George Whalley – författare

In his introduction to this edition of Coleridge's Marginalia, the late George Whalley wrote, "There is no body of marginalia--in English, or perhaps in any other language--comparable with Coleridge's in range and variety and in the sensitiveness, scope, and depth of his reaction to what he was reading." The Princeton edition of the Marginalia, of which this is the sixth volume, brings together over eight thousand notes, many never before printed, varying from a single word to substantial essays. In alphabetical order of authors, the notes are presented literatim from the original manuscripts whenever the annotated volumes can be found. Each note is preceded by the passage of the original text that appears to have provoked Coleridge's comment. Texts in foreign languages are followed by translations. The present volume comprises annotations on more than fifty books and manuscripts (from Valckenaer to Zwick, plus Addenda), including comments on Wordsworth's "Benjamin the Waggoner," "The Prelude," and "Translation of Virgil's Aeneid," as well as on William Godwins's verse drama "Abbas."A key-word index to the six volumes of Marginalia, provided here, will give readers ready access to Coleridge's ideas on subjects ranging from literature and philosophy through religion, politics, history, biography, and science.

In his introduction to this edition of Coleridge's Marginalia, the late George Whalley wrote, "There is no body of marginalia--in English, or perhaps in any other language--comparable with Coleridge's in range and variety and in the sensitiveness, scope, and depth of his reaction to what he was reading." The Princeton edition of the Marginalia, of which this is the fifth volume, will bring together over eight thousand notes, many never before printed, varying from a single word to substantial essays. In alphabetical order of authors, the notes are presented literatim from the original manuscripts whenever the annotated volumes can be found. Each note is preceded by the passage of the original text that appears to have provoked Coleridge's comment. Texts in foreign languages are followed by translations. The present volume comprises annotations on more than sixty books (from Sherlock to "Unidentified"), including well-known works by Sir Philip Sidney, Southey, Spinoza, Swift, and Tennyson. There are extensive notes on texts by Heinrich Steffens, Emanuel Swedenborg, and Jeremy Taylor; on two histories of philosophy by Thomas Stanley and W. G.Tennemann; and also on the writings of St. Teresa of Avila. The subjects addressed range from literature and philosophy through religion, politics, history, and biography, to travel-writing and science.

An eminent Canadian man of letters, scholar, naval officer and secret intelligence agent, CBC scriptwriter, musician, biographer, and translator, George Whalley (1915-1983) was also a gifted poet whose work spans five decades. Along with his major critical work, Poetic Process, and his superb biography, The Legend of John Hornby, Whalley’s poetry is an important contribution to the emergence and development of twentieth-century modernism. The Complete Poems of George Whalley is the first collection of Whalley’s entire poetic oeuvre. It contains the previously published work from his two books of poetry, Poems 1939-1944 and No Man An Island, as well as pieces that appeared in periodicals and edited collections. It gathers all his unpublished poems found in public archives and his personal papers, letters, and journals. This collection reinforces Whalley’s place as the foremost Canadian poet of the Second World War, during and immediately after which the majority of these works were written. It also emphasizes the humour and playfulness of his early and late poems. Michael DiSanto’s introduction provides an overview of Whalley’s life and career, and examines the relationship between his poetics and criticism by consulting his essays, letters, and unpublished papers. Restoring Whalley’s poetry and literary contributions to their rightful place in the Canadian canon, this comprehensive collection opens new chapters on mid-twentieth-century modernism and war poetry.