Visar resultat för..."Farrar, Straus Giroux Inc"

The Mamba Mentality: How I Play is Kobe Bryant’s personal perspective of his life and career on the basketball court and his exceptional, insightful style of playing the game—a fitting legacy from the late Los Angeles Laker superstar.In the wake of his retirement from professional basketball, Kobe “The Black Mamba” Bryant decided to share his vast knowledge and understanding of the game to take readers on an unprecedented journey to the core of the legendary “Mamba mentality.” Citing an obligation and an opportunity to teach young players, hardcore fans, and devoted students of the game how to play it “the right way,” The Mamba Mentality takes us inside the mind of one of the most intelligent, analytical, and creative basketball players ever.In his own words, Bryant reveals his famously detailed approach and the steps he took to prepare mentally and physically to not just succeed at the game, but to excel. Readers will learn how Bryant studied an opponent, how he channeled his passion for the game, how he played through injuries. They’ll also get fascinating granular detail as he breaks down specific plays and match-ups from throughout his career.Bryant’s detailed accounts are paired with stunning photographs by the Hall of Fame photographer Andrew D. Bernstein. Bernstein, long the Lakers and NBA official photographer, captured Bryant’s very first NBA photo in 1996 and his last in 2016—and hundreds of thousands in between, the record of a unique, twenty-year relationship between one athlete and one photographer.The combination of Bryant’s narrative and Bernstein’s photos make The Mamba Mentality an unprecedented look behind the curtain at the career of one of the world’s most celebrated and fascinating athletes.

On October 7, 2023, Hamas fighters killed more than eleven hundred Israelis and took more than two hundred hostages, prompting an Israeli response that has in turn taken tens of thousands of lives and devastated the Gaza Strip. Why did this happen, and can anything be done to grant peace and justice to Israelis and Palestinians alike?In Tomorrow Is Yesterday, the analyst Hussein Agha and the diplomat Robert Malley offer a personal and bracing perspective on how the hopes of the Oslo Peace Process became the horrors of the present. Drawing on their experience advising the Palestinian leadership (Arafat and Abbas) and US presidents (Clinton, Obama, and Biden) and their participation in secret talks over decades, Agha and Malley offer candid portraits of leading figures and an interpretation of the conflict that exposes the delusions of all sides. They stress that the two-state solution became a global goal only when it was no longer viable; that U.S. officials preferred technical schemes to a frank reckoning with the past; that Hamas’s onslaught and Israel’s war of destruction were not historical exceptions but historical reenactments; and that the gaps separating Israelis and Palestinians have less to do with territorial allocation than with history and emotions.

Ted Fullilove, aka Mr. Peanut, is not like other Ivy League grads. He shares an apartment with Goldberg, his beloved battery operated fish, sleeps on a bed littered with yellow legal pads penned with what he hopes will be the next great American novel, and spends the waning malaise filled days of the Carter administration at Yankee Stadium, waxing poetic while slinging peanuts to pay the rent. When Ted hears the news that his estranged father, Marty, is dying of lung cancer, he immediately moves back into his childhood home, where a whirlwind of revelations ensues. The browbeating absentee father of his youth is living to make up for lost time, but his health dips drastically whenever his beloved Red Sox lose. And so, with help from a crew of neighbourhood old timers and the lovely Mariana - Marty's Nuyorican grief counselor - Ted orchestrates the illusion of a Sox winning streak, enabling Marty and the Red Sox to reverse the Curse of the Bambino and cruise their way to World Series victory. Well, sort of.David Duchovny's richly drawn Bucky F*cking Dent is a story of the bond between fathers and sons, Yankee fans and the Fenway faithful, and grapples with the urgent need to find our story in an age of irony and artifice. Culminating in that fateful moment in October of '78 when the meek Bucky Dent hit his way into baseball history with the unlikeliest of home runs, this tragicomic novel demonstrates that life truly belongs to the losers - that the long shots are the ones worth betting on. Bucky F*cking Dent is a singulartale that brims with the hilarity, poignance, and profound solitude of modern life.

Adrian Daub’s What Tech Calls Thinking is a lively dismantling of the ideas that form the intellectual bedrock of Silicon Valley. Equally important to Silicon Valley’s world-altering innovation are the language and ideas it uses to explain and justify itself. And often, those fancy new ideas are simply old motifs playing dress-up in a hoodie. From the myth of dropping out to the war cry of “disruption,” Daub locates the Valley’s supposedly original, radical thinking in the ideas of Heidegger and Ayn Rand, the New Age Esalen Foundation in Big Sur, and American traditions from the tent revival to predestination. Written with verve and imagination, What Tech Calls Thinking is an intellectual refutation of Silicon Valley's ethos, pulling back the curtain on the self-aggrandizing myths the Valley tells about itself.FSG Originals × Logic dissects the way technology functions in everyday lives. The titans of Silicon Valley, for all their utopian imaginings, never really had our best interests at heart: recent threats to democracy, truth, privacy, and safety, as a result of tech’s reckless pursuit of progress, have shown as much. We present an alternate story, one that delights in capturing technology in all its contradictions and innovation, across borders and socioeconomic divisions, from history through the future, beyond platitudes and PR hype, and past doom and gloom. Our collaboration features four brief but provocative forays into the tech industry’s many worlds, and aspires to incite fresh conversations about technology focused on nuanced and accessible explorations of the emerging tools that reorganise and redefine life today.

Gul has a star-shaped birthmark on her arm, and in her kingdom, marked girls are disappearing. Gul’s mark caused her parents murder at the hands of the king's army, and forced her into hiding. When a group of rebel women rescue her to train her in warrior magic, Gul only wants one thing: revenge.Cavas is ready to sign his life over to the king’s army in exchange for money and medicine for his sick father. But when he meets Gul in the capital’s bazaar, their chemistry grows, and he becomes entangled in a mission of vengeance - and discovers magic he never expected.

Michael J. Sandel shows how a surer grasp of philosophy can help us to make sense of politics, morality, and our own convictions.

On the heels of their time-traveling adventure in the Rhythm of Time, best friends Rahim and Kasia are now working with Aevum, a mysterious future organisation that tasks them with averting disaster and safeguarding the flow of history.But their adventures take a dramatic turn when Rahim inadvertently jeopardises their mission, thrusting them into a web of intrigue populated by a diverse cast of time-travelers with their own enigmatic motives. Hunted by doppelgängers from parallel dimensions and cunning robots masquerading as allies, they are plunged into a shadowy battle for survival, and now Rahim and Kasia must navigate a treacherous path to unveil the truth and avert a devastating future across multiple realities.Dynamic, richly written characters, a mystery that twists and turns through the corridors of time and the multiverse, interior illustrations, and crisp prose make for an infinitely readable sci-fi romp that is sure to delight young readers.

A career-spanning collection of writings by the Nobel laureate Elias Canetti, edited and introduced by Pulitzer Prize winner Joshua Cohen. He embarked on no adventures, he was in no war. He was never in prison, he never killed anyone. He neither won nor lost a fortune. All he ever did was live in this century. But that alone was enough to give his life dimension, both of feeling and of thought. Here, in his own words, is one of the twentieth century's foremost chroniclers: a dizzyingly inventive, formally unplaceable, unstoppably peripatetic writer named Elias Canetti, who was awarded the Nobel Prize in Literature in 1981. I Want to Keep Smashing Myself Until I Am Whole is a summa of Canetti's life and thought, and the definitive introduction to a writer whose genius for interpreting world-historical changes was matched by a keen sense of wonder and an abiding skepticism about the knowability of the self. Born into a Sephardi Jewish family in Bulgaria, Canetti later lived in Austria, England, and Switzerland while traversing, in writing, the great thematic provinces of his time: politics, identity, mortality, and more. Sourced from Canetti's landmark texts, including Crowds and Power, an analysis of authoritarianism and mobs; Auto-da-Fe, a darkly comic, daringly modernist novel about the fate of European literature; the famous sequence of sensory-titled memoirs, including The Tongue Set Free and The Torch in My Ear; and never-before-translated writings such as the posthumous The Book Against Death, this collection assembles its luminous shards into the fullest portrait yet of Canetti's remarkable achievement. Edited and introduced by Joshua Cohen (Book of Numbers, The Netanyahus), I Want to Keep Smashing Myself Until I Am Whole leads us from Canetti's polyglot childhood to his mature preoccupations, and his friendships and rivalries with Hermann Broch, James Joyce, Karl Kraus, Thomas Mann, Robert Musil, and others. This collection is also interspersed with aphorisms and diary entries, revealing Canetti's formal range and stylistic versatility in flashes of erudition and introspective humor. Throughout, we come to see Canetti's restless fascination with the instability of identity as one of the keys to his thought--as he reminds us, It all depends on this: with whom we confuse ourselves.

In a radically new translation and interpretation of the I Ching, David Hinton strips this ancient Chinese masterwork of the usual apparatus and discovers a deeply poetic and philosophical text. Teasing out an elegant vision of the cosmos as ever-changing yet harmonious, Hinton reveals the seed from which Chinese philosophy, poetry, and painting grew. Although it was and is widely used for divination, the I Ching is also a book of poetic philosophy, deeply valued by artists and intellectuals, and Hinton's translation restores it to its original lyrical form. Previous translations have rendered the I Ching as a divination text full of arcane language and extensive commentary. Though informative, these versions rarely hint at the work's philosophical heart, let alone its literary beauty. Here, Hinton translates only the original stratum of the text, revealing a fully formed work of literature in its own right. The result is full of wild imagery, fables, aphorisms, and stories. Acclaimed for the eloquence of his many translations of ancient Chinese poetry and philosophy, Hinton has reinvented the I Ching as an exciting contemporary text at once primal and postmodern.

Yet over the past few decades, physicists have discovered a phenomenon that operates outside the confines of space and time: nonlocality - the ability of two particles to act in harmony no matter how far apart they may be. If space isn't what we thought it was, then what is it? In Spooky Action at a Distance, the award-winning journalist George Musser sets out to answer that question. He guides us on an epic journey into the lives of experimental physicists observing particles acting in tandem, astronomers finding galaxies that look statistically identical, and cosmologists hoping to unravel the paradoxes surrounding the big bang. He traces the contentious debates over nonlocality through major discoveries and disruptions of the twentieth century and shows how scientists faced with the same undisputed experimental evidence develop wildly different explanations for that evidence. Their conclusions challenge our understanding of the origins of the universe - and they suggest a new grand unified theory of physics.

No dream is ever too big.No one thinks Idalee Lovett will ever leave her huge house with the boarded up windows and rooms for rent in smalltown Colby, North Carolina. But Idalee has big dreams, just like her mama. While Mama is on tour for the summer with her cover band, Lovey Lovett and the Junkyard Dogs, Idalee decides to hone her craft as a songwriter - since her truest wish is to hear her country western songs on the radio one day.It would make things even sweeter if she could buy the shiny blue guitar from the local music shop. Idalee doesn't have much money but she knows exactly how to get it. With the help of her new friends Odell, Howard, Charlie, and a little dog called Wishbone, Idalee searches for hidden treasure in her family house and finds herself along the way.

In this hard-hitting, witty, deeply original book, the renowned novelist Jamaica Kincaid offers an ABC of the plants that define our world and reveals the often brutal history of colonialism behind them.Kara Walker, one of America's greatest visual artists, illustrates each entry with provocative, brilliant, enthralling, multilayered watercolors.There has never been a book like An Encyclopedia of Gardening for Colored Children-inventive, surprising, and telling-about what our gardens reveal about the truth of history.

This is what dreams are made of.Every teenager in America knows eighteen-year-old Felix Song, the lead singer of the most popular boy band since One Direction. Unfortunately, Natalie Nielsen is no exception. Though she thinks of him more as an annoying rich kid from her hometown than a heartthrob.Uninterested in stardom, Natalie dreams of honouring her late dad’s legacy and making a positive impact on her beloved Deaf community by revamping her family’s run-down Deaf Centre. The issue? She has no money. When Felix's little sister's hearing loss begins to accelerate, he gives Natalie a generous job offer that would help secure the Centre’s future: but she must accompany him on tour this summer to teach him ASL.What begins as a professional arrangement soon morphs into stolen kisses and late-night rendezvous. But as their connection deepens, so do the risks - and when their relationship suddenly takes centre stage, it’s not only their hearts, but Felix’s career on the line. Amid relentless public scrutiny, contractual obligations, and meddling band members, Natalie must decide if their dreams can co-exist in the spotlight.

Alexei Ratmansky is “the most sought-after man in ballet” (The New Yorker). A former artistic director at the Bolshoi Ballet and the resident choreographer at American Ballet Theatre, and now the incoming artist in residence at New York City Ballet, Ratmansky has created magnificent works for the world’s most revered ballet companies, breathing exquisite new life into this age-old art.In The Boy from Kyiv, the first biography of this major artist, the celebrated dance critic Marina Harss recounts the exceptional life that has made Ratmansky the most respected choreographer at work today. An artist of singular vision, he is renowned above all for radically revitalising the craft of storytelling in ballet, and for daringly restaging great nineteenth-century ballets lost to time. And of late, the Ukrainian-Russian choreographer has found himself in an unexpected new role as perhaps the most vocal critic of Vladimir Putin in the quintessentially Russian ballet world. Ratmansky has vowed never to work there again so long as Putin remains in power, and much of his recent work has championed the cause of the Ukrainian people.Harss has spent the better part of two decades following Ratmansky’s illustrious and still ascending career. With The Boy from Kyiv, she delivers a riveting, deeply personal account of this miraculous rise to the peaks of artistic excellence.

The old distinctions - between natural and artificial, dystopia and utopia, science fiction and science fact - have blurred, losing all meaning. We inhabit an uncanny landscape of our own creation. From Odds Against Tomorrow to Losing Earth to the film Dark Waters (adapted from the first chapter of this book), Nathaniel Rich's stories and reporting have come to define the way we think of contemporary ecological narrative. In Second Nature, he asks what it means to live in an era of terrible responsibility. The question is no longer, How do we return to the world that we've lost? It is, What world do we want to create in its place?

At the heart of Geoff Manaugh's A Burglar's Guide to the City is an unexpected and thrilling insight: the city as seen through the eyes of robbers. From experts on both sides of the law, readers learn to understand the city as an arena of possible tunnels and picked locks and architecture itself as an obstacle to be outwitted and second-guessed. From how to pick locks (and the tools required) to how to case a bank on the edge of town, readers will learn to detect the vulnerabilities, blind spots, and unseen openings that surround us all the time. This simultaneously allows us to view the city from specific buildings and individual rooms to whole neighbourhoods through the privileged eyes of FBI investigating agents and security consultants, people dedicated both to solving and to preempting these attempts at devious entry. Full of absurd and marvelous stories of heists and capers, A Burglar's Guide to the City offers a kind of criminal X-ray of our built environment. Never again will readers enter a bank without imagining the vault geometry, or visit a museum without plotting ways to bring their favourite painting home with them.

Elsa Fisher is headed for rock bottom. At least, that's her plan. She has just been fired from MoMA on the heels of an affair with her married boss, and she retreats to Los Angeles to blow her severance package on whatever it takes to numb the pain. Her abandoned crew of college friends {childhood friend Charlotte and her wayward husband, Jared; and Elsa's ex-husband, Robby) receive her with open arms, and, thinking she's on vacation, a plan to celebrate their reunion on a booze-soaked sailing trip to Catalina Island. But Elsa doesn't want to celebrate. She is lost, lonely, and full of rage, and only wants to sink as low as the drugs and alcohol will take her. On Catalina, her determined unraveling and recklessness expose painful memories and dark desires, putting everyone in the group at risk. With the creeping menace of Patricia Highsmith and the bender-chic of Bret Easton Ellis, Liska Jacobs brings you inside the mind of an angry, reckless young woman hell-bent on destruction - every page taut with the knowledge that Elsa's path does not lead to a happy place. Catalina is a compulsive, deliciously dark exploration of beauty, love, and friendship, and the sometimes toxic desires that drive us.

When Henry Cooper sets out on his mail route on Arcadia Street one crisp spring morning, he has no idea that his world is about to change. He is simply enjoying the sunshine as he lights up a cigar and tosses the match to the ground, entirely unaware that he has just started a fire that will destroy a neighbourhood and kill a young wife. Even though the fire has been put out, it has ignited a lurking menace in an otherwise apparently peaceful suburb. In "Fellow Mortals", Dennis Mahoney depicts the fire's aftermath in the lives of its survivors. There's Henry's wife, Ava, devoted to her husband but yearning to recover a simpler time in their marriage. There's the angry neighbour, Peg, who wants Henry to pay for what he's done, no matter the cost - which ends up being grave. And then there's Sam Bailey, the sculptor who lost his wife in the fire and has retreated to the woods to carve mysterious figures out of trees. As Sam struggles to overcome his anger and loss, Henry becomes the focal point of deepening loyalties and resentments, leaving them all vulnerable to hidden dangers and reliant on the bonds that have emerged, unexpectedly, from tragedy.With sparse and handsome prose reminiscent of Raymond Carver and early Stewart O'Nan, Mahoney's probing first novel charts the fall of a man who has spent his life working to be decent and shows us a community trying desperately to hold itself together.

Stanford White was a louche man-about-town and a canny cultural entrepreneur - the creator of landmark buildings that elevated American architecture to new heights. Augustus Saint-Gaudens was the son of an immigrant shoemaker, a moody introvert, and a committed procrastinator whose painstaking work brought emotional depth to American sculpture. They met when Stan was walking down the street and heard Gus whistling Mozart in his studio. They pursued their own careers in Italy and France, then came together again in New York, where they maintained an intimate friendship and partnership that defined the art of the Gilded Age. Over the course of decades, White would help sustain his friend's troubled spirits and vouch for Saint-Gaudens when he failed to complete projects. Meanwhile, Saint-Gaudens would challenge White to take his artistic gifts seriously - and so it went amid brilliant commissions and sordid debaucheries all the way to White’s sensational murder by an enraged husband in 1906.In Stan and Gus, the acclaimed historian Henry Wiencek sets the two men’s relationship within the larger story of the American Renaissance, where millionaires’ commissions and delusions of grandeur collided with secret upper-class clubs, new aesthetic ideas, and two ambitious young men to yield work of lasting beauty.