Penguin Twentieth-Century Classics - Böcker

Soon to be a Netflix series starring Florence PughThe masterpiece of Steinbeck’s later years—at once a family saga and a modern retelling of the Book of GenesisA Penguin Classic In his journal, Nobel Prize winner John Steinbeck called East of Eden “the first book,” and indeed it has the primordial power and simplicity of myth. Set in the rich farmland of California’s Salinas Valley, this sprawling and often brutal novel follows the intertwined destinies of two families—the Trasks and the Hamiltons—whose generations helplessly reenact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel. Here is a work in which Steinbeck created his most mesmerizing characters and explored his most enduring themes: the mystery of identity, the inexplicability of love, and the murderous consequences of love’s absence. Adapted for the 1955 film directed by Elia Kazan introducing James Dean and read by thousands as the book that brought Oprah’s Book Club back, East of Eden has remained a touchstone of American literature for over half a century.This edition includes selections from Journal of a Novel: The “East of Eden” Letters by John Steinbeck to his longtime Viking editor Pascal Covici, and recommended resources, adaptations, and parallel texts for readers to explore and discuss.Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A meticulously-observed drama of class warfare, E.M. Forster's Howards End explores the conflict inherent within English society, unveiling the character of a nation as never before. This Penguin Classics edition includes an introduction and notes by David Lodge.'Only connect...'A chance acquaintance brings together the preposterous bourgeois Wilcox family and the clever, cultured and idealistic Schlegel sisters. As clear-eyed Margaret develops a friendship with Mrs Wilcox, the impetuous Helen brings into their midst a young bank clerk named Leonard Bast, who lives at the edge of poverty and ruin. When Mrs Wilcox dies, her family discovers that she wants to leave her country home, Howards End, to Margaret. Thus as Forster sets in motion a chain of events that will entangle three different families, he brilliantly portrays their aspirations to personal and social harmony.David Lodge's introduction provides an absorbing and eloquent overture to the 1910 novel that established Forster's reputation as an important writer, and that he himself later referred to as 'my best novel'. This edition also contains a note on the text, suggestions for further reading, and explanatory notes.E. M. Forster (1879-1970) was a noted English author and critic and a member of the Bloomsbury group. His first novel, Where Angels Fear To Tread appeared in 1905. The Longest Journey appeared in 1907, followed by A Room With A View (1908), based partly on the material from extended holidays in Italy with his mother. Howards End (1910) was a story that centered on an English country house and dealt with the clash between two families, one interested in art and literature, the other only in business. Maurice was revised several times during his life, and finally published posthumously in 1971.If you enjoyed Howard's End, you might like Forster's A Room with a View, also available in Penguin Classics.

The Call of the Wild, White Fang and Other Stories collects some of Jack London's most profound and moving allegorical tales. This Penguin Classics edition is edited by Andrew Sinclair with an introduction by James Dickey.The Call of the Wild, London's masterpiece about a dog learning to survive in the wilderness, sees pampered pet Buck snatched from his home and set to work as a sled-dog. White Fang, set in the frozen tundra and boreal forests of Canada's Yukon territory, is the story of a wolf-dog struggling to survive in a human society every bit as violent as the natural world. This volume of Jack London's famed stories of the North also includes 'Batard', in which an abused dog takes revenge on his owner; and 'Love of Life', in which an injured prospector, abandoned by his partner, must struggle home alone through the wilderness, stalked by a lone wolf.In his introduction, James Dickey probes London's strong personal and literary identification with the wolf-dog as a symbol and totem. Andrew Sinclair, London's official biographer and the volume's editor, provides a brief account of London's life as a sailor, desperado, socialist, adventurer and acclaimed author.Jack London (1876-1916) was born John Griffith Chaney in San Francisco, California. By the age of sixteen he had left school, worked in a canning factory, spent time as an oyster pirate and been a member of the Fish Patrol in the San Francisco Bay. In 1893 he joined a sealing cruise, which took him as far abroad as Japan. In 1896 he was caught up in the gold rush to the Klondike river in north-west Canada, which became the inspiration for The Call of the Wild (1903) and White Fang (1906).If you enjoyed The Call of the Wild, you might like Rudyard Kipling's Just So Stories, also available in Penguin Classics.

The semiautobiographical Martin Eden is the most vital and original character Jack London ever created. Set in San Francisco, this is the story of Martin Eden, an impoverished seaman who pursues, obsessively and aggressively, dreams of education and literary fame. London, dissatisfied with the rewards of his own success, intended Martin Eden as an attack on individualism and a criticism of ambition; however, much of its status as a classic has been conferred by admirers of its ambitious protagonist. Andrew Sinclair's wide-ranging introduction discusses the conflict between London's support of socialism and his powerful self-will. Sinclair also explores the parallels and divergences between the life of Martin Eden and that of his creator, focusing on London's mental depressions and how they affected his depiction of Eden.