Nyhet

Women and Cultures of Portraiture in the British Literary Renaissance

AvYasmin Arshad,Chris Laoutaris

Inbunden, Engelska, 2026

Del i serien Arden Studies in Early Modern Material Culture

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Beskrivning

Were Renaissance women merely passive and voiceless subjects in the cultures of portraiture through which they were represented? Did they have the opportunity to challenge the prevailing visual tropes that reproduced gender stereotypes? Did they create iconographical programmes for their own social and political ends? This collection of interdisciplinary essays examines the representation of women at the intersection between portraiture, literature, drama, heritage and material culture in Renaissance Britain. It explores how power, politics and patronage manifested across text, cultural inscription and ‘portraiture’ – defined in its broadest sense as a cultural artefact expressive of the female image and identity. Contributors cover (self-)portraits, miniatures, engravings, sculptures, embroideries, murals, emblems, illuminated manuscripts, jewellery, coins, curated collections, theatrical props, calligraphy and other decorative and architectural features. Bringing together art historians, curators, heritage specialists and scholars of early modern history and literature, this volume situates women as the active subjects and creators of ‘cultures of portraiture’. It reveals how female power was negotiated through the royal icon; how women used patronage, pedagogy and encryption to forge female networks and navigate the dangerous worlds of religious and courtly factionalism; and how art, drama and literature reflected anxieties around women’s creative agency. It demonstrates that these practices were not purely localised, but that women’s portraiture connected England – conceptually, materially and ideologically – to Scotland, Wales, Ireland, France, Spain, Rome, the Netherlands, Africa, Persia and the Islamic world; that women employed an ‘activist intermediality’ to re-define their ‘portraits’ as tools for public identity-building, political commentary, social disruption and cross-national dialogue.

Produktinformation

Utgivningsdatum:2026-05-28
Mått:158 x 234 x 28 mm
Vikt:520 g
Format:Inbunden
Språk:Engelska
Serie:Arden Studies in Early Modern Material Culture
Antal sidor:336
Förlag:Bloomsbury Publishing PLC
ISBN:9781350320703

Utforska kategorier

Kulturvetenskap inom Samhälle och politik
Konsthistoria inom Kultur
Genusvetenskap inom Samhälle och politik

Mer om författaren

Yasmin Arshad is Honorary Research Fellow, Centre for Early Modern Exchanges,School of European Languages, Culture & Society, University College London, UK.Chris Laoutaris is Senior Lecturer at the Shakespeare Institute, University of Birmingham, UK.

Innehållsförteckning

Notes on ContributorsList of IllustrationsIntroduction: Towards an Activist Intermediality: The Legacies of Portraiture’s FeminismsYasmin Arshad (University College London, UK) and Chris Laoutaris (The Shakespeare Institute, University of Birmingham, UK)Part 1: Negotiating Royal Power: Propaganda, Encryption and the Visual Rhetoric of Persuasion 1. Susanna Horenbout and the Politics of Illumination at the Court of Henry VIIISusan E. James (Independent Scholar and Art Historian, UK)2. Joint Iconography for Joint Sovereigns: Mary Queen of Scots, James VI of Scotland, and the Campaign for the Association, c. 1578–1584 Susan Doran (Jesus College, University of Oxford, UK) and Paulina Kewes (Jesus College, University of Oxford, UK) 3. Elizabeth I at SixtyHelen Hackett (University College London, UK) and Karen Hearn (University College London, UK; formerly Curator of 16th- and 17th-Century British Art at Tate Britain, UK)4. “Still Renewing Wronges”?: Politics, Identity and Encryption in Gheeraerts’ ‘Persian Lady’ PortraitChris Laoutaris (The Shakespeare Institute, University of Birmingham, UK) and Yasmin Arshad (University College London, UK)5. ‘A Moor to a Maiden’: The Presence of Black Africans in the Portraiture of Louise de Kérouaille, Duchess of Portsmouth Ana Howie (Cornell University, USA)Part 2: Inter-Visual Interventions: Identity, Agency and Confrontations with the Self 6. Embroidery and Self-PortraitureJane Stevenson (Campion Hall, University of Oxford, UK) 7. The dead shadow: Portraiture, Murder and Female agency in the early modern dumb showKeir Elam (University of Bologna, Italy)8. Capitalizing on Beauty: Blazons and Portraiture in Early Modern English VerseJaime Goodrich (Wayne State University, Michigan, USA)9. The Portrait of a Lady from the Islamic World in Early Modern England: ‘Teresia, Countess Shirley’, by William Larkin, c. 1611–13Bernadette Andrea (University of California, Santa Barbara, USA) 10. Flights of Fancy and Practical Matters: Creativity in Self-Portraiture of Margaret Cavendish and Hannah Woolley Anna (Anya) Riehl Bertolet (Auburn University, USA) Part 3: Visualizing Women’s Networks: Patronage, Curating and Collecting 11. Catholicae Virgines nos Sumus Mutare vel Tempore Spernimus: Helena Wintour’s Subversive EmbroideriesJanet Graffius (Curator of Collections and Historic Libraries, Stonyhurst, UK)12. Mary Ward and the Figuring of Female NetworksCaroline Bicks (University of Maine, USA)13. Locating the Cavendish women in Ben Jonson’s The New Inn and the murals at Bolsover CastleCrosby Stevens (University of Sheffield; formerly Curator of Art for English Heritage, UK) 14. Richard Crashaw’s Lady Margaret Beaufort in the Liber Memorialis at St John’s College, CambridgeAnna Clark (University of Oxford and the National Portrait Gallery, UK) Select Bibliography Index