Bollingen Series – serie

The bestselling English translation of the ancient classic of Chinese divination that has inspired millions with its timeless insights into the changing nature of existenceThe I Ching, or Book of Changes, has exerted a living influence in China for thousands of years. Today, it continues to enrich the lives of readers around the world. First set down in the dawn of history as a book of oracles, it grew into a book of wisdom with the inclusion of commentaries on its oracular pronouncements, eventually becoming one of the Five Classics of Confucianism and providing a common source for both Confucianist and Taoist philosophy. This edition of the I Ching is the most authoritative and complete translation available, preserving the spirit of the ancient text while providing a vital key for anyone who seeks to live harmoniously with the immutable law of change.The book presents the sixty-four hexagrams of the I Ching along with their texts and interpretations in a format especially designed for easy reference. Unlike many editions of the I Ching, it also features the Ten Wings, supplemental writings traditionally ascribed to Confucius that provide indispensable insights into the symbolic structure of the hexagrams and their place in a cosmology where change is the only constant.With an illuminating foreword by C. G. Jung and an informative introduction by Richard Wilhelm, this beautiful edition of the I Ching shares the essence of wisdom and a true understanding of life.

Originally published as Volume 2 of The Tao of Painting, this is the first English translation of the famous Chinese handbook, the "Chieh Tzu Yuan Hua Chuan" (original, 1679-1701). Mai-mai Sze has translated and annotated the texts of instructions, discussions of the fundamentals of painting, notes on the preparation of colors, and chief editorial prefaces.

For this new anthology, Anthony Bonner has chosen central texts from his acclaimed two-volume compilation Selected Works of Ramon Llull (Princeton, 1985). Available for the first time in an affordable format, these works serve as an introduction to the life and writings of the Catalan (properly, Majorcan) philosopher, mystic, and theologian who lived from 1232 to 1316. Founder of a school of Arabic and other languages, Llull was also a poet and novelist and one of the creators of literary Catalan. This volume contains three prefaces on Llull's life, thought, and reputation. Of Llull's works, it offers Book of the Gentile and the Three Wise Men, his seminal Christian apology; the Ars brevis, a summary of his philosophical system; The Book of the Lover and the Beloved, a celebration of mystical love in the courtly tradition; and his wittily scathing Book of the Beasts.

Written reputedly by an Egyptian magus, Horapollo Niliacus, in the fourth century C.E., The Hieroglyphics of Horapollo is an anthology of nearly two hundred "hieroglyphics," or allegorical emblems, said to have been used by the Pharaonic scribes in describing natural and moral aspects of the world. Translated into Greek in 1505, it informed much of Western iconography from the sixteenth through the nineteenth centuries. This work not only tells how various types of natural phenomena, emotions, virtues, philosophical concepts, and human character-types were symbolized, but also explains why, for example, the universe is represented by a serpent swallowing its tail, filial affection by a stork, education by the heavens dropping dew, and a horoscopist by a person eating an hourglass. In his introduction Boas explores the influence of The Hieroglyphics and the causes behind the rebirth of interest in symbolism in the sixteenth century. The illustrations to this edition were drawn by Albrecht Durer on the verso pages of his copy of a Latin translation.

The West's foremost translator of the "I Ching", Richard Wilhelm thought deeply about how contemporary readers could benefit from this ancient work and its perennially valid insights into change and chance. This title offers an introduction to the "I Ching" and the meaning of its famous hexagrams.

George Chapman's translations of Homer are the most famous in the English language. Keats immortalized the work of the Renaissance dramatist and poet in the sonnet "On First Looking into Chapman's Homer." Swinburne praised the translations for their "romantic and sometimes barbaric grandeur," their "freshness, strength, and inextinguishable fire." The great critic George Saintsbury (1845-1933) wrote: "For more than two centuries they were the resort of all who, unable to read Greek, wished to know what Greek was. Chapman is far nearer Homer than any modern translator in any modern language." This volume presents the original (1611) text of Chapman's translation of the Iliad, making only a small number of modifications to punctuation and wording where they might confuse the modern reader. The editor, Allardyce Nicoll, provides an introduction and a glossary. Garry Wills contributes a preface, in which he explains how Chapman tapped into the poetic consonance between the semi-divine heroism of the Iliad's warriors and the cosmological symbols of Renaissance humanism.

Poetry in its many guises is at the center of Coleridge's multifarious interests, and this long-awaited new edition of his complete poetical works marks the pinnacle of the Bollingen Collected Coleridge. The three parts of Volume 16 confirm and expand the sense of the Coleridge who has emerged over the past half-century, with implications for English Romantic writing as a whole. Setting new standards of comprehensiveness in the presentation of Romantic texts, they will interest historians and editorial theorists, as well as readers and students of poetry. They represent a work of truly monumental importance. The first part presents the reading texts of 706 poems in chronological sequence. Its blend of newly discovered and newly collected poems, presented in light of all known evidence and where practicable in unrevised forms, offers a fresh and original Coleridge: less inhibited by Victorian ideas about what poetry should be, moving easily and productively between genres and levels of seriousness. In texts that remained fluid and exploratory to the end, Coleridge alternates between lyric and satire, prophecy and conversation, symbol and allegory.Each poem is accompanied by a headnote and commentary that together provide its historical-biographical context and offer key textual variants. The book opens with an introduction and chronological tables. The three appendixes position individual poems in the contexts in which they appeared during Coleridge's lifetime. Illustrations such as contemporary scenes and portraits bring this rich collection, like the companion volumes, all the more to life.

In his introduction to this edition of Coleridge's Marginalia, the late George Whalley wrote, "There is no body of marginalia--in English, or perhaps in any other language--comparable with Coleridge's in range and variety and in the sensitiveness, scope, and depth of his reaction to what he was reading." The Princeton edition of the Marginalia, of which this is the sixth volume, brings together over eight thousand notes, many never before printed, varying from a single word to substantial essays. In alphabetical order of authors, the notes are presented literatim from the original manuscripts whenever the annotated volumes can be found. Each note is preceded by the passage of the original text that appears to have provoked Coleridge's comment. Texts in foreign languages are followed by translations. The present volume comprises annotations on more than fifty books and manuscripts (from Valckenaer to Zwick, plus Addenda), including comments on Wordsworth's "Benjamin the Waggoner," "The Prelude," and "Translation of Virgil's Aeneid," as well as on William Godwins's verse drama "Abbas."A key-word index to the six volumes of Marginalia, provided here, will give readers ready access to Coleridge's ideas on subjects ranging from literature and philosophy through religion, politics, history, biography, and science.

From the famous siege of Constantinople in 1453 through the numerous other campaigns that securely established the Ottoman Empire, the events in the life of the emperor Mehmed II are the subject of this classic biography. One of the most important figures in Ottoman history, Mehmed was the architect of victories that inspired fear throughout Europe and contributed to an image of the Turk prevalent in Western art and literature for many years. "Fascinating...From the Western viewpoint, Mehmed was seen as the man who gave the death blow to Byzantium, destroying the last vestige of the Eastern Roman Empire. Not surprisingly, the Turks regard him as the greatest of all sultans, a figure unparalleled in the history of the world for military prowess, statecraft, patronage of the arts and sciences."--Robert Kirsch, The Los Angeles Times Book Review "The definitive scholarly biography of the Ottoman emperor who in 1453 conquered Constantinople...Mehmed's career is a study of battle, murder, and sudden death, of brutality, perfidy, and spite, with no moral superiority awardable to either Christians or Muslims."--The New Yorker

The Oxford Translation of Aristotle was originally published in 12 volumes between 1912 and 1954. It is universally recognized as the standard English version of Aristotle. This revised edition contains the substance of the original Translation, slightly emended in light of recent scholarship; three of the original versions have been replaced by new translations; and a new and enlarged selection of Fragments has been added. The aim of the translation remains the same: to make the surviving works of Aristotle readily accessible to English speaking readers.

The Oxford Translation of Aristotle was originally published in 12 volumes between 1912 and 1954. It is universally recognized as the standard English version of Aristotle. This revised edition contains the substance of the original Translation, slightly emended in light of recent scholarship; three of the original versions have been replaced by new translations; and a new and enlarged selection of Fragments has been added. The aim of the translation remains the same: to make the surviving works of Aristotle readily accessible to English speaking readers.

An approach to music as an instrument of philosophical inquiry, seeking not so much a philosophy of music as a philosophy through music.

Drawing from Eastern and Western literatures, Heinrich Zimmer presents a selection of stories linked together by their common concern for the problem of our eternal conflict with the forces of evil. Beginning with a tale from the Arabian Nights, this theme unfolds in legends from Irish paganism, medieval Christianity, the Arthurian cycle, and early Hinduism. In the retelling of these tales, Zimmer discloses the meanings within their seemingly unrelated symbols and suggests the philosophical wholeness of this assortment of myth.

A study of the primitive and unconscious aspects of man's nature and the processes by which their energies may contribute to the integration of personality. New edition, comprehensively revised and enlarged, with many new illustrations.

The Swiss thinker J. J. Bachofen is most often connected with his theory of matriarchy, or "mother right," but that concept is only a small part of his contribution to our understanding of cultural history. This book includes an autobiographical essay and selections from An Essay on Ancient Mortuary Symbolism, Mother Right, and The Myth of Tanaquil.

The description for this book, The Voices of Silence: Man and his Art. (Abridged from The Psychology of Art), will be forthcoming.

A paperback edition of Campbell's major study of the mythology of the world's high civilizations over five millennia. It includes nearly 450 illustrations. The text is the same as that of the 1974 edition. Mythologist Joseph Campbell was a masterful storyteller, able to weave tales from every corner of the world into compelling, even spellbinding, narratives. His interest in comparative mythology began in childhood, when the young Joe Campbell was taken to see Buffalo Bill's Wild West Show at Madison Square Garden. He started writing articles on Native American mythology in high school, and the parallels between age-old myths and the mythic themes in literature and dreams became a lifelong preoccupation. Campbell's best-known work is The Hero with a Thousand Faces (1949), which became a New York Times paperback best-seller for Princeton in 1988 after Campbell's star turn on the Bill Moyers television program The Power of Myth. During his early years as a professor of comparative religion at Sarah Lawrence College, Campbell made the acquaintance of Indologist Heinrich Zimmer, a kindred spirit who introduced him to Paul and Mary Mellon, the founders of Bollingen Series.They chose Campbell's The Mythic Image as the culmination of the series, giving it the closing position--number one hundred. A lavishly illustrated and beautifully produced study of the mythology of the world's high civilizations, The Mythic Image received a front-cover review in the New York Times Book Review upon publication. Through the medium of visual art, the book explores the relation of dreams to myth and demonstrates the important differences between oriental and occidental interpretations of dreams and life.

Essays by Ernesto Buonaiuti, Friedrich Dessauer, C. G. Jung, Werner Kaegi, C. Kerenyi, Paul Masson-Oursel, Fritz Meier, Adolf Portmann, Max Pulver, Hugo Rahner, Erwin Schrodinger, and Walter Wili.

Appearing for the first time in paperback and illustrated with line drawings, diagrams, and 26 half-tone plates, this study of the iconographic aspect of Japanese Buddhist sculpture surveys the significance of eight principal and six secondary hand gestures (mudra), in addition to the postures (asana), such as the "lotus," and the symbolic attributes. A pictorial index helps the reader in identifying the gestures.

The description for this book, The Gothic Cathedral: Origins of Gothic Architecture and the Medieval Concept of Order, will be forthcoming.

The enigmatic sixteenth-century Swiss physician and natural philosopher Philippus Aureolus Theophrastus Bombastus von Hohenheim, called Paracelsus, is known for the almost superhuman energy with which he produced his innumerable writings, for his remarkable achievements in the development of science, and for his reputation as a visionary (not to mention sorcerer) and alchemist. Little is known of his biography beyond his legendary achievements, and the details of his life have been filled in over the centuries by his admirers. This richly illustrated anthology presents in modernized language a selection of the moral thought of a man who was not only a self-willed genius charged with the dynamism of an impetuous and turbulent age but also in many ways a humble seeker after truth, who deeply influenced C. G. Jung and his followers.

This lively, intimate, sometimes disrespectful, but always knowledgeable history of the Bollingen Foundation confirms its pervasive influence on American intellectual life. Conceived by Paul and Mary Mellon as a means of publishing in English the collected works of C. G. Jung, the Foundation broadened to encompass scholarship and publication in a remarkable number of fields. Here are wonderful portraits of the central figures, including the Mellons, Jung himself, Heinrich Zimmer, Joseph Campbell, D. T. Suzuki, Natacha Rambova, Vladimir Nabokov, Gershom Scholem, Herbert Read, and Kurt and Helen Wolff.

Charles S. Singleton's edition of the Divine Comedy, of which this is the first part, provides the English-speaking reader with everything he needs to read and understand Dante's great masterpiece. The Italian text here is in the edition of Giorgio Petrocchi, the leading Italian editor of Dante. Professor Singleton's prose translation, facing the Italian in a line-for-line arrangement on each page, is smooth and literate. The companion volume, the Commentary, marshals every point of information the reader may require: vocabulary; grammar; identification of Dante's characters; historical sources of some of the incidents and, where pertinent, excerpts from those sources in their original languages and in translation; profound clear analysis of the Divine Comedy's basic allegory. There is a complete bibliography of every aspect of Dante studies. This first part of the Divine Comedy which is illustrated with maps of Italy and the region Dante knew especially, diagrams of the circles of Hell, and plates showing some of the historic sites mentioned by Dante in his poem.

In exploring the manifestations of human spiritual experience both in the imaginative activities of the individual and in the formation of mythologies and of religious symbolism in various cultures, C G Jung laid the groundwork for a psychology of the spirit. This title illuminates the concept of the unconscious, the central pillar of his work.

Offers reader not only a general orientation to the author's point of view but studies of the symbolic process and its integrating function in human psychology as it is reflected in the characteristic spiritual productions of Europe and Asia.

The description for this book, Eugene Onegin: A Novel in Verse: Commentary, will be forthcoming.

Continuing the paperback edition of Charles S. Singleton's translation of The Divine Comedy, this work provides the English-speaking reader with everything he needs to read and understand the Purgatorio. This volume consists of the prose translation of Giorgio Petrocchi's Italian text (which faces the translation on each page); its companion volume of commentary is a masterpiece of erudition, offering a wide range of information on such subjects as Dante's vocabulary, his characters, and the historical sources of incidents in the poem. Professor Singleton provides a clear and profound analysis of the poem's basic allegory, and the illustrations, diagrams, and map clarify points that have previously confused readers of The Divine Comedy.

Continuing the paperback edition of Charles S. Singleton's translation of The Divine Comedy, this work provides the English-speaking reader with everything he needs to read and understand the Paradiso. This volume consists of the prose translation of Giorgio Petrocchi's Italian text (which faces the translation on each page); its companion volume of commentary is a masterpiece of erudition, offering a wide range of information on such subjects as Dante's vocabulary, his characters, and the historical sources of incidents in the poem. Professor Singleton provides a clear and profound analysis of the poem's basic allegory, and the illustrations, diagrams, and map clarify points that have previously confused readers of The Divine Comedy.