Saeko Yoshikawa – författare

William Wordsworth's Guide to the Lakes gives a first-hand account of his feelings about the unique countryside that was the source of his inspiration. He addresses concerns that are relevant today, such as how the growing number of visitors, and the money they might bring, would affect such a small and vulnerable landscape.It is now understood that Wordsworth's notion of the Lake District as 'a sort of national property, in which every man has a right and interest who has an eye to perceive and a heart to enjoy', expressed in his Guide, gave a rationale for the foundation of the National Trust in 1895 and the establishment of the Lake District National Park in 1951. Furthermore, the 2017 nomination document for the Lake District as a World Heritage site quotes this phrase in recognition of Wordsworth's contribution to the idea that 'landscape has a value, and that everyone has a right to appreciate and enjoy it'. We can now see how Wordsworth's Guide has had a far-reaching influence on the modern concept of legally-protected landscape. First published in 1810 and repeatedly revised by its author over the ensuing twenty-five years, William Wordsworth's Guide to the Lakes has long been considered a crucial text for scholars of Romantic-era aesthetics, ecology, travel writing, and tourism.

William Wordsworth''s Guide to the Lakes gives a first-hand account of his feelings about the unique countryside that was the source of his inspiration. He addresses concerns that are relevant today, such as how the growing number of visitors, and the money they might bring, would affect such a small and vulnerable landscape.It is now understood that Wordsworth''s notion of the Lake District as ''a sort of national property, in which every man has a right and interest who has an eye to perceive and a heart to enjoy'', expressed in his Guide, gave a rationale for the foundation of the National Trust in 1895 and the establishment of the Lake District National Park in 1951. Furthermore, the 2017 nomination document for the Lake District as a World Heritage site quotes this phrase in recognition of Wordsworth''s contribution to the idea that ''landscape has a value, and that everyone has a right to appreciate and enjoy it''. We can now see how Wordsworth''s Guide has had a far-reaching influence on the modern concept of legally-protected landscape. First published in 1810 and repeatedly revised by its author over the ensuing twenty-five years, William Wordsworth''s Guide to the Lakes has long been considered a crucial text for scholars of Romantic-era aesthetics, ecology, travel writing, and tourism.

William Wordsworth''s Guide to the Lakes gives a first-hand account of his feelings about the unique countryside that was the source of his inspiration. He addresses concerns that are relevant today, such as how the growing number of visitors, and the money they might bring, would affect such a small and vulnerable landscape.It is now understood that Wordsworth''s notion of the Lake District as ''a sort of national property, in which every man has a right and interest who has an eye to perceive and a heart to enjoy'', expressed in his Guide, gave a rationale for the foundation of the National Trust in 1895 and the establishment of the Lake District National Park in 1951. Furthermore, the 2017 nomination document for the Lake District as a World Heritage site quotes this phrase in recognition of Wordsworth''s contribution to the idea that ''landscape has a value, and that everyone has a right to appreciate and enjoy it''. We can now see how Wordsworth''s Guide has had a far-reaching influence on the modern concept of legally-protected landscape. First published in 1810 and repeatedly revised by its author over the ensuing twenty-five years, William Wordsworth''s Guide to the Lakes has long been considered a crucial text for scholars of Romantic-era aesthetics, ecology, travel writing, and tourism.

In her study of the opening of the English Lake District to mass tourism, Saeko Yoshikawa examines William Wordsworth’s role in the rise and development of the region as a popular destination. For the middle classes on holiday, guidebooks not only offered practical information, but they also provided a fresh motive and a new model of appreciation by associating writers with places. The nineteenth century saw the invention of Robert Burns’s and Walter Scott’s Borders, Shakespeare’s Stratford, and the Brontë Country as holiday locales for the middle classes. Investigating the international cult of Wordsworthian tourism, Yoshikawa shows both how Wordsworth’s public celebrity was constructed through the tourist industry and how the cultural identity of the Lake District was influenced by the poet’s presence and works. Informed by extensive archival work, her book provides an original case study of the contributions of Romantic writers to the invention of middle-class tourism and the part guidebooks played in promoting the popular reputations of authors.

In her study of the opening of the English Lake District to mass tourism, Saeko Yoshikawa examines William Wordsworth’s role in the rise and development of the region as a popular destination. For the middle classes on holiday, guidebooks not only offered practical information, but they also provided a fresh motive and a new model of appreciation by associating writers with places. The nineteenth century saw the invention of Robert Burns’s and Walter Scott’s Borders, Shakespeare’s Stratford, and the Brontë Country as holiday locales for the middle classes. Investigating the international cult of Wordsworthian tourism, Yoshikawa shows both how Wordsworth’s public celebrity was constructed through the tourist industry and how the cultural identity of the Lake District was influenced by the poet’s presence and works. Informed by extensive archival work, her book provides an original case study of the contributions of Romantic writers to the invention of middle-class tourism and the part guidebooks played in promoting the popular reputations of authors.

In her study of the opening of the English Lake District to mass tourism, Saeko Yoshikawa examines William Wordsworth’s role in the rise and development of the region as a popular destination. For the middle classes on holiday, guidebooks not only offered practical information, but they also provided a fresh motive and a new model of appreciation by associating writers with places. The nineteenth century saw the invention of Robert Burns’s and Walter Scott’s Borders, Shakespeare’s Stratford, and the Brontë Country as holiday locales for the middle classes. Investigating the international cult of Wordsworthian tourism, Yoshikawa shows both how Wordsworth’s public celebrity was constructed through the tourist industry and how the cultural identity of the Lake District was influenced by the poet’s presence and works. Informed by extensive archival work, her book provides an original case study of the contributions of Romantic writers to the invention of middle-class tourism and the part guidebooks played in promoting the popular reputations of authors.

In her study of the opening of the English Lake District to mass tourism, Saeko Yoshikawa examines William Wordsworth’s role in the rise and development of the region as a popular destination. For the middle classes on holiday, guidebooks not only offered practical information, but they also provided a fresh motive and a new model of appreciation by associating writers with places. The nineteenth century saw the invention of Robert Burns’s and Walter Scott’s Borders, Shakespeare’s Stratford, and the Brontë Country as holiday locales for the middle classes. Investigating the international cult of Wordsworthian tourism, Yoshikawa shows both how Wordsworth’s public celebrity was constructed through the tourist industry and how the cultural identity of the Lake District was influenced by the poet’s presence and works. Informed by extensive archival work, her book provides an original case study of the contributions of Romantic writers to the invention of middle-class tourism and the part guidebooks played in promoting the popular reputations of authors.

This book explores Wordsworth’s extraordinary influence on the tourist landscapes of the Lake District throughout the age of railways, motorcars and the First World War. It reveals how Wordsworth’s response to railways was not a straightforward matter of opposition and protest; his ideas were taken up by both advocates and opponents of railways, and through their controversies had a surprising impact on the earliest motorists as they sought a language to describe the liberty and independence of their new mode of transport. Once the age of motoring was underway, the outbreak of the First World War encouraged British people to connect Wordsworth’s patriotic passion with his wish to protect the Lake District as a national heritage – a transition that would have momentous effects in the interwar period, when popular motoring paradoxically brought a vogue for open-air activities and a renewal of romantic pedestrianism. With the arrival of global tourism, preservation of the cultural landscape of the Lake District became an urgent national and international concern. This book explores how patterns of tourist behaviour and environmental awareness changed in the century of popular tourism, examining how Wordsworth’s vision and language shaped modern ideas of travel, self-reliance, landscape and environment, cultural heritage, preservation and accessibility.