William Wordsworth – författare

With an Introduction by Antonia Till.William Wordsworth (1771-1850) is the foremost of the English Romantic poets. He was much influenced by the events of the French Revolution in his youth, and he deliberately broke away from the artificial diction of the Augustan and neo-classical tradition of the eighteenth century. He sought to write in the language of ordinary men and women, of ordinary thoughts, sights and sounds, and his early poetry represents this fresh approach to his art.Wordsworth spent most of his adult life in the Lake District with his sister Dorothy and his wife Mary, by whom he had four children. His remarkable autobiographical poem 'The Prelude' was completed in 1805, but was not published until after his death, and it is included in this full edition of Wordsworth's poetry.

'Listen, Stranger!'Wordsworth and Coleridge's joint collection of poems has often been singled out as the founding text of English Romanticism. Within this initially unassuming, anonymous volume were many of the poems that came to define their age and which have continued to delight readers ever since, including 'The Rime of the Ancient Mariner', the 'Lucy' poems, 'Lines written a few miles above Tintern Abbey', 'A Slumber did my Spirit seal' and many more. Wordsworth's famous Preface is a manifesto not just for Romanticism but for poetry in general.This is the only edition to print both the original 1798 collection and the expanded 1802 edition, with the fullest version of the Preface and Wordsworth's important Appendix on Poetic Diction. It offers modern readers a sense of what it was like to encounter Lyrical Ballads for the first time, and to see how it developed. Important letters are included, as well as a wide-ranging introduction and generous notes. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

William Wordsworth's Guide to the Lakes gives a first-hand account of his feelings about the unique countryside that was the source of his inspiration. He addresses concerns that are relevant today, such as how the growing number of visitors, and the money they might bring, would affect such a small and vulnerable landscape.It is now understood that Wordsworth's notion of the Lake District as 'a sort of national property, in which every man has a right and interest who has an eye to perceive and a heart to enjoy', expressed in his Guide, gave a rationale for the foundation of the National Trust in 1895 and the establishment of the Lake District National Park in 1951. Furthermore, the 2017 nomination document for the Lake District as a World Heritage site quotes this phrase in recognition of Wordsworth's contribution to the idea that 'landscape has a value, and that everyone has a right to appreciate and enjoy it'. We can now see how Wordsworth's Guide has had a far-reaching influence on the modern concept of legally-protected landscape. First published in 1810 and repeatedly revised by its author over the ensuing twenty-five years, William Wordsworth's Guide to the Lakes has long been considered a crucial text for scholars of Romantic-era aesthetics, ecology, travel writing, and tourism.

Wordsworth (1770-1850) is one of the most important and enduringly popular of all the English poets.Wordsworth's verse declares a belief in the power of poetry to teach by appealing to the imagination and to the `grand elementary principle of pleasure, by which man knows, and feels, and lives, and moves'. His unique relationship with the poet and political activist Samuel Taylor Coleridge, founded in the political and social ferment of 1795, produced a revolution in literature, resulting in the joint volume, Lyrical Ballads (1798-1805) - a landmark in the history of English Romanticism. In this edition the poems are given in the texts in which they first appeared, and were appreciated by Keats, Shelley, Hazlitt and other contemporaries. This selection, chosen from the Oxford Authors critical edition, includes all Wordsworth's finest lyrics, and a large sample of The Prelude (1805), his extraordinary autobiographical poem in blank verse and the first truly great acheivement of a new era in English ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

A pioneer of the Romantic movement, William Wordsworth wrote about the natural world and human emotion with a clarity of language which revolutionized poetry.Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition has an introduction by Peter Harness.Selected Poems brings together some of Wordsworth’s most acclaimed and influential works, including an extract from his magnus opus, The Prelude, alongside shorter poems such as ‘I Wandered Lonely as a Cloud’, ‘To a Skylark’ and ‘Tintern Abbey’. Wordsworth’s poems, often written at his home in Grasmere in the beautiful English Lake District, are lyrical evocations of nature and of spirituality. They have a force and clarity of language akin to everyday speech which was truly groundbreaking.

William Wordsworth was amongst the greatest of English Poets and this wonderful recording is now available for the first time as a digital download.William Wordsworth was amongst the greatest of English Poets. Included here are selections that put into perspective his great talent. The works are brought beautifully to life by Sir Cedric Hardwicke

William Collins Books and Decca Records are proud to present ARGO Classics, a historic catalogue of classic fiction read by some of the world’s most renowned voices. Originally released as vinyl records, these expertly abridged and remastered stories are now available to download for the first time.A collection of the greatest poetry from the Romantic period, the battlefield, and the Victorian era, read by some of the 20th century’s most renowned actors.Themes of war, love, nature, sexuality, and much more are played out in these timeless readings of poetry from the 19th and 20th century.Performed by Sir John Gielgud; Richard Burton; William Squire; Richard Marquand; Peggy Ashcroft; Margaretta Scott; Tony Church; Derek Godfrey; Patrick Garland; Gary Watson; Margaretta Scott; and Janette Richer; Gwen Watford; and David King.This collection includes poems from:• William Wordsworth• Samuel Taylor Coleridge• William Blake• Thomas Hardy• WB Yeats• Robert Browning• Lord Alfred Tennyson• Christina Rossetti• Lord Byron• Wilfred Owen• Siegfried Sassoon• Percy Bysshe Shelley• John Keats• Gerard Manley Hopkins• Dante Gabriel Rossetti• Ted Hughes

William Collins Books and Decca Records are proud to present ARGO Classics, a historic catalogue of classic fiction read by some of the world’s most renowned voices. Originally released as vinyl records, these expertly abridged and remastered stories are now available to download for the first time.A collection of the greatest poetry from the Romantic period, read by some of the 20th century’s most renowned actors.Love, romance, and portrayals of nature are played out in these timeless readings of poetry written during the Romantic period.Performed by Richard Burton; Peter Orr; William Squire; Richard Marquand; Peggy Ashcroft; Margaretta Scott; Tony Church; Derek Godfrey; Patrick Garland; Gary Watson; Margaretta Scott; and Janette Richer.This collection includes poems from:• William Wordsworth• Samuel Taylor Coleridge• William Blake• Lord Byron• Percy Bysshe Shelley• John Keats

One of the major poets of Romanticism, Wordsworth epitomized the spirit of his age with his celebration of the natural world and the spontanous expression of feeling. This volume contains a rich selection from the most creative phase of his life, including extracts from his masterpiece, The Prelude, and the best-loved of his shorter poems such as 'Composed Upon Westminster Bridge', 'Tintern Abbey', 'I Wandered Lonely as a Cloud', 'Lucy Gray', and 'Michael'. Together these poems demonstrate not only Wordsworth's astonishing range and power, but the sustained and coherent vision that informed his work.

A collection of poems exemplifying Romantic aesthetic ideals, whose unique beauty lies in their revolutionary exploration of the 'overflow of powerful emotions recollected in tranquility', Samuel Taylor Coleridge and William Wordsworth's Lyrical Ballads is edited with a note on the text by Michael Schmidt in Penguin Classics.Published in 1798, Lyrical Ballads is a dazzling collaboration containing twenty-three poems by close friends, William Wordsworth and Samuel Taylor Coleridge - two major figures of English Romanticism. The volume heralded a new approach to poetry and expresses the poets' reflections on mankind's relationship with the forces of the world. Coleridge's contribution includes the nightmarish vision of 'The Rime of the Ancyent Marinere', one of the works for which he became best known, as well as the fantastical conversational poem 'The Foster-Mother's Tale' and the melancholic 'The Nightingale'. Wordsworth's 'We are Seven' depicts a child's naïve optimism in the face of the cruel mortality, while 'Goody Blake and Harry Gill' and 'Simon Lee' celebrate the simplicity and strength he perceived in country people, and 'Tintern Abbey' explores the healing powers of nature.This Penguin Classics edition allows readers to recapture the full impact and power of Lyrical Ballads. It also includes a note on the history of the text by Michael Schmidt.Samuel Taylor Coleridge (1772-1834) has been criticized as a political turn-coat, drug addict and plagiarist whose wrecked career left only a handful of magical early poems. But the shaping influence of his highly imaginative criticism is now generally accepted, and his position, along with that of William Wordsworth (1770-1850), as one of the two great progenitors of the English Romantic spirit is assured. A great innovator, Wordsworth permanently enlarged the range of English poetry both in subject matter and treatment.If you enjoyed the Lyrical Ballads, you might like Wordsworth's Selected Poems, also available in Penguin Classics.

A continuous text made up of extracts from Dorothy Wordsworth's Journal and a selection of her brother's poems. Dorothy Wordsworth kept her Journal 'because I shall give William pleasure by it'. In doing so, she never dreamt that she was giving future readers not only the chance to enjoy her fresh and sensitive delight in the beauties that surrounded her at Grasmere but also a rare opportunity to observe 'the progress of a poet's mind'. Colette Clark's skilful and perceptive arrangement of Dorothy's entries alongside William's poems throws a unique light on his creative process, and shows how the interdependence of brother and sister was a vital part in the writing of many of his great poems. By reading these poems in relation to the Journal it is possible to trace the processes by which they were committed to paper and so achieve a fuller understanding of them. A writer in her own right, Dorothy kept her Journal sparse in personal and emotional detail. Yet there is, nevertheless, a deep emotional undercurrent running beneath the surface which only falters when William marries Mary Hutchinson. Never again was Dorothy to achieve the freedom, spontaneity and the limpidly beautiful prose with which she infused and irradiated the Grasmere Journals.

First published in July 1850, shortly after Wordsworth's death, The Prelude was the culmination of over fifty years of creative work. The great Romantic poem of human consciousness, it takes as its theme 'the growth of a poet's mind': leading the reader back to Wordsworth's formative moments of childhood and youth, and detailing his experiences as a radical undergraduate in France at the time of the Revolution. Initially inspired by Coleridge's exhortation that Wordsworth write a work upon the French Revolution, The Prelude has ultimately become one of the finest examples of poetic autobiography ever written; a fascinating examination of the self that also presents a comprehensive view of the poet's own creative vision.

One of the major poets of Romanticism, Wordsworth epitomized the spirit of his age with his celebration of the natural world and the spontanous expression of feeling. This volume contains a rich selection from the most creative phase of his life, including extracts from his masterpiece, The Prelude, and the best-loved of his shorter poems such as 'Composed Upon Westminster Bridge', 'Tintern Abbey', 'I Wandered Lonely as a Cloud', 'Lucy Gray', and 'Michael'. Together these poems demonstrate not only Wordsworth's astonishing range and power, but the sustained and coherent vision that informed his work.

First published in July 1850, shortly after Wordsworth's death, The Prelude was the culmination of over fifty years of creative work. The great Romantic poem of human consciousness, it takes as its theme 'the growth of a poet's mind': leading the reader back to Wordsworth's formative moments of childhood and youth, and detailing his experiences as a radical undergraduate in France at the time of the Revolution. Initially inspired by Coleridge's exhortation that Wordsworth write a work upon the French Revolution, The Prelude has ultimately become one of the finest examples of poetic autobiography ever written; a fascinating examination of the self that also presents a comprehensive view of the poet's own creative vision.

A continuous text made up of extracts from Dorothy Wordsworth's Journal and a selection of her brother's poems. Dorothy Wordsworth kept her Journal 'because I shall give William pleasure by it'. In doing so, she never dreamt that she was giving future readers not only the chance to enjoy her fresh and sensitive delight in the beauties that surrounded her at Grasmere but also a rare opportunity to observe 'the progress of a poet's mind'. Colette Clark's skilful and perceptive arrangement of Dorothy's entries alongside William's poems throws a unique light on his creative process, and shows how the interdependence of brother and sister was a vital part in the writing of many of his great poems. By reading these poems in relation to the Journal it is possible to trace the processes by which they were committed to paper and so achieve a fuller understanding of them. A writer in her own right, Dorothy kept her Journal sparse in personal and emotional detail. Yet there is, nevertheless, a deep emotional undercurrent running beneath the surface which only falters when William marries Mary Hutchinson. Never again was Dorothy to achieve the freedom, spontaneity and the limpidly beautiful prose with which she infused and irradiated the Grasmere Journals.

Published in 1798, Lyrical Ballads is a dazzling collaboration containing twenty-three poems by close friends, William Wordsworth (1770-1850) and Samuel Taylor Coleridge (1772-1834) - two major figures of English Romanticism. The volume heralded a new approach to poetry and expresses the poets' reflections on mankind's relationship with the forces of the world. Coleridge's contribution includes the nightmarish vision of 'The Rime of the Ancyent Marinere', one of the works for which he became best known, as well as the fantastical conversational poem 'The Foster-Mother's Tale' and the melancholic 'The Nightingale'. Wordsworth's 'We are Seven' depicts a child's naïve optimism in the face of the cruel mortality, while 'Goody Blake and Harry Gill' and 'Simon Lee' celebrate the simplicity and strength he perceived in country people, and 'Tintern Abbey' explores the healing powers of nature.Published as part of the Penguin Poetry First Editions series in which the greatest collections of poetry in English will be published in their original form. All texts have been completely reset and some minor changes made to punctuation.

''Listen, Stranger!'' Wordsworth and Coleridge''s joint collection of poems has often been singled out as the founding text of English Romanticism. Within this initially unassuming, anonymous volume were many of the poems that came to define their age and which have continued to delight readers ever since, including ''The Rime of the Ancient Mariner'', the ''Lucy'' poems, ''Lines written a few miles above Tintern Abbey'', ''A Slumber did my Spirit seal'' and many more. Wordsworth''s famous Preface is a manifesto not just for Romanticism but for poetry in general. This is the only edition to print both the original 1798 collection and the expanded 1802 edition, with the fullest version of the Preface and Wordsworth''s important Appendix on Poetic Diction. It offers modern readers a sense of what it was like to encounter Lyrical Ballads for the first time, and to see how it developed. Important letters are included, as well as a wide-ranging introduction and generous notes. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

''Listen, Stranger!'' Wordsworth and Coleridge''s joint collection of poems has often been singled out as the founding text of English Romanticism. Within this initially unassuming, anonymous volume were many of the poems that came to define their age and which have continued to delight readers ever since, including ''The Rime of the Ancient Mariner'', the ''Lucy'' poems, ''Lines written a few miles above Tintern Abbey'', ''A Slumber did my Spirit seal'' and many more. Wordsworth''s famous Preface is a manifesto not just for Romanticism but for poetry in general. This is the only edition to print both the original 1798 collection and the expanded 1802 edition, with the fullest version of the Preface and Wordsworth''s important Appendix on Poetic Diction. It offers modern readers a sense of what it was like to encounter Lyrical Ballads for the first time, and to see how it developed. Important letters are included, as well as a wide-ranging introduction and generous notes. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

William Wordsworth''s Guide to the Lakes gives a first-hand account of his feelings about the unique countryside that was the source of his inspiration. He addresses concerns that are relevant today, such as how the growing number of visitors, and the money they might bring, would affect such a small and vulnerable landscape.It is now understood that Wordsworth''s notion of the Lake District as ''a sort of national property, in which every man has a right and interest who has an eye to perceive and a heart to enjoy'', expressed in his Guide, gave a rationale for the foundation of the National Trust in 1895 and the establishment of the Lake District National Park in 1951. Furthermore, the 2017 nomination document for the Lake District as a World Heritage site quotes this phrase in recognition of Wordsworth''s contribution to the idea that ''landscape has a value, and that everyone has a right to appreciate and enjoy it''. We can now see how Wordsworth''s Guide has had a far-reaching influence on the modern concept of legally-protected landscape. First published in 1810 and repeatedly revised by its author over the ensuing twenty-five years, William Wordsworth''s Guide to the Lakes has long been considered a crucial text for scholars of Romantic-era aesthetics, ecology, travel writing, and tourism.

William Wordsworth''s Guide to the Lakes gives a first-hand account of his feelings about the unique countryside that was the source of his inspiration. He addresses concerns that are relevant today, such as how the growing number of visitors, and the money they might bring, would affect such a small and vulnerable landscape.It is now understood that Wordsworth''s notion of the Lake District as ''a sort of national property, in which every man has a right and interest who has an eye to perceive and a heart to enjoy'', expressed in his Guide, gave a rationale for the foundation of the National Trust in 1895 and the establishment of the Lake District National Park in 1951. Furthermore, the 2017 nomination document for the Lake District as a World Heritage site quotes this phrase in recognition of Wordsworth''s contribution to the idea that ''landscape has a value, and that everyone has a right to appreciate and enjoy it''. We can now see how Wordsworth''s Guide has had a far-reaching influence on the modern concept of legally-protected landscape. First published in 1810 and repeatedly revised by its author over the ensuing twenty-five years, William Wordsworth''s Guide to the Lakes has long been considered a crucial text for scholars of Romantic-era aesthetics, ecology, travel writing, and tourism.

The Prelude, Wordsworth's great autobiographical poem, is crucial to our understanding of his life and poetry. This epic work covers the experiences of Wordsworth's boyhood and his poetic development; his debt to literature; the awakening of his passionate interest in man; his hopes and despair for the French Revolution; his life in London and in the country, the highs and lows of his career; his relationship with his sister Dorothy and his friendship with Coleridge. Through The Prelude Wordsworth was at last free to devote his life to its true vocation and to record his gratitude for the gift which brought him that freedom. Written between 1798 and 1805, it was first published posthumously in 1850 after intensive revision in Wordsworth's later years. This volume contains the original 1805 text edited from manuscripts with a comprehensive introduction and notes.

A scholarly edition of works by William Wordsworth. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

A scholarly edition of works by William Wordsworth. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

A scholarly edition of works by William Wordsworth. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

This book is intended for students of English literature and history; general readers; visitors to the Lake District.

A scholarly edition of a work by William Wordsworth. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.