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Wittgenstein's Mistress is a novel unlike anything David Markson or anyone else has ever written before. It is the story of a woman who is convinced and, astonishingly, will ultimately convince the reader as well that she is the only person left on earth.Presumably she is mad. And yet so appealing is her character, and so witty and seductive her narrative voice, that we will follow her hypnotically as she unloads the intellectual baggage of a lifetime in a series of irreverent meditations on everything and everybody from Brahms to sex to Heidegger to Helen of Troy. And as she contemplates aspects of the troubled past which have brought her to her present state—obviously a metaphor for ultimate loneliness—so too will her drama become one of the few certifiably original fictions of our time.“The novel I liked best this year,” said the Washington Times upon the book’s publication; “one dizzying, delightful, funny passage after another . . . Wittgenstein’s Mistress gives proof positive that the experimental novel can produce high, pure works of imagination.”

This is Barth's most distinguished masterpiece. This modern classic is a hilarious tribute to all the most insidious human vices, with a hero who is "one of the most diverting . . . to roam the world since Candide.""A feast. Dense, funny, endlessly inventive (and, OK, yes, long-winded) this satire of the eighteenth-century picaresque novel—think Fielding's Tom Jones or Sterne's Tristram Shandy—is also an earnest picture of the pitfalls awaiting innocence as it makes its unsteady way in the world. It's the late seventeenth century and Ebenezer Cooke is a poet, dutiful son and determined virgin who travels from England to Maryland to take possession of his father's tobacco (or "sot weed") plantation. He is also eventually given to believe that he has been commissioned by the third Lord Baltimore to write an epic poem, The Marylandiad. But things are not always what they seem. Actually, things are almost never what they seem. Not since Candide has a steadfast soul witnessed so many strange scenes or faced so many perils. Pirates, Indians, shrewd prostitutes, armed insurrectionists—Cooke endures them all, plus assaults on his virginity from both women and men. Barth's language is impossibly rich, a wickedly funny take on old English rhetoric and American self-appraisals. For good measure he throws in stories within stories, including the funniest retelling of the Pocahontas tale—revealed to us in the 'secret' journals of Capt. John Smith—that anyone has ever dared to tell." —Time

As if Borges wrote The DecameronDuring an atomic alarm in Barcelona in the year 2025, the thirty-year old hero takes refuge in a luxurious mansion in the mountains where he is put up, along with other guests, awaiting the outcome of the conflict. For the following seven days the residents of the mansion spend their spare time reading and taking walks , and, above all, telling stories to each other. The narrators (most of whom belong to the generation thirty years older than the hero's) are eight in number, and the stories they tell can be taken as autonomous ones, although, as the novel advances, it may soon be that when juxtaposed, they do indeed weave a web of intrigue about a family of bankers—a web that gradually involves some of the guests in the mansion.

A major literary event over two decades in the making, Your Name Here marks the seismic return of Helen DeWitt (The Last Samurai), and will introduce readers to the riveting voice of Ilya Gridneff.A book of unparalleled scope and vision, Your Name Here is a spectacular honeycomb of books-within-books. In this death-defying feat of ambition, collaborators Helen DeWitt and Ilya Gridneff weave together America’s “War on Terror,” countless years of literary history, authorial sleight of hand, Scientology, dream analysis, multiple languages, emails, images, graphs, into something wondrous and unique.A metafictional Pygmalion story reminiscent of Charlie Kaufman‘s Oscar-nominated Adaptation, or Italo Calvino’s If on a winter’s night a traveler; Your Name Here is a rare work of art that captures the process of becoming itself. A reminder that a masterpiece and a doomed voyage look the same at the start.

Winner of the Nobel Prize in Literature for 2023Trilogy is Jon Fosse’s critically acclaimed, luminous love story about Asle and Alida, two lovers trying to find their place in this world. Homeless and sleepless, they wander around Bergen in the rain, trying to make a life for themselves and the child they expect. Through a rich web of historical, cultural, and theological allusions, Fosse constructs a modern parable of injustice, resistance, crime, and redemption. Consisting of three novellas (Wakefulness, Olav’s Dreams, and Weariness), Trilogy is a haunting, mysterious, and poignant evocation of love, for which Fosse received The Nordic Council’s Prize for Literature in 2015.

Grotesque, deconstructive, and absolutely genius, Vladimir Sorokin’s short story collection Dispatches from the District Committee is a revelatory, offbeat portrait of Soviet life beyond the propaganda and state-sponsored realism.Celebrated—and censored—for its political satire, literary irreverence, and provocative themes, Sorokin's work has been recognized across the world for its scathing, darkly humorous commentary on political and cultural oppression in the Soviet Union and contemporary Russia.Dispatches from the District Committee brings together stories from Sorokin’s incendiary 1992 collection The First Subotnik/My First Working Saturday and elsewhere. Skillfully translated by Max Lawton, these stories remain subversive classics, and increasingly relevant in a post-truth information age.

An obsessive and revealing self-portrait of a remarkable woman humiliated by the circumstances of her birth and by her physical appearance, La Bâtarde relates Violette Leduc’s long search for her own identity through a series of agonizing and passionate love affairs with both men and women.When first published, La Bâtarde earned Violette Leduc comparisons to Jean Genet for the frank depiction of her sexual escapades and immoral behavior. A confession that contains portraits of several famous French authors, this book is more than just a scintillating memoir—like that of Henry Miller, Leduc’s brilliant writing style and attention to language transform this autobiography into a work of art.

In many respects, Their Four Hearts is a book of endings and final things. Vladimir Sorokin wrote it in the year the Soviet Union collapsed and then didn’t write fiction for ten years after completing it––his next book being the infamous Blue Lard, which he wrote in 1998. Without exaggerating too much, one might call it the last book of the Russian twentieth century and Blue Lard the first book of the Russian twenty-first century. It is a novel about the failure of the Soviet Union, about its metaphysical designs, and about the violence it produced, but presented as God might see it or Bataille might write it.Their Four Hearts follows the violent and nonsensical missions carried out by a group of four characters who represent Socialist Realist archetypes: Seryozha, a naive and optimistic young boy; Olga, a dedicated female athlete; Shtaube, a wise old man; and Rebrov, a factory worker and a Stakhanovite embodying Soviet manhood. However, the degradation inflicted upon them is hardly a Socialist Realist trope. Are the acts of violence they carry out a more realistic vision of what the Soviet Union forced its “heroes” to live out? A corporealization and desacralization of self-sacrificing acts of Soviet heroism? How the Soviet Union truly looked if you were to strip away the ideological infrastructure? As we see in the long monologues Shtaube performs for his companions––some of which are scatological nonsense and some of which are accurate reproductions of Soviet language––Sorokin is interested in burrowing down to the libidinal impulses that fuel a totalitarian system and forcing the reader to take part in them in a way that isn’t entirely devoid of aesthetic pleasure.As presented alongside Greg Klassen’s brilliant charcoal illustrations, which have been compared to the work of Bruno Schulz by Alexander Genis and the work of Ralph Steadman as filtered through Francis Bacon by several gallerists, this angular work of fiction becomes a scatological storybook-world that the reader is dared to immerse themselves in.

Along with one or two books by James Joyce, Flann O'Brien's At Swim-Two-Birds is the most famous (and infamous) of Irish novels published in the twentieth century.A wildly comic send-up of Irish literature and culture, At Swim-Two-Birds is the story of a young, lazy, and frequently drunk Irish college student who lives with his curmudgeonly uncle in Dublin. When not in bed (where he seems to spend most of his time) or reading he is composing a mischief-filled novel about Dermot Trellis, a second-rate author whose characters ultimately rebel against him and seek vengeance. From drugging him as he sleeps to dropping the ceiling on his head, these figures of Irish myth make Trellis pay dearly for his bad writing.Hilariously funny and inventive, At Swim-Two-Birds has influenced generations of writers, opening up new possibilities for what can be done in fiction. It is a true masterpiece of Irish literature.

A National Book Award winner, this bawdy, comic trio of novellas finds John Barth injecting his signature wit into three tales many times told: that of Scheherazade, storyteller of the Thousand and One Nights; of Perseus, slayer of Medusa; and of Bellerophon, rider of Pegasus and slayer of the Chimera.

In France, Alain Robbe-Grillet's final novel was sold in shrink-wrap, labeled with a sticker warning readers that this perverse fairy tale might offend certain sensibilities. It tells the story of Gigi, also known as Djinn, who is being schooled by her father to be a perfect slave and mistress. Running the gamut of unacceptable subject matter from incest to torture, this book abounds with vignettes that explore taboos and their representation in fiction, from the Brothers Grimm to the Marquis de Sade. It is titillating and disgusting, the work of a dirty old man or brilliant agent provocateur--or both.

"Here's the truth, simply stated . . . bookstores are suffering from a serious crisis of falling sales."

Nobodaddy's Children is a trilogy of novels that traces life in Germany from the Nazi era through the postwar years and into an apocalyptic future. Scenes from the Life of a Faun recounts the dreary life of a government worker who escapes the banality of war by researching the exploits of a deserter from the Napoleonic Wars nicknamed The Faun. Brand's Heath deals with the chaos of the immediate postwar period as a writer joins a small community of "survivors" to try to forge a new life, and Dark Mirrors is set in a future where civilization has been virtually destroyed. Dark Mirrors' narrator fears he may be the last man on earth until the discovery of another creates new fears. All three novels are characterized by Schmidt's unique combination of sharply observed details, sarcastic asides, and wide erudition.

In this nominally true story of an epic, transcontinental road trip, Jean Rolin travels to Africa from darkest France, accompanying a battered Audi to its new life as a taxi to be operated by the family of a Congolese security guard. The ghost of Joseph Conrad haunts Rolin's journey, as do memories of his expatriate youth in Kinshasa in the early 1960s--but no less present are W. G. Sebald and Marcel Proust, who are the guiding lights for Rolin's sensual and digressive attack upon history: his own as well as the world's. By turns comic, lyrical, gruesome, and humane, "The Explosion of the Radiator Hose" is a one-of-a-kind travelogue, and no less an exploration of what it means to be human in a life of perpetual exile and migration.

"Tanguy Viel's parody/pastiche of the American novel is subtle and experimental; it tells a story at the same time as it implicitly poses questions about the narrative structure it is deploying." —The French ReviewIn The Disappearance of Jim Sullivan, disappearance is both a theme and a stylistic device. Indeed, this publication narrates the disappearance of Dwayne Koster, who, fascinated by the story of Jim Sullivan, commits suicide in the New Mexico desert which was the setting of the rocker’s disappearance in 1975. But this novel is for the most part set in the metanarrative tale of its own genesis, and, as a result, is partially eclipsed: its -fictitious- author doesn’t relate it in its entirety and keeps adding bits and pieces of first drafts and preliminary sketches to his text, thus blurring its boundaries. Tanguy Viel’s work can therefore be perceived as a double response, existential and aesthetic, to the question of the end.

Alistair Ian Blyth’s Card Catalogue is a book about books. Set in Bucharest in the decade after the Revolution, it presents a series of dreamlike narratives loosely linked by the subject of libraries: book hoarding, book hunting, book burning, and, above all, the dreams of infinite other books—past and future—that every individual codex volume inspires. Whether he is describing his encounters with Gribski (whose strange hidden library in Bucharest he is to see but once) or itemizing the various books whose existence he has dreamed (including “a collection of children’s paeans to Ceausescu bound in the same volume as a slim commentary on Pound’s Canto XIV”), Blyth shows himself to be a card catalogue unto himself. In the tradition of Jorge Luis Borges, Italo Calvino, and Alberto Manguel, this book is bound to please.

Suicide cannot be read as simply another novel—it is, in a sense, the author’s own oblique, public suicide note, a unique meditation on this most extreme of refusals.Presenting itself as an investigation into the suicide of a close friend—perhaps real, perhaps fictional—more than twenty years earlier, Levé gives us, little by little, a striking portrait of a man, with all his talents and flaws, who chose to reject his life, and all the people who loved him, in favor of oblivion. Gradually, through Levé’s casually obsessive, pointillist, beautiful ruminations, we come to know a stoic, sensible, thoughtful man who bears more than a slight psychological resemblance to Levé himself. But Suicide is more than just a compendium of memories of an old friend; it is a near-exhaustive catalog of the ramifications and effects of the act of suicide, and a unique and melancholy farewell to life.

Presenting a wide variety of genres and tones, The Sugar Kremlin lays out a frightening vision of speculative mercilessness and carnivalesque political horror.The Sugar Kremlin is the follow-up to Vladimir Sorokin’s Day of the Oprichnik, taking place in the same New Medieval universe over the course of fifteen chapters that all return to the object of the title: replicas of the Moscow Kremlin made of sugar. Thousands of these creations are given away to children during the holidays, then make their way through each stratum of Russian society. We follow the trajectories of these candied gifts from the hands of harried paupers to secret political dissidents, from torture-obsessed civil servants to sex workers in a nearby bordello...As Sorokin shifts from story to story and style to style, he draws the reader through grotesquely Russian scenes, creating an aberrantly metaphysical encyclopedia of the New Medieval "Russian soul." The candy's sweetness is deceptive—underneath it, you may detect notes of blood.

Inspired by Jack Kerouac s On the Road, Andrzej Stasiuk, Poland s most accomplished living prose writer, takes readers into the forgotten Europe.

Selected by the Modern Library as one of the 100 best nonfiction books of all timeA book about romantic love, Eros the Bittersweet is Anne Carson's exploration of the concept of "eros" in both classical philosophy and literature. Beginning with, "It was Sappho who first called eros 'bittersweet.' No one who has been in love disputes her," Carson examines her subject from numerous points of view, creating a lyrical meditation in the tradition of William Carlos Williams's Spring and All and William H. Gass's On Being Blue.Epigrammatic, witty, ironic, and endlessly entertaining, Eros is an utterly original book.

Log of the S.S. The Mrs. Unguentine is a masterpiece of modern domestic life, a comic novel of closeness and difficulty, miscommunication and stubborn resolve. "Forty years ago I first linked up with Unguentine and we made love on twin-hulled catamarans, sails a-billow, bless the seas . . ."So begins the courtship of a certain Unguentine to the woman we know only as “Mrs. Unguentine,” the chronicler of their sad, fantastical tale. For forty years, they sail the seas together, alone on a giant land-covered barge of their own devising. They tend their gardens, raise a child, invent an artificial forest—all the while steering clear of civilization.Rarely has a book so perfectly registered the secret solitude of marriage, how shared loneliness can result in a powerful bond.

A modern epic on a grand scale, Avalovara is a rich and lyrical novel centered around Abel's courtship of three women. He pursues the sophisticated and inaccessible Roos across Europe; falls in love with Cecilia, a carnal, compassionate hermaphrodite; and achieves a tender, erotic alliance with a woman known only by an ideogram. Avalovara is an extraordinary novel, both in its depiction of modern life and in its rigorous, puzzlelike structure visually represented by a spiral and a five-word palindrome.

Communication--or the lack thereof--is the subject of this sly update of the picaresque.

From one of Serbia’s greatest contemporary writers, Hidden Camera opens with the narrator finding a mysterious, blank envelope stuck in his apartment door inviting him to a private showing of a movie. Or so he initially thinks. Upon arrival at the theatre, he discovers that there’s only one other person in the audience, a very attractive woman whom he’s seated next to. Then things get a bit more mysterious. The movie he’s been invited to see includes a scene showing him sitting in a park. Believing that he’s an unwitting participant in a complicated hidden camera show, he goes along with the variety of setups he’s faced with, which continue to get more involved and absurd. As the show develops, he becomes more and more paranoid and distrustful, but he keeps up the ruse to its thrilling conclusion.

The Power of Flies begins in a courtroom, where a man is undergoing an interrogation. He has committed a crime, and he must now explain himself. But instead of letting the judge, lawyer, and psychiatrist question him, he asks himself all the questions--and answers them. While ranting on to the court about various topics--his family, the museum where he works as a tour guide, and even the French philosopher and mathematician, Blaise Pascal--the narrator of The Power of Flies reveals himself to be both calculating and unstable. In this latest novel from acclaimed French writer Lydie Salvayre, it is up to the reader to sort through his philosophical diatribe to discover why this man turned killer.