Penguin European Writers – serie

'An astonishing portrait of an innocent on the verge of discovering the cruelties of love... there are whispers here of the future work of Elena Ferrante' Elizabeth Strout, from the introduction'Life was a perpetual holiday in those days...'It's the height of summer in 1930s Italy and sixteen-year-old Ginia is desperate for adventure. So begins a fateful friendship with Amelia, a stylish and sophisticated artist's model who envelops her in a dazzling new world of bohemian artists and intoxicating freedom. Under the spell of her new friends, Ginia soon falls in love with Guido, an enigmatic young painter. It's the start of a desperate love affair, charged with false hope and overwhelming passion - destined to last no longer than the course of a summer.The Beautiful Summer is a gorgeous coming-of-age tale of lost innocence and first love, by one of Italy's greatest writers.'Pavese, to me, is a constant source of inspiration' Jhumpa Lahiri'One of the few essential novelists of the mid-twentieth century' Susan Sontag'[Pavese writes books of] extraordinary depth where one never stops finding new levels, new meaning' Italo Calvino'For my trip to Los Angeles, I'm packing The Beautiful Summer, a slender account of love in 1930s Italy' Jessie Burton, bestselling author of The Miniaturist and The Muse

'Soaringly beautiful, urgent and disturbing... A masterpiece.' Colm Tóibín, from the introduction'Dark and beautiful and brilliant' Sarah Moss, author of Ghost Wall Death in Spring is a dark and dream-like tale of a teenage boy's coming of age in a remote village in the Catalan mountains; a place cut off from the outside world, where cruel customs are blindly followed, and attempts at rebellion swiftly crushed. When his father dies, he must navigate this oppressive society alone, and learn how to live in a place of crippling conformity. Often seen as an allegory for life under a dictatorship, Death in Spring is a bewitching and unsettling novel about power, exile, and the hope that comes from even the smallest gestures of independence. 'Rodoreda has bedazzled me' Gabriel Garcia Marquez'Rodoreda's artistry is of the highest order' Diana Athill 'Read it for its beauty, for the way it will surprise and subvert your desires, and as a testament to the human spirit in the face of brutality and willful inhumanity.' Jesmyn Ward, author of Sing, Unburied, Sing 'Utterly extraordinary' Claire-Louise Bennett, author of Pond

'A startling novel of ferocious psychological acumen, which, to my mind, deserves a large, international readership... very much a book for our times' Siri Hustvedt, from the introduction'A literary giant in Sweden, Dagerman conjures a Strindbergian atmosphere of shadowy menace in his brief, intense novel, A Moth to a Flame... This moody, death-haunted novel is well worth reading' Evening StandardIn 1940s Stockholm, a young man named Bengt falls into deep, private turmoil with the unexpected death of his mother. As he struggles to cope with her loss, his despair slowly transforms to rage when he discovers that his father had a mistress. Bengt swears revenge on behalf of his mother's memory, but he soon finds himself drawn into a fevered and forbidden affair with the very woman he set out to destroy . . .Written in a taut, restrained style, A Moth to a Flame is an intense exploration of heartache and fury, desperation and illicit passion. Set against a backdrop of the moody streets of Stockholm and the Hitchcockian shadows in the woods and waters of Sweden's remote islands, this is a psychological masterpiece by one of Sweden's greatest writers.'Dagerman wrote with beautiful objectivity. Instead of emotive phrases, he uses a choice of facts, like bricks, to construct an emotion' Graham Greene'Dagerman can evoke such emotion in a single sentence' Colm Tóibín 'There are some writers (Kafka and Lorca immediately spring to mind) who come to enjoy the status of saint; their lives and deaths constitute statements about existence and its proper priorities. A saint of this type is the Swedish writer Stig Dagerman' Times Literary Supplement'This searing tale of bereavement and loathing feels all too relevant today' Guardian

A sun soaked, hilarious mediation on family life in mid-century Italy – and one of the most exciting rediscovered classics in years. During WWII, a young Tuscan woman falls in love with a man from the rural depths of southern Italy. As the conflict finally draws to a close, the two travel from Rome to finally meet with his family. But very quickly a dawning realisation breaks: her in-laws and their friends are eccentric in the extreme. They barely leave the house and they rarely speak to their son, fretting instead about their ‘daughter’ – a loud little dog – and worrying constantly, incessantly, about the weather. And, worst of all, they speak with a nostalgic warmth about the region’s recently overthrown fascist regime…Translated by Ann Goldstein, the world-renowned translator of Elena Ferrante, A House in Sicily is a brilliantly funny, razor sharp examination of family life in the shadow of the darkest period of modern Italian history, and the most exciting rediscovered European classic in decades.

'Soaringly beautiful, urgent and disturbing... A masterpiece.' Colm Tóibín, from the introduction'Dark and beautiful and brilliant' Sarah Moss, author of Ghost Wall Death in Spring is a dark and dream-like tale of a teenage boy's coming of age in a remote village in the Catalan mountains; a place cut off from the outside world, where cruel customs are blindly followed, and attempts at rebellion swiftly crushed. When his father dies, he must navigate this oppressive society alone, and learn how to live in a place of crippling conformity. Often seen as an allegory for life under a dictatorship, Death in Spring is a bewitching and unsettling novel about power, exile, and the hope that comes from even the smallest gestures of independence.'Rodoreda has bedazzled me' Gabriel Garcia Marquez'Rodoreda's artistry is of the highest order' Diana Athill 'Read it for its beauty, for the way it will surprise and subvert your desires, and as a testament to the human spirit in the face of brutality and willful inhumanity.' Jesmyn Ward, author of Sing, Unburied, Sing 'Utterly extraordinary' Claire-Louise Bennett, author of Pond'Dark and beautiful and brilliant' Sarah Moss, author of The Tidal Zone

'The great French feminist writer we need to remember' Guardian 'Violette Leduc's novels are works of genius and also a bit peculiar' Deborah Levy, from the introduction An old woman lives alone in a tiny attic flat in Paris, counting out coffee beans every morning beneath the roar of the overhead metro. Starving, she spends her days walking around the city, each step a bid for recognition of her own existence. She rides crowded metro carriages to feel the warmth of other bodies, and watches the hot batter of pancakes drip from the hands of street-sellers. One morning she awakes with an urgent need to taste an orange; but when she rummages in the bins she finds instead a discarded fox fur scarf. The little fox fur becomes the key to her salvation, the friend who changes her lonely existence into a playful world of her own invention. The Lady and the Little Fox Fur is a stunning portrait of Paris, of the invisibility we all feel in a big city, and ultimately of the hope and triumph of a woman who reclaims her place in the world.'A moving, beautiful and authentic classic. We must be grateful to the Penguin European Writers series, a precious venture in these dark times, for bringing it back to us.' John Banville, Booker prize-winning author of The Sea'This book is as richly humane as anything else you're likely to read' Independent

'Violette Leduc's novels are works of genius and also a bit peculiar' Deborah Levy, from the introductionAn old woman lives alone in a tiny attic flat in Paris, counting out coffee beans every morning beneath the roar of the overhead metro. Starving, she spends her days walking around the city, each step a bid for recognition of her own existence. She rides crowded metro carriages to feel the warmth of other bodies, and watches the hot batter of pancakes drip from the hands of street-sellers. One morning she awakes with an urgent need to taste an orange; but when she rummages in the bins she finds instead a discarded fox fur scarf. The little fox fur becomes the key to her salvation, the friend who changes her lonely existence into a playful world of her own invention. The Lady and the Little Fox Fur is a stunning portrait of Paris, of the invisibility we all feel in a big city, and ultimately of the hope and triumph of a woman who reclaims her place in the world.'A moving, beautiful and authentic classic. We must be grateful to the Penguin European Writers series, a precious venture in these dark times, for bringing it back to us.' John Banville, Booker prize-winning author of The Sea'The great French feminist writer we need to remember' Guardian

'Böll's novel blows a stent in the human heart. . . It feels more necessary than ever.' Anna Funder, from the introduction'This is the best book I have read this year; not by miles, but by whole astronomical units; I am stunned by it as if by a blow. It is *astonishing* to the extent that I cannot convey to you its power' Sarah Perry, bestselling author of The Essex Serpent and Melmoth Twenty-four-year-old Andreas, a disillusioned German soldier, is travelling on a troop train to the Eastern Front when he has an awful premonition that he will die in exactly five days. As he hurtles towards his death, he reflects on the chaos around him - the naïve soldiers, the painfully thin girl who pours his coffee, the ruined countryside - with sudden, heart-breaking poignancy. Arriving in Poland the night before he is certain he will die, he meets Olina, a beautiful prostitute, and together they attempt to escape his fate...'His work reaches the highest level of creative originality and stylistic perfection' Daily Telegraph'Boll combines a mammoth intelligence with a literary outlook that is masterful and unique' Joseph Heller, author of Catch-22'My most-admired contemporary novelist' John Ashbery'From the moment I stepped on board the troop train with Private Andreas, concerns pertaining to my own world fell away completely. Holding this impelling book is tantamount to holding the young soldier's fate in one's hands. It is impossible to let go.' Claire-Louise Bennett, author of Pond

'Böll's novel blows a stent in the human heart. . . It feels more necessary than ever.' Anna Funder, from the introduction 'This is the best book I have read this year; not by miles, but by whole astronomical units; I am stunned by it as if by a blow. It is *astonishing* to the extent that I cannot convey to you its power' Sarah Perry, bestselling author of The Essex Serpent and Melmoth Twenty-four-year-old Andreas, a disillusioned German soldier, is travelling on a troop train to the Eastern Front when he has an awful premonition that he will die in exactly five days. As he hurtles towards his death, he reflects on the chaos around him - the naïve soldiers, the painfully thin girl who pours his coffee, the ruined countryside - with sudden, heart-breaking poignancy. Arriving in Poland the night before he is certain he will die, he meets Olina, a beautiful prostitute, and together they attempt to escape his fate...'His work reaches the highest level of creative originality and stylistic perfection' Daily Telegraph'Boll combines a mammoth intelligence with a literary outlook that is masterful and unique' Joseph Heller, author of Catch-22'My most-admired contemporary novelist' John Ashbery'From the moment I stepped on board the troop train with Private Andreas, concerns pertaining to my own world fell away completely. Holding this impelling book is tantamount to holding the young soldier's fate in one's hands. It is impossible to let go.' Claire-Louise Bennett, author of Pond

'A startling novel of ferocious psychological acumen, which, to my mind, deserves a large, international readership... very much a book for our times' Siri Hustvedt, from the introduction'A literary giant in Sweden, Dagerman conjures a Strindbergian atmosphere of shadowy menace in his brief, intense novel, A Moth to a Flame... This moody, death-haunted novel is well worth reading' Evening Standard In 1940s Stockholm, a young man named Bengt falls into deep, private turmoil with the unexpected death of his mother. As he struggles to cope with her loss, his despair slowly transforms to rage when he discovers that his father had a mistress. Bengt swears revenge on behalf of his mother's memory, but he soon finds himself drawn into a fevered and forbidden affair with the very woman he set out to destroy . . .Written in a taut, restrained style, A Moth to a Flame is an intense exploration of heartache and fury, desperation and illicit passion. Set against a backdrop of the moody streets of Stockholm and the Hitchcockian shadows in the woods and waters of Sweden's remote islands, this is a psychological masterpiece by one of Sweden's greatest writers.'Dagerman wrote with beautiful objectivity. Instead of emotive phrases, he uses a choice of facts, like bricks, to construct an emotion' Graham Greene'Dagerman can evoke such emotion in a single sentence' Colm Tóibín 'There are some writers (Kafka and Lorca immediately spring to mind) who come to enjoy the status of saint; their lives and deaths constitute statements about existence and its proper priorities. A saint of this type is the Swedish writer Stig Dagerman' Times Literary Supplement

A gorgeous, tender modern classic about the complexities of love, with an introduction from the Booker-winning author John BanvilleStefan Valeriu, a young Romanian student, holidays alone in the Alps, where he soon becomes entangled in romantic relationships with three different women who pass through his guesthouse. We follow Stefan after his return to Paris as he reflects on the women in his life, at times playing the lover, and at others observing shrewdly from the periphery.Women's four interlinked stories offer nuanced and deeply moving portraits of romantic relationships in all their complexity, from unrequited love and passionate affairs to tepid marriages of convenience. In light, elegant prose, Mihail Sebastian, widely regarded as the greatest Romanian writer of the 20th century, explores longing, otherness, empathy, and regret.'His prose is like something Chekov might have written - the same modesty, candour, and subtleness of observation' Arthur Miller 'I love Sebastian's courage, his lightness, and his wit' John Banville'Sebastian belongs in the pantheon of classic authors' New Statesman 'A minor masterpiece of voice, mood and emotion' Irish Times

A gorgeous, tender modern classic about the complexities of love, with an introduction from the Booker-winning author John BanvilleStefan Valeriu, a young Romanian student, holidays alone in the Alps, where he soon becomes entangled in romantic relationships with three different women who pass through his guesthouse. We follow Stefan after his return to Paris as he reflects on the women in his life, at times playing the lover, and at others observing shrewdly from the periphery.Women's four interlinked stories offer nuanced and deeply moving portraits of romantic relationships in all their complexity, from unrequited love and passionate affairs to tepid marriages of convenience. In light, elegant prose, Mihail Sebastian, widely regarded as the greatest Romanian writer of the 20th century, explores longing, otherness, empathy, and regret.'His prose is like something Chekov might have written - the same modesty, candour, and subtleness of observation' Arthur Miller 'I love Sebastian's courage, his lightness, and his wit' John Banville'Sebastian belongs in the pantheon of classic authors' New Statesman 'A minor masterpiece of voice, mood and emotion' Irish Times

With a new introduction by Polly Samson, Sunday Times bestselling author of A THEATRE FOR DREAMERS 'Gorgeous... the written equivalent of lying in the sun eating figs' India Knight, Sunday Times'That summer we bought big straw hats. Maria's had cherries around the rim, Infanta's had forget-me-nots, and mine had poppies as red as fire. . .'Three Summers is a warm and tender tale of three sisters growing up in the countryside near Athens before the Second World War. Living in a ramshackle old house with their divorced mother are flirtatious, hot-headed Maria, beautiful but distant Infanta, and dreamy and rebellious Katerina, through whose eyes the story is mostly observed. Over three summers, the girls share and keep secrets, fall in and out of love, try to understand the strange ways of adults and decide what kind of adults they hope to become.'The sun has disappeared from books these days... You are one of those who pass it on' Albert Camus to Margarita Liberaki 'The literary equivalent of a sun-soaked holiday in Greece' Culture Whisper'A leisurely, large-hearted coming-of-age novel, earthy and innocent, nostalgic and beautifully rendered' Kirkus'A dreamy, cinematic tapestry of Greek village life' NPR

With a new introduction by Polly Samson, Sunday Times bestselling author of A THEATRE FOR DREAMERS 'Gorgeous... the written equivalent of lying in the sun eating figs' India Knight, Sunday Times'That summer we bought big straw hats. Maria's had cherries around the rim, Infanta's had forget-me-nots, and mine had poppies as red as fire. . .'Three Summers is a warm and tender tale of three sisters growing up in the countryside near Athens before the Second World War. Living in a ramshackle old house with their divorced mother are flirtatious, hot-headed Maria, beautiful but distant Infanta, and dreamy and rebellious Katerina, through whose eyes the story is mostly observed. Over three summers, the girls share and keep secrets, fall in and out of love, try to understand the strange ways of adults and decide what kind of adults they hope to become.'The sun has disappeared from books these days... You are one of those who pass it on' Albert Camus to Margarita Liberaki 'The literary equivalent of a sun-soaked holiday in Greece' Culture Whisper'A leisurely, large-hearted coming-of-age novel, earthy and innocent, nostalgic and beautifully rendered' Kirkus'A dreamy, cinematic tapestry of Greek village life' NPR

'An astonishing portrait of an innocent on the verge of discovering the cruelties of love... there are whispers here of the future work of Elena Ferrante' Elizabeth Strout, from the introduction'Life was a perpetual holiday in those days...'It's the height of summer in 1930s Italy and sixteen-year-old Ginia is desperate for adventure. So begins a fateful friendship with Amelia, a stylish and sophisticated artist's model who envelops her in a dazzling new world of bohemian artists and intoxicating freedom. Under the spell of her new friends, Ginia soon falls in love with Guido, an enigmatic young painter. It's the start of a desperate love affair, charged with false hope and overwhelming passion - destined to last no longer than the course of a summer.The Beautiful Summer is a gorgeous coming-of-age tale of lost innocence and first love, by one of Italy's greatest writers.'Pavese, to me, is a constant source of inspiration' Jhumpa Lahiri'One of the few essential novelists of the mid-twentieth century' Susan Sontag'[Pavese writes books of] extraordinary depth where one never stops finding new levels, new meaning' Italo Calvino'For my trip to Los Angeles, I'm packing The Beautiful Summer, a slender account of love in 1930s Italy' Jessie Burton, bestselling author of The Miniaturist and The Muse

'A solid gold treat from top to tail. A tremendous set of stories by the great Irish playwright' John Self, The Observer A fake! A quack! A charlatan! Get a grip on yourself, woman! We’ll say another rosary and then I’ll leave you home.’Stories of Ireland is a brilliant, colourful compendium of mid-century Irish experience from one of Ireland’s greatest ever writers, Brian Friel. Demonstrating all of Friel’s peerless instinct for voice, scene, and the uncanny mystery found in the everyday, these tales tell of beauty, struggle and discovery: from the drowning of a man in the bog-black waters of Lough Keeragh, to the camaraderie of teenage potato gathers in County Tyrone, and from the careful work of the German War Graves Commission in Glenn na fuiseog, to trawlermen’s talk of sunken gold off the coast of Donegal.Selected by Friel himself, and introduced by acclaimed author Louise Kennedy, this charming, heartful collection truly offers some of the best stories ever written.'Some of the best stories ever written. They are everything short stories should be – deft, skilfully written, funny and quite often breathlessly sad' Edna O'Brien