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Mapping Medical Anthropology for the Twenty-First Century provides readers with a comprehensive survey of topics, methodologies, and theories in the discipline, drawing on contributions from leading anthropologists around the world. As a discipline, medical anthropology provides situational analysis of health, disease, and disability to show how the experiences of medical experts, patients, and their broader communities are informed by their social and cultural contexts. Adopting a keywords-driven approach, Mapping Medical Anthropology for the Twenty-First Century provides readers with an introduction to the concepts and approaches that have animated medical anthropology over the course of the twentieth century. Authors put these keywords into dialogue with their ethnographic and archival research to demonstrate how these concepts can be expanded to address contemporary phenomena related to health, disease, and disability. Mapping Medical for the Twenty-First Century provides newcomers to medical anthropology with a robust introduction to the discipline, while providing experienced readers a set of chapters that explore the discipline in novel and exciting ways.

Shock therapy is making a comeback today in the treatment of serious mental illness. Despite its reemergence as a safe and effective psychiatric tool, however, it continues to be shrouded by a longstanding negative public image, not least due to films such as the classic One Flew over the Cuckoo's Nest, where the inmate of a psychiatric clinic (played by Jack Nicholson) is subjected to electro-shock to curb his rebellious behavior. Beyond its vilification in popular culture, the stereotype of convulsive therapy as a dangerous and inhumane practice is fuelled by professional posturing and public misinformation. Electroconvulsive therapy, or ECT, has in the last thirty years been considered a method of last resort in the treatment of debilitating depression, suicidal ideation, and other forms of mental illness. Yet, ironically, its effectiveness in treating these patients would suggest it as a frontline therapy, bringing relief from acute symptoms and saving lives. In this book, Edward Shorter and David Healy trace the controversial history of ECT and other "shock" therapies. Drawing on case studies, public debates, extensive interviews, and archival research, the authors expose the myths about ECT that have proliferated over the years. By showing ECT's often life-saving results, Shorter and Healy endorse a point of view that is hotly contested in professional circles and in public debates, but for the nearly half of all clinically depressed patients who do not respond to drugs, this book brings much needed hope.

Winner of the 2017 Paul Sweezy Marxist Sociology Book Award from the American Sociological AssociationAlthough humans have long depended on oceans and aquatic ecosystems for sustenance and trade, only recently has human influence on these resources dramatically increased, transforming and undermining oceanic environments throughout the world. Marine ecosystems are in a crisis that is global in scope, rapid in pace, and colossal in scale. In The Tragedy of the Commodity, sociologists Stefano B. Longo, Rebecca Clausen, and Brett Clark explore the role human influence plays in this crisis, highlighting the social and economic forces that are at the heart of this looming ecological problem. In a critique of the classic theory “the tragedy of the commons” by ecologist Garrett Hardin, the authors move beyond simplistic explanations-such as unrestrained self-interest or population growth-to argue that it is the commodification of aquatic resources that leads to the depletion of fisheries and the development of environmentally suspect means of aquaculture. To illustrate this argument, the book features two fascinating case studies-the thousand-year history of the bluefin tuna fishery in the Mediterranean and the massive Pacific salmon fishery. Longo, Clausen, and Clark describe how new fishing technologies, transformations in ships and storage capacities, and the expansion of seafood markets combined to alter radically and permanently these crucial ecosystems. In doing so, the authors underscore how the particular organization of social production contributes to ecological degradation and an increase in the pressures placed upon the ocean. The authors highlight the historical, political, economic, and cultural forces that shape how we interact with the larger biophysical world. A path-breaking analysis of overfishing, The Tragedy of the Commodity yields insight into issues such as deforestation, biodiversity loss, pollution, and climate change.

Though today’s LGBTQ people owe a lot to the generations who came before them, their historical inheritances are not always obvious.  Working with the archives of the Gay Lesbian Bisexual Transgender Historical Society, artist E.G. Crichton decided to do something to bridge this generation gap. She selected 19 innovative LGBTQ artists, writers, and musicians, then paired each of them with a deceased person whose personal artifacts are part of the archive.   Including 25 pages of vivid images, Matchmaking in the Archive documents this monumental creative project and adds essays by Jonathan D. Katz, Michelle Tea, and Chris Vargas, who describe their own unique encounters with the ghosts of LGBTQ history. Together, they make the archive come alive in remarkably intimate ways.

The fifth title in the Rutgers Films in Print Series, "Letter from an Unknown Woman" is directed by Max Ophuls and based on the novella by Stefan Zweig. It is the story of Lisa, a young girl who rejects the constricting life of her small town and family in order to dedicate her life to a musician, Stefan. The film's elegant fin-de-siecle Viennese setting, lyrical camera work, dispassionate and ironic point of view, and fine performances by Joan Fontaine and Louis Jourdan elevate what could have been a mere tearjerker into one of Ophuls's finest works.This volume provides a detailed transcription of the 1948 film. Notes appended to the film's continuity script detail all the significant differences between the finished film and the shooting script.Wexman's introductions to each of the book's sections discuss the history of the film's reception and provide an overview of the central issues the film has raised. A cross section of commentary by well-known critics attests to the film's enduring position as a central text for cinema study. These essays acknowledge the film's significance as a preeminent example of Ophuls's art, as an important woman's film, and as a representative of the classic Hollywood style. A biographical sketch of Ophuls, the entire Zweig novella, a bibliography and other background materials are also included.

Joyce Carol Oates’s prize-winning story “Where Are You Going, Where Have You Been?” takes up troubling subjects that continue to occupy her in her fiction: the romantic longings and limited options of adolescent women; the tensions between mothers and daughters; the sexual victimization of women; and the American obsession with violence.  Inspired by a magazine story about a serial killer, its remarkable portrait of the dreamy teenager Connie has made it a feminist classic.  Connie’s life anticipates the emergence of American society from the social innocence of the fifties into the harsher contemporary realities of war, random violence, and crime.  The story was the basis for the movie Smooth Talk, which became the subject of much feminist debate.This casebook includes an introduction by the editor, a chronology of Oates’s life, an authoritative text of “Where Are You Going, Where Have You Been,” an essay by Oates on Smooth Talk, the original Life article about the serial killer, ten critical essays (including two about the film), and a bibliography.The contributors are Brenda O. Daly, Christina Marsden Gillis, Don Moser, Tom Quirk, B. Ruby Rich, R.J.R. Rockwood, Larry Rubin, Gretchen Schulz, Marie Mitchell Oleson Urbanski, Joyce M. Wegs, Marilyn C. Wesley, and Joan D. Winslow.

Winner of the Ludwik Fleck Book Prize, Society for Social Studies of Science, 1995Eighteenth-century natural historians created a peculiar, and peculiarly durable, vision of nature-one that embodied the sexual and racial tensions of that era. When plants were found to reproduce sexually, eighteenth-century botanists ascribed to them passionate relations, polyandrous marriages, and suicidal incest, and accounts of steamy plant sex began to infiltrate the botanical literature of the day. Naturalists also turned their attention to the great apes just becoming known to eighteenth-century Europeans, clothing the females in silk vestments and training them to sip tea with the modest demeanor of English matrons, while imagining the males of the species fully capable of ravishing women.Written with humor and meticulous detail, Nature’s Body draws on these and other examples to uncover the ways in which assumptions about gender, sex, and race have shaped scientific explanations of nature. Schiebinger offers a rich cultural history of science and a timely and passionate argument that science must be restructured in order to get it right.

As the turmoil of interlinked crises unfolds across the world-from climate change to growing inequality to the rise of authoritarian governments-social scientists examine what is happening and why. Can communities devise alternatives to the systems that are doing so much harm to the planet and people?  Sociologists Stephanie A. Malin and Meghan Elizbeth Kallman offer a clear, accessible volume that demonstrates the ways that communities adapt in the face of crises and explains that sociology can help us understand how and why they do this challenging work. Tackling neoliberalism head-on, these communities are making big changes by crafting distributive and regenerative systems that depart from capitalist approaches. The vivid case studies presented range from activist water protectors to hemp farmers to renewable energy cooperatives led by Indigenous peoples and nations. Alongside these studies, Malin and Kallman present incisive critiques of colonialism, extractive capitalism, and neoliberalism, while demonstrating how sociology’s own disciplinary traditions have been complicit with those ideologies-and must expand beyond them.  Showing that it is possible to challenge social inequality and environmental degradation by refusing to continue business-as-usual, Building Something Better offers both a call to action and a dose of hope in a time of crises.

Frank R. Stockton's stories recreate the events and moods of New Jersey from the days of the Lenni-Lenape Indians and the Dutch colonists to the expolits of New Jerseyans in the Mexican War. Here are the colorful historical and legendary figures of New Jersey's past: colonials who fought, traded with, and were captured by Indians; the perpetrators of New Jersey's own Tea Party; revolutionary heroes and heroines; frontiersmen, early inventors, schoolmasters, doctors, and privateersmen. Some of their stories have been told many times, but rarely as well. These tales are reproduced exactly as they first appeared in 1896, in a book which remained in print until 1945 and which has remained so popular over the years that it has in itself become a part of New Jersey's history. The book's turn-of-the-century flavor is enhanced by many illustrations, including drawings by twenty-one artists that provide realistic detail in the style of a bygone era.

Here is a story of the Lenape Indians who lived in what is now New Jersey and eastern Pennsylvania. It describes their culture, crafts, and language as no other book has done. Hunters, fishers, artisans of flint and skins and basketry, tellers of traditional tales, dwellers in a region of hills and barrens, of rivers and forests, they had developed a way of life adjusted to the world around them.In presenting the lore and heritage of the Lenapes, Dr. M.R. Harrington does so through the eyes of a shipwrecked English boy who became a captive of the Indians, and was eventually adopted into the tribe. The narrative is lively reading, and the facts on which it is based are accurate. With the accompanying Clarence Ellsworth line drawings, the reader can understand and even reproduce many of the objects the author describes: the Lenape bows and arrows, muccasins and mats, baskets and bowls.This new edition is a reissue of an often asked for an unavailable New Jersey classic, first published in 1938.

The Old Mine Road, considered the first road in America designed for wheeled vehicles, was built three hundred years ago by Dutch settlers for access to the mines of the Minisink country. It began in Kingston, New York, wove through Sussex and Warren counties in New Jersey, and ended near the Delaware Water Gap. Many changes have taken place in these regions since C. G. Hine recorded his observations and printed The Old Mine Road for his friends in 1908. Bulldozers have obliterated much of what he saw as he took his readers along the length of the road, describing the natural beauty of the countryside and relating the history and legends linked with the road and the people who lived on its route. This new printing is a facsimile of the first 1908 edition. Henry Charlton Beck's introduction gives a publishing history of the book and provides a biographical sketch about Hine.

From Colonial days to the early 1900s, iron forges, glass plants, lumber and paper mills flourished in the New Jersey of the Pine Barrens, in old Burlington, Gloucester and Salem Counties. Around the inlets of the Atlantic shore and on Delaware Bay, whaling and shipbuilding were important industries. Times have changed. Many of the old towns have fallen into ruin or disappeared, swallowed up in the abandoned lands of South Jersey or swept away by the unrelenting tides of the Jersey coast. Henry Charlton Black, raised in Haddonfield for years, shared his endless delight in the land and the lore of South Jersey. He, like a few other devoted Jerseyans, began to hunt out in the 1930s the old sites and to record the stories handed down from generation to generation, clear back to early settlers. In this sequel to Forgotten Towns of Southern New Jersey, his visits to the state's early heritage - churches, villages, and roads - are continued. He explores the routes of old railroads and the tangled wilderness of the Forked River Mountains, and he tells the lost stories of forgotten glass and iron and shipbuilding villages.

Arthur Pierce tells the vivid story of smugglers turned privateers after the Revolutionary War broke out. He recounts from many sources tales of ships and men who fought and, although outnumbered and outgunned, still played havoc with British shipping. He tells also of the profiteering that went hand in hand with the privateering of the war years. From the Mullica River to Cape May stretched the woodlands and the inlets that harbored smugglers. Stealthy and dangerous though their activities were, the smugglers were not outcasts. They were looked upon with indulgence by many respectable citizens of the day. As bitterness toward the mother country mounted, smugglers were encouraged and actively supported in their operation agains the Crown. The Jersey inns and taverns emerged as the "cradles of revolt" in the years immediately preceding the Revolution. In them were planned and fostered many intrigues and acts of violence that played important parts behind the scenes of military and official action. A number of these inns and taverns are still in active use today and are depicted in the illustrations. Smugglers' Woods deals with smugglers, privateers, patriots, and loyalists to give an exciting account of the tensions and conflicts that gripped pre-Revolutionary and Revolutionary New Jersey.

Thousands of schoolchildren have read the adventures of Dickon, the English boy who was rescued from a shipwreck by the Lenape Indians, told in The Indians of New Jersey by M. R. Harrington. Now they and others can follow Dickon's further adventures in The Iroquois Trail.As Dickon and his companions travel the Iroquois Trail in search of his Lenape brother, Little-Bear, they learn the ways of the Onondagas, Senecas, Mohawks, Oneidas, and Cayugas. Dickon tells his own story, describing the day-to-day activities in the villages along the trail-their ways of making clothing, weapons, household articles, and ornaments, and how they hunt, cook, travel, and worship. He meets Hiawatha, Deganawide, Jigonsasay, and other Indian leaders. His tale is accompanied by line drawings that vividly portray the art of making baskets, moccasins, bows and arrows, clothing, and other everday articles. These illustrations are done by Don Perceval, a renowned artist and specialist on Indians.

Deep in the heart of southern New Jersey lies an area of some 96,000 acres of sprawling wilderness. It is the famous Wharton Tract which the state of New Jersey purchased in 1954 for a watershed, game preserve, and park. Many people know and love these wooded acres. Each year, people by the thousands visit Batsto Village, once the center of the iron industry that thrived on the tract more than a century ago. With warmth and accuracy, Arthur D. Pierce tells the story of the years when iron was king, and around it rose a rustic feudal economy. There were glass factories, paper mills, cotton mills, and brickmaking establishments. Here, too, were men who made those years exciting: Benedict Arnold and his first step toward treason; Charles Read, who dreamed of an empire and died in exile; Revolutionary heroes and heroines, privateers, and rogues. The author's vivid pictures of day-to-day life in the old iron communities are based upon careful research. This book proves that the human drama of documented history belies any notion that fiction is stranger than truth.

No region in the nation has a richer heritage than the right counties of South Jersey--Cape May, Salem, Cumberland, Atlantic, Gloucester, Camden, Burlington, and Ocean. In this book William McMahon has collected an assortment of little-known information and historical anecdotes about the people and places of this area.

This is the complete account of New Jersey's important role in tile American Revolutionary War, as only the accomplished novelist and historian Alfred Hoyt Bill could tell it. Not only does he survey the major military developments, but he also covers the social and economic effects or the war in New Jersey. Bill tells the story of the war and provides in-depth explanations of war-related problems-victory and defeat, Jerseymen defecting 10 the British, recruitment difficulties, troop discipline problems, the outbreak of disease and a smallpox epidemic-everything that led to the eventual surrender of Cornwallis.Bill introduces us to the people who were responsible for winning the war and shaping the future of our country, people such as George Washington, General Hugh Mercer, Thomas Paine, Alexander Hamilton, James Monroe, and Thomas Marshall. He also portrays other colorful figures, such as Benedict Arnold, and British officers, including Howe, Cornwallis, and RaIl. Alfred Bill has produced that rare species of history book that reads like an exciting adventure story. He not only presents the facts, but clearly illuminates them with pertinent background information. Clearly written and highly readable, this book will be enjoyed by everyone from students 10 serious historians.

This dense brick of a book starts with a warning to the unwary--an (untranslated) Latin dedication. It was written by a Czech priest who eventually became a Harvard professor of Byzantine history. He informs readers that this book enlarges upon a Harvard course on Slavic history from the 13th to the 17th centuries.

After November 1776, the Hackensack Valley--located in northeastern New Jersey and Rockland County, New York--lay between the invading British army in New York City and the main Continental defense forces in the Hudson Highlands. Jersey Dutch patriot and Tory troops carried on a five-year war of neighbors between the lines, while the grand armies of Britain and America maneuvered on either side of them for a chance to strike a blow at the other.Adrian Leiby offers an exciting narrative of the people of Dutch New Jersey and New York during this conflict. Historians will find colorful details about the Revolutionary War, and genealogists will find much previously unpublished material on hundreds of men and women of Dutch New Jersey and New York in the 1700s.

On Saturday, September 16, 1922, the bodies of Edward Hall, a handsome Episcopal rector, and Eleanor Mills, his choir singer and lover, were found near a lovers' lane in New Jersey. Four years later, the minister's widow and her brothers were tried for the murders and acquitted. Renowned criminal lawyer William M. Kunstler tells the tale.

"A classic..., a brilliant interpretation of the origins of mass warfare. In Arms and Men, Walter Millis has helped to explain not only how war has come to dominate our age, but the often troubled, anomalous relationship between the military and the rest of American society. For everyone, from the beginning student to the advanced scholar, there is not a more comprehensive, more stimulating, or more lively introduction to the men, the ideas, the policies, and the forces that have shaped the development of American military power."--Richard H. Kohn"In my opinion Arms and Men is a splendid piece of work, clearly organized, well argued and beautifully written. We have long needed an informed and intelligent commentary on the evolution of American military policy; and in Mr. Millis' book we have it. I think that his book will awaken great interest and be widely used. I am sure also that professional students of the subject will find it possible, after reading this book, to see the course of American military affairs with a new perspective. That is one of the great services performed by Mr. Millis. He has covered the whole subject with authority, but - thank heaven - in a short book, in which the arguments are not blunted by unnecessary detail."--Gordon A. Craig"This author knows weapons, politics and human nature. His perceptive grasp of these complexes shines in the writing."--The New York Times

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Thirty-second Street in Chicago. A Chicano community, peaceful on a warm summer night, residents socializing, children playing--and gang warfare ready to explode at any time. Ruth Horowitz takes us to the heart of this world, one characterized by opposing sets of values. On the one hand, residents believe in hard work, education, family ties, and the American dream of success. On the other hand, gang members are preoccupied with fighting to maintain their personal and family honor. Horowitz gives us an inside look at this world, showing us how the juxtaposition of two worlds--the streets and the social ladder--and two cultures, Mexican and American, constantly challenges the residents of the community.

Long regarded as folklife classics, Henry Charlton Beck's books are vivid re-creations of the back roads, small towns, and legends that give New Jersey its special character. Rutgers university Press is pleased to make these important books available again in newly designed editions.

Composed, for the most part, from sketches that were published in the Courier-Post newspapers of Camden, New Jersey, Beck provides us with a series of stories of towns too tiny or uncertain for today's maps.  Together, these sketches help to create a more complete picture of the history of New Jersey.  A connecting skein of untold or little known wartime history--the Revolution, the War of 1812, and the conflict of North against South--runs through most of the sketches.  Many of the sketches concern the pine towns and their people, "the pineys" who lived in the Jersey pine barrens.

"None of this is orderly, store-bought legend or folklore. This is the way people talk, sought out and recorded by one who loves both the people and the talk."--The New York TimesLong regarded as folklife classics, Henry Charlton Beck's books are vivid recreations of the back roads, small towns, and legends that give New Jersey its special character. Father Henry Charlton Beck, who lived in New Jersey nearly all his life, was the author of numerous books on New Jersey folklife, state editor of the Camden Courier-Post, and writer for the Newark Star-Ledger. He is considered New Jersey's first folklorist and his painstaking work has left us with a rich collection of tales.

Long regarded as folklife classics, Henry Charlton Beck's books are vivid recreations of the back roads, small towns, and legends that give New Jersey its special character. Rutgers University Press is pleased to make these important books available again in newly designed editions.

Allen Davis looks at the influence of settlement-house workers on the reform movement of the progressive era in Chicago, New York, and Boston. These workers were idealists in the way they approached the future, but they were also realists who knew how to organize and use the American political system to initiate change. They lobbied for a wide range of legislation and conducted statistical surveys that documented the need for reform. After World War I, settlement workers were replaced gradually by social workers who viewed their job as a profession, not a calling, and who did not always share the crusading zeal of their forerunners. Nevertheless, the settlement workers who were active from the 1880s to the 1920s left an important legacy: they steered public opinion and official attitudes toward the recognition that poverty was more likely caused by the social environment than by individual weakness,

Welles is by consensus one of the most talented directors who ever worked in Hollywood, and this flamboyant film - a 1958 exploration of the thriller form - is one of his greatest achievements. Comito's introduction considers the film's relation to the tradition of film noir and demonstrates how Welles's mastery of cinematic language transforms the materials of a routine thriller into a work that is at once a sardonic examination of the dark side of sexuality, an elegiac rumination on the loss of innocence, and a disquieting assault on the viewer's own moral and ascetic certainties. Other contextual materials in the book include a biographical sketch of Welles; an important interview with Welles by Andre Bazin, Charles Bitsch, and Jean Domarchi, available here for the first time in English; an interview with Charlton Heston on the making of the film; representative reviews; critical essays by William Johnson, Jean Collett (translated especially for this book), Stephen Heath; an analysis of the relation of the complete film to Welles's recently discovered shooting script; and filmography and bibliography. The continuity script collates the two available versions of Touch of Evil and provides an invaluable, shot-by-shot guide through the visual and audio complexities of Welles's masterpiece.