scripts for the sorts of magic they practiced were recorded in contemporary manuscripts. Juxtaposing and contextualizing the legal and magic manuscript records creates an unusually rich field to explore the social aspects of magic practice. Expertly constructed for both classroom use and independent study, this book presents in modern English the legal documents and magic texts relevant to ordinary forms of magic practiced in Tudor England. These are accompanied by scholarly introductions with original perspectives on the subjects. Topics covered include: the London cunning man Robert Allen; magic to identify thieves; love magic; magic for hunting, fishing and gambling, and magic for healing and protection.

This book presents the major teachings of Mahāyāna Buddhism in a precise, dramatic, and even humorous form. For two millennia this sūtra, called the “jewel of the Mahāyāna Sūtras,” has enjoyed immense popularity among Mahāyāna Buddhists in India, central and southeast Asia, Japan, and especially China, where its incidents were the basis for a style in art and literature prevalent during several centuries. Robert Thurman’s translation makes available, in relatively nontechnical English, the Tibetan version of this key Buddhist scripture, previously known to the English-speaking world only through translations from Chinese texts. The Tibetan version is generally conceded to be more faithful to the original Sanskrit than are the Chinese texts. The Tibetan version also is clearer, richer, and more precise in its philosophical and psychological expression. The books of the sūtra are accompanied by an introduction by Dr. Thurman and by three glossaries: Sanskrit terms, numerical categories, and technical terms.

Over the course of the Almoravid (1040–1147) and Almohad (1121–1269) dynasties, medieval Marrakesh evolved from an informal military encampment into a thriving metropolis that attempted to translate a local and distinctly rural past into a broad, imperial architectural vernacular. In Marrakesh and the Mountains, Abbey Stockstill convincingly demonstrates that the city’s surrounding landscape provided the principal mode of negotiation between these identities.The contours of medieval Marrakesh were shaped in the twelfth-century transition between the two empires of Berber origin. These dynasties constructed their imperial authority through markedly different approaches to urban space, reflecting their respective concerns in communicating complex identities that fluctuated between paradigmatically Islamic and distinctly local. Using interdisciplinary methodologies to reconstruct this urban environment, Stockstill broadens the analysis of Marrakesh’s medieval architecture to explore the interrelated interactions among the city’s monuments and its highly resonant landscape. Marrakesh and the Mountains integrates Marrakesh into the context of urbanism in the wider Islamic world and grants the Almoravid and Almohad dynasties agency over the creation and instantiation of their imperial capital.Lushly illustrated and erudite, Marrakesh and the Mountains is a vital history of this storied Moroccan city. This is a must-have book for scholars specializing in the Almoravid and Almohad eras and a vital volume for students of medieval urbanism, Islamic architecture, and Mediterranean and African studies.

Today we take the word “icon” to mean “a sign,” or we equate it with portraits of Christ and the saints. In The Sensual Icon, Bissera Pentcheva demonstrates how icons originally manifested the presence of the Holy Spirit in matter. Christ was the ideal icon, emerging through the Incarnation; so, too, were the bodies of the stylites (column-saints) penetrated by the divine pneuma (breath or spirit), or the Eucharist, or the Justinianic space of Hagia Sophia filled with the reverberations of chants and the smoke of incense. Iconoclasm (726–843) challenged these Spirit-centered definitions of the icon, eventually restricting the word to mean only the lifeless imprint (typos) of Christ’s visual characteristics on matter. By the tenth century, mixed-media relief icons in gold, repoussé, enamel, and filigree offered a new paradigm. The sun’s rays or flickering candlelight, stirred by drafts of air and human breath, animated the rich surfaces of these objects; changing shadows endowed their eyes with life. The Byzantines called this spectacle of polymorphous appearance poikilia, that is, presence effects sensually experienced. These icons enabled viewers in Constantinople to detect animation in phenomenal changes rather than in pictorial or sculptural naturalism. “Liveliness,” as the goal of the Byzantine mixed-media relief icon, thus challenges the Renaissance ideal of “lifelikeness,” which dominated the Western artistic tradition before the arrival of the modern. Through a close examination of works of art and primary texts and language associated with these objects, and through her new photographs and film capturing their changing appearances, Pentcheva uncovers the icons’ power to transform the viewer from observer to participant, communing with the divine.

Students of Akkadian will find this handy collection of basic information to be the ideal companion through their years of study. Though this handbook is not a replacement for the standard reference works, it summarizes all the basic resource materials needed for the study of Akkadian. Included are the following: miscellaneous helps, paradigms of nouns and verbs, a glossary of important proper nouns, an index of logograms, a sign list with complete sign values, and much more.What is new in this revised and expanded edition:—An expanded list of common abbreviations—A thorough bibliography of important reference works in ten categories, including websites—Part One: Additional and more thorough lists, including dialect information for conjunctions, prepositions, and particles—Part Two: Additional nominal and verbal paradigms—Part Three: Glossary expanded and updated, content thoroughly documented and cross-referenced—Part Four: Expanded list of logograms—Part Five: Complete list of graphic signs as found in Borger’s Mesopotamisches Zeichenlexikon, tagged by his new numbering system, and cross-referenced to the Deimel system; sign information aligned with MZL for logographic values and with MZL and Das akkadische Syllabar for syllabic values; graphic sign images now included with the list of determinatives; two new indexes—Can now be used alongside all major grammars of Akkadian—A more attractive format—All data checked against the latest published reference works

Around 550 B.C.E. the Persian people—who were previously practically unknown in the annals of history—emerged from their base in southern Iran (Fars) and engaged in a monumental adventure that, under the leadership of Cyrus the Great and his successors, culminated in the creation of an immense Empire that stretched from central Asia to Upper Egypt, from the Indus to the Danube. The Persian (or Achaemenid, named for its reigning dynasty) Empire assimilated an astonishing diversity of lands, peoples, languages, and cultures. This conquest of Near Eastern lands completely altered the history of the world: for the first time, a monolithic State as vast as the future Roman Empire arose, expanded, and matured in the course of more than two centuries (530–330) and endured until the death of Alexander the Great (323), who from a geopolitical perspective was “the last of the Achaemenids.” Even today, the remains of the Empire-the terraces, palaces, reliefs, paintings, and enameled bricks of Pasargadae, Persepolis, and Susa; the impressive royal tombs of Naqsh-i Rustam; the monumental statue of Darius the Great-serve to remind visitors of the power and unprecedented luxury of the Great Kings and their loyal courtiers (the “Faithful Ones”).Though long eclipsed and overshadowed by the towering prestige of the “ancient Orient” and “eternal Greece,” Achaemenid history has emerged into fresh light during the last two decades. Freed from the tattered rags of “Oriental decadence” and “Asiatic stagnation,” research has also benefited from a continually growing number of discoveries that have provided important new evidence-including texts, as well as archaeological, numismatic, and iconographic artifacts.The evidence that this book assembles is voluminous and diverse: the citations of ancient documents and of the archaeological evidence permit the reader to follow the author in his role as a historian who, across space and time, attempts to understand how such an Empire emerged, developed, and faded. Though firmly grounded in the evidence, the author’s discussions do not avoid persistent questions and regularly engages divergent interpretations and alternative hypotheses. This book is without precedent or equivalent, and also offers an exhaustive bibliography and thorough indexes.The French publication of this magisterial work in 1996 was acclaimed in newspapers and literary journals. Now Histoire de l’Empire Perse: De Cyrus a Alexandre is translated in its entirety in a revised edition, with the author himself reviewing the translation, correcting the original edition, and adding new documentation.Pierre Briant, Chaire Histoire et civilisation du monde achémenide et de l’empire d’Alexandre, Collège de France, is a specialist in the history of the Near East during the era of the Persian Empire and the conquests of Alexander. He is the author of numerous books.Peter T. Daniels, the translator, is an independent scholar, editor, and translator who studied at Cornell University and the University of Chicago. He lives and works in New York City.

Where does love come from?What is at the core of romantic attachment? Does our upbringing play a part, or is falling in love a magical, uncontrollable process? Are we doomed to repeat the same mistakes over and over, or can we break unhealthy cycles and learn new ways to love?These are the questions asked in Heartcore, an award-winning graphic memoir from comics creator Štěpánka Jislová. In this empowering story of self-discovery, the author reflects on her troubled experiences in dating and love and finally seeks to understand the reasons behind her many toxic relationships. She explores topics such as normative gender roles, online dating and casual sex, alcohol abuse, sexual violence, and the psychology behind interpersonal attachment, all in an engaging graphic-novel format. By confronting her unhealthy behaviors and seeking help to come to terms with her trauma, the author provides an inspiring example of how people can change for the better.

Beginning in the 1730s, Heather Minor tells us, Rome “began to resemble one huge construction site,” with a series of ambitious and expensive new building campaigns that transformed the face and substance of the city. From renovations of the Santa Maria Maggiore and San Giovanni in Laterano and the restoration of the Arch of Constantine to the creation of the Capitoline Museum and the establishment of the papacy’s Calcografia, the push for reform not only renewed papal and Church identity but also revived Italian culture as a whole. Based on extensive archival research and full of fascinating stories about the often stormy theological and intellectual debates central to the attempts at reform, The Culture of Architecture in Enlightenment Rome brings to life the personalities of architects, theologians, and intellectuals and links the extensive architectural programs with powerful shifts in the intellectual climate of the time.

Set in the French countryside of George Sand’s childhood and narrated in the unique voice of a Berrichon peasant, La Petite Fadette is a beloved 1848 novel about identical twin brothers and Fadette, the mysterious waif with whom they both fall in love. The brothers, Landry and Sylvinet, belong to a highly respected farm family. When young Landry meets Fadette, whose very name suggests that she is a witch, he is captivated by the girl despite her lowly status and disreputable family. Sylvinet soon follows suit. Fadette’s relationship with the twins defies the patriarchal norms of French society as well as the expectations of the village, resulting in a tale of love, courage, and clever strategy winning out over superstition and prejudice.Often regarded as a simple country tale, Sand’s novel is layered with meaning, including subtle nods to the burgeoning desire for political and sexual equality in nineteenth-century France. This thoughtful critical translation by Gretchen van Slyke brings the complexity of the original story to life. Her introduction explores the autobiographical and political dimensions of the novel, and her translation preserves the rustic charm and archaic flavor of Sand’s language.An invaluable contribution to French literary studies and nineteenth-century literature studies, this new edition ensures that La Petite Fadette will be read by generations to come.

Preserved in the Bavarian State Library in Munich is a manuscript that few scholars have noticed and that no one in modern times has treated with the seriousness it deserves. Forbidden Rites consists of an edition of this medieval Latin text with a full commentary, including detailed analysis of the text and its contents, discussion of the historical context, translation of representative sections of the text, and comparison with other necromantic texts of the late Middle Ages. The result is the most vivid and readable introduction to medieval magic now available. Like many medieval texts for the use of magicians, this handbook is a miscellany rather than a systematic treatise. It is exceptional, however, in the scope and variety of its contents—prayers and conjurations, rituals of sympathetic magic, procedures involving astral magic, a catalogue of spirits, lengthy ceremonies for consecrating a book of magic, and other materials. With more detail on particular experiments than the famous thirteenth-century Picatrix and more variety than the Thesaurus Necromantiae ascribed to Roger Bacon, the manual is one of the most interesting and important manuscripts of medieval magic that has yet come to light.

Louise Bourgeois is best known for her monumental sculptures, installations, drawings, and paintings—but those familiar with her work know that words permeate her visual art. Louise Bourgeois: The Artist as Writer offers an important new portrait of the French-born New York artist, arguing that her extensive oeuvre can be read as a work of literature. While Bourgeois’s statements, diaries, letters, and texts have long been visible, this book contends that they have not yet truly been read.Drawing on years of research in the Louise Bourgeois Archive in New York, Léa Vuong redefines the artist as a woman of letters. She asks how Bourgeois’s art was impacted by literature and shows how Bourgeois consumed and produced knowledge daily by reading, note-taking, and diary writing; collaborating with writers, poets, and playwrights throughout her career; and experimenting with visual and verbal language in her art and everyday life. Vuong establishes how writing, reading, collecting, and making books were central to Bourgeois’s artistic practice, paying close attention to Erasmus Books and Prints, the bookshop she ran in New York City during an overlooked but crucial period in her career.By revealing the literary foundations of Bourgeois’s art and her bilingual engagement with French and English, this book provides a major reassessment of a canonical figure. Scholars and students of modern art, literary studies, and French culture will find a compelling new interpretation of Bourgeois’s life and work.

Ulysses is widely regarded as the greatest novel of the twentieth century. Commemorating the 1922 publication of this modernist masterwork, One Hundred Years of James Joyce’s “Ulysses” tells the story of the writing, revising, printing, and censorship of the novel.Edited by world-renowned Irish novelist and literary critic Colm Tóibín, this book presents ten essays by preeminent Joyce scholars and by curators of his manuscripts and early editions, as well as an interview with Sean Kelly, the New York gallery owner who donated his extensive Joyce collection to The Morgan Library & Museum. Beginning with Tóibín’s expert interpretation of the Dublin context for Ulysses, the volume follows Joyce in Trieste, Zurich, and Paris from 1914 up through the novel’s publication—and the international scandal and fame that ensues. It draws on Joyce’s notebooks and letters, as well as extant manuscripts and proofs, to provide new insights into Joyce’s life, the narrative and place of Ulysses, and the printed book.Rich and illuminating, this volume is essential for scholars, fans, and readers of the novel. Along with the editor, contributors include Ronan Crowley, Maria DiBattista, Derick Dreher, Catherine Flynn, Anne Fogarty, Rick Gekoski, Joseph M. Hassett, James Maynard, and John McCourt.

Intersectionality as Epistemic Resistance is the first collection of scholarly essays devoted to the work of Patricia Hill Collins, one of the most influential Black feminist thinkers of her generation. Bringing together philosophers and political theorists, the volume takes stock of Collins’s enduring theory of intersectionality and her impact on critical theory.After an introduction by coeditors Amy Allen and Eduardo Mendieta situating Collins’s work within debates about intersectionality and critical theory, the volume opens with a substantial, previously unpublished essay by Collins. In it, she reflects on her intellectual and political praxis amid contemporary political turbulence, emphasizing the need to guard intersectionality against cooptation and dilution. Subsequent chapters explore how her work reshapes core concepts in critical theory, examining its relationship to the Frankfurt School and Indigenous theory as well as its significance for environmental philosophy and Black politics. The book concludes with a new essay in which Collins responds to her interlocutors and reflects on what it means to practice critical social theory at a moment when critical thought itself is under pressure.An indispensable resource for students and scholars of critical theory, feminist philosophy, Black feminism, and intersectionality, this volume serves as a compelling introduction to Collins’s thought and its continuing relevance.In addition to Collins and the editors, the contributors to this volume include Kanisha D. Bond, William Paris, María Pía Lara, Nancy Tuana, and Sarah Tyson.

This book argues the case for a foundationalist ethics centrally based on an empirical understanding of human nature. For Maxine Sheets-Johnstone, “an ethics formulated on the foundations of anything other than human nature, hence on anything other than an identification of pan-cultural human realities, lacks solid empirical moorings. It easily loses itself in isolated hypotheticals, reductionist scenarios, or theoretical abstractions—in the prisoner’s dilemma, selfish genes, dedicated brain modules, evolutionary altruism, or psychological egoism, for example—or it easily becomes itself an ethical system over and above the ethics it formulates,” such as the deontological ethics of Kantian categorical imperatives, the utilitarianism of Bentham and Mill, or the ethics of care.Taking her cue from Hume, especially his Treatise on Human Nature, where he grounds “the moral sense” in human nature seen as always in tension between the natural tendencies of selfish acquisitiveness and sympathy for others, Sheets-Johnstone pursues her phenomenological investigation of the natural basis of human morality by directing her attention, first in Part I, to what is traditionally considered the dark side of human nature, and then, in Part II, to the positive side. The tension between the two calls for an interdisciplinary therapeutic resolution, which she offers in the Epilogue by arguing for the value of a moral education that enlightens humans about their own human nature, highlighting both the socialization of fear and the importance of play and creativity.

In the eighteen years since Ivan Illich’s death, David Cayley has been reflecting on the meaning of his friend and teacher’s life and work. Now, in Ivan Illich: An Intellectual Journey, he presents Illich’s body of thought, locating it in its own time and retrieving its relevance for ours.Ivan Illich (1926–2002) was a revolutionary figure in the Roman Catholic Church and in the wider field of cultural criticism that began to take shape in the 1960s. His advocacy of a new, de-clericalized church and his opposition to American missionary programs in Latin America, which he saw as reactionary and imperialist, brought him into conflict with the Vatican and led him to withdraw from direct service to the church in 1969. His institutional critiques of the 1970s, from Deschooling Society to Medical Nemesis, promoted what he called institutional or cultural revolution. The last twenty years of his life were occupied with developing his theory of modernity as an extension of church history. Ranging over every phase of Illich’s career and meditating on each of his books, Cayley finds Illich to be as relevant today as ever and more likely to be understood, now that the many convergent crises he foresaw are in full public view and the church that rejected him is paralyzed in its “folkloric” shell.Not a conventional biography, though attentive to how Illich lived, Cayley’s book is “continuing a conversation” with Illich that will engage anyone who is interested in theology, philosophy, history, and the Catholic Church.

As the principal English interpreter for Mikhail Gorbachev and his foreign minister, Eduard Shevardnadze, in the critical period of 1985–1991, Pavel Palazchenko participated in all U.S.-Soviet summit talks leading to the end of the Cold War. This personal and political memoir sheds new light on Soviet/American relations and personalities during that time. Palazchenko focuses on what he saw with his own eyes during important negotiating sessions with world leaders such as Presidents Ronald Reagan and George Bush, Secretaries of State George Shultz and James Baker, and Prime Minister Margaret Thatcher. He shares his impressions and opinions about these leaders as well as their Soviet counterparts and gives a firsthand account of the phase of preparation leading up to important international events, including the process of hammering out positions on sensitive arms control issues. Palazchenko describes the events themselves, such as the summits in Reykjavik, Malta, and Moscow, adding many fascinating details to previous accounts. Palazchenko contends that the peaceful end of the Cold War was possible not because of some behind-the-scenes dealings, but because of the trust that gradually developed between world leaders. He shows us how this developing trust led to the remarkably peaceful transition from the dangerous pre-1985 confrontation to the new relationships between major powers. This book sheds light on Soviet thinking about Soviet-U.S. relations, the Third World, arms control, German reunification, and the Gulf War. It also provides an insider's view of domestic politics and policy during Gorbachev's last year in power and Soviet developments leading up to the collapse of the USSR.

Why does religion exist? Why do people believe? Do all religions start with the same basic idea?These are some of the most fundamental and enduring questions we have about the mysteries of religion, and they may well hold the key to humankind’s future on this earth.In this adaptation of Pascal Boyer’s classic work exploring these concepts, Religion Explained, artist Joseph Béhé harnesses the power of comics to provide clear answers to the basic questions about why religion exists and why people believe.A distinguished scholar, Boyer drew from research in cognitive science, anthropology, psychology, and evolutionary biology to explore why religion exists and why the strength of human beliefs can drive us to be selfless sometimes and, at other times, to be fanatical and intolerant. His erudite book is rich with insight into the endless jumble of ideas that inform religious beliefs and practices across cultures. With detailed, illustrative drawings and carefully adapted prose, Béhé’s graphic novel brings a new perspective to Boyer’s work.An eminently accessible approach to the notoriously thorny topics of belief, cognition, humanity, and religion, And Mankind Created the Gods is a thoughtful, inspiring graphic novel that will further and broaden the conversation with which Boyer’s book engages.

Is there a distinctly Swedish national character? Are Swedes truly shy, unemotional, conflict-avoiding, melancholy, and dour? Swedish Mentality, the English translation of the hugely successful book published in Sweden in 1989, considers the reality behind the myth. The author, Åke Daun, is a respected ethnologist who is sometimes referred to as the "guru" of Swedish character. In recent years, it has become popular to discuss Swedishness and Swedish identity. The advent of the European Union and the increasing presence of immigrant refugees in Sweden have fueled public debate on the distinctiveness of Swedish culture. Daun, however, goes beyond stereotype, drawing upon statistics gathered over more than a decade of research. The result is an entertaining and engagingly written book. Throughout, Daun quotes from interviews with native Swedes and immigrants as well as from travel accounts, folklore, and proverbs. We learn why some Swedes might prefer to walk up a flight of stairs rather than share an elevator with a neighbor and why some gain satisfaction from walking alone in the woods or going fishing. Daun describes a range of factors influencing Swedish character, including population composition, rural background, and even climate. He recognizes behavioral variations related to gender, age, class, and region, and he considers subtleties of individual character as well.Swedish Mentality should interest a wide array of readers, whether of Swedish descent or not.

In antiquity, “son of god”—meaning a ruler designated by the gods to carry out their will—was a title used by the Roman emperor Augustus and his successors as a way to reinforce their divinely appointed status. But this title was also used by early Christians to speak about Jesus, borrowing the idiom from Israelite and early Jewish discourses on monarchy. This interdisciplinary volume explores what it means to be God’s son(s) in ancient Jewish and early Christian literature. Through close readings of relevant texts from multiple ancient corpora, including the Hebrew Bible, the New Testament, the Dead Sea Scrolls, Greco-Roman texts and inscriptions, early Christian and Islamic texts, and apocalyptic literature, the chapters in this volume engage a range of issues including messianism, deification, eschatological figures, Jesus, interreligious polemics, and the Roman and Jewish backgrounds of early Christianity and the authors of the Dead Sea Scrolls. The essays in this collection demonstrate that divine sonship is an ideal prism through which to better understand the deep interrelationship of ancient religions and their politics of kingship and divinity. In addition to the editors, the contributors to this volume include Richard Bauckham, Max Botner, George J. Brooke, Jan Joosten, Menahem Kister, Reinhard Kratz, Mateusz Kusio, Michael A. Lyons, Matthew V. Novenson, Michael Peppard, Sarah Whittle, and N. T. Wright.

The Hwa Yen school of Mahāyāna Buddhism bloomed in China in the 7th and 8th centuries A.D. Today many scholars regard its doctrines of Emptiness, Totality, and Mind-Only as the crown of Buddhist thought and as a useful and unique philosophical system and explanation of man, world, and life as intuitively experienced in Zen practice.For the first time in any Western language Garma Chang explains and exemplifies these doctrines with references to both oriental masters and Western philosophers. The Buddha's mystical experience of infinity and totality provides the framework for this objective revelation of the three pervasive and interlocking concepts upon which any study of Mahāyāna philosophy must depend.Following an introductory section describing the essential differences between Judeo-Christian and Buddhist philosophy, Professor Chang provides an extensive, expertly developed section on the philosophical foundations of Hwa Yen Buddhism dealing with the core concept of True Voidness, the philosophy of Totality, and the doctrine of Mind-Only. A concluding section includes selections of Hwa Yen readings and biographies of the patriarchs, as well as a glossary and list of Chinese terms.