Feminist Wire Books – serie

The Chicana M(other)work Anthology weaves together emerging scholarship and testimonios by and about self-identified Chicana and Women of Color mother-scholars, activists, and allies who center mothering as transformative labor through an intersectional lens. Contributors provide narratives that make feminized labor visible and that prioritize collective action and holistic healing for mother-scholars of color, their children, and their communities within and outside academia.The volume is organized in four parts: (1) separation, migration, state violence, and detention; (2) Chicana/Latina/WOC mother-activists; (3) intergenerational mothering; and (4) loss, reproductive justice, and holistic pregnancy. Contributors offer a just framework for Chicana and Women of Color mother-scholars, activists, and allies to thrive within and outside of the academy. They describe a new interpretation of motherwork that addresses the layers of care work needed for collective resistance to structural oppression and inequality.This anthology is a call to action for justice. Contributions are both theoretical and epistemological, and they offer an understanding of motherwork through Chicana and Women of Color experiences.

Marquis Bey's debut collection, Them Goon Rules, is an un-rulebook, a long-form essayistic sermon that meditates on how Blackness and nonnormative gender impact and remix everything we claim to know.A series of essays that reads like a critical memoir, this work queries the function and implications of politicized Blackness, Black feminism, and queerness. Bey binds together his personal experiences with social justice work at the New York–based Audre Lorde Project, growing up in Philly, and rigorous explorations of the iconoclasm of theorists of Black studies and Black feminism. Bey's voice recalibrates itself playfully on a dime, creating a collection that tarries in both academic and nonacademic realms.Fashioning fugitive Blackness and feminism around a line from Lil' Wayne's “A Millie,” Them Goon Rules is a work of “auto-theory” that insists on radical modes of thought and being as a refrain and a hook that is unapologetic, rigorously thoughtful, and uncompromising.

Hashtag or trademark, personal or collective expression, #BlackGirlMagic is an articulation of the resolve of Black women and girls to triumph in the face of structural oppressions. The online life of #BlackGirlMagic insists on the visibility of Black women and girls as aspirational figures. But while the notion of Black girl magic spreads in cyberspace, the question remains: how is Black girl magic experienced offline?The essays in this volume move us beyond social media. They offer critical analyses and representations of the multiplicities of Black femmes', girls', and women's lived experiences. Together the chapters demonstrate how Black girl magic is embodied by four elements enacted both on- and offline: building community, challenging dehumanizing representations, increasing visibility, and offering restorative justice for violence.Black Girl Magic Beyond the Hashtag shows how Black girls and women foster community, counter invisibility, engage in restorative acts, and create spaces for freedom. Intersectional and interdisciplinary, the contributions in this volume bridge generations and collectively push the boundaries of Black feminist thought.

We Gon’ Be Alright: Resistance and Healing in Black Movement Spaces, 2012–2021 is a profound exploration of Black activism and organizing during a pivotal decade in American history. Rev. Dr. Stephanie M. Crumpton explores the practices of care, reflection, and creativity that Black activists employed to heal and resist amidst the sociopolitical turbulence from the Obama era through the first Trump presidency. This period, marked by the myth of a “post-racial” America, saw a resurgence in racial violence and hate crimes, culminating in the 2021 Capitol insurrection. Against this backdrop, Crumpton captures the resilience and ingenuity of Black movement workers as they navigated these challenges. Drawing on oral histories and personal narratives, Crumpton provides an intimate look at the lived experiences of thirty-seven full-time community organizers. These activists and organizers share their strategies for maintaining an ethic of care that sustains them while fighting against both external oppression and internal community struggles. The book highlights how contemporary Black resisters have leveraged a growing understanding of trauma and healing to enhance their activism. This blend of historical knowledge and modern therapeutic practices has equipped them with a broader array of tools to support their communities. Rooted in womanist practical theology, We Gon’ Be Alright emphasizes the interconnectedness of white supremacy with other forms of oppression such as sexism, homophobia, and classism. Crumpton’s work underscores the necessity of “deep, deep healing” to address these multifaceted threats to Black life. This book is an essential resource for scholars, activists, and anyone interested in understanding the dynamics of Black resistance and healing in contemporary America. Through its detailed examination of the past decade, it offers valuable insights into the ongoing struggle for Black humanity, dignity, and a thriving future.

In 1981, Chicana feminist intellectuals CherrÍe Moraga and Gloria AnzaldÚa published what would become a touchstone work for generations of feminist women of color—the seminal This Bridge Called My Back: Writings by Radical Women of Color. To celebrate and honor this important work, editors gloria j. wilson, Joni B. Acuff, and Amelia M. Kraehe offer new generations A Love Letter to This Bridge Called My Back.In A Love Letter, creators illuminate, question, and respond to current politics, progressive struggles, transformations, acts of resistance, and solidarity, while also offering readers a space for renewal and healing. The central theme of the original Bridge is honored, exposing the lived realities of women of color at the intersections of race, class, gender, ethnicity, and sexuality, advancing those early conversations on what it means to be Third World feminist conscious.A Love Letter recognizes the challenges faced by women of color in a twenty-first-century world of climate and economic crises, increasing gun violence, and ever-changing social media constructs for women of color. It also retains the clarion call Bridge set in motion, as Moraga wrote: “A theory in the flesh means one where the physical realities of our lives—our skin color, the land or concrete we grew up on, our sexual longing—all fuse to create a politic born of necessity.”

The topic of mothers and mothering transcends all spaces, from popular culture to intellectual thought and critique. This collection of essays bridges both methodological and theoretical frameworks to explore forms of mothering that challenge hegemonic understandings of parenting and traditional notions of Latinx womxnhood. It articulates the collective experiences of Latinx, Black, and Indigenous mothering from both sides of the U.S.-Mexico border.Thirty contributors discuss their lived experiences, research, or community work challenging multiple layers of oppression, including militarization of the border, border security propaganda, feminicides, drug war and colonial violence, grieving and loss of a child, challenges and forms of resistance by Indigenous mothers, working mothers in maquiladoras, queer mothering, academia and motherhood, and institutional barriers by government systems to access affordable health care and environmental justice. Also central to this collection are questions on how migration and detention restructure forms of mothering. Overall, this collection encapsulates how mothering is shaped by the geopolitics of border zones, which also transcends biological, sociological, or cultural and gendered tropes regarding ideas of motherhood, who can mother, and what mothering personifies.ContributorsElva M. ArredondoCynthia BejaranoBertha A. BermÚdez TapiaMargaret Brown VegaMacrina CÁrdenas MontaÑoClaudia Yolanda CasillasLuz Estela (Lucha) CastroMarisa Elena DuarteTaide ElenaSylvia FernÁndez QuintanillaPaula Flores BonillaJudith Flores CarmonaSandra GutiÉrrezMa. Eugenia HernÁndez SÁnchezIrene LaraLeticia LÓpez ManzanoEduardo MartinezMaria Cristina MoralesPaola Isabel Nava GonzalesOlga Odgers-OrtizPriscilla PÉrezSilvia Quintanilla MorenoCirila Quintero RamÍrezFelicia Rangel-SamponaroCoda Rayo-GarzaShamma Rayo-GutierrezMarisol RodrÍguez SosaBrenda RubioAriana SaludaresVictoria M. TellesMichelle TÉllezMarisa S. TorresEdith TreviÑo EspinosaMariela VÁsquez TobonHilda Villegas

Lavender Fields uses autoethnography to explore how Black girls and women are living with and through COVID-19. It centers their pain, joys, and imaginations for a more just future as we confront all the inequalities that COVID-19 exposes.Black women and girls in the United States are among the hardest hit by the pandemic in terms of illnesses, deaths, evictions, and increasing economic inequality. Riffing off Alice Walker’s telling of her search for Zora Neal Hurston, the authors of these essays and reflections offer raw tellings of Black girls’ and women’s experiences written in real time, as some of the contributors battled COVID-19 themselves.The essays center Black girls and women and their testimonies in hopes of moving them from the margin to the center. With a diversity of voices and ages, this volume taps into the Black feminine interior, that place where Audre Lorde tells us that feelings lie, to access knowledge—generational, past, and contemporary—to explore how Black women navigate COVID-19. Using womanism and spirituality, among other modalities, the authors explore deep feelings, advancing Black feminist theorizing on Black feminist praxis and methodology.In centering the stories of Black girls and women’s experiences with COVID-19, this work brings much-needed justice and equity to conversations about the pandemic. Just as Walker worked diligently to find Hurston, Lavender Fields attempts to “find” Black women amid all we are experiencing, ensuring visibility and attention.ContributorsTamaya BaileyRee BottsKyrah K. BrownBrianna ClarkKenyatta DawsonLeContÉ J. DillSara Jean-FrancoisMaryam O. FunmilayoBrandie GreenCourtney JacksonAngela K. Lewis-MaddoxAnnet MatebweMbali MazibukoRadscheda R. NoblesJ. Mercy OkaaletChizoba Uzoamaka OkoromaNimot OgunfemiPeace Ossom-WilliamsonElizabeth (Lizzie) Peart

Rooted in the ways Black women understand their lives, this collection archives practices of healing, mothering, and advocacy during the COVID-19 pandemic.Recognizing that Black women have been living in pandemics as far back as colonialism and enslavement, this volume acknowledges that records of the past—from the 1918 flu pandemic to the onset of the HIV/AIDS epidemic—often erase the existence and experiences of Black women as a whole. Writing against this archival erasure, this collection consciously recenters the real-time experiences and perspectives of care, policy concerns, grief, and joy of Black women throughout the COVID-19 pandemic.Nineteen contributors from interdisciplinary fields and diverse backgrounds explore Black feminine community, consciousness, ethics of care, spirituality, and social critique. They situate Black women’s multidimensional experiences with COVID-19 and other violences that affect their lives. The stories they tell are connected and interwoven, bound together by anti-Black gendered COVID necropolitics and commitments to creating new spaces for breathing, healing, and wellness.Ultimately, this time-warping analysis shows how Black women imagine a more just society, rapidly adapt to changing experiences, and innovate ethics of care even in the midst of physical distancing, which can be instructive for thinking of new ways of living both during and beyond the era of COVID-19.Contributors:Shamara Wyllie AlhassanSharnnia ArtisKeisha L. Bentley-EdwardsCandace S. BrownJenny DouglasKaja DunnOnisha EtkinsRhonda M. GonzalesEndia HayesAshley E. HollingsheadKendra JasonJulia S. Jordan-ZacheryStacie LeSureJanaka B. LewisMichelle MeggsNitya MehrotraSherine Andreine PowerfulMarjorie ShaversBreauna Marie SpencerTehia Starker GlassAmber Walker

Higher education is in trouble, and not only due to a decline of public trust. As a microcosm of our broader culture, universities are inequitable and often harmful, especially for marginalized people. This is despite the democratic promise of higher education as a path for learning and social mobility. Women, people of color, First Gen, disabled, LGBTQ+, and other minoritized groups are disproportionately harmed in educational institutions that are hierarchical and reproduce inequality. Efforts to foster belonging for faculty, staff, and students may be highly effective but are under attack.  Betrayal U intervenes in this context with a diverse, rich collection of essays, art, poetry, and research that explores these inequities through the lens of institutional betrayal, theorized by psychologist Jennifer Freyd. Edited by Rebecca G. MartÍnez and Monica J. Casper, this collection brings together thirty-six contributors who share personal experiences covering a range of topics in higher education. The work spans five thematic sections that examine the complexities of belonging and exclusion in academic settings.  The contributors share their lived experiences of academic life from diverse vantage points, showing the ways minoritized groups are made to feel unwelcome, further marginalized, and often positioned as the problem. Exhibiting courage, compassion, and a commitment to better futures, the voices in this collection offer both a searing indictment of higher education and pathways to alternative practices and structures. They shine a spotlight on academia today, including the promise of inclusion and the perils of exclusion.ContributorsCeleste AtkinsJasmine BanksKrista L. BensonJessica Bishop-RoyseSamit Dipon BordoloiMonica J. CasperAparajita DeKathy DiehlTaylor Marie DohertyReshmi Dutt-BallerstadtAlma FloresAlanna GillisC. GoldbergJennifer M. GómezKristina GuptaJasmine L. HarrisSusan HillockDoreen HsuJennifer LaiAmy Andrea MartinezRebecca G. MartÍnezShantel MartinezSara A. MataRachael McCollumWang PingEmily RosserAngÉlica RuvalcabaBrandy L. SimulaRashna Batliwala SinghCierra Raine SorinConnor SpencerChantelle Spicer