New Directions in Francophone Studies: Diversity, Decolonisation, Queerness - Böcker
Visar alla böcker i serien New Directions in Francophone Studies: Diversity, Decolonisation, Queerness. Handla med fri frakt och snabb leverans.
4 produkter
4 produkter
1 277 kr
Skickas
This book investigates cultural representations of the BUMIDOM (Bureau pour le developpement des migrations dans les departements d'outre-mer), a state-organised migration scheme which brought workers from Guadeloupe, Martinique, Reunion and French Guiana to mainland France between 1963 and 1982. It argues that the French government has not sufficiently commemorated the BUMIDOM through national frameworks such as museums and education systems. This would mean admitting that participants, who were French citizens, were treated as racialised migrants and second-class-citizens. Through a series of original case studies spanning life writing, novels, films, bande dessinee, children's fiction and music, the study demonstrates that it is cultural practitioners who, in the absence of adequate state representation, are undertaking this important memory work themselves. In a period in which Black identity is increasingly entering public debate in France, the book raises urgent questions about what it means to be a French citizen and a racial minority.
275 kr
Kommande
This book investigates cultural representations of the BUMIDOM (Bureau pour le développement des migrations dans les départements d’outre-mer), a state-organised migration scheme which brought workers from Guadeloupe, Martinique, Réunion and French Guiana to mainland France between 1963 and 1982. It argues that the French government has not sufficiently commemorated the BUMIDOM through national frameworks such as museums and education systems. This would mean admitting that participants, who were French citizens, were treated as racialised migrants and second-class-citizens. Through a series of original case studies spanning life writing, novels, films, bande dessinée, children’s fiction and music, the study demonstrates that it is cultural practitioners who, in the absence of adequate state representation, are undertaking this important memory work themselves. In a period in which Black identity is increasingly entering public debate in France, the book raises urgent questions about what it means to be a French citizen and a racial minority.
Graphic Narratives of Resistance
Advocating for Representation and Social Justice in French-language Bandes Dessinées
Inbunden, Engelska, 2025
1 383 kr
Skickas inom 7-10 vardagar
This edited volume sheds light on the unique capacity of the comics medium for redrawing histories and for exploring hidden, forbidden or imagined spaces. Studying a variety of texts from the French-speaking world, it considers how bandes dessinees (BD) and graphic novels can highlight environmental, gender, racial, religious, political and social questions. It also demonstrates how BD can offer readers new perspectives through formal experiment and through reworking and subverting dominant iconographies. The contributions in this volume showcase how the comic medium, through the combination of text and image, engages with notions of voice, power, bias and perspective, and can be used as a pedagogical tool and a form of resistance to discuss diversity, decolonisation, inclusion and social justice issues.
1 311 kr
Skickas inom 7-10 vardagar
Examining the ambivalences that mark Southeast Asian sex industries under global imperialism, this book explores the multi-layered subjectivities of sex workers, procurers and clients, and interrogates the frameworks in which discourses surrounding sex work circulate. Engaged with debates concerning the status of transactional sex, Leslie Barnes explores the symbolic force and concrete conditions of sex work in Cambodia and Vietnam, considering how these debates and the figures they ensnare are mediated by fiction and creative nonfiction. The book's scenes of ambivalence show how the aesthetic treatment of sex work stretches the paradigms we use to make sense not only of sex work, but also of art, the evidentiary status of testimony and the spectacles of pleasure and suffering. Contesting essentialism and authenticity, and working to suspend judgement, these scenes encourage a re-examination of what we think we know about sex work, how we know it and what we do with that knowledge.