Bollingen Series – serie

In this visually stunning and much anticipated book, acclaimed art historian Joseph Koerner casts the paintings of Hieronymus Bosch and Pieter Bruegel in a completely new light, revealing how the painting of everyday life was born from what seems its polar opposite: the depiction of an enemy hell-bent on destroying us. Supreme virtuoso of the bizarre, diabolic, and outlandish, Bosch embodies the phantasmagorical force of painting, while Bruegel, through his true-to-life landscapes and frank depictions of peasants, is the artistic avatar of the familiar and ordinary. But despite their differences, the works of these two artists are closely intertwined. Bruegel began his career imitating Bosch's fantasies, and it was Bosch who launched almost the whole repertoire of later genre painting. But Bosch depicts everyday life in order to reveal it as an alluring trap set by a metaphysical enemy at war with God, whereas Bruegel shows this enemy to be nothing but a humanly fabricated mask. Attending closely to the visual cunning of these two towering masters, Koerner uncovers art history's unexplored underside: the image itself as an enemy.An absorbing study of the dark paradoxes of human creativity, Bosch and Bruegel is also a timely account of how hatred can be converted into tolerance through the agency of art. It takes readers through all the major paintings, drawings, and prints of these two unforgettable artists--including Bosch's notoriously elusive Garden of Earthly Delights, which forms the core of this historical tour de force. Elegantly written and abundantly illustrated, the book is based on Koerner's A. W. Mellon Lectures in the Fine Arts, a series given annually at the National Gallery of Art, Washington.

The bestselling English translation of the ancient classic of Chinese divination that has inspired millions with its timeless insights into the changing nature of existenceThe I Ching, or Book of Changes, has exerted a living influence in China for thousands of years. Today, it continues to enrich the lives of readers around the world. First set down in the dawn of history as a book of oracles, it grew into a book of wisdom with the inclusion of commentaries on its oracular pronouncements, eventually becoming one of the Five Classics of Confucianism and providing a common source for both Confucianist and Taoist philosophy. This edition of the I Ching is the most authoritative and complete translation available, preserving the spirit of the ancient text while providing a vital key for anyone who seeks to live harmoniously with the immutable law of change.The book presents the sixty-four hexagrams of the I Ching along with their texts and interpretations in a format especially designed for easy reference. Unlike many editions of the I Ching, it also features the Ten Wings, supplemental writings traditionally ascribed to Confucius that provide indispensable insights into the symbolic structure of the hexagrams and their place in a cosmology where change is the only constant.With an illuminating foreword by C. G. Jung and an informative introduction by Richard Wilhelm, this beautiful edition of the I Ching shares the essence of wisdom and a true understanding of life.

Originally published as Volume 2 of The Tao of Painting, this is the first English translation of the famous Chinese handbook, the "Chieh Tzu Yuan Hua Chuan" (original, 1679-1701). Mai-mai Sze has translated and annotated the texts of instructions, discussions of the fundamentals of painting, notes on the preparation of colors, and chief editorial prefaces.

A landmark account of the evolution of consciousness by one of the twentieth century’s leading Jungian psychologistsThis book draws on a full range of world mythology to show how individual consciousness undergoes the same archetypal stages of development as human consciousness as a whole. Erich Neumann, one of C. G. Jung’s most creative students and a renowned practitioner of analytical psychology in his own right, shows how the stages begin and end with the symbol of the Uroboros, the tail-eating serpent. The intermediate stages are projected in the universal myths of the World Creation, the Great Mother, the Separation of the World Parents, the Birth of the Hero, the Slaying of the Dragon, the Rescue of the Captive, and the Transformation and Deification of the Hero. Neumann traces how, throughout this sequence, the Hero is the evolving ego consciousness. With a foreword by Jung, The Origins and History of Consciousness is an eloquent and enduring meditation on myth and the human psyche.

Written reputedly by an Egyptian magus, Horapollo Niliacus, in the fourth century C.E., The Hieroglyphics of Horapollo is an anthology of nearly two hundred "hieroglyphics," or allegorical emblems, said to have been used by the Pharaonic scribes in describing natural and moral aspects of the world. Translated into Greek in 1505, it informed much of Western iconography from the sixteenth through the nineteenth centuries. This work not only tells how various types of natural phenomena, emotions, virtues, philosophical concepts, and human character-types were symbolized, but also explains why, for example, the universe is represented by a serpent swallowing its tail, filial affection by a stork, education by the heavens dropping dew, and a horoscopist by a person eating an hourglass. In his introduction Boas explores the influence of The Hieroglyphics and the causes behind the rebirth of interest in symbolism in the sixteenth century. The illustrations to this edition were drawn by Albrecht Durer on the verso pages of his copy of a Latin translation.

The West's foremost translator of the "I Ching", Richard Wilhelm thought deeply about how contemporary readers could benefit from this ancient work and its perennially valid insights into change and chance. This title offers an introduction to the "I Ching" and the meaning of its famous hexagrams.

George Chapman's translations of Homer are the most famous in the English language. Keats immortalized the work of the Renaissance dramatist and poet in the sonnet "On First Looking into Chapman's Homer." Swinburne praised the translations for their "romantic and sometimes barbaric grandeur," their "freshness, strength, and inextinguishable fire." The great critic George Saintsbury (1845-1933) wrote: "For more than two centuries they were the resort of all who, unable to read Greek, wished to know what Greek was. Chapman is far nearer Homer than any modern translator in any modern language." This volume presents the original (1611) text of Chapman's translation of the Iliad, making only a small number of modifications to punctuation and wording where they might confuse the modern reader. The editor, Allardyce Nicoll, provides an introduction and a glossary. Garry Wills contributes a preface, in which he explains how Chapman tapped into the poetic consonance between the semi-divine heroism of the Iliad's warriors and the cosmological symbols of Renaissance humanism.

The Holy Grail and its quest is a legend that has had a powerful impact on our civilization and culture. The Grail itself is an ancient Celtic symbol of plenty as well as a Christian symbol of redemption and eternal life, the chalice that caught the blood of the crucified Christ. The story of the Grail sheds profound light on man's search for the supreme value of life, for that which makes life most meaningful. Writing in a clear and readable style, two leading women of the Jungian school of psychology present this legend as a living myth that is profoundly relevant to modern life. We encounter such universal figures as the Fool (the naive young Perceval), the Wise Old Man (the Hermit Gornemanz), the Virgin Maiden (Blancheflor), the Loathly Damsel, and such important themes as the Waste Land, the Trinity, and the vessel of the Grail. Weaving together narrative and interpretation, the authors show us how the legend reflects not only fundamental human problems but also the dramatic psychic events that form the background of our Christian culture. Emma Jung--analyst, writer, and wife of the famous psychologist C. G.Jung--researched and worked on this book for thirty years, until her death in 1955. Marie-Louise von Franz, also eminent in the field of depth psychology, completed the project.

This thought-provoking collection of magical texts from ancient Egypt shows the exotic rituals, esoteric healing practices, and incantatory and supernatural dimensions that flowered in early Christianity. These remarkable Christian magical texts include curses, spells of protection from "headless powers" and evil spirits, spells invoking thunderous powers, descriptions of fire baptism, and even recipes from a magical "cookbook." Virtually all the texts are by Coptic Christians, and they date from about the 1st-12th centuries of the common era, with the majority from late antiquity. By placing these rarely seen texts in historical context and discussing their significance, the authors explore the place of healing, prayer, miracles, and magic in the early Christian experience, and expand our understanding of Christianity and Gnosticism as a vital folk religion.

Poetry in its many guises is at the center of Coleridge's multifarious interests, and this long-awaited new edition of his complete poetical works marks the pinnacle of the Bollingen Collected Coleridge. The three parts of Volume 16 confirm and expand the sense of the Coleridge who has emerged over the past half-century, with implications for English Romantic writing as a whole. Setting new standards of comprehensiveness in the presentation of Romantic texts, they will interest historians and editorial theorists, as well as readers and students of poetry. They represent a work of truly monumental importance. The first part presents the reading texts of 706 poems in chronological sequence. Its blend of newly discovered and newly collected poems, presented in light of all known evidence and where practicable in unrevised forms, offers a fresh and original Coleridge: less inhibited by Victorian ideas about what poetry should be, moving easily and productively between genres and levels of seriousness. In texts that remained fluid and exploratory to the end, Coleridge alternates between lyric and satire, prophecy and conversation, symbol and allegory.Each poem is accompanied by a headnote and commentary that together provide its historical-biographical context and offer key textual variants. The book opens with an introduction and chronological tables. The three appendixes position individual poems in the contexts in which they appeared during Coleridge's lifetime. Illustrations such as contemporary scenes and portraits bring this rich collection, like the companion volumes, all the more to life.

Poetry in its many guises is at the center of Coleridge's multifarious interests, and this long-awaited new edition of his complete poetical works marks the pinnacle of the Bollingen Collected Coleridge. The three parts of Volume 16 confirm and expand the sense of the Coleridge who has emerged over the past half-century, with implications for English Romantic writing as a whole. Setting new standards of comprehensiveness in the presentation of Romantic texts, they will interest historians and editorial theorists, as well as readers and students of poetry. They represent a work of truly monumental importance. The second part presents the same 706 poems as the first, in the same chronological sequence, but differently records in each case all known textual information in collated form--allowing for alternative construals of the reading texts. An additional 135 items are inserted into the same sequence, comprising poems mistakenly ascribed to Coleridge or of dubious authenticity and poems that remained only in the planning stage or that are referred to but have not been recovered. The index of titles and first lines incorporates the full range of variants.All told, the Collected Coleridge variorum sequence collates over a third more additional texts--in more detailed and accurate form--than those found in the previous standard edition, by E.H. Coleridge. The presentation method in this second part will interest editorial theorists as well as those interested primarily in Coleridge and/or the making of poetry. The unusually detailed textual information also reveals changes in such areas as linguistic and grammatical usage, patterns of transcription and circulation among anthologists, and contemporary publishers' house styles.

In his introduction to this edition of Coleridge's Marginalia, the late George Whalley wrote, "There is no body of marginalia--in English, or perhaps in any other language--comparable with Coleridge's in range and variety and in the sensitiveness, scope, and depth of his reaction to what he was reading." The Princeton edition of the Marginalia, of which this is the sixth volume, brings together over eight thousand notes, many never before printed, varying from a single word to substantial essays. In alphabetical order of authors, the notes are presented literatim from the original manuscripts whenever the annotated volumes can be found. Each note is preceded by the passage of the original text that appears to have provoked Coleridge's comment. Texts in foreign languages are followed by translations. The present volume comprises annotations on more than fifty books and manuscripts (from Valckenaer to Zwick, plus Addenda), including comments on Wordsworth's "Benjamin the Waggoner," "The Prelude," and "Translation of Virgil's Aeneid," as well as on William Godwins's verse drama "Abbas."A key-word index to the six volumes of Marginalia, provided here, will give readers ready access to Coleridge's ideas on subjects ranging from literature and philosophy through religion, politics, history, biography, and science.

From the famous siege of Constantinople in 1453 through the numerous other campaigns that securely established the Ottoman Empire, the events in the life of the emperor Mehmed II are the subject of this classic biography. One of the most important figures in Ottoman history, Mehmed was the architect of victories that inspired fear throughout Europe and contributed to an image of the Turk prevalent in Western art and literature for many years. "Fascinating...From the Western viewpoint, Mehmed was seen as the man who gave the death blow to Byzantium, destroying the last vestige of the Eastern Roman Empire. Not surprisingly, the Turks regard him as the greatest of all sultans, a figure unparalleled in the history of the world for military prowess, statecraft, patronage of the arts and sciences."--Robert Kirsch, The Los Angeles Times Book Review "The definitive scholarly biography of the Ottoman emperor who in 1453 conquered Constantinople...Mehmed's career is a study of battle, murder, and sudden death, of brutality, perfidy, and spite, with no moral superiority awardable to either Christians or Muslims."--The New Yorker

The Oxford Translation of Aristotle was originally published in 12 volumes between 1912 and 1954. It is universally recognized as the standard English version of Aristotle. This revised edition contains the substance of the original Translation, slightly emended in light of recent scholarship; three of the original versions have been replaced by new translations; and a new and enlarged selection of Fragments has been added. The aim of the translation remains the same: to make the surviving works of Aristotle readily accessible to English speaking readers.

The Oxford Translation of Aristotle was originally published in 12 volumes between 1912 and 1954. It is universally recognized as the standard English version of Aristotle. This revised edition contains the substance of the original Translation, slightly emended in light of recent scholarship; three of the original versions have been replaced by new translations; and a new and enlarged selection of Fragments has been added. The aim of the translation remains the same: to make the surviving works of Aristotle readily accessible to English speaking readers.

The description for this book, Philosophies of India, will be forthcoming.

An approach to music as an instrument of philosophical inquiry, seeking not so much a philosophy of music as a philosophy through music.

The renowned tale of Amor and Psyche, from Apuleius's second-century Latin novel The Golden Ass, is one of the most charming fragments of classical literature. Neumann chose it as the exemplar of an unusual study of feminine psychology. Unfolding the spiritual and mythical background of the pagan narrative, he shows how the contest between the mortal maid Psyche and the great goddess Aphrodite over the god Amor--Aphrodite's son, Psyche's husband--yields surprising and valuable insights into the psychic life of women.

Drawing from Eastern and Western literatures, Heinrich Zimmer presents a selection of stories linked together by their common concern for the problem of our eternal conflict with the forces of evil. Beginning with a tale from the Arabian Nights, this theme unfolds in legends from Irish paganism, medieval Christianity, the Arthurian cycle, and early Hinduism. In the retelling of these tales, Zimmer discloses the meanings within their seemingly unrelated symbols and suggests the philosophical wholeness of this assortment of myth.

A study of the primitive and unconscious aspects of man's nature and the processes by which their energies may contribute to the integration of personality. New edition, comprehensively revised and enlarged, with many new illustrations.

The lecturer traces the historical development of attitudes toward the arts over the past 150 years, suggesting that the present is a period of cultural liquidation, nothing less than the ending of the modern age that began with the Renaissance.

The description for this book, The Voices of Silence: Man and his Art. (Abridged from The Psychology of Art), will be forthcoming.

Essays by Julius Baum, C. G. Jung, C. Kerenyi, Hans Leisegang, Paul Masson-Oursel, Fritz Meier, Jean de Menasce, Georges Nagel, Walter F. Otto, Max Pulver, Hugo Rahner, Paul Schmitt, and Walter Wili.

An essential guide to vital and often overlooked features of the architectural and social inheritance of the WestThis book provides vital insights into the ways in which architecture reflects the character of society. Drawing on his immense erudition and keenly discerning eye, Nikolaus Pevsner describes twenty types of buildings ranging from the most monumental to the least, and from the ideal to the most utilitarian. He covers both European and American architecture, with examples chosen largely from the nineteenth century, the crucial period for diversification. Included are national monuments, libraries, theaters, hospitals, prisons, factories, hotels, and many other public buildings. Incisive and authoritative, A History of Building Types traces the evolution of each type in response to social and architectural change, and discusses differing attitudes toward function, materials, and style.

A paperback edition of Campbell's major study of the mythology of the world's high civilizations over five millennia. It includes nearly 450 illustrations. The text is the same as that of the 1974 edition. Mythologist Joseph Campbell was a masterful storyteller, able to weave tales from every corner of the world into compelling, even spellbinding, narratives. His interest in comparative mythology began in childhood, when the young Joe Campbell was taken to see Buffalo Bill's Wild West Show at Madison Square Garden. He started writing articles on Native American mythology in high school, and the parallels between age-old myths and the mythic themes in literature and dreams became a lifelong preoccupation. Campbell's best-known work is The Hero with a Thousand Faces (1949), which became a New York Times paperback best-seller for Princeton in 1988 after Campbell's star turn on the Bill Moyers television program The Power of Myth. During his early years as a professor of comparative religion at Sarah Lawrence College, Campbell made the acquaintance of Indologist Heinrich Zimmer, a kindred spirit who introduced him to Paul and Mary Mellon, the founders of Bollingen Series.They chose Campbell's The Mythic Image as the culmination of the series, giving it the closing position--number one hundred. A lavishly illustrated and beautifully produced study of the mythology of the world's high civilizations, The Mythic Image received a front-cover review in the New York Times Book Review upon publication. Through the medium of visual art, the book explores the relation of dreams to myth and demonstrates the important differences between oriental and occidental interpretations of dreams and life.

Biographia Literaria has emerged over the last century as a supreme work of literary criticism and one of the classics of English literature. Into this volume poured 20 years of speculation about the criticism and uses of poetry and about the psychology of art. Following the text of the 1817 edition, the editors offer the first completely annotated edition of the highly allusive work.

Appearing for the first time in paperback and illustrated with line drawings, diagrams, and 26 half-tone plates, this study of the iconographic aspect of Japanese Buddhist sculpture surveys the significance of eight principal and six secondary hand gestures (mudra), in addition to the postures (asana), such as the "lotus," and the symbolic attributes. A pictorial index helps the reader in identifying the gestures.

The description for this book, The Gothic Cathedral: Origins of Gothic Architecture and the Medieval Concept of Order, will be forthcoming.