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Three official languages have emerged in the Balkan region that was formerly Yugoslavia: Croatian in Croatia, Serbian in Serbia, and both of these languages plus Bosnian in Bosnia-Herzegovina. Bosnian, Croatian, Serbian, a Textbook introduces the student to all three. Dialogues and exercises are presented in each language, shown side by side for easy comparison; in addition, Serbian is rendered in both its Latin and its Cyrillic spellings. Teachers may choose a single language to use in the classroom, or they may familiarize students with all three. This popular textbook is now revised and updated with current maps, discussion of a Montenegrin language, advice for self-study learners, an expanded glossary, and an appendix of verb types. It also features:All dialogues, exercises, and homework assignments available in Bosnian, Croatian, and SerbianClassroom exercises designed for both small-group and full-class work, allowing for maximum oral participationReading selections written by Bosnian, Croatian, and Serbian authors especially for this bookVocabulary lists for each individual section and full glossaries at the end of the bookA short animated film, on an accompanying DVD, for use with chapter 15Brief grammar explanations after each dialogue, with a cross-reference to more detailed grammar chapters in the companion book, Bosnian, Croatian, Serbian, a Grammar.

An Intellectual History of Psychology, already a classic in its field, is now available in a concise third edition. It presents psychological ideas as part of a greater web of thinking throughout history about the essentials of human nature, interwoven with ideas from philosophy, science, religion, art, literature, and politics.Daniel N. Robinson demonstrates that from the dawn of rigorous and self-critical inquiry in ancient Greece, reflections about human nature have been inextricably linked to the cultures from which they arose, and each definable historical age has added its own character and tone to this long tradition. An Intellectual History of Psychology not only explores the most significant ideas about human nature from ancient to modern times, but also examines the broader social and scientific contexts in which these concepts were articulated and defended. Robinson treats each epoch, whether ancient Greece or Renaissance Florence or Enlightenment France, in its own terms, revealing the problems that dominated the age and engaged the energies of leading thinkers.Robinson also explores the abiding tension between humanistic and scientific perspectives, assessing the most convincing positions on each side of the debate. Invaluable as a text for students and as a stimulating and insightful overview for scholars and practicing psychologists, this volume can be read either as a history of psychology in both its philosophical and aspiring scientific periods or as a concise history of Western philosophy's concepts of human nature.

Geography is useful, indeed necessary, to survival. Everyone must know where to find food, water, and a place of rest, and, in the modern world, all must make an effort to make the Earth—our home—habitable. But much present-day geography lacks drama, with its maps and statistics, descriptions and analysis, but no acts of chivalry, no sense of quest. Not long ago, however, geography was romantic. Heroic explorers ventured to forbidding environments—oceans, mountains, forests, caves, deserts, polar ice caps—to test their power of endurance for reasons they couldn't fully articulate. Why climb Everest? ""Because it is there.""Yi-Fu Tuan has established a global reputation for deepening the field of geography by examining its moral, universal, philosophical, and poetic potentials and implications. In his twenty-second book, Romantic Geography, he continues to engage the wide-ranging ideas that have made him one of the most influential geographers of our time. In this elegant meditation, he considers the human tendency—stronger in some cultures than in others—to veer away from the middle ground of common sense to embrace the polarised values of light and darkness, high and low, chaos and form, mind and body. In so doing, venturesome humans can find salvation in geographies that cater not so much to survival needs (or even to good, comfortable living) as to the passionate and romantic aspirations of their nature. Romantic Geography is thus a paean to the human spirit, which can lift us to the heights but also plunge us into the abyss.

Deeper Ground, Darker Shadows is the memoir of Eddie L. Quitoriano, who grew up in a rural part of the Philippine island of Mindanao and eventually became one of the top organizers of the Communist Party of the Philippines (CPP) and commander of the party’s New People’s Army (NPA). Coming to political consciousness as a university student, Quitoriano chooses revolution over the priesthood and embarks on a life of unforeseen danger. Sent abroad as an envoy to seek military assistance from sympathetic governments and other radical factions, he travels from the Sandinistas in Nicaragua to Syria, Libya, North Korea, Peru, Brazil, and Yugoslavia. Quitioriano finds revolutionary life thrilling but dangerous, with secretly arranged meetings and drops, doctored passports, and hastily planned plastic surgery. He wrestles with the global implications of his work, experiences daily struggles to survive in always-changing political circumstances, and is profoundly human in his love and concern for the family he has left behind in the Philippines. What emerges is a view of international revolutionary movements that only an insider could write. Quitoriano provides an essential and unique missing piece of twentieth-century Philippine and leftist history. The book includes a critical introduction by Patricio N. Abinales and Francisco J. Lara Jr., situating Quitoriano’s story within the larger context of Southeast Asian political history, as well as a foreword by Patricia G. Steinhoff.

James Bradley Wells shares his poet’s soul and scholar’s eye in this thought-provoking new translation of two of Vergil’s early works, the Eclogues and Georgics. With its emphasis on a natural rather than stylized rhythm, Eclogues and Georgics honors the original spirit of ancient Roman poetry as both a written and performance-based art form.The accompanying introductory essays situate both sets of poems in a rich literary tradition. Wells provides historical context and literary analysis of these two works, eschewing facile interpretations of these oft examined texts and ensconcing them in the society and culture from which they originated.  The translations in Eclogues and Georgics are augmented with annotated essays, a pronunciation guide, and a glossary. These supplementary materials, alongside Wells’s bold vision for what translation choices can reveal, promote radically democratizing access for readers with an interest in classics or poetry.

As a founder of the Sierra Club and a promoter of the national parks, as a passionate nature writer and as a principle figure of the environmental movement, John Muir stands as a powerful symbol of connection with the natural world. But how did Muir's relationships with nature begin? In this book, Steven J. Holmes offers an interpretation of Muir's formative years, one that reveals the agony as well as the of his earliest experiences of nature. From his childhood in Scotland and Wisconsin through young adulthood in the Midwest and Canada, Muir struggled - often without success - to find a place for himself both in nature and in society. Far from granting comfort, the natural world confronted the young Muir with a full range of practical, emotional and religious conflicts. Only with the help of his family, religion, and the power of nature itself could Muir, in his late 20s, find a welcoming vision of nature as home.

On the Brink of the Precipice, the first volume of the trilogy The Tree of Life, describes the lives of the novel's ten protagonists in the Lodz Ghetto before the outbreak of World War II. The author, herself a survivor of the Lodz Ghetto, Auschwitz, and Bergen-Belsen, creates realistic characters who struggle daily to retain a sense of humanity and dignity.

This volume describes the lives of the novel's protagonists in the Lodz Ghetto at the beginning of World War II. Chava Rosenfarb, herself a survivor of the Lodz Ghetto, Auschwitz, and Bergen-Belsen, draws on her own history to create realistic characters who struggle daily to retain a sense of humanity and dignity despite the physical and psychological effects of ghetto life. Although horrendous experiences are depicted, the light of faith in the human spirit shines through this novel's every page. This novel is the winner of the 1972 J. J. Segal Prize and the 1979 Manger Prize for Yiddish Literature, published in 1985, Cloth, English-language edition, Globe Press, Australia.

The third and final volume in this powerful trilogy, ""The Cattle Cars are Waiting"" follows the tragic fate of the inhabitants of the ghetto. Chava Rosenfarb, herself a survivor of the Lodz Ghetto, Auschwitz, and Bergen-Belsen, draws on her own history to create characters who struggle daily to retain a sense of humanity and dignity despite the physical and psychological effects of ghetto life. Although the novel depicts horrendous experiences, the light of faith in the human spirit shines through every page.

“A History of Fascism is an invaluable sourcebook, offering a rare combination of detailed information and thoughtful analysis. It is a masterpiece of comparative history, for the comparisons enhance our understanding of each part of the whole. The term ‘fascist,’ used so freely these days as a pejorative epithet that has nearly lost its meaning, is precisely defined, carefully applied and skillfully explained. The analysis effectively restores the dimension of evil.”—Susan Zuccotti, The Nation“A magisterial, wholly accessible, engaging study. . . . Payne defines fascism as a form of ultranationalism espousing a myth of national rebirth and marked by extreme elitism, mobilization of the masses, exaltation of hierarchy and subordination, oppression of women and an embrace of violence and war as virtues.”—Publishers Weekly

First published in 1975, The Nationalization of the Masses is George L. Mosse’s major statement about political symbols and the means of their diffusion. Focusing on Germany and, to a lesser degree, France and Italy, Mosse analyzes the role of symbols in fueling mass politics, mass movements, and nationalism in a way that is broadly applicable and as relevant today as it was almost fifty years ago. In this analysis Mosse introduces terms like “secular religion,” “political liturgy,” “national mystique,” “the new politics,” and “the aesthetics of politics” that are now standard in studies of nationalism and fascism, demonstrating the importance of his cultural, anthropologically informed lens to contemporary discourse. This new edition contains a critical introduction by Victoria de Grazia, Moore Collegiate Professor of History at Columbia University, contextualizing Mosse’s research and exploring its powerful influence on subsequent generations of historians.

In 1904 a young Danish woman met a Sami wolf hunter on a train in Sweden. This chance encounter transformed the lives of artist Emilie Demant and the hunter, Johan Turi. In 1907–8 Demant went to live with Sami families in their tents and on migrations, later writing a lively account of her experiences. She collaborated with Turi on his book about his people. On her own and later with her husband Gudmund Hatt, she roamed on foot through Sami regions as an ethnographer and folklorist. As an artist, she created many striking paintings with Sami motifs. Her exceptional life and relationships come alive in this first English-language biography.In recounting Demant Hatt's fascinating life, Barbara Sjoholm investigates the boundaries and influences between ethnographers and sources, the nature of authorship and visual representation, and the state of anthropology, racial biology, and politics in Scandinavia during the first half of the twentieth century.

The first sustained study of Leopold's seminal book as well as a work of art, philosophy, and social commentary.

A collection of 59 essays aiming to demonstrate the thinking and development of Aldo Leopold, who propelled the US conservation movement from garden to government agencies. He was one of the first to recognize the importance of ecology while it was emerging as a new scientific discipline.

Lavinia is accomplished, independent, and fiercely modern. She is also sheltered and self-involved, until the spirit of an Indian woman warrior enters her being. Then she dares to join a revolutionary movement against a violent dictator and finds the courage to act.

Our National Parks is a guidebook supreme, an exciting introduction to Yosemite and several other magnificent parks by the man who, more than any other person, helped create them. After this fast-paced trip with Muir, past visitors to the parks will want to revisit them with new insights, and those who have never wandered these trails will not rest until they have done so.The book was originally published in 1901, its ten essays having previously appeared as articles in the Atlantic Monthly. Muir wrote them with a single purpose—to entice people, by his descriptions, to come to the parks, to see and enjoy them. If enough people did so, reasoned Muir, they would surely love the wilderness as he did, and the parks would be preserved.Muir carried out his public relations mission with remarkable success. Every page of this book carries his unbridled and irresistible enthusiasm. Our National Parks is part reminiscence, part philosophy, and mostly enticing description. It is all vintage Muir.Although the book treats Yellowstone, Sequoia, General Grant, and other national parks of the Western U.S., Muir devotes the bulk of the work to his first love—Yosemite, settled into the heart of the Sierra Nevada. The concluding essay is an impassioned plea to save American forests.All visitors to the great western national parks—and all who will one day visit them—will be captivated by Muir's descriptions. The grandeur of this wilderness is reflected in the very spirit of John Muir. Both shine through every page of this remarkable book. Richard F. Fleck's introduction and Todd Johnson's foreword for the 125th anniversary edition place Muir's life and legacy in the environmental movement of the United States in context and reveal how our need for nature and our responsibility to public lands remain as important as ever.

Our National Parks is a guidebook supreme, an exciting introduction to Yosemite and several other magnificent parks by the man who, more than any other person, helped to create them. After this fast-paced trip with Muir, past visitors to the parks will want to revisit them with new insights, and those who have never wandered these trails will not rest until they have done so.The book, long out of print, was originally published in 1901, its ten essays having previously appeared as articles in the Atlantic Monthly. Muir wrote them with a single purpose—to entice people, by his descriptions, to come to the parks, to see and enjoy them. If enough people did so, reasoned Muir, they would surely love the wilderness as he did, and the parks would be preserved.Muir carried out his public relations mission with remarkable success. Every page of this book carries his unbridled and irresistible enthusiasm. Our National Parks is part reminiscence, part philosophy, and mostly enticing description. It is all vintage Muir.Although the book treats Yellowstone, Sequoia, General Grant, and other national parks of the Western U.S., Muir devotes the bulk of the work to his first love—Yosemite, settled into the heart of the Sierra Nevada. Indeed, six of the book’s chapters are devoted to Yosemite, treating the forests, wild gardens, fountains and streams, animals, and birds of the park. The concluding essay is an impassioned plea to save American forests.All visitors to the great western national parks—and all who will one day visit them—will be captivated by Muir’s descriptions. The grandeur of this wilderness is reflected in the very spirit of John Muir. Both shine through every page of this remarkable book.

This is a collection of articles written by the pioneering naturalist for the San Francisco Evening Bulletin in 1874 and 1875. . . . In the course of his wanderings we hear Muir grow from a student of the wilderness to its professor and protector."--Sierra Magazine

Never before or since have animals played as significant a role in German history as they did during the Third Reich. Potato beetles and silkworms were used as weapons of war, pigs were used in propaganda, and dog breeding served the Nazis as a model for their racial theories. Paradoxically, some animals were put under special protection while some humans were simultaneously declared unworthy of living. Ultimately, the ways in which Nazis conceptualized and used animals—both literally and symbolically—reveals much about their racist and bigoted attitudes toward other humans.  Drawing from diaries, journals, school textbooks, and printed propaganda, J.W. Mohnhaupt tells these animals’ stories vividly and with an eye for everyday detail, focusing each chapter on a different facet of Nazism by way of a specific animal species: red deer, horses, cats, and more. Animals under the Swastika illustrates the complicated, thought-provoking relationship between Nazis and animals.

Somewhere in Germany is the sequel to the acclaimed ""Nowhere in Africa"", which was turned into the Oscar-winning film of the same name. This novel traces the return of the Redlich family to Germany after their nine-year exile in Kenya during World War II. In Africa, Walter had longed for his homeland and dreamed of rebuilding his life as a lawyer, yet ultimately he and his family - wife Jettel, daughter Regina, and baby Max - realize that Germany seems as exotic and unwelcoming to them in 1947 as Kenya had seemed in 1938. Hunger and desperation are omnipresent in bombed-out Frankfurt, and this Jewish family - especially Regina, who misses Africa the most - has a hard time adjusting to their new circumstances. Yet slowly the family adapts to their new home amidst the ruins. In Frankfurt, Regina matures into a woman and, though her parents want her to marry an upstanding Jewish man, her love life progresses in its own idiosyncratic fashion. She develops a passion for art and journalism and begins her professional career at a Frankfurt newspaper. Walter at last finds professional success as a lawyer, but never quite adjusts to life in Frankfurt, recalling with nostalgia his childhood in Upper Silesia and his years in Africa. Only his son Max truly finds what Walter had hoped for: a new homeland in Germany. Although the Redlichs receive kindness from strangers, they also learn anti-Semitism still prevails in post-Nazi Germany. They partake in the West German ""economic miracle"" with their own home, a second-hand car, and the discovery of television, but young Max's discovery of the Holocaust revives long-buried memories. Rich in memorable moments and characters, this novel portrays the reality of postwar German society in vivid and candid detail.

Until the advent of glasnost began to lift censorship in the Soviet Union in the mid-1980s, it was impossible for Russians in Russia to truthfully depict their own struggle against Nazi Germany. Even before World War II was over, the Soviet propaganda machine began to construct an official story: through enormous sacrifice, the Soviet people had gloriously freed themselves and the world from fascism, raising the hammer and sickle higher than ever on the ruins of Hitler's imperialist dreams. In Stalin, the Russians, and Their War, however, Marius Broekmeyer presents the testimony of Russian participants, eyewitnesses, and historians of World War II to reveal not a heroic struggle, but a war marred by catastrophes, errors, and lies. These testimonies openly discuss subjects omitted from official Soviet propaganda or glossed over in popular Western histories of the Allied victory in WWII - from purges within the Red Army and Soviet use of ""punitive brigades"" to the deployment of millions of poorly-equipped soldiers to the front lines.

A rich multivoiced anthology of folktales, legends, joik songs, proverbs, riddles, and other verbal art, this is the most comprehensive collection of Sámi oral tradition available in English to date. Collected by August V. Koskimies and Toivo I. Itkonen in the 1880s from nearly two dozen storytellers from the arctic Aanaar (Inari) region of northeast Finland, the material reveals a complex web of social relations that existed both inside and far beyond the community.First published in 1918 only in the Aanaar Sámi language and in Finnish, this anthology is now available in a centennial English-language edition for a global readership. Translator Tim Frandy has added biographies of the storytellers, maps and period photos, annotations, and a glossary. In headnotes that contextualize the stories, he explains such underlying themes as Aanaar conflicts with neighboring Sámi and Finnish communities, the collapse of the wild reindeer populations less than a century before, and the pre-Christian past in Aanaar. He introduces us to the bawdy humor of Antti Kitti, the didacticism of Iisakki Mannermaa, and the feminist leanings of Juho Petteri Lusmaniemi, emphasizing that folktales and proverbs are rooted in the experiences of individuals who are links in a living tradition.

Counterculture icon and best-selling author of the anti-authoritarian novels One Flew Over the Cuckoo's Nest and Sometimes a Great Notion, Ken Kesey said he was ""too young to be a beatnik and too old to be a hippie."" It's All a Kind of Magic is the first biography of Kesey. It reveals a youthful life of brilliance and eccentricity that encompassed wrestling, writing, magic and ventriloquism, CIA-funded experiments with hallucinatory drugs, and a notable cast of characters that would come to include Wallace Stegner, Larry McMurtry, Tom Wolfe, Neal Cassady, Timothy Leary, the Grateful Dead, and Hunter S. Thompson.A child of the Depression, Kesey was born in 1935 to a migrant farming family that settled in Oregon during World War II. Based on meticulous research and many interviews with friends and family, Rick Dodgson's biography documents Kesey's early life, from his time growing up in Oregon as a farm boy and wrestling champion through his college years, his first drug experiences, and the writing of his most famous books. While a graduate student in creative writing at Stanford University in the late 1950s and early 1960s, Kesey worked the night shift at the Menlo Park Veterans Administration hospital, where he earned extra money taking LSD and other psychedelic drugs for medical studies. Soon he and his bohemian crowd of friends were using the same substances to conduct their own experiments, exploring the frontiers of their minds and testing the boundaries of their society. With the success of One Flew Over the Cuckoo's Nest, Kesey moved to La Honda, California, in the foothills of San Mateo County, creating a scene that Hunter S. Thompson remembered as the ""world capital of madness."" There, Kesey and his growing band of Merry Prankster friends began hosting psychedelic parties and living a ""hippie"" lifestyle before anyone knew what that meant. Tom Wolfe's book The Electric Kool-Aid Acid Test mythologised Kesey's adventures in the 1960s.Illustrated with rarely seen photographs, It's All a Kind of Magic depicts a precocious young man brimming with self-confidence and ambition who—through talent, instinct, and fearless spectacle—made his life into a performance, a wild magic act that electrified American and world culture.

After labouring in Germany for thirty years, HÜseyin uses his hard-earned savings to purchase a sunny and spacious flat in Istanbul, envisioning the joys of retirement in his home country with his wife, Emine, by his side. But in a cruel twist of fate, he dies of a heart attack on the day he moves in. As HÜseyin’s children and wife travel to Turkey for his funeral, the novel explores their lives and dreams: a teenage son struggling to embrace his sexuality; a college-educated daughter desperate to align conflicting facets of her identity; a first-born son racialized and profiled all his life, forced to perform a role he could not choose for himself; a daughter left behind in rural Turkey who dreams of recapturing her family’s love after joining them in Germany as a teenager; and a mother unable to break free from the cycles of violence that have defined her.In this epic tale, Fatma Aydemir explores the lives of characters who could not be more different from one another—except in their insatiable desires to be understood. Rather than a seamless narrative, the novel circles around suppressed memories, unspoken trauma, and buried pasts. Turning expectations and stereotypes of the immigrant experience on their side, Aydemir shows how we all grapple with power and beauty, the holes in our lives, and the demons that hover just out of sight.This title is not for sale in the UK & Ireland

These are the first comprehensive learning materials after the breakup of the former Yugoslavia and the emergence of three component languages, Bosnian, Croatian, and Serbian. The textbook and the grammar can be used separately or together, while the audio materials are designed to supplement the textbook. Each of the three items is sold separately.The audio supplement CD offers audio recordings of all dialogues in Bosnian, Croatian, and Serbian.

This volume explores historical, political, social, diplomatic, and economic aspects of the Yugoslav idea—"Yugoslavism"—between the creation of the nation in 1918 and its dissolution in the early 1990s. The key theme that emerges is that Yugoslavism was a fluid concept, understood differently at different times by various leaders, social groups, and the member states that comprised Yugoslavia. There never was a single definition of who and what was (or was not) "Yugoslav," and this contributed to the ultimate failure of the Yugoslav idea and the Yugoslav state. These essays, by scholars from the former Yugoslavia and from the West, look at the interplay of the states and peoples of Yugoslavia and at the roles played by intellectuals, leaders, and institutions, both secular and religious.

A bestseller in Germany, Michael Wieck's account of his childhood in Konigsberg recalls a German city obliterated by fire-bombing during the Second World War. As the child of a Jewish mother and Gentile father, Wieck was percecuted first as a ""certified Jew"" by the Nazis, then as a German by the Russian occupiers, including horrifie internment in the Rothenstein concentration camp. In the midst of privation, savagery, and death, there were moments of absurdity, and Wieck powerfully depicts them in this unforgettable memoir.

This novel is about the aftermath of a sexual assault.Published to great acclaim in the original Swedish, Who Killed Bambi? weaves together a complex network of causality and consequences. Fagerholm’s indicting, sharp prose leads the reader back and forth through time, abandoning linear narrative. This kaleidoscopic, elliptical approach shatters the facade of contemporary polite society, examining the sinister forces that attempt to maintain and protect the status quo in the aftermath of a violent event that shocks an entire community. Set in a fictional, affluent suburb of Helsinki, the main narrative follows Gusten Grippe, a successful realtor haunted by his role as one of the four teenage rapists, and the only one to report the crime and admit his guilt. When, a decade afterward, an acquaintance plans to make a movie about what happened, Gusten attempts to atone for his past in the face of the community’s stoic silence and misguided consideration for reputation. Released at the height of the #MeToo movement and translated into a dozen languages, Who Killed Bambi? remains highly relevant in a world grappling with the ubiquity of sexual violence, toxic masculinity, and gender discrimination. This deft and bold translation by Bradley Harmon makes the work available to English-language readers for the first time.