Heinrich Zimmer – författare

Originally published in 1973. The volume is divided into four sections: The introduction places the position of the Buddhist Tantras within Mahayana Buddhism and recalls their early literary history, especially the Guhyasamahatantra; the section also covers Buddhist Genesis and the Tantric tradition. The foundations of the Buddhist Tantras are discussed and the Tantric presentation of divinity; the preparation of disciples and the meaning of initiation; symbolism of the mandala-palace Tantric ritual and the twilight language. This section explores the Tantric teachings of the inner Zodiac and the fivefold ritual symbolism of passion. The bibliographical research contains an analysis of the Tantric section of the Kanjur exegesis and a selected Western Bibliography of the Buddhist Tantras with comments.

The description for this book, Philosophies of India, will be forthcoming.

Drawing from Eastern and Western literatures, Heinrich Zimmer presents a selection of stories linked together by their common concern for the problem of our eternal conflict with the forces of evil. Beginning with a tale from the Arabian Nights, this theme unfolds in legends from Irish paganism, medieval Christianity, the Arthurian cycle, and early Hinduism. In the retelling of these tales, Zimmer discloses the meanings within their seemingly unrelated symbols and suggests the philosophical wholeness of this assortment of myth.

A landmark work that demystifies the rich tradition of Indian art, Myths and Symbols in Indian Art and Civilization analyzes key motifs found in legend, myth, and folklore taken directly from the Sanskrit. It provides a comprehensive introduction to visual thinking and picture reading in Indian art and thought. Ultimately, the book shows that profound Hindu and Buddhist intuitions on the riddles of life and death are universally recognizable.

A Princeton Classics edition of an essential work of twentieth-century scholarship on India Since its first publication, Philosophies of India has been considered a monumental exploration of the foundations of Indian philosophy. Based on the copious notes of Indologist, linguist, and art historian Heinrich Zimmer, and edited by Joseph Campbell, this book is organized into three sections. “The Highest Good” looks at Eastern and Western thought and their convergence; “The Philosophies of Time” discusses the philosophies of success, pleasure, and duty; and “The Philosophies of Eternity” presents the fundamental concepts of Buddhism, Brahmanism, Jainism, Sankhya and yoga, and Tantra. This work examines such areas as the Buddhist Tantras, Buddhist Genesis, the Tantric presentation of divinity, the preparation of disciples and the meaning of initiation, and the symbolism of the mandala-palace Tantric ritual and twilight language. It also delves into the Tantric teachings of the inner Zodiac and the fivefold ritual symbolism of passion. Appendices, a bibliography, and general and Sanskrit indexes are included.

Jung’s landmark seminar on the symbolism of yoga and its applications to dream analysisIn the summer of 1933, C. G. Jung conducted a seminar in Berlin attended by a large audience of some 150 people, including several Jewish Jungians who would soon leave Germany. Hitler had begun consolidating his position as dictator and these students were distressed at Jung’s recent decision to accept the presidency of a German professional psychotherapy society that was rapidly becoming Nazified and purged of Jews. On Dreams and the East makes these seminar sessions widely available for the first time, offering tantalizing insights into Jung’s evolving understanding of yoga and the realization of the self.The seminar commences with a presentation on the psychology of yoga by noted Indologist and linguist Heinrich Zimmer, whose collaboration in these talks reflects Jung’s growing engagement with the Hindu tradition, particularly Tantric yoga. Jung analyzes a series of dreams of a middle-aged male patient, focusing on mandalas and the centering process. He reflects on related motifs in alchemical symbolism, Navaho healing drawings, Mithraism, baptism symbolism, the foundation of Rome, ecclesiastic dances, and labyrinths, drawing connections with the symbolism of yoga and Tantra.Featuring a richly documented introduction by Giovanni Sorge, On Dreams and the East opens a window on Jung’s deepening exploration of Eastern thought and the comparative study of the individuation process at a critical juncture in his life and work.

A classic introduction to Indian art by acclaimed scholar Heinrich ZimmerIn this landmark study of Indian art and religion, Heinrich Zimmer offers a compelling introduction to the visual language of India’s sacred traditions. Featuring seventy illustrations and drawing directly from Sanskrit sources, Myths and Symbols in Indian Art and Civilization explores the meanings of key motifs in myth, legend, and folklore. With clarity and insight, the book reveals how Hindu and Buddhist symbols express timeless human concerns in ways that resonate across cultures and eras.

A classic introduction to Indian art by acclaimed scholar Heinrich ZimmerIn this landmark study of Indian art and religion, Heinrich Zimmer offers a compelling introduction to the visual language of India’s sacred traditions. Featuring seventy illustrations and drawing directly from Sanskrit sources, Myths and Symbols in Indian Art and Civilization explores the meanings of key motifs in myth, legend, and folklore. With clarity and insight, the book reveals how Hindu and Buddhist symbols express timeless human concerns in ways that resonate across cultures and eras.

A landmark account of Indian philosophy by acclaimed scholar Heinrich ZimmerPhilosophies of India is a landmark work on the foundations of Indian philosophy. Based on the copious notes of the great Indologist, linguist, and historian Heinrich Zimmer, and edited by Joseph Campbell, the book is organized into three sections. “The Highest Good” examines Eastern and Western thought, their convergence, and the foundations of Indian philosophy; “The Philosophies of Time” discusses the philosophies of success, pleasure, and duty; and “The Philosophies of Eternity” presents the fundamental concepts of Jainism, Sankhya and Yoga, Brahmanism, Buddhism, and Tantra. The subjects examined include the Buddhist Tantras, Buddhist Genesis, the Tantric presentation of divinity, the preparation of disciples and the meaning of initiation, and the symbolism of the mandala-palace Tantric ritual and twilight language.

A landmark account of Indian philosophy by acclaimed scholar Heinrich ZimmerPhilosophies of India is a landmark work on the foundations of Indian philosophy. Based on the copious notes of the great Indologist, linguist, and historian Heinrich Zimmer, and edited by Joseph Campbell, the book is organized into three sections. “The Highest Good” examines Eastern and Western thought, their convergence, and the foundations of Indian philosophy; “The Philosophies of Time” discusses the philosophies of success, pleasure, and duty; and “The Philosophies of Eternity” presents the fundamental concepts of Jainism, Sankhya and Yoga, Brahmanism, Buddhism, and Tantra. The subjects examined include the Buddhist Tantras, Buddhist Genesis, the Tantric presentation of divinity, the preparation of disciples and the meaning of initiation, and the symbolism of the mandala-palace Tantric ritual and twilight language.

A classic work of comparative mythology by acclaimed scholar Heinrich ZimmerDrawing from Eastern and Western literatures, Heinrich Zimmer presents a selection of stories linked together by their common concern for the problem of our eternal conflict with the forces of evil. Beginning with a tale from the Arabian Nights, this theme unfolds in legends from Irish paganism, medieval Christianity, the Arthurian cycle, and early Hinduism. In retelling these tales, Zimmer discloses the meanings of their seemingly unrelated symbols and suggests the philosophical wholeness of their myths.

A classic work of comparative mythology by acclaimed scholar Heinrich ZimmerDrawing from Eastern and Western literatures, Heinrich Zimmer presents a selection of stories linked together by their common concern for the problem of our eternal conflict with the forces of evil. Beginning with a tale from the Arabian Nights, this theme unfolds in legends from Irish paganism, medieval Christianity, the Arthurian cycle, and early Hinduism. In retelling these tales, Zimmer discloses the meanings of their seemingly unrelated symbols and suggests the philosophical wholeness of their myths.

The first volume of a classic account of 5,000 years of Indian artThe Art of Indian Asia is a unique work of scholarship and photography in two volumes (each sold separately). This is the first volume, which contains the text; the second volume contains the photographic illustrations. Together, the two volumes present a comprehensive view of Indian art, spanning from 3,000 BC to the twentieth century and an area from Afghanistan to Bali. The volume of text combined with the volume of photographs form an “imaginary temple” that conveys the spiritual messages of Hinduism, Buddhism, and Jainism.It is recommended that readers buy both volumes of The Art of Indian Asia because together they form an integrated work—Volume 1 containing only the text and Volume 2 containing only the photographs.

The first volume of a classic account of 5,000 years of Indian artThe Art of Indian Asia is a unique work of scholarship and photography in two volumes (each sold separately). This is the first volume, which contains the text; the second volume contains the photographic illustrations. Together, the two volumes present a comprehensive view of Indian art, spanning from 3,000 BC to the twentieth century and an area from Afghanistan to Bali. The volume of text combined with the volume of photographs form an “imaginary temple” that conveys the spiritual messages of Hinduism, Buddhism, and Jainism.It is recommended that readers buy both volumes of The Art of Indian Asia because together they form an integrated work—Volume 1 containing only the text and Volume 2 containing only the photographs.

The second volume of a classic account of 5,000 years of Indian artThe Art of Indian Asia is a unique work of scholarship and photography in two volumes (each sold separately). This is the second volume, which contains the photographic illustrations; the first volume contains the text. Together, the two volumes present a comprehensive view of Indian art, spanning from 3,000 BC to the twentieth century and an area from Afghanistan to Bali. The volume of text combined with the volume of photographs form an “imaginary temple” that conveys the spiritual messages of Hinduism, Buddhism, and Jainism.It is recommended that readers buy both volumes of The Art of Indian Asia because together they form an integrated work—Volume 1 containing only the text and Volume 2 containing only the photographs.

The second volume of a classic account of 5,000 years of Indian artThe Art of Indian Asia is a unique work of scholarship and photography in two volumes (each sold separately). This is the second volume, which contains the photographic illustrations; the first volume contains the text. Together, the two volumes present a comprehensive view of Indian art, spanning from 3,000 BC to the twentieth century and an area from Afghanistan to Bali. The volume of text combined with the volume of photographs form an “imaginary temple” that conveys the spiritual messages of Hinduism, Buddhism, and Jainism.It is recommended that readers buy both volumes of The Art of Indian Asia because together they form an integrated work—Volume 1 containing only the text and Volume 2 containing only the photographs.