American Women Writers – serie

This anthology of fiction by Rose Terry Cooke contains eleven stories, drawn together for the first time in one volume, that reflect the whole spectrum of Cooke's career from the 1850s to the 1890s. It restores to American literature the work of a writer highly admired in her own day and increasingly recognized today as an important figure in the development of realism, the evolution of regionalism as a literary form, and the emergence of women writers in nineteenth-century fiction.Cooke's stories are rich literarily and historically; her command of dialect, ear for dialogue, dramatic sense, and ability to draw interesting, memorable characters all distinguish her work. This reissue of some of her best work represents an important contribution to the canon of American literature.

Mary Austin's The Land of Little Rain (1903) and Lost Borders (1909), both set in the California desert, make intimate connections between animals, people, and the land they inhabit. For Austin, the two indispensable conditions of her fiction were that the region must enter the story "as another character, as the instigator of plot," and that the story must reflect "the essential qualities of the land."In The Land of Little Rain, Austin's attention to natural detail allows her to write prose that is geologically, biologically, and botanically accurate at the same time that it offers metaphorical insight into human emotional and spiritual experience. In Lost Borders, Austin focuses on both white and Indian women's experiences in the desert, looks for the sources of their deprivation, and finds them in the ways life betrays them, usually in the guise of men. She offers several portraits of strong women characters but ultimately identifies herself with the desert, which she personifies as a woman.

The discovery in recent years of Louisa May Alcott's pseudonymous sensation stories has made readers and scholars increasingly aware of her accomplishments beyond her most famous novel, Little Women, one of the great international best-sellers of all time. What has been recovered throws new light on the children's books and asks us to question our assumptions about the suposedly staid and sentimental Alcott. Alternative Alcott includes works never before reprinted, including "How I Went Out to Service," "My Contraband," and "Psyche's Art." It also contains Behind a Mask, her most important sensation story; the full and correct text of her last unfinished novel, Diana and Persis; "Transcendental Wild Oats"; Hospital Sketches; and Alcott's other important texts on nineteenth-century social history. This anthology brings together for the first time a variety of Louisa May Alcott's journalistic, satiric, feminist, and sensation texts. Elaine Showalter has provided an excellent introduction and notes to the collection.

E.D.E.N. Southworth was one of the most popular and prolific writers of the nineteenth century and her Capitola Black, or Black Cap - a cross-dressing, adventure-seeking girl-woman - was so well-loved that the book was serialized three times between 1859 and 1888 and was dramatized in forty different versions. When we first meet sharp and witty Capitola she is living among beggars and street urchins, and dressed as a boy because a boy can get work and be safe, whereas a girl is left to starve for want of "proper" employment. Unknown to her, Capitola has a very rich elderly guardian who finds her at a providential moment and takes her back to his palatial mansion where she finds herself "decomposing above ground for want of having my blood stirred." But not to fear. There are bandits, true-loves, evil men, long-lost mothers, and sweet women friends in Capitola's future - not to mention thunder storms, kidnap attempts, and duels. The pace is fast, the action wonderfully unbelievable. This is escape literature at its nineteenth-century best, with a woman at its center who makes you feel strong, daring, and reckless.

The Lamplighter was the first novel by twenty-seven-year-old Maria Susanna Cummins. It propelled her into a prominence that continued until her early death at the age of thirty-nine. A novel of female development, The Lamplighter is a woman's version of the quest story. Its heroine, Gerty, comes on the scene as a child abandoned in the slums of Boston. Rescued by the kindly lamplighter Trueman Flint, she learns to meet life with courage and honesty. The novel touched the hearts, validated the ideals, and assuaged the anxieties of a huge readership, and it remained continuously in print until the 1920s.

A widely held vision of nineteenth-century American women is of lives lived in naive, domestic peace-the girls of Little Women making do until father comes home from the war. Nothing could be less true of Harriet Prescott Spofford's stories. In fact, her editor at the Atlantic Monthly at first refused to believe that an unworldly woman from New England had written them. Her style, though ornate by our 20th century standards, adds to its atmosphere, like heavy, Baroque furniture in a large and creepy house. The title story presents a self-centered and captivating woman who ruthlessly steals her orphan cousin's lover. In "Circumstance," a pioneer woman returning home through the woods at night is caught by a panther; her husband, who has come to save her, can only watch from the ground as she sings for her life, pinned in a tree. A train engineer hallucinates again and again that he is running over his wife. And Mrs. Craven, who's a bit "weak" in the head, mindlessly repeats "Three men went down cellar and only two came up." These stories combine elements of the best ghost stories-timing, detail, and character -with just enough chill to make you think twice about turning out your lights at night.

Set in the frontier of Michigan int he 1830s, A New Home is the first realistic portrayal of western village life in the United States. Based on Caroline Kirkland's own experiences - and written from a woman's perspective - it narrates with a keen eye and wit the absorbing story of the establishment of the village of Montacute, Michigan.A New Home is a vivid contribution to a new kind of narrative developed during the antebellum period, ethnographic fiction. Kirkland highlights the importance and the drama of local practices and everyday life in Montacute. She traces the way two groups of settlers slowly adjust to each other - the old hands and the newcomers from the East;. Dramatizing differences of class and culture, she also shows how the groups finally form a genuine community and a new, diverse culture. Kirkland also gives ethnographic fiction an original twist: she satirizes the provincialism and the rigidity of both groups of settlers.After writing A New Home, Kirkland became a professional literary woman, working as an editor as well as a writer. In her introduction, Sandra Zagarell explores the implications of Kirkland's writing and professional career for our understanding of women, writing, and the world of literature in antebellum America.

Moods, Louisa May Alcott's first novel was published in 1864, four years before the best-selling Little Women. The novel unconventionally presents a "little woman," a true-hearted abolitionist spinster, and a fallen Cuban beauty, their lives intersecting in Alcott's first major depiction of the "woman problem."Sylvia Yule, the heroine of Moods, is a passionate tomboy who yearns for adventure.  The novel opens as she embarks on a river camping trip with her brother and his two friends, both of whom fall in love with her. These rival suitors, close friends, are modeled on Ralph Waldo Emerson and Henry Daniel Thoreau. Aroused, but still "moody" and inexperienced, Sylvia marries the wrong man. In the rest of the novel, Alcott attempts to resolve the dilemma she has created and leave her readers asking whether, in fact, there is a place for a woman such as Sylvia in a man's world.  In 1882, eighteen years after the original publication, Alcott revised and republished the novel. Her own literary success and the changes she helped forge in women's lives now allowed her heroine to meet, as Alcott said, "a wiser if less romantic fate than in the former edition." This new volume contains the complete text of the 1864 Moods and Alcott's revisions for the 1882 version, along with explanatory notes by the editor. A critical introduction places Moods in the context of Alcott's own literary history and in the larger historical setting of nineteenth-century society and culture.

The leading feminist intellectual of her day, Margaret Fuller has been remembered for her groundbreaking work, Woman in the Nineteenth Century, which recharted the gender roles of nineteenth-century men and women. In this new collection, the full range of her literary career is represented from her earliest poetry to her final dispatch from revolutionary Italy. For the first time, the complete texts of Woman in the Nineteenth Century and Summer on the Lakes are printed together, along with generous selections from Fuller's Dial essays, New York essays, Italian dispatches, and unpublished journals. Special features are the complete text of Fuller's famous "Autobiographical Romance" (never before reprinted in its entirety) and nineteen of her poems, edited from her manuscripts. All of Fuller's major texts are completely annotated, with special attention to her literary and historical sources, as well as her knowledge of American Indian culture, mythology, and the BibleJeffrey Steele's introduction provides an important revision of Fuller's biography and literary career, tracing the growth of her feminism and her development into one of America's preeminent social critics. No other writer of Fuller's day could match the range of her experience. Growing up in the world of Boston intellectuals, she was the close friend of the Alcotts, Emerson, Hawthorne, and Thoreau. But she also traveled adventurously to the western frontier, canoed down rapids with Chippewa Indians, visited the outcast and the poor in New York's institutions and prisons, and experienced the rigors of war during the bombardment of Rome. As a whole, this anthology provides the material to understand one of the most fascinating nineteenth-century American women writers.