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The invasion of Korea by Japanese troops in May of 1592 was no ordinary military expedition: it was one of the decisive events in Asian history and the most tragic for the Korean peninsula until the mid-twentieth century. Japanese overlord Toyotomi Hideyoshi envisioned conquering Korea, Ming China, and eventually all of Asia; but Korea's appeal to China's Emperor Wanli for assistance triggered a six-year war involving hundreds of thousands of soldiers and encompassing the whole region. For Japan, the war was ""a dragon's head followed by a serpent's tail"": an impressive beginning with no real ending.Kenneth M. Swope has undertaken the first full-length scholarly study in English of this important conflict. Drawing on Korean, Japanese, and especially Chinese sources, he corrects the Japan-centered perspective of previous accounts and depicts Wanli not as the self-indulgent ruler of received interpretations but rather one actively engaged in military affairs - and concerned especially with rescuing China's client state of Korea. He puts the Ming in a more vigorous light, detailing Chinese siege warfare, the development and deployment of innovative military technologies, and the naval battles that marked the climax of the war. He also explains the war's repercussions outside the military sphere - particularly the dynamics of intraregional diplomacy within the shadow of the Chinese tributary system.What Swope calls the First Great East Asian War marked both the emergence of Japan's desire to extend its sphere of influence to the Chinese mainland and a military revival of China's commitment to defending its interests in Northeast Asia. Swope's account offers new insight not only into the history of warfare in Asia but also into a conflict that reverberates in international relations to this day.

WINNER OF THE WOMEN'S PRIZE FOR FICTION 2010ONE MILLION COPIES SOLDEva never really wanted to be a mother; certainly not the mother of a boy named Kevin who murdered seven of his fellow high school students, a cafeteria worker and a teacher who had tried to befriend him. Now, two years after her son's horrific rampage, Eva comes to terms with her role as Kevin's mother in a series of startlingly direct correspondences with her absent husband Franklyn about their son's upbringing. Fearing that her own shortcomings may have shaped what her son has become, she confesses to a deep, long-standing ambivalence about motherhood. How much is her fault? In Lionel Shriver's hands this sensational, chilling and memorable story of a woman who raised a monster becomes a metaphor for the larger tragedy - the tragedy of a country where everything works, nobody starves, and anything can be bought but a sense of purpose.

With an introduction by Lynne Tillman'The last literary outlaw in mainstream American fiction' Bret Easton EllisPhysically beautiful and strangely passive, George Miles attracts his fellow students' attention, like a wallet lying on the street. One after another, his teenage friends rifle through George, ransacking him for love, secrets or anything else they can plausibly extract.Closer follows the subterranean connections that drag George into the arms of men like John, an artist who drains his portraits of humanity in order to find what lies beneath; Alex, fascinated by splatter films and pornography; and Steve, an underground entrepreneur who turns his parents' garage into a nightclub. Boys and men pass George from hand to hand, fascinated by the nightmarish intensity of his detachment, but soon he will be confronted by desires he may find harder to endure. Closer is an unflinching exploration of the very limits of experience. Still shocking after more than two decades, here is a provocative classic that assaults the senses as it engages the mind.

The cult classic novel from the author of Climbers and The Sunken Land Begins to Rise AgainWith an introduction by bestselling author of Our Wives Under the Sea, Julia Armfield'A more grown-up version of The Secret History' LUCY SCHOLES'A groundbreaking work' GUARDIAN 'The best literary fiction out now' DAILY MAIL 'Gloriously intelligent and beautifully written' INDEPENDENT On a hot May night, three Cambridge students carry out a ritualistic act that changes their lives. Decades later, none of the participants can remember what transpired; but their clouded memories bind them together. Unable to move on, Pam Stuyvesant has epilepsy and is plagued by sensual visions. Her husband Lucas believes that a dwarfish creature is stalking him, and invents histories to soothe Pam's fears. Self-styled Sorcerer Yaxley becomes obsessed with a terrifyingly transcendent reality. The narrator is seemingly the least effected participant in the ritual: he is haunted by the smell of roses, and his guilt as he attempts to help his friends escape the torment that has engulfed their lives. Strange, dreamlike and moving, The Course of the Heart is an examination of the edges of humanity where we lie, hide, hurt and heal.'A spare textual elegance and closure-denying restraint that impresses and fulfils' IAIN BANKS

David Toop's extraordinary work of sonic history travels from the rainforests of Amazonas to the megalopolis of Tokyo via the work of artists as diverse as Brian Eno, Sun Ra, Erik Satie, Kate Bush, Kraftwerk and Brian Wilson. Beginning in 1889 at the Paris exposition when Debussy first heard Javanese music performed, Ocean of Sound channels the competing instincts of 20th century music into an exhilarating, path-breaking account of ambient sound. 'A meditation on the development of modern music, there's no single term that is adequate to describe what Toop has accomplished here ... mixing interviews, criticism, history, and memory, Toop moves seamlessly between sounds, styles, genres, and eras' Pitchfork's '60 Favourite Music Books'

One of Elena Ferrante's Top 40 Best Books by Women'One of my all time favourites' ELIZA CLARKErika Kohut teaches piano at the Vienna Conservatory by day. By night she trawls the city's porn shows while her mother, whom she loves and hates in equal measure, waits up for her. Into this emotional pressure-cooker bounds music student and ladies' man Walter Klemmer.With Walter as her student, Erika spirals out of control, consumed by the ecstasy of self-destruction. A haunting tale of morbid voyeurism and masochism, The Piano Teacher, first published in 1983, is Elfreide Jelinek's Masterpiece.Jelinek was awarded the Nobel Prize For Literature in 2004 for her 'musical flow of voices and counter-voices in novels and plays that, with extraordinary linguistic zeal, reveal the absurdity of society's clichés and their subjugating power.The Piano Teacher was adapted into an internationally successful film by Michael Haneke, which won three major prizes at Cannes, including the Grand Prize and Best Actress for Isabelle Huppert.

First published privately in 1929 as The Middle Parts of Fortune, Her Privates We is the novel of the Battle of the Somme told from the perspective of Bourne, an ordinary private. A raw and shockingly honest portrait of men engaged in war, 'that peculiarly human activity', the original edition was subject to 'prunings and excisions' because the bluntness of language was thought to make the book unfit for public distribution. This edition restores them. An undisputed classic of war writing and a lasting tribute to all who participated in the war, Her Privates We was originally published as written by 'Private 19022'. Championed by Ernest Hemingway, Ezra Pound, TS Eliot and TE Lawrence, it has become recognised as a classic in the seventy years since its first publication. Now republished, with an introduction by William Boyd, it will again amaze a new generation of readers with its depiction of the horror, the ordinariness and the humanity of war.

Eva never really wanted to be a mother; certainly not the mother of the unlovable boy who murdered seven of his fellow high school students, a cafeteria worker and a teacher who tried to befriend him. Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood and Kevin's horrific rampage in a series of startlingly direct correspondences with her absent husband, Franklyn. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails.

Her name is not Nina, but that's the name she uses sometimes. At her local bar, in the carpark with her tricks, when she needs to score.She doesn't really need the money. But it lays bare the truth of each loveless transaction. Still living at home, each chance encounter is a route to escape the tedium of her sheltered, suburban existence. One day a man takes her home to meet his beautiful, unhappy wife, Ingrid. She knows she should leave, but instead becomes drawn ever deeper into their games, her suspicions of the terrible secrets they keep mounting with each visit. Caught in a web of fear, intrigue and desire, she will end up in more trouble than she ever bargained for.Told with perfect restraint and the iciest detachment, Notice is the sickeningly addictive story of a woman on the edge, who does not know how much further yet she could fall. A stark, relentless exploration of power and pursuit, this provocative cult classic will lead you on an unforgettable journey into pitch darkness.

In Oe's masterpiece of the human condition and family psychology, estranged brothers Mitsusaburo and Takashi have long since left their family home in a remote forested valley on Shikoku, in the south of Japan: Mitsusaburo for work in Tokyo; his younger brother Takashi for the United States, to atone for his part in anti-American student protests. Takashi's return to Japan coincides with a local Korean supermarket magnate's offer to buy the brothers' ancestral storehouse, pitting the brothers against one another and dredging up family histories best forgotten.The Silent Cry is the most important Japanese novel of the post-war period and a strange, unsettling tale of how the call of blood and history echoes down the generations.

Until his death aged thirty-three in 1982, Lester Bangs wrote wired, rock 'n' roll pieces on Iggy Pop, The Clash, John Lennon, Kraftwerk, Lou Reed. As a rock critic, he had an eagle-eye for distinguishing the pre-packaged imitation from the real thing; written in a conversational, wisecracking, erotically charged style, his hallucinatory hagiographies and excoriating take-downs reveal an iconoclast unafraid to tell it like it is. To his journalism he brought the talent of a great a renegade Beat poet, and his essays, reviews and scattered notes convey the electric thrill of a music junky indulging the habit of a lifetime. As Greil Marcus writes in his introduction, 'What this book demands from a reader is a willingness to accept that the best writer in America could write almost nothing but record reviews.'

Peter Jernigan's life is slipping out of control. His wife's gone, he's lost his job and he's a stranger to his teenage son. Worse, his only relief from all this reality - alcohol - is less effective by the day. And when the medicine doesn't work, you up the dose. And when that doesn't work, what then? (Apart from upping the dose again anyway, because who knows?)Jernigan's answer is to slowly turn his caustic wit on everyone around him - his wife Judith, his teenage son Danny, his vulnerable new girlfriend Martha and, eventually, himself - until the laughs have turned to mute horror. But while he's busy burning every bridge back to the people who love him, Jernigan's perverse charisma keeps us all in thrall to the bitter end.Shot through with gin and irony, Jernigan is a funny, scary, mesmerising portrait of a man walking off the edge with his eyes wide open - wisecracking all the way.

A memoir from a man present at the birth of modern rock and the author of And the Roots of Rhythm Remain, praised by Robert Plant, Brian Eno and more'From Dylan to Pink Floyd, Boyd was there and can remember it all' Daily ExpressWhen Muddy Waters came to London in the early '60s, Joe Boyd was his tour manager. When Dylan went electric at the Newport Festival, Joe Boyd was plugging in his guitar. When it was the summer of love, Joe Boyd was running the coolest club in London, the UFO. When a bunch of club regulars called Pink Floyd recorded their first single, Joe Boyd was the producer. When a young songwriter named Nick Drake wanted to give his demo tape to someone, he chose Joe Boyd.More than any previous '60s music autobiography, Joe Boyd's White Bicycles offers the real story of what it was like to be there at the time. As well as the '60s heavy-hitters, this book also offers wonderfully vivid portraits of a whole host of other musicians. His greatest coup is bringing to life the famously elusive figure of Nick Drake - the first time he's been written about by anyone who knew him well.'Profound ... and beyond' Robert Plant

The 25th anniversary edition of Michelle Tea's classic coming-of-age story, now with a foreword by Maggie Nelson, award-winning author of The Argonauts'Hilarious, euphoric, perspicacious and punk - the book that showed so many of us how writing can be real' Jeremy Atherton Lin, author of Gay Bar'One of the few truly life changing books I've encountered' Torrey Peters, bestselling author of Detransition, BabyFleeing Tucson and her troublesome on-and-off ex-girlfriend, Michelle lands in queer San Francisco's riotous underbelly, stumbling through her early twenties in a haze of nightlife, drug adventures, scams and a string of hookups, break-ups and make-ups. As butches and dykes spin in and out of her orbit, she considers the force and casual cruelty of their desires and her own. Heady, beer-sticky and brimming with life, Valencia is a sharply observed and piercingly funny chronicle of a year lived close to the bone. 'If you want to know how dangerous and great and awful it is to be a girl, you'll scarf Valencia right up' Eileen Myles, author of Chelsea Girls'Michelle Tea is an intoxicating writer, delivering sentences that land with the snap and force of a punch' Guardian

Remo Erdosain's Buenos Aires is a dim, seething, paranoid hive of hustlers and whores, scoundrels and madmen, and Erdosain feels his soul is as polluted as anything in this dingy city. Possessed by the directionlessness of the society around him, trapped between spiritual anguish and madness, he clings to anything that can give his life meaning: small-time defrauding of his employers, hatred of his wife's cousin Gregorio Barsut, a part in the Astrologer's plans for a new world order... but is that enough? Or is the only appropriate response to reality - insanity?Written in 1929, The Seven Madmen depicts an Argentina on the edge of the precipice. This teeming world of dreamers, revolutionaries and scheming generals was Arlt's uncanny prophesy of the cycle of conflict which would scar his country's passage through the twentieth century, and even today it retains its power as one of the great apocalyptic works of modern literature.

'Fuelled with energy, drama and emotional weight, combined with a light touch and a fast-moving story. Grab it while you can' TIMES, Best Rediscovered Books'Acknowledged as Holland's finest novelist' GUARDIAN'Mulisch is a rarity ... an instinctively psychological novelist' JOHN UPDIKEIn the bitter final months of the Second World War, the body of a Dutch Nazi collaborator is found on the doorstep of an ordinary family home. The repercussions are complex and terrible: the family is killed and the house burned to the ground; only the twelve-year-old son, Anton, survives. Following Anton as he reckons with this trauma through his life, The Assault is a powerful excavation of resistance and the collateral damage wrought on innocent people in times of war.A runaway bestseller that sold 200,000 copies on first publication, this is a classic of Dutch literature from one of the greatest European writers of his time.With an introduction by Thomas Harding, author of Hanns and Rudolf

WINNER OF THE WOMEN'S PRIZE FOR FICTION 2005ONE MILLION COPIES SOLDEva never really wanted to be a mother; certainly not the mother of a boy named Kevin who murdered seven of his fellow high school students, a cafeteria worker and a teacher who had tried to befriend him. Now, two years after her son's horrific rampage, Eva comes to terms with her role as Kevin's mother in a series of startlingly direct correspondences with her absent husband Franklyn about their son's upbringing. Fearing that her own shortcomings may have shaped what her son has become, she confesses to a deep, long-standing ambivalence about motherhood. How much is her fault? In Lionel Shriver's hands this sensational, chilling and memorable story of a woman who raised a monster becomes a metaphor for the larger tragedy - the tragedy of a country where everything works, nobody starves, and anything can be bought but a sense of purpose.

Part Two of the critically acclaimed Red Riding seriesNow a Netflix series that is 'better than The Godfather' (Telegraph) - featuring a star-studded cast including Andrew Garfield, Sean Bean, Paddy Considine and Rebecca HallIf you thought fiction couldn't get darker than David Peace's extraordinary debut, 1974, then think again. 1977, the second instalment of the Red Riding series, is one long nightmare. Its heroes - the half decent copper Bob Fraser and the burnt-out hack Jack Whitehead - would be considered villains in most people's books. Fraser and Whitehead have one thing in common though, they're both desperate men dangerously in love with Chapeltown prostitutes.And as the summer moves remorselessly towards the bonfires of Jubilee Night, the killings accelerate and it seems as if Fraser and Whitehead are the only men who suspect or care that there may be more than one killer at large. Out of the horror of true crime, David Peace has fashioned a work of terrible beauty. Like James Ellroy before him, David Peace tells us the true and fearsome secret history of our times.