S T Joshi – författare

From claustrophobic fear in isolated New England towns to terrifying threats that span the infinite cosmos, the tales herein are fuelled by H. P. Lovecraft's creations. While his horrors originate in a vast cosmos outside of space and time, the terrors they bring strike ordinary humans caught up in conflicts far beyond their control. This volume offers a who's who of Lovecraftian authors including Aaron Bittner, Adam Bolivar, Jason V Brock, Ashley Dioses, David Hambling, Lynne Jamneck, Mark Howard Jones, Caitlin R. Kiernan, Nancy Kilpatrick, Tom Lynch, D. L. Myers, William F. Nolan, K. A. Opperman, W. H. Pugmire, Ann K. Schwader, Darrell Schweitzer, Steve Rasnic Tem, Jonathan Thomas, Donald Tyson, Don Webb, and Stephen Woodworth. Gathered together by S. T. Joshi, their works are certain to thrill.

Howard Phillips Lovecraft's unique contribution to American literature was a melding of traditional supernaturalism (derived chiefly from Edgar Allan Poe) with the genre of science fiction that emerged in the early 1920s. This Penguin Classics edition brings together a dozen of the master's tales - from his early short stories 'Under the Pyramids' (originally ghostwritten for Harry Houdini) and 'The Music of Erich Zann' (which Lovecraft ranked second among his own favourites) through to his more fully developed works, 'The Dunwich Horror', 'The Case of Charles Dexter Ward', and 'At the Mountains of Madness'.The Thing on the Doorstep and Other Weird Stories presents the definitive corrected texts of these works, along with Lovecraft critic and biographer S. T. Joshi's illuminating introduction and notes to each story.

This selection brings together tales from across the author's entire career. Liberal selections of earlier tales - including the entire Gods of Pegana as well as such notable works as "Idle Days of the Yann" and "The Fortress Unvanquishable, Save for Sacnoth" - are followed by memorable later tales, including several about the garrulous traveler Joseph Jorkens and the outrageous murder tale "The Two Bottles of Relish."

One of the masters of 'weird fiction', H. P. Lovecraft expanded the vast boundaries of the horror genre with his vividly imagined stories of exotic and fantastical otherworlds, nightmarish dreamscapes and the supernatural terrors lurking beneath the surface of small-town America.The shadow of New England's witch-hunting past hangs over many of the tales, as in 'The Shunned House' and 'The Dreams in the Witch House', in which malevolent spectres return to haunt the region. Others, such as 'From Beyond' and 'The Shadow Out of Time', depict the catastrophic results when cosmic channels of time and space are opened, while stories such as 'Polaris' and 'The Doom that Came to Sarnath' portray the downfall of mythical civilizations.

The only annotated edition of M. R. James's writings currently available, Count Magnus and Other Ghost Stories contains the entire first two volumes of James's ghost stories, Ghost Stories of an Antiquary and More Ghost Stories of an Antiquary. These volumes are both the culmination of the nineteenth-century ghost story tradition and the inspiration for much of the best twentieth-century work in this genre. Included in this collection are such landmark tales as "Count Magnus," set in the wilds of Sweden; "Number 13," a distinctive tale about a haunted hotel room; "Casting the Runes," a richly complex tale of sorcery that served as the basis for the classic horror film Curse of the Demon; and "Oh, Whistle, and I'll Come to You, My Lad," one of the most frightening tales in literature. The appendix includes several rare texts, including "A Night in King's College Chapel," James's first known ghost story.

As Stephen King will attest , the popularity of the occult in American literature has only grown since the days of Edgar Allan Poe. American Supernatural Tales celebrates the richness of this tradition with chilling contributions from some of the nation’s brightest literary lights, including Poe himself, H. P. Lovecraft, Shirley Jackson, Ray Bradbury, Nathaniel Hawthorne, and—of course— Stephen King. By turns phantasmagoric, spectral, and demonic, this is a frighteningly good addition to Penguin Classics.

Not just any fantasy, horror, and science fiction author could impress H. P. Lovecraft into calling him 'unexcelled by any other writer, dead or living'. Clark Ashton Smith - autodidact, prolific poet, amateur philosopher, bizarre sculptor, and unmatched storyteller - simply wrote like no one else, before or since. This new collection of his very best tales and poems is selected and introduced by supernatural literature scholar S. T. Joshi and allows readers to encounter Smith's visionary brand of fantastical, phantasmagorical worlds, each one filled with invention, terror and a superlative sense of metaphysical wonder.

Part of a new six-volume series of the best in classic horror, selected by award-winning director Guillermo del Toro.American Supernatural Tales is the ultimate collection of weird and frightening American short fiction. As Stephen King will attest, the popularity of the occult in American literature has only grown since the days of Edgar Allan Poe. The book celebrates the richness of this tradition with chilling contributions from some of the nation's brightest literary lights, including Poe himself, H. P. Lovecraft, Shirley Jackson, Ray Bradbury, Nathaniel Hawthorne, and-of course-Stephen King. By turns phantasmagoric, spectral, and demonic, this is a frighteningly good collection of stories.S. T. Joshi is a freelance writer, scholar, and editor whose previous books include Documents of American Prejudice; In Her Place: A Documentary History of Prejudice against Women; God's Defenders: What They Believe and Why They Are Wrong; Atheism: A Reader; H. L. Mencken on Religion; The Agnostic Reader; and What Is Man? And Other Irreverent Essays by Mark Twain.

For the seventieth anniversary of Penguin Classics, the Penguin Orange Collection celebrates the heritage of Penguin s iconic book design with twelve influential American literary classics representing the breadth and diversity of the Penguin Classics library. These collectible editions are dressed in the iconic orange and white tri-band cover design, first created in 1935, while french flaps, high-quality paper, and striking cover illustrations provide the cutting-edge design treatment that is the signature of Penguin Classics Deluxe Editions today. "The Call of Cthulhu and Other Weird Stories" Frequently imitated and widely influential, Howard Phillips Lovecraft reinvented the horror genre in the twentieth century, discarding ghosts and witches and instead envisioning mankind as a tiny outpost of dwindling sanity in a chaotic and malevolent universe. This definitive collection reveals the development of Lovecraft s mesmerizing narrative style and establishes him as a canonical and visionary American writer.

The Irish writer Lord Dunsany (1878-1957) has suffered a regrettable decline in critical esteem. Although one of the most popular and critically acclaimed writers of the early 20th century, he seems to have fallen out of fashion with both the Irish critical community and with enthusiasts of fantasy literature. But Dunsany was one of the critical figures in modern fantasy, a significant influence on Tolkien, Le Guin, and other writers. His own work, written over a 50-year span and covering nearly every literary mode (short story, novel, play, essay, poem), is itself rich with meaning. In this, the first academic study of Dunsany's work, Joshi establishes that Dunsany has a remarkable grasp of the symbolic function of fantasy, and that he used fantasy, horror, and the supernatural as metaphors for his most deeply held convictions on life and society. His entire work is unified by a single overriding theme—the need for human reunification with the natural world—even though this theme takes on many different forms (e.g., scorn of industrialization, demonstration of the moral superiority of animals over human beings, rumination on the extinction of the human race). The course of Dunsany's long career—proceeding from early short stories and plays about the edge of the world to full-length novels to tales of comic fantasy (such as the popular Jorkens stories) to sensitive works about Ireland—reveals a writer constantly searching for new ways to express his central philosophic and aesthetic conceptions. Joshi's volume may best be described as an exercise in literary excavation—an attempt to unearth an unjustly forgotten writer and to show that his work is in need of further study and analysis.

Ambrose Bierce is well known to readers as the author of The Devil's Dictionary (1906) and numerous short stories, such as the Civil War tales gathered in Tales of Soldiers and Civilians (1891) and the horror stories collected in Can Such Things Be? (1893). But, in his own day, he was best known as a prolific and fearless jounalist, and in the 40 years of his literary career he wrote thousands of articles for newspapers and magazines in San Francisco, London, and elsewhere. Most of the articles and poems that Bierce published in his own 12-volume Collected Works (1909-12) first appeared in his newspaper columns, as did his celebrated tales. With the growing scholarly interest in Bierce, these contributions are eliciting more attention.This bibliography is the first to attempt an exhaustive catalog of Bierce's entire body of published work. While the volume includes a chapter of separate publications by Bierce, such as individual books, its most important feature is a chapter listing entries for his contributions to books and periodicals. These entries identify the first appearances of his stories, articles, and poems. An additional chapter lists reprints of his works, and the volume also provides information about manuscript holdings. Joshi and Schultz demonstrate that in addition to being a master short story writer, fabulist, and epigrammatist, Bierce may also have been the leading American journalist of the 19th century.

H. P. Lovecraft (1890-1937) is commonly regarded as the leading author of supernatural fiction in the 20th century. He is distinctive among writers in having a tremendous popular following as well as a considerable and increasing academic reputation as a writer of substance and significance. This encyclopedia is an exhaustive guide to many aspects of Lovecraft's life and work, codifying the detailed research on Lovecraft conducted by many scholars over the past three decades. It includes hundreds of alphabetically arranged entries on Lovecraft and presents extensive bibliographical information.The volume draws upon rare documents, including thousands of unpublished letters, in presenting plot synopses of Lovecraft's major works, descriptions of characters in his tales, capsule biographies of his major colleagues and family members, and entries on little known features in his stories, such as his imaginary book of occult lore, the Necronomicon. The volume refers to current scholarship on the issues in question and also supplies the literary, topographical, and biographical sources for key elements in Lovecraft's work. As Lovecraft's renown continues to ascend in the 21st century, this encyclopedia will be essential to an understanding of his life and writings.

Discusses the ideas and impact of 27 atheists, agnostics, and secularists whose ideas have shaped society over the last 200 years.In the opinion of many critics and philosophers, we are entering an age of atheism marked by the waning of Christian fundamentalism and the flourishing of secular thought. Through alphabetically arranged entries written by expert contributors, this book profiles 27 iconic figures of unbelief whose ideas have shaped American society over the last 200 years. Included are entries on influential figures of the past, such as Albert Einstein and Voltaire, as well as on such contemporary figures as Richard Dawkins and Sam Harris. Each entry discusses the ideas and lasting significance of each person or group, provides sidebars of interesting information and illuminating quotations, and cites works for further reading. The volume closes with a selected, general bibliography. Students in social studies and history classes will welcome this reference as a guide to the ideas central to the American separation of Church and State and to many of the political debates at the heart of society today.Each entry discusses the ideas and lasting significance of the person or group, provides sidebars of interesting information and quotations, and closes with a list of works for further reading. The volume ends with a selected, general bibliography. Students in history and social studies classes will welcome this reference as a guide to the American separation of Church and State and to the ideas central to contemporary political debates.

An exhaustive work covering the full range of topics relating to vampires, including literature, film and television, and folklore.Encyclopedia of the Vampire: The Living Dead in Myth, Legend, and Popular Culture is a comprehensive encyclopedia relating to all phases of vampirism—in literature, film, and television; in folklore; and in world culture. Although previous encyclopedias have attempted to chart this terrain, no prior work contains the depth of information, the breadth of scope, and the up-to-date coverage of this volume.With contributions from many leading critics of horror and supernatural literature and media, the encyclopedia offers entries on leading authors of vampire literature (Bram Stoker, Anne Rice, Stephenie Meyer), on important individual literary works (Dracula and Interview with the Vampire), on celebrated vampire films (the many different adaptations of Dracula, the Twilight series, Love at First Bite), and on television shows (Buffy the Vampire Slayer and Angel). It also covers other significant topics pertaining to vampires, such as vampires in world folklore, humorous vampire films, and vampire lifestyle.

Mencken weighs 172 pounds, is 5 feet 10 inches in height and not beautiful. His chief amusement, after reading, is piano-playing, this he does very crudely. He takes no exercise except walking and is a moderate eater and drinker. He sometimes drinks as little as one bottle of beer a week, though this doesn't happen very often."" So wrote H. L. Mencken about himself, in a brief sketch of his life penned in 1905.Perhaps America's foremost literary stylist and most mordant wit, Mencken's most engaging writing told about his own life and experiences. In Mencken on Mencken, veteran Mencken editor and scholar S. T. Joshi has assembled a hefty collection of the best of Mencken's autobiographical pieces that have not appeared previously in book form. These forty-four selections cover a wide variety of topics ranging from incidents from Mencken's everyday life to reflections on friends and colleagues to his careers as author, journalist, and editor, to his travels abroad. As a journalist in Baltimore, Mencken encountered many unusual characters: a professional mourner hired by a beer distiller, a wagon driver who slept through the great Baltimore fire of 1904, a confirmed bachelor who left town to avoid the clutches of a predatory widow. He provides accounts of literary figures he knew, such as Theodore Dreiser, and ruminations on his work at the Baltimore Sun and as editor for the magazines Smart Set and the American Mercury. In an essay titled ""What I Believe,"" he eschews humor and writes straightforwardly of his longtime scorn for the idea of religion, and in his journalist mode he reflects on a half-century of attending political conventions, drawing on his vast inside knowledge to savage the corruption and incompetence of the political class. A superb travel writer, Mencken gives us a rollicking account of beer-drinking in Munich, astute observations of political unrest in Cuba, and carefully drawn scenes from a long tour he and his wife made of the Mediterranean in 1934.Joshi has thoroughly annotated the pieces and also compiled an extensive glossary of names and terms that Mencken mentions. Mencken on Mencken offers a fully rounded self-portrait of one of America's most colorful personalities and most extraordinary men of letters.

Baltimore native Henry Louis Mencken (1880-1956) was an essayist, literary critic, magazine editor, novelist, and journalist. Starting as a reporter for the Baltimore Morning Herald at the turn of the century, Mencken eventually became associated with the Baltimore Sun and his work for the newspaper spanned five decades. In H.L. Mencken: An Annotated Bibliography, S.T. Joshi provides the most exhaustive and comprehensive bibliography of the writings of H. L. Mencken ever assembled. It presents detailed information on his book publications from 1903 to the present, with a full list of editions and reprints. Most significantly, it presents for the first time a comprehensive annotated listing of his magazine and newspaper work (including more than 1,500 anonymous editorials for the Baltimore Sun, Baltimore Evening Sun, and other papers, which have never been listed in any previous bibliographies), a thorough index to his book reviews, and a full list of interviews Mencken gave during his lifetime. Word counts of nearly every item in the bibliography have been supplied, and the book has been thoroughly indexed by name, title, and periodical.Because every item has been annotated, scholars and students can, for the first time, gain an idea of the subject-matter of all Mencken's writings, especially his magazine and newspaper work. The indexes will allow users to locate any given item with ease. The chronological arrangement of each section allows users to understand the growth and development of Mencken's work, making this volume an invaluable resource.

Throughout his career as a literary critic, H. L. Mencken was intent on elevating the bold, the daring, and the innovative over the hackneyed, the trite, and the superficial, and his drama criticism exhibits this tendency to the fullest. Though known primarily as a newspaperman and commentator, Mencken also wrote several one-act plays, as well as a full-length work.In The Collected Drama of H. L. Mencken: Plays and Criticism, S. T. Joshi has assembled for the first time Mencken’s dramatic works, comprising six one-act plays and the lengthy three-act play Heliogabalus. These plays, which have never been reprinted since their original appearances in newspapers or in Mencken’s early volume A Book of Burlesques (1916), exhibit Mencken’s penchant for satire and ridicule. Several of the plays, such as In the Vestry Room and The Wedding: A Stage Direction, display Mencken’s oft-expressed cynicism about the institution of marriage. Another related play is Asepsis, a satire on exaggerated concerns about sexual health in young married couples. Other plays take aim at the cultural deficiencies of the common people, such as Death: A Philosophical Discussion, which relays the hackneyed reactions of a group of mourners over the death of a friend. Mencken’s most significant play by far is Heliogabalus, a play he co-wrote with his frequent collaborator, George Jean Nathan, in which Mencken expresses his scorn of the Christian religion.The second half of this book features a selection of Mencken’s early writings (1905–17) on drama, most of which have never been reprinted. Various essays on Shakespeare, Shaw, Synge, Strindberg, Ibsen, and others exhibit Mencken’s keenness as a literary critic and his understanding of the aesthetic possibilities of the drama. With an introduction by the editor who provides an overview of Mencken’s work as a dramatist and drama critic, this collection will be of interest to amateur and even professional drama companies, theatre historians, and of course, anyone interested in the writings of Mencken.

From the publication of his first book in 1905 until his death, Lord Dunsany (1878–1957) was an immensely popular Anglo-Irish writer. He has long been admired in the realms of fantasy, horror, and supernatural fiction and was a friend and colleague of writers W. B. Yeats, Lady Gregory, James Stephens, and Oliver St. John Gogarty. In recent years he has enjoyed a resurgence as a pioneering fantasy writer and an immense influence on later work in the genre. Critical Essays on Lord Dunsany is the first volume to assemble studies of Dunsany’s short fiction, novels, plays, and memoirs, as well as discussions of his influence on such writers as J. R. R. Tolkien and H. P. Lovecraft. The book also contains early articles and reviews by Yeats, Lovecraft, H. L. Mencken, Rebecca West, and Arthur C. Clarke. Seven original essays by leading contemporary scholars on Dunsany examine the use of medieval archetypes in his fantasy novels; the distinctiveness of his recurring character, clubman Joseph Jorkens; the influence of Don Quixote on his first novel, The Chronicles of Rodriguez (1922); the treatment of religion in his later novels; and other subjects.This anthology presents a comprehensive snapshot of Dunsany’s distinctive work and his contribution to fantasy fiction and world literature. Making a case for the continued study of this neglected but hugely influential writer, Critical Essays on Lord Dunsany will be of great interest to enthusiasts of Dunsany’s work as well as students and scholars of fantasy, horror, the supernatural, and Irish literature.

Anglo-Irish writer Lord Dunsany (1878–1957) was a pioneering writer in the genre of fantasy literature and the author of such celebrated works as The Book of Wonder (1912) and The King of Elfland’s Daughter (1924). Over the course of a career that spanned more than five decades, Dunsany wrote thousands of stories, plays, novels, essays, poems, and reviews, and his work was translated into more than a dozen languages. Today, Dunsany’s work is experiencing a renaissance, as many of his earlier works have been reprinted and much attention has been paid to his place in the history of fantasy and supernatural literature.This bibliography is a revision of the landmark volume published in 1993, which first charted the full scope of Dunsany’s writing. This new edition not only brings the bibliography up to date, listing the dozens of new editions of Dunsany’s work that have appeared in the last two decades and the wealth of criticism that has been written about him, but also records many obscure publications in Dunsany’s lifetime that have not been previously known or identified. In all, the bibliography has been expanded by at least thirty percent. Among this new material are dozens of uncollected short stories, newspaper articles, and poems, and many books, essays, and reviews of Dunsany’s work published over the past century.Altogether, this bibliography is the definitive listing of works by and about Dunsany and will be the foundation of Dunsany studies for many years to come.