George Sand – författare

Berättelsen om Consuelo utspelar sig i 1700-talets musikaliska kretsar. Consuelo är en italiensk sångerska vars händelserika liv tar henne till Venedig, Österrike och Böhmen. Romanen anses vara Georges Sands stora verk och Consuelo är, liksom andra karaktärer skapade av Georges Sand, frispråkig, livfull och entusiastisk. I originalöversättning av Mila Hallman Georges Sand blev mer uppmärksammad för sina kärlekshistorier än för sitt författarskap. Hon var dock en av Frankrikes mest tongivande röster och återkom till teman som kvinnlig frigörelse och kvinnors rätt till känslomässig och sexuell frihet. Detta retade gallfeber på de flesta manliga kritiker men hennes kvinnliga läsare inspirerades av Sands verk och hennes ovilja mot att marginaliseras på grund av sitt kön. -

Indiana (1831) is an absorbing and vivid romantic novel, set partly in provincial France, partly in Paris, and partly on a tropical island. It tells the story of a beautiful and innocent young woman, married at sixteen to a much older man. She falls passionately in love with a handsome, frivolous neighbour but discovers too late that his idea of love is quite different from her own. It is only after a series of painful experiences that she comes toappreciate the silent devotion of her loyal and protective cousin.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Indiana (1831) is an absorbing and vivid romantic novel, set partly in provincial France, partly in Paris, and partly on a tropical island. It tells the story of a beautiful and innocent young woman, married at sixteen to a much older man. She falls passionately in love with a handsome, frivolous neighbour but discovers too late that his idea of love is quite different from her own. It is only after a series of painful experiences that she comes to appreciate the silent devotion of her loyal and protective cousin. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Regarded as one of Sand's best novels, Lélia is an important document in the evolution of women's consciousness. Published in 1833, when Sand was 29, it stunned Victorians by advocating the same standard of morality for men and women and by suggesting that both the prostitute and the married woman were slaves to male desire. Sand also questioned monogamy, fidelity, and monastic celibacy. She later made an unsuccessful attempt to revise the book and to expunge its despair and skepticism. Although Sand wrote copiously, until recently only a handful of her books were available in English. This first English translation of Lélia is an excellent rendering, capturing the raptures, the mysticism, and the nineteenth-century flavor ot its eternally fascinating subject.

Set in the French countryside of George Sand’s childhood and narrated in the unique voice of a Berrichon peasant, La Petite Fadette is a beloved 1848 novel about identical twin brothers and Fadette, the mysterious waif with whom they both fall in love. The brothers, Landry and Sylvinet, belong to a highly respected farm family. When young Landry meets Fadette, whose very name suggests that she is a witch, he is captivated by the girl despite her lowly status and disreputable family. Sylvinet soon follows suit. Fadette’s relationship with the twins defies the patriarchal norms of French society as well as the expectations of the village, resulting in a tale of love, courage, and clever strategy winning out over superstition and prejudice.Often regarded as a simple country tale, Sand’s novel is layered with meaning, including subtle nods to the burgeoning desire for political and sexual equality in nineteenth-century France. This thoughtful critical translation by Gretchen van Slyke brings the complexity of the original story to life. Her introduction explores the autobiographical and political dimensions of the novel, and her translation preserves the rustic charm and archaic flavor of Sand’s language.An invaluable contribution to French literary studies and nineteenth-century literature studies, this new edition ensures that La Petite Fadette will be read by generations to come.

Set in the French countryside of George Sand’s childhood and narrated in the unique voice of a Berrichon peasant, La Petite Fadette is a beloved 1848 novel about identical twin brothers and Fadette, the mysterious waif with whom they both fall in love. The brothers, Landry and Sylvinet, belong to a highly respected farm family. When young Landry meets Fadette, whose very name suggests that she is a witch, he is captivated by the girl despite her lowly status and disreputable family. Sylvinet soon follows suit. Fadette’s relationship with the twins defies the patriarchal norms of French society as well as the expectations of the village, resulting in a tale of love, courage, and clever strategy winning out over superstition and prejudice.Often regarded as a simple country tale, Sand’s novel is layered with meaning, including subtle nods to the burgeoning desire for political and sexual equality in nineteenth-century France. This thoughtful critical translation by Gretchen van Slyke brings the complexity of the original story to life. Her introduction explores the autobiographical and political dimensions of the novel, and her translation preserves the rustic charm and archaic flavor of Sand’s language.An invaluable contribution to French literary studies and nineteenth-century literature studies, this new edition ensures that La Petite Fadette will be read by generations to come.

The Country Waif (Françoise le Champi) is the second of the three pastoral novels which rank along with George Sand's autobiographical writing as her finest work. Although simple in themselves, these tales have behind them much of the complex experience of her extraordinary life. As Mrs. Zimmerman writes in the introduction, they reflect Sand's "youthful romanticism, her later championing of the working classes, and her desire to record in fiction that was both poetic and factual the lives of the people and the region she knew best."Set in the countryside of the author's native province of Berry, The Country Waif tells the story of François, an orphan boy placed in a rural foster home, and Madeline, the miller's wife who befriends him. Sand's contemporary, Turgenev, wrote that it was "in her best manner, simple, true, affecting." The book has been admired by writers as diverse as Willa Cather (she found it "supremely beautiful") and André Malraux, who considered it a masterpiece.As well as examining the setting, language, and narrative mode of the novel, the introduction looks at Sand's life, in part from the feminist perspective, with attention to the sociopolitical background of the post-Napoleonic era, when Aurore Dudevant felt impelled to rebel against her status as a country wife and to become George Sand.

George Sand's The Seven Strings of the Lyre is a philosophical play written in poetic prose and never intended for perfomance on stage. Completed in 1838 during the early stages of Sand's romantic involvement with Frédéric Chopin, it is one of the very few treatments of the Faust legend by a woman. George Kennedy offers the first English translation of this work, along with an introduction that places the play in its philosophical and literary context.The Seven Strings of the Lyre is Sand's response to Goethe's Faust and a reflection of her views of music as developed in conversations with Chopin and Franz Liszt. Sand, unlike so many of her contemporaries, saw Goethe as a less-than-ideal poet. She criticized him for lacking ""enthusiasm, belief, and passion,"" and she faulted him for being a proponent of the art-for-art's-sake movement, which Sand deplored for its lack of social conscience.Sand's play describes the efforts of Mephistopheles to win the soul of Albertus, a teacher of philosophy and descendant of Faust. Regarding Goethe's Mephistopheles as insufficiently wicked, Sand conjures up a devil truly worthy of the epithet. For Faust, whom she considered too cold, Sand substitues the more emotional Albertus, whose despair that life and love have passed him by in his devotion to philosophy makes him vulnerable to the machinations of the devil. And in place of Goethe's village girl, Marguerite, or the dangerous Helen of the earlier Faust legend, Sand creates the angelic Helen, who awakens Albertus's love and teaches him the emotional and spiritual truths he had never learned from books.Richly philosophical and deeply romantic, the play is a reaction against eighteenth-century rationalism. It asserts the existence of some higher truth to be foud in music, poetry, and a sympathetic response to nature, but it also, contrary to the doctrine of art for art's sake, demands social responsibility from the artist. Sand believed that the arts should lead society to an awareness of truth, freedom, and the meaning of life, and The Seven Strings of the Lyre is an attempt to dramatize this belief.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

The first translation of The Countess von Rudolstadt in more than a century brings to contemporary readers one of George Sand's most ambitious and engaging novels, hailed by many scholars of French literature as her masterpiece. Consuelo, or the Countess von Rudolstadt, born the penniless daughter of a Spanish gypsy, is transformed into an opera star by the great maestro Porpora. Her peregrinations throughout Europe (especially Vienna, Berlin, and the Bohemian forest), become a quest undertaken on a number of levels: as a singer, as a woman, and as an unwilling subject of alienation and oppression.Sand's heroine moves through a mid-eighteenth-century Europe where absolute rulers mingle with Enlightenment philosophers and gender-bending members of secret societies plot moral and political revolution. As the old order breaks down, she undergoes a series of grueling initiations into radically redefined notions of marriage and social organization. In a novel by equal measures philosophical and lurid, nothing is what it seems. Written some fifty years after the French Revolution, the book taps into many of the political and religious currents that contributed to that social upheaval-and aims to channel their potential for future change.Fed by Sand's rich imagination and bold aspirations for social reform, The Countess von Rudolstadt is a sinuous novel of initiation, continuing the coming of age tale of the titular heroine of Sand's earlier Consuelo and drawing on such diverse models as Ann Radcliffe's Gothic tales and Goethe's Wilhelm Meister.

The first translation of The Countess von Rudolstadt in more than a century brings to contemporary readers one of George Sand's most ambitious and engaging novels, hailed by many scholars of French literature as her masterpiece. Consuelo, or the Countess von Rudolstadt, born the penniless daughter of a Spanish gypsy, is transformed into an opera star by the great maestro Porpora. Her peregrinations throughout Europe (especially Vienna, Berlin, and the Bohemian forest), become a quest undertaken on a number of levels: as a singer, as a woman, and as an unwilling subject of alienation and oppression.Sand's heroine moves through a mid-eighteenth-century Europe where absolute rulers mingle with Enlightenment philosophers and gender-bending members of secret societies plot moral and political revolution. As the old order breaks down, she undergoes a series of grueling initiations into radically redefined notions of marriage and social organization. In a novel by equal measures philosophical and lurid, nothing is what it seems. Written some fifty years after the French Revolution, the book taps into many of the political and religious currents that contributed to that social upheaval-and aims to channel their potential for future change.Fed by Sand's rich imagination and bold aspirations for social reform, The Countess von Rudolstadt is a sinuous novel of initiation, continuing the coming of age tale of the titular heroine of Sand's earlier Consuelo and drawing on such diverse models as Ann Radcliffe's Gothic tales and Goethe's Wilhelm Meister.

The author''s debut novel, inspired by her personal experiences, follows a passionate young woman stuck in a loveless, rigid marriage. Longing for emotional connection and escape, she finds herself drawn into a romantic affair that challenges societal expectations and forces her to confront her deepest desires and the consequences of defying convention.

Lucrezia Floriani, a worldly 30-year-old actress and the mother of 4 children with 3 different fathers, meets and falls in love with Prince Karol, a moody, introspective aristocrat.

Lucrezia Floriani, a worldly 30-year-old actress and the mother of 4 children with 3 different fathers, meets and falls in love with Prince Karol, a moody, introspective aristocrat.

A drama of loyalty and passion set against a Gothic background. This novel is said to have inspired Wuthering Heights.

A drama of loyalty and passion set against a Gothic background. This novel is said to have inspired Wuthering Heights.

This novel reverses the Abbe Prevost''s Manon Lescaut and gives Manon''s helplessly amoral character to a man, Leoni. Juliette, the girl he seduces, becomes the exponent of undying, endless, forgiving love. The setting is the demimonde of Venice, and the is thick with sinister figures whose influence drags the miserable lovers down.

This novel reverses the Abbe Prevost''s Manon Lescaut and gives Manon''s helplessly amoral character to a man, Leoni. Juliette, the girl he seduces, becomes the exponent of undying, endless, forgiving love. The setting is the demimonde of Venice, and the is thick with sinister figures whose influence drags the miserable lovers down.