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Antonia Wimbush - BUMIDOM (1963–1982) and its Afterlives, Häftad

Häftad, Engelska, 2026

BUMIDOM (1963–1982) and its Afterlives

Literature, Memory and Migration

Av Antonia Wimbush

Del i serien New Directions in Francophone Studies: Diversity, Decolonisation, Queerness

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Beskrivning
This book investigates cultural representations of the BUMIDOM (Bureau pour le développement des migrations dans les départements d’outre-mer), a state-organised migration scheme which brought workers from Guadeloupe, Martinique, Réunion and French Guiana to mainland France between 1963 and 1982. It argues that the French government has not sufficiently commemorated the BUMIDOM through national frameworks such as museums and education systems. This would mean admitting that participants, who were French citizens, were treated as racialised migrants and second-class-citizens. Through a series of original case studies spanning life writing, novels, films, bande dessinée, children’s fiction and music, the study demonstrates that it is cultural practitioners who, in the absence of adequate state representation, are undertaking this important memory work themselves. In a period in which Black identity is increasingly entering public debate in France, the book raises urgent questions about what it means to be a French citizen and a racial minority.
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Antonia Wimbush is Lecturer in French Studies in the School of Languages and Linguistics at the University of Melbourne. From 2020 to 2023 she was a Leverhulme Early Career Fellow in the Department of Languages, Cultures and Film at the University of Liverpool. Her previous publications include Autofiction: A Female Francophone Aesthetic of Exile (2021) and Queer(y)ing Bodily Norms in Francophone Culture (2021), co-edited with Polly Galis and Maria Tomlinson. Her research interests include French Caribbean literature, literary representations of exile and migration, memory studies, and gender studies.

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Drawing on fieldwork, extensive archival research and analysis of a rich corpus of literature, music and film, Antonia Wimbush tells a story of migration from the Caribbean to Europe that has been largely silenced in France itself. Recovering occluded narratives and reflecting on their contemporary afterlives, this account of BUMIDOM as a postcolonial lieu de mémoire constitutes a highly significant intervention. The result is essential reading for all serious scholars and students of the French Caribbean, of post-war France – and of the histories of migration more broadly.

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