James Engell – författare

This volume of letters - the vast majority of which are previously unpublished - presents a remarkable, often moving, and extraordinary image of the Coleridge family during Samuel Taylor Coleridge's youth, particularly between 1772 and 1793, when the writer reached twenty-one.Revealing the strength of a family suffering repeated losses, James Engell places the Coleridge family letters in a larger biographical context, and offers a new, frank, yet sympathetic account of Samuel Taylor Coleridge's life. The letters provide illuminating insights into the formation of his adult character and patterns of behaviour, and specific implications both for his poetry and philosophic temperament.From a collection in the British Library never before cited, the letters are primary documents of family and social history. They encompass STC's formative relationships with his brothers and sister; the long military service of two of his brothers in India; the significant role of Molly Newbery, the family nurse; and the multiple deaths in the Coleridge family, including the suicide of Samuel Taylor's brother Frank. The Early Family Letters will be vital reading for anyone interested in Coleridge and English Romanticism in general.

During the past century, literary education, often divorced from rhetoric, has grown increasingly distant from the practice of language in statecraft, law, religion, and ethics. Yet literature and rhetoric retain open, independent powers to enhance what Emerson calls "the conduct of life." In these provocative essays, James Engell argues that a more complete literary training can foster a heightened sense of shared social experience, an awareness of diverse views, a love of language, and a more powerful ability to express the values we enshrine or debate. Revealing a set of deep intersections among literature, politics, rhetoric, and the public deliberation of values, he explores how dedicated individuals of different callings resort to heightened language in order to secure knowledge, test beliefs, consider policy, and promote action.Through profiles of Lincoln, Burke, Swift, Hume, Lowth, Vico, and others, Engell explores the political and ethical involvement of writers with their culture in order to reestablish links between literary qualities of language and the means by which we challenge power and secure liberty. He presents a cogent argument for a different, expanded kind of literary education, suggesting that training in rhetoric, now often misunderstood or neglected, can serve the common good without becoming mired in partisan squabbles or academic pedantry.Despite the dominance of visual media in our society, observes Engell, the difficult problems we face must be resolved through language. By presenting writers who use resourceful language to engage political contests and cultural issues, he contributes to ongoing debates in education, politics, and culture without subscribing to easy labels of "left" and "right" or "traditional" versus "innovative." He demonstrates imaginative ways to apply time-tested literary techniques to a changing world, making use of the past yet in a way that the past could not predict. This passionately argued book calls for a shift in the ways we teach and regard literature.

This major, definitive anthology of writings is a complete and up-to-date guide to environmental literacy.This major anthology is the first to apply a fully interdisciplinary approach to environmental studies. A comprehensive guide to environmental literacy, the book demonstrates how the sciences, social sciences, and humanities all contribute to understanding our interrelationships with the natural world. Though not specialized, Environment is a book that even specialists can learn from. Ten innovative case studies--climate shock, species endangerment, nuclear power, biotechnology, sustainable development, deforestation, environmental security, globalization, wilderness, and the urban environment—are followed by readings from specific disciplines. These can be integrated with the case studies to shape individual interests and teaching strategies. The volume presents an imaginative array of texts, from scientific papers to poetry, legal decisions to historical accounts, personal essays to economic analysis. Taken together, these selections provide a balanced, authoritative, and up-to-date treatment of key issues in environmental studies.

Published in the bicentennial year of Samuel Johnson’s death, Johnson and His Age includes contributions by some of the nation’s most eminent scholars of eighteenth-century literature. A section on Johnson’s life and thought presents fresh analyses of Johnson’s friendships with Mrs. Thrale and George Steevens, new information on Johnson’s relations with Smollett and Thomas Hollis, a speculative essay on “Johnson and the Meaning of Life,” and a provocative examination of “Johnson, Traveling Companion, in Fancy and Fact.”Other essays reinterpret basic assumptions in Johnson’s criticism and examine “The Antinomy of Style” in Augustan poetics, Hume’s critique of criticism, and the broad Anglo-Scots inquiry on subjectivity in literature. A section on major figures of the age discusses Gray and the problems of literary transmissions, Hogarth’s book illustrations for friends, Gibbon’s oratorical “silences,” Blake’s concept of God, and Burke’s attempt to forestall Britain’s ruinous policy toward the American colonies. A section on the novel examines that genre from Richardson and Sterne to Austen.Among the contributors are Bertrand H. Bronson, Jean H. Hagstrum, Patricia Meyer Spacks, Robert Haisband, Howard D. Weinbrot, Mary Hyde, Ralph W. Rader, Lawrence Lipking, Gwin J. Kolb, John H. Middendorf, W. B. Carruichan, and Max Byrd.

Published in the bicentennial year of Samuel Johnson’s death, Johnson and His Age includes contributions by some of the nation’s most eminent scholars of eighteenth-century literature. A section on Johnson’s life and thought presents fresh analyses of Johnson’s friendships with Mrs. Thrale and George Steevens, new information on Johnson’s relations with Smollett and Thomas Hollis, a speculative essay on “Johnson and the Meaning of Life,” and a provocative examination of “Johnson, Traveling Companion, in Fancy and Fact.”Other essays reinterpret basic assumptions in Johnson’s criticism and examine “The Antinomy of Style” in Augustan poetics, Hume’s critique of criticism, and the broad Anglo-Scots inquiry on subjectivity in literature. A section on major figures of the age discusses Gray and the problems of literary transmissions, Hogarth’s book illustrations for friends, Gibbon’s oratorical “silences,” Blake’s concept of God, and Burke’s attempt to forestall Britain’s ruinous policy toward the American colonies. A section on the novel examines that genre from Richardson and Sterne to Austen.Among the contributors are Bertrand H. Bronson, Jean H. Hagstrum, Patricia Meyer Spacks, Robert Haisband, Howard D. Weinbrot, Mary Hyde, Ralph W. Rader, Lawrence Lipking, Gwin J. Kolb, John H. Middendorf, W. B. Carruichan, and Max Byrd.

Biographia Literaria has emerged over the last century as a supreme work of literary criticism and one of the classics of English literature. Into this volume poured 20 years of speculation about the criticism and uses of poetry and about the psychology of art. Following the text of the 1817 edition, the editors offer the first completely annotated edition of the highly allusive work.

Re-establishes the enduring presence and value of classical literature in the Romantic eraThe Call of Classical Literature in the Romantic Age reveals the extent to which writers now called romantic venerate and use classical texts to transform lyric and narrative poetry, the novel, mythology, politics, and issues of race and slavery, as well as to provide models for their own literary careers and personal lives. On both sides of the Atlantic the classics—including the surprising influence of Hebrew, regarded as a classical language—play a major role in what becomes labeled romanticism only later in the nineteenth century. The relation between classic and romantic is not one of opposition but subtle interpenetration and mutual transformation. While romantic writers regard what they are doing as new, this attitude in no way prompts them to abjure valuable lessons of genre, expression, and judgment flowing from the classical authors they love. This volume disturbs categories that have become too settled.Key FeaturesIncludes in almost equal proportion British and American authors and is transatlantic in scopeMoves well beyond the five canonical British romantic poets, on whom considerable work has been done concerning their relation to classical literatureIncludes studies of African American and women writers

Re-establishes the enduring presence and value of classical literature in the Romantic eraThe Call of Classical Literature in the Romantic Age reveals the extent to which writers now called romantic venerate and use classical texts to transform lyric and narrative poetry, the novel, mythology, politics, and issues of race and slavery, as well as to provide models for their own literary careers and personal lives. On both sides of the Atlantic the classics—including the surprising influence of Hebrew, regarded as a classical language—play a major role in what becomes labeled romanticism only later in the nineteenth century. The relation between classic and romantic is not one of opposition but subtle interpenetration and mutual transformation. While romantic writers regard what they are doing as new, this attitude in no way prompts them to abjure valuable lessons of genre, expression, and judgment flowing from the classical authors they love. This volume disturbs categories that have become too settled.Key FeaturesIncludes in almost equal proportion British and American authors and is transatlantic in scopeMoves well beyond the five canonical British romantic poets, on whom considerable work has been done concerning their relation to classical literatureIncludes studies of African American and women writers

The rhyme “Mary Had a Little Lamb” told in the style—and substance—of the great English poets from Edmund Spenser to Stevie Smith.  In The Lamb Cycle, David R. Ewbank achieves the unthinkable—he writes so convincingly in the style of the great English poets that one could be lulled into thinking that Shakespeare himself was inspired to muse upon the subject of “Mary Had a Little Lamb.” Ewbank captures not only the style of each of the poets he chooses, but also their preoccupations and subject matter. So D.H. Lawrence’s Mary longs for her lamb as any woman longing for her lover, whilst T.S. Eliot’s Mary is recollected by an old man looking back on his life. Alexander Pope writes an “An Essay on Lambs,” and Tennyson’s lotus eaters become “The Clover Eater.” Brilliantly written, sophisticated, and laugh-out-loud funny, these poems, enhanced by Kate Feiffer’s charming illustrations, will enchant anyone who has ever read an English poem.

A gorgeous new edition of the definitive text of Wordsworth’s The Prelude, with full-color contemporaneous illustrations that illuminate this epic poem. With a new afterword by Helen Vendler.  The Prelude, William Wordsworth’s masterful autobiographical work composed in blank verse, is generally considered the poem at the heart of the Romantic movement and one of the great poems in the English language. In this fully illustrated and annotated edition, the work receives the treatment it deserves. Inspired by his dear friend, Samuel Taylor Coleridge, the poem charts the development of the author’s mind from childhood to his experiences in Cambridge, London, the Alps, and France, touching on subjects ranging from leisure to literature, nature to imagination, and everything in between.  A meditation on the self, this work still stands as a masterpiece of English literature and is here complemented and enhanced by two hundred contemporaneous color plates that illuminate the text. Scrupulously selected and newly re-edited from the definitive manuscripts in existence, the marginal notes and glosses provide an extra touch that makes this a truly enlightening reading experience.  Helen Vendler’s afterword is an appreciation of the poem which also puts in it context for American readers.