Elizabeth Ammons – författare

The forty-six short stories collected in this volume were originally published in The Colored American Magazine or The Crisis between 1900 and 1920. The Introduction to the collection explores the role played by the major black magazines of that period and demonstrates how these two magazines provided the largest secular outlets for short fiction by black women at the turn of the century.

General for the Series: The Casebooks in Criticism introduce readers to the essential criticism on landmark works of literature and film. For each volume, a distinguished scholar who is an authority on the text has collected the most elucidating and distinctive scholarly essays on that work and added key supporting materials. Each volume includes a substantial introduction which considers the key features of the work, describes its publication history, and contextualizes its cultural import and contemporary reputation while also surveying the major approaches which have informed the works critical history. A condensed bibliography offers suggestions for further reading. The compact volumes provide a critical survey and suggest provocative ways to engage with their texts. They are ideally suited to those interested in developing a deeper understanding of a works history and significance. Specific for this book: Most of the best criticism on Stowe's landmark novel is fairly recent. Until the combined impact of the civil rights and women's movements changed the focus of the academic ciriculum, Uncle Tom's Cabin seldom appeared in classrooms or as the subject of published scholarship. However, from the mid-1970 forward, the book has been widely written about and taught. Today, Uncle Toms Cabin is a stable, important part of the nineteenth-centruy American literature canon and has generated a rich body of new critical work. This casebook collects the best of the new scholarship as well as the most influencial older essays. Included in this volume are letters by Harriet Beecher Stowe and articles by James Baldwin, Leslie Fiedler, Jane Tompkins, Gillian Brown, Robert Stepto, and Elizabeth Ammons.

General for the Series: The Casebooks in Criticism introduce readers to the essential criticism on landmark works of literature and film. For each volume, a distinguished scholar who is an authority on the text has collected the most elucidating and distinctive scholarly essays on that work and added key supporting materials. Each volume includes a substantial introduction which considers the key features of the work, describes its publication history, and contextualizes its cultural import and contemporary reputation while also surveying the major approaches which have informed the works critical history. A condensed bibliography offers suggestions for further reading. The compact volumes provide a critical survey and suggest provocative ways to engage with their texts. They are ideally suited to those interested in developing a deeper understanding of a works history and significance. Specific for this book: Most of the best criticism on Stowe's landmark novel is fairly recent. Until the combined impact of the civil rights and women's movements changed the focus of the academic ciriculum, Uncle Tom's Cabin seldom appeared in classrooms or as the subject of published scholarship. However, from the mid-1970 forward, the book has been widely written about and taught. Today, Uncle Toms Cabin is a stable, important part of the nineteenth-centruy American literature canon and has generated a rich body of new critical work. This casebook collects the best of the new scholarship as well as the most influencial older essays. Included in this volume are letters by Harriet Beecher Stowe and articles by James Baldwin, Leslie Fiedler, Jane Tompkins, Gillian Brown, Robert Stepto, and Elizabeth Ammons.

The early 1890s through the late 1920s saw an explosion in the serious long fiction by women in the United States. Considering a wide range of authors--African American, Asian American, white American, and Native American--this book looks at the work of seventeen writers from that period: Frances Ellen Harper, Charlotte Perkins Gilman, Sarah Orne Jewett, Alice Dunbar-Nelson, Kate Chopin, Pauline Hopkins, Gertrude Stein, Mary Austin, Sui Sin Far, Willa Cather, Humishuma, Jessie Fauset, Edith Wharton, Ellen Glasgow, Anzia Yezierska, Edith Summers Kelley, and Nella Larsen. The discussion focuses on the differences in their work and the similarities that unite them, particularly their determination to experiment with narrative form as they explored and voiced issues of power for women. Analyzing the historical context that both enabled and limited American women writers at the turn of the century, Ammons provides detailed readings of many texts and offers extensive commentary on the interaction between race and gender. This book joins the deepening discussion of modern women writers'' creation of themselves as artists and raises fundamental questions about the shape of American literary history as it has been constructed in the academy.

This Norton Critical Edition includes: The 1852 first book edition, accompanied by Elizabeth Ammons's preface, note on the text, and explanatory annotations.Twenty-two illustrations.A rich selection of historical documents on slavery and abolitionism.Seventeen critical reviews spanning more than 160 years.A Chronology, A Brief Time Line of Slavery in America, and an updated Selected Bibliography.About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format-annotated text, contexts, and criticism-helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

This Norton Critical Edition includes:• The 1905 book edition of the novel, complete with A. B. Wenzell’s eight original illustrations.• A preface and explanatory footnotes by Elizabeth Ammons.• An abundant selection of contextual material, including excerpts from Wharton’s letters, contemporary reviews, six drawings by Charles Dana Gibson, Thorstein Veblen on conspicuous consumption, Charlotte Perkins Gilman on women and economics, and various others writing about women’s place in society at the turn of the century.• Six modern critical views, considering issues of economics, race, materialism, body image, nature and feminism within the novel.• A Chronology and a Selected Bibliography.

This anthology of fiction by Rose Terry Cooke contains eleven stories, drawn together for the first time in one volume, that reflect the whole spectrum of Cooke's career from the 1850s to the 1890s. It restores to American literature the work of a writer highly admired in her own day and increasingly recognized today as an important figure in the development of realism, the evolution of regionalism as a literary form, and the emergence of women writers in nineteenth-century fiction.Cooke's stories are rich literarily and historically; her command of dialect, ear for dialogue, dramatic sense, and ability to draw interesting, memorable characters all distinguish her work. This reissue of some of her best work represents an important contribution to the canon of American literature.

The first of its kind, this anthology of eighty international primary literary texts—poems, short stories, personal essays, testimonials, activist statements, and group-authored visions—illuminates Environmental Justice as a concept and a movement worldwide in a way that is accessible to students, scholars, and general readers. Also included are historical selections that ground contemporary pieces in a continuum of activist concern for the earth and human justice, a much-needed but seldom available perspective.Arts and humanities are crucial in the ongoing effort to achieve an ecologically sustainable and just world. Works of the human imagination provide analyses, articulations of experience, and positive visions of the future that no amount of statistics, data, charts, or graphs can offer because literature speaks not only to the intellect but also to our emotions. Creative literary work, which records human experience both past and present, has the power to warn, to persuade, and to inspire. Each is critical in the shared struggle for Environmental Justice.