Borderlines: Russian and East European-Jewish Studies – serie

Boris Slutsky (1919-1986) is a major original figure of Russian poetry of the second half of the twentieth century, whose oeuvre has remained unexplored and unstudied. The first scholarly study of the poet, Marat Grinberg’s book substantially fills this critical lacuna in the current comprehension of Russian and Soviet literatures. Grinberg argues that Slutsky’s body of work amounts to a Holy Writ of his times, which daringly fuses biblical prooftexts and stylistics with the language of late Russian Modernism and Soviet newspeak. The book is directed toward readers of Russian poetry and pan-Jewish poetic traditions, scholars of Soviet culture and history and the burgeoning field of Russian Jewish studies. Finally, it contributes to the general field of poetics and Modernism.

This volume discusses the participation of Jews as soldiers, journalists, and propagandists in combating the Nazis during the Great Patriotic War, as the period between June 22, 1941, and May 9, 1945 was known in the Soviet Union. The essays included here examine both newly-discovered and previously-neglected oral testimony, poetry, cinema, diaries, memoirs, newspapers, and archives. This is one of the first books to combine the study of Russian and Yiddish materials, reflecting the nature of the Jewish Anti-Fascist Committee, which, for the first time during the Soviet period, included both Yiddish-language and Russian-language writers. This volume will be of use to scholars, teachers, students, and researchers working in Russian and Jewish history.

In the late nineteenth century, a group of radical Jewish youths from Odessa attempted to create an agricultural commune on the Oregon frontier, and in so doing developed from assimilated revolutionaries to American Jews. Theodore Friedgut relates the story of these youths and their creation, with special notice paid to the human encounters within the commune, the members’ encounters with America in acquiring land and equipment—and, importantly, their encounters with their neighbors, themselves immigrant farmers on the American frontier. Among the volume’s central sources is the memoir of Israel Mandelkern, which is here published for the first time. This study addresses hitherto neglected aspects of Jewish life in Russia and of the life of one of the more than a hundred Jewish agricultural colonies, and helps us understand the factors that influenced the young colony members in their transition toward becoming Americans. This is a microcosm of the experience of multitudes of immigrants.

This volume discusses the participation of Jews as soldiers, journalists, and propagandists in combating the Nazis during the Great Patriotic War, as the period between June 22, 1941, and May 9, 1945 was known in the Soviet Union. The essays included here examine both newly-discovered and previously-neglected oral testimony, poetry, cinema, diaries, memoirs, newspapers, and archives. This is one of the first books to combine the study of Russian and Yiddish materials, reflecting the nature of the Jewish Anti-Fascist Committee, which, for the first time during the Soviet period, included both Yiddish-language and Russian-language writers. This volume will be of use to scholars, teachers, students, and researchers working in Russian and Jewish history.

Focusing primarily on the close study of literary works presented in the broad cultural and historical context, Jacob’s Ladder discusses the reflection of kabbalistic allegory in Russian literature and provides a detailed analysis of the evolution of the perception of Kabbalah in Russian consciousness. Aptekman investigates the questions of when, how and why Kabbalah has been used in Russian literary texts from Pre-Romanticism to Modernism and what particular role it played in the larger context of the Russian literary tradition. The correct understanding of this liaison helps the reader to clarify many enigmatic images in Russian literary works of the last two centuries and to understand the roots of a particular cultural falsification that played an important role in the anti-Semitic mythology of the twentieth century.

Focusing primarily on the close study of literary works presented in the broad cultural and historical context, Jacob’s Ladder discusses the reflection of kabbalistic allegory in Russian literature and provides a detailed analysis of the evolution of the perception of Kabbalah in Russian consciousness. Aptekman investigates the questions of when, how and why Kabbalah has been used in Russian literary texts from Pre-Romanticism to Modernism and what particular role it played in the larger context of the Russian literary tradition. The correct understanding of this liaison helps the reader to clarify many enigmatic images in Russian literary works of the last two centuries and to understand the roots of a particular cultural falsification that played an important role in the anti-Semitic mythology of the twentieth century.

Exemplary Bodies: Constructing the Jew in Russian Culture since 1880s explores the construction of the Jew’s physical and ontological body in Russian culture as represented in literature, film, and non-literary texts from the 1880s to the present. With the rise of the dominance of biological and racialist discourse in the 1880s, the depiction of Jewish characters in Russian literary and cultural productions underwent a significant change, as these cultural practices recast the Jew not only as an archetypal “exotic” and religious or class Other (as in Romanticism and realist writing), but as a biological Other whose acts, deeds, and thoughts were determined by racial differences. This Jew allegedly had physical and psychological characteristics that were genetically determined and that could not be changed by education, acculturation, conversion to Christianity, or change of social status. This stereotype has become a stable archetype that continues to operate in contemporary Russian society and culture.

Boris Slutsky (1919-1986) is a major original figure of Russian poetry of the second half of the twentieth century, whose oeuvre has remained unexplored and unstudied. The first scholarly study of the poet, Marat Grinberg’s book substantially fills this critical lacuna in the current comprehension of Russian and Soviet literatures. Grinberg argues that Slutsky’s body of work amounts to a Holy Writ of his times, which daringly fuses biblical prooftexts and stylistics with the language of late Russian Modernism and Soviet newspeak. The book is directed toward readers of Russian poetry and pan-Jewish poetic traditions, scholars of Soviet culture and history and the burgeoning field of Russian Jewish studies. Finally, it contributes to the general field of poetics and Modernism.

John Doyle Klier’s pioneering publications on the relations between Jews and the Russian social order—on topics such as public opinion, governance, conversion, Russification politics, antisemitism, and pogroms—have influenced an entire generation of new scholarship. Jews in the East European Borderlands, a collection of essays honoring Klier’s life and work, brings together some of the most innovative scholarship in the field. Focusing on the complex, often violent, entanglements between Jews and Russians, historians and literary scholars critically reassess the artifacts of high culture, including Yiddish and Russian prose and poetry, as well as dimensions of daily life, including letter-writing, diaries, the work of philanthropy, photojournalism, and the mass circulation press.