Creative Filmmaking from the Inside Out

Five Keys to the Art of Making Inspired Movies and Television

Häftad, Engelska, 2003

188 kr

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Beskrivning

There is no foolproof formula for great filmmaking, but emerging filmmakers can learn from CREATIVE FILMMAKING FROM THE INSIDE OUT how they can uncover and strengthen their inherent creativity. Based on interviews conducted by professors from USC's renowned School of Cinema-Television, this exciting book packs the expertise of fifteen luminaries into a stimulating and practical guide. The list of those whose wisdom fills these pages reads like a Who's Who of filmmaking and includes: - Writer-director Anthony Minghella (THE ENGLISH PATIENT and THE TALENTED MR RIPLEY) - Production designer Jeannine Oppewall, (L.A. CONFIDENTIAL and PLEASANTVILLE) - Writer-director-animator John Lasseter, (TOY STORY) - Editor Lisa Fruchtman, (APOCALYPSE NOW and THE RIGHT STUFF) - Television writer/producer John Wells (E.R. and THE WEST WING). Their candid advice goes beyond the usual anecdotes to offer readers an in-depth lesson in 'the five I's': Introspection, Inquiry, Intuition, Interaction and Impact. From idea origination to audience response, CREATIVE FILMMAKING FROM THE INSIDE OUT offers readers a unique opportunity to explore their own creativity through quick limbering exercises and in-depth workouts.

Produktinformation

Utgivningsdatum:2003-09-15
Mått:191 x 235 x 13 mm
Vikt:401 g
Format:Häftad
Språk:Engelska
Antal sidor:224
Förlag:Simon & Schuster
ISBN:9780743223195

Utforska kategorier

Film inom Kultur
Teater inom Kultur

Mer om författaren

Carroll Hodge, Jed Dannenbaum and Doe Mayer are professional filmmakers who also teach film production at the University of Southern California School of Cinema-Television. You can visit them at www.creativefilmmaking.com.

Recensioner i media

Norman Lear If I were a film or television student starting out, it's the book I'd want to read, because it tells you to create from your gut and your heart and your spirit.

Innehållsförteckning

ContentsAcknowledgmentsIntroductionThe Filmmakers one introspection A Mysterious Predisposition: Discovering Your Creative Field Finding the Resonance: Choosing the Stories You Want to Tell A Private World: Drawing on Personal Memories two inquiryBreadth of Knowledge: A Preparation in the Liberal Arts Getting Out of the Car: Observation of the World Doing the Homework: Researching a Filmthree intuitionOpen-closedness: The Link Between Intellect and IntuitionThe Dreamer: Connecting to the Nonconscious MindTime at the Desk and Time Running in the Forest: Enticing Your Intuitionfour interactionPlenty of Rope: The Fluid CollaborationArguments Worth Having: Responding to Creative DifferencesEveryone Is Telling the Story: Establishing a Creative Environmentfive impactThe Undercurrent: Finding the Soul of the FilmFresh Eyes: The Power of the AudienceTaking Responsibility: Owning the Images We Createsix workoutsEndnotesSelected FilmographiesSuggested ReadingEmbedded Values QuestionnaireIndex