British Institute of Persian Studies – serie

Scholarship on the Muslim world has recently begun to pay increased attention to non-literary genres of documentation as sources for historical research. Genealogical writings are one form of such documentation that has demonstrated significant potential for addressing a wide range of research concerns, particularly for topics that receive little attention in historical chronicles and other state-centered narrative sources. However, while genealogical documentation has received some attention in scholarship on the Arab world, it remains mostly unstudied in scholarship on Persianate societies. The chapters in this book offer reflections on theoretical and methodological issues concerning the study of genealogical documentation, combined with case studies based primarily on previously unpublished, unstudied source materials. The topics explored span the full breadth of the Persianate world, from Anatolia to the Ferghana Valley in Central Asia to the Gujarat region of India, utilizing sources dating from the fourteenth to the twentieth century. The book will be of significant interest to scholars and students of Islamic history and the Persianate ecumene as well as readers in other fields interested in comparative research demonstrating the use of genealogical documentation as historical sources.

Scholarship on the Muslim world has recently begun to pay increased attention to non-literary genres of documentation as sources for historical research. Genealogical writings are one form of such documentation that has demonstrated significant potential for addressing a wide range of research concerns, particularly for topics that receive little attention in historical chronicles and other state-centered narrative sources. However, while genealogical documentation has received some attention in scholarship on the Arab world, it remains mostly unstudied in scholarship on Persianate societies. The chapters in this book offer reflections on theoretical and methodological issues concerning the study of genealogical documentation, combined with case studies based primarily on previously unpublished, unstudied source materials. The topics explored span the full breadth of the Persianate world, from Anatolia to the Ferghana Valley in Central Asia to the Gujarat region of India, utilizing sources dating from the fourteenth to the twentieth century. The book will be of significant interest to scholars and students of Islamic history and the Persianate ecumene as well as readers in other fields interested in comparative research demonstrating the use of genealogical documentation as historical sources.

Scholarship on the Muslim world has recently begun to pay increased attention to non-literary genres of documentation as sources for historical research. Genealogical writings are one form of such documentation that has demonstrated significant potential for addressing a wide range of research concerns, particularly for topics that receive little attention in historical chronicles and other state-centered narrative sources. However, while genealogical documentation has received some attention in scholarship on the Arab world, it remains mostly unstudied in scholarship on Persianate societies. The chapters in this book offer reflections on theoretical and methodological issues concerning the study of genealogical documentation, combined with case studies based primarily on previously unpublished, unstudied source materials. The topics explored span the full breadth of the Persianate world, from Anatolia to the Ferghana Valley in Central Asia to the Gujarat region of India, utilizing sources dating from the fourteenth to the twentieth century. The book will be of significant interest to scholars and students of Islamic history and the Persianate ecumene as well as readers in other fields interested in comparative research demonstrating the use of genealogical documentation as historical sources.

The Takkiyya Mu’avin al-Mulk is a building complex in the city of Kermanshah in western Iran, dedicated to the annual commemoration of the martyrdom of Husayn ibn ‘Ali at the Battle of Karbala in 680, an event of seminal significance to Shi'i Islam. Private takkiyyas built by social elites were a phenomenon of the Qajar period, with their construction motivated by a political quest for legitimacy.This book examines the intersection of art and architecture, popular piety, and the politics of legitimation. Through an examination of the building and its decorative programme, it addresses issues of patronage, Shi’i iconography and popular religious practices during the early 20th century in Iran. It further argues for the role of takkiyyas in creation of a sense of community and group identity; the formative stage of the emergent idea of nationhood at the time, amongst those who frequented them.

The Takkiyya Mu'avin al-Mulk is a building complex in the city of Kermanshah in western Iran, dedicated to the annual commemoration of the martyrdom of Husayn ibn 'Ali at the Battle of Karbala in 680, an event of seminal significance to Shi'i Islam. Private takkiyyas built by social elites were a phenomenon of the Qajar period, with their construction motivated by a political quest for legitimacy. This book examines the intersection of art and architecture, popular piety, and the politics of legitimation. Through an examination of the building and its decorative programme, it addresses issues of patronage, Shi'i iconography and popular religious practices during the early 20th century in Iran. It further argues for the role of takkiyyas in creation of a sense of community and group identity; the formative stage of the emergent idea of nationhood at the time, amongst those who frequented them.

The Takkiyya Mu'avin al-Mulk is a building complex in the city of Kermanshah in western Iran, dedicated to the annual commemoration of the martyrdom of Husayn ibn 'Ali at the Battle of Karbala in 680, an event of seminal significance to Shi'i Islam. Private takkiyyas built by social elites were a phenomenon of the Qajar period, with their construction motivated by a political quest for legitimacy. This book examines the intersection of art and architecture, popular piety, and the politics of legitimation. Through an examination of the building and its decorative programme, it addresses issues of patronage, Shi'i iconography and popular religious practices during the early 20th century in Iran. It further argues for the role of takkiyyas in creation of a sense of community and group identity; the formative stage of the emergent idea of nationhood at the time, amongst those who frequented them.

The Takkiyya Mu’avin al-Mulk is a building complex in the city of Kermanshah in western Iran, dedicated to the annual commemoration of the martyrdom of Husayn ibn ‘Ali at the Battle of Karbala in 680, an event of seminal significance to Shi'i Islam. Private takkiyyas built by social elites were a phenomenon of the Qajar period, with their construction motivated by a political quest for legitimacy.This book examines the intersection of art and architecture, popular piety, and the politics of legitimation. Through an examination of the building and its decorative programme, it addresses issues of patronage, Shi’i iconography and popular religious practices during the early 20th century in Iran. It further argues for the role of takkiyyas in creation of a sense of community and group identity; the formative stage of the emergent idea of nationhood at the time, amongst those who frequented them.

Bahram Beyzaie is one of Iran’s leading playwrights and auteur filmmakers. This book examines several of Beyzaie’s films and plays and their preoccupation with the modalities and transformations of Iranian contemporary, historical and mythical identity from different perspectives. The chapters analyse Beyzaie’s influential plays such as Arash and So Dies Pahlevan Akbar and his filmic magnum opuses such as The Crow, Bashu, the Little Stranger and Killing Mad Dogs from a range of critical perspectives including ecofeminist, sociopolitical, new-historicist, archetypal and psychoanalytical readings. They also explore Beyzaie’s dialogue with filmic genres such as noir, different Iranian languages such as Gilaki, Iranian epics and ritual practices such as ta’ziyeh plays and javanmardi chivalry cults. Together, the chapters show how Beyzaie’s works negotiate narratives of belonging and undermine the dominant exclusionist discourses in Iran, and how they use the resources of Iranian folk and performance traditions to comment on the position of women, children, intellectuals, and minorities in society.

Bahram Beyzaie is one of Iran's leading playwrights and auteur filmmakers. This book examines several of Beyzaie's films and plays and their preoccupation with the modalities and transformations of Iranian contemporary, historical and mythical identity from different perspectives. The chapters analyse Beyzaie's influential plays such as Arash and So Dies Pahlevan Akbar and his filmic magnum opuses such as The Crow, Bashu, the Little Stranger and Killing Mad Dogs from a range of critical perspectives including ecofeminist, sociopolitical, new-historicist, archetypal and psychoanalytical readings. They also explore Beyzaie's dialogue with filmic genres such as noir, different Iranian languages such as Gilaki, Iranian epics and ritual practices such as ta'ziyeh plays and javanmardi chivalry cults. Together, the chapters show how Beyzaie's works negotiate narratives of belonging and undermine the dominant exclusionist discourses in Iran, and how they use the resources of Iranian folk and performance traditions to comment on the position of women, children, intellectuals, and minorities in society.

Bahram Beyzaie is one of Iran's leading playwrights and auteur filmmakers. This book examines several of Beyzaie's films and plays and their preoccupation with the modalities and transformations of Iranian contemporary, historical and mythical identity from different perspectives. The chapters analyse Beyzaie's influential plays such as Arash and So Dies Pahlevan Akbar and his filmic magnum opuses such as The Crow, Bashu, the Little Stranger and Killing Mad Dogs from a range of critical perspectives including ecofeminist, sociopolitical, new-historicist, archetypal and psychoanalytical readings. They also explore Beyzaie's dialogue with filmic genres such as noir, different Iranian languages such as Gilaki, Iranian epics and ritual practices such as ta'ziyeh plays and javanmardi chivalry cults. Together, the chapters show how Beyzaie's works negotiate narratives of belonging and undermine the dominant exclusionist discourses in Iran, and how they use the resources of Iranian folk and performance traditions to comment on the position of women, children, intellectuals, and minorities in society.

Bahram Beyzaie is one of Iran’s leading playwrights and auteur filmmakers. This book examines several of Beyzaie’s films and plays and their preoccupation with the modalities and transformations of Iranian contemporary, historical and mythical identity from different perspectives. The chapters analyse Beyzaie’s influential plays such as Arash and So Dies Pahlevan Akbar and his filmic magnum opuses such as The Crow, Bashu, the Little Stranger and Killing Mad Dogs from a range of critical perspectives including ecofeminist, sociopolitical, new-historicist, archetypal and psychoanalytical readings. They also explore Beyzaie’s dialogue with filmic genres such as noir, different Iranian languages such as Gilaki, Iranian epics and ritual practices such as ta’ziyeh plays and javanmardi chivalry cults. Together, the chapters show how Beyzaie’s works negotiate narratives of belonging and undermine the dominant exclusionist discourses in Iran, and how they use the resources of Iranian folk and performance traditions to comment on the position of women, children, intellectuals, and minorities in society.

The first interdisciplinary study of the history of contact between Iranians and the peoples and polities of the Indian Ocean.Most of the historiography of the Iranian world focuses on interactions and migrations between Iran, Central Asia and India. Nonetheless, this Iranian world was also closely connected to the maritime one of the Indian Ocean. While scholarship has drawn attention to diverse elements of these latter interactions, ranging from the claims to Shirazi descent of East African communities, to Persian elements in Malay literature, and Iranian communities of merchants in China, such studies have remained largely isolated from one another. The consensus of historiography on the Indian Ocean presents it as an ‘Arabic cosmopolis’, or, in earlier times, a Sanskrit one. The aim of this book is thus to bring together scholars working on disparate aspects of Persianate interactions with the Indian Ocean world from antiquity to modern times to provide a more rounded picture of both the history of the Persianate world, broadly conceived, and that of the Indian Ocean.The book brings together a collection of internationally renowned scholars from a variety of disciplines – including archaeology, history, literature, linguistics, art history – and covers interactions in Iran’s political and commercial relations with the Indian Ocean world in history, Persian-speaking communities in the Indian Ocean world, Persian(ate) elements in Indian Ocean languages and literatures, Persian texts dealing with the Indian Ocean, and connections in material culture.

Drawn from interviews conducted between 2007 and 2020, this account of the life of renowned archaeologist and former director of the British Institute of Persian Studies, David Brian Stronach, reveals a lost period in international archaeology within Iran, when BIPS was founded and acted as a unique intellectual hub for archaeologists, expats, scholars and foreignersIt describes the challenges he faced establishing the Institute and his experiences working with some of the 20th century’s most fascinating personalities in archaeology, such as James Mellaart, Max Mallowan, Seton Lloyd and Agatha Christie. It also provides a new account of the effects of the Iranian revolution of 1979 on Stronach’s own life’s work, on the Institute he built, and on the international world of Iranian archaeology.

Drawn from interviews conducted between 2007 and 2020, this account of the life of renowned archaeologist and former director of the British Institute of Persian Studies, David Brian Stronach, reveals a lost period in international archaeology within Iran, when BIPS was founded and acted as a unique intellectual hub for archaeologists, expats, scholars and foreignersIt describes the challenges he faced establishing the Institute and his experiences working with some of the 20th century's most fascinating personalities in archaeology, such as James Mellaart, Max Mallowan, Seton Lloyd and Agatha Christie. It also provides a new account of the effects of the Iranian revolution of 1979 on Stronach's own life's work, on the Institute he built, and on the international world of Iranian archaeology.

Drawn from interviews conducted between 2007 and 2020, this account of the life of renowned archaeologist and former director of the British Institute of Persian Studies, David Brian Stronach, reveals a lost period in international archaeology within Iran, when BIPS was founded and acted as a unique intellectual hub for archaeologists, expats, scholars and foreignersIt describes the challenges he faced establishing the Institute and his experiences working with some of the 20th century's most fascinating personalities in archaeology, such as James Mellaart, Max Mallowan, Seton Lloyd and Agatha Christie. It also provides a new account of the effects of the Iranian revolution of 1979 on Stronach's own life's work, on the Institute he built, and on the international world of Iranian archaeology.

The Safavid dynasty originated as a fledgling apocalyptic mystical movement based in Iranian Azarbaijan, and grew into a large, cosmopolitan Irano-Islamic empire stretching from Baghdad to Herat. Here, Colin P. Mitchell examines how the Safavid state introduced and moulded a unique and vibrant political discourse, reflecting the social and religious heterogeneity of sixteenth-century Iran. Beginning with the millenarian-minded Shah Isma'il and concluding with the autocrat par excellence, Shah Abbas, Mitchell explores the phenomenon of state-sponsored rhetoric. A thorough investigation of the Safavid state and the significance of rhetoric, power and religion in its functioning, The Practice of Politics in Safavid Iran is indispensable for all those interested in Iranian history and politics and Middle East studies.

The traditional account of the Prophet Muhammad's ascension has inspired generations of writers and storytellers from the beginnings of Islam until today. By the tenth century, narratives describing Muhammad's encounter with prophets and angels, his colloquy with God, and his visits of heaven and hell lead to the formation of the "Book of Ascension", a novelizing and engaging literary genre most commonly written in Arabic and Turkic dialects. This is the study of an extremely rare Persian "Book of Ascension", which was written in Persian by an anonymous author and dates from the Ilkhanid Period (1256-1353). Christiane Gruber presents an English translation alongside the original manuscript text, together with critical commentary on the text as well as a series of Ilkhanid ascension paintings. The text appears to promote adherence, as well as to encourage conversion, to Sunni Islam - providing a fascinating insight into the interplay between artistic practices and missionary efforts aimed at promoting Sunni Islam in Persian lands during Ilkhanid rule.

A.C.S. Peacock is Lecturer in Middle Eastern History at the University of St Andrews, and holds a PhD in Oriental Studies from Pembroke College, Cambridge. He is the author of Early Seljuq History: A New Interpretation (2010), and is the co-editor of The Seljuks of Anatolia: Court and Society in the Medieval Middle East (I.B.Tauris, 2012) and Ferdowsi, the Mongols and the History of Iran: Art, Literature and Culture from Early Islam to Qajar Persia (I.B.Tauris, 2013).D.G. Tor is Assistant Professor of Medieval Middle Eastern History at the University of Notre Dame, and holds a PhD in History and Middle Eastern Studies from Harvard University. She is the author of The Great Selkuq Sultanate and the Formation of Islamic Civilization: A Thematic History (forthcoming) and Violent Order: Religious Warfare, Chivalry and the 'Ayyar Phenomenon in the Medieval Islamic World (2007).

With the ratification of a new constitution in December 1906, Iran embarked on a great movement of systemic and institutional change which, along with the introduction of new ideas, was to be one of the most abiding legacies of the first Iranian revolution - known as the Constitutional Revolution. This uprising was significant not only for introducing secular understandings of government, but also Islamic visions of what could constitute a national assembly. The events of the Constitutional Revolution in Tehran have been much discussed, but the provinces, despite their crucial role in the revolution, have received less attention. Here, Vanessa Martin seeks to redress this imbalance. She does so by firstly analysing the role of the Islamic debate in the late nineteenth and early twentieth centuries, and its relationship with secular ideas, and secondly by examining the ramifications of this debate in the main cities of Tabriz, Shiraz, Isfahan and Bushehr.When Muzaffar al-Din Shah came to power in 1896, on the assassination of his father Nasr al-Din Shah, Iran was in the midst of social and political upheaval, which culminated in the creation for the first time in Iran's history of a constitution and a new majlis (consultative assembly). In this book, Martin looks in particular at the idea of modern Islamic government as it was conceptualized at the time; an idea which had been emerging for some time before the revolution, having its origins in the vision of the reformist pan-Islamist, Jamal al-Din al-Afghani. She therefore traces the evolution of the debate around whether Iran was to be a secular or an Islamic society, or a combination of the two, together with the implications of this discourse in terms of popular perception and public opinion. By looking at the revolution outside of Tehran, she highlights the intra-elite rivalries, and the Islamic response to the Constitutional Revolution, from the moderate views of Thiqat al-Islam to the emergence of Islamic organizations and militancy.It is through this examination of Iran's major provincial cities that Martin concludes that in each region, the Constitutional Revolution took on a character of its own. From an exploration of the elites of Shiraz, including the effective mayor, Qavam al-Mulk, to the power centre of the then governor of Isfahan, Prince Zill al-Sultan, and from the revolutionary fervor of Tabriz to the commercial centre of Bushehr, Martin sheds light on the historical, political, religious and geographical importance of these cities. By examining the interaction between Islam and secularism during this tumultuous time, Iran between Islamic Nationalism and Secularism offers a vital new approach to the understanding of a key moment in Iran's history.

The Safavid dynasty originated as a fledgling apocalyptic mystical movement based in Iranian Azarbaijan, and grew into a large, cosmopolitan Irano-Islamic empire stretching from Baghdad to Herat. Here, Colin P. Mitchell examines how the Safavid state introduced and moulded a unique and vibrant political discourse, reflecting the social and religious heterogeneity of sixteenth-century Iran. Beginning with the millenarian-minded Shah Isma'il and concluding with the autocrat par excellence, Shah Abbas, Mitchell explores the phenomenon of state-sponsored rhetoric. A thorough investigation of the Safavid state and the significance of rhetoric, power and religion in its functioning, The Practice of Politics in Safavid Iran is indispensable for all those interested in Iranian history and politics and Middle East studies.

A.C.S. Peacock is Lecturer in Middle Eastern History at the University of St Andrews, and holds a PhD in Oriental Studies from Pembroke College, Cambridge. He is the author of Early Seljuq History: A New Interpretation (2010), and is the co-editor of The Seljuks of Anatolia: Court and Society in the Medieval Middle East (I.B.Tauris, 2012) and Ferdowsi, the Mongols and the History of Iran: Art, Literature and Culture from Early Islam to Qajar Persia (I.B.Tauris, 2013).D.G. Tor is Assistant Professor of Medieval Middle Eastern History at the University of Notre Dame, and holds a PhD in History and Middle Eastern Studies from Harvard University. She is the author of The Great Selkuq Sultanate and the Formation of Islamic Civilization: A Thematic History (forthcoming) and Violent Order: Religious Warfare, Chivalry and the 'Ayyar Phenomenon in the Medieval Islamic World (2007).

The Safavid dynasty originated as a fledgling apocalyptic mystical movement based in Iranian Azarbaijan, and grew into a large, cosmopolitan Irano-Islamic empire stretching from Baghdad to Herat. Here Colin Mitchell examines how the Safavid state introduced and moulded a unique and vibrant political discourse which reflected the social and religious heterogeneity of sixteenth-century Iran. Beginning with the millenarian-minded Shah Isma'il and concluding with the autocrat par excellence, Shah Abbas, Mitchell explores the phenomenon of state-sponsored rhetoric. He focuses on the large corpus of epistles, letters and missives produced by a developed Safavid chancellery which show how the Safavids forged and negotiated their political and religious sovereignty in a diverse and complex environment. A thorough investigation of the Safavid state and the significance of rhetoric, power and religion in its functioning, "The Practice of Politics in Safavid Iran" is indispensable for all those interested in Iranian history and politics as well as the wider world of Middle East studies.

Abu Sa'id 'Abd al-Hayy Gardizi was an author and historian living in the mid-eleventh century at the height of the Turkish Ghazvanid dynasty. His only known work, "The Ornament of Histories" ("Zayn al-akhbir"), is a hugely ambitious history of the Eastern Islamic lands AD 650-1041, spanning what is now Eastern Iran, Afghanistan and parts of the Central Asian Republics and Indo-Pakistan subcontinent. Gardizi's text is an extremely rare source of primary information about the rise of Islamic faith, culture and military dominance in these regions, and represents a significant contribution to our understanding of the early Islamic world. This is the first English translation of the original Persian text, and is accompanied by an introduction and commentary which details the historical, geographical and cultural context.