Nathaniel Rich – författare

The Mayor's Tongue is a bold, vertiginous debut novel that unfolds in two narratives, one following a young man and the other an old man. The young man is Eugene Brentani, a devotee of the reclusive author and adventurer Constance Eakins, who goes to Trieste to find the girl he loves, who has in turn gone there herself to find Eakins. The old man is Mr. Schmitz, whose wife is dying, and who longs to confide in his dear friend Rutherford. But Rutherford has disappeared, and his letters, postmarked from Italy, become more and more ominous as the weeks pass.From a young writer of exceptional promise, this exhilarating novel is a meditation on the frustrations of love, the madness of mayors, the failings of language and the transformative powers of storytelling.

The old distinctions - between natural and artificial, dystopia and utopia, science fiction and science fact - have blurred, losing all meaning. We inhabit an uncanny landscape of our own creation. From Odds Against Tomorrow to Losing Earth to the film Dark Waters (adapted from the first chapter of this book), Nathaniel Rich's stories and reporting have come to define the way we think of contemporary ecological narrative. In Second Nature, he asks what it means to live in an era of terrible responsibility. The question is no longer, How do we return to the world that we've lost? It is, What world do we want to create in its place?

New York City, the near future: Mitchell Zukor works on the cutting edge of corporate irresponsibility, and business is booming. A gifted mathematician, he spends his days in Manhattan calculating worst-case scenarios for FutureWorld, a consulting firm that indemnifies corporations against potential disasters. As Mitchell immerses himself in the mathematics of catastrophe, he exchanges letters with Elsa Bruner - a college crush with an apocalyptic secret of her own - and becomes obsessed by a culture's fears. When his predictions culminate in a nightmarish crescendo, Mitchell realizes he is uniquely prepared to profit from the disaster. But at what cost?

From one of the most inventive writers of his generation, King Zeno is a historical crime novel and a searching inquiry into man’s dreams of immortality. New Orleans, a century ago: a city determined to reshape its destiny and, with it, the nation’s. Downtown, a new American music is born. In Storyville, prostitution is outlawed and the police retake the streets with maximum violence. In the Ninth Ward, laborers break ground on a gigantic canal that will split the city, a work of staggering human ingenuity intended to restore New Orleans’s faded mercantile glory. The war is ending and a prosperous new age dawns. But everything is thrown into chaos by a series of murders committed by an ax-wielding maniac with a peculiar taste in music. The ax murders scramble the fates of three people from different corners of town. Detective William Bastrop is an army veteran haunted by an act of wartime cowardice, recklessly bent on redemption. Isadore Zeno is a jazz cornetist with a dangerous side hustle. Beatrice Vizzini is the widow of a crime boss who yearns to take the family business straight. Each nurtures private dreams of worldly glory and eternal life, their ambitions carrying them into dark territories of obsession, paranoia, and madness. In New Orleans, a city built on swamp, nothing stays buried long.

‘Nathaniel Rich’s account starts in Washington in the 1990s and tells the story of how climate change could have been stopped back then, if only the powerful had acted. But they didn’t want to.’ – Observer By 1979, we knew all that we know now about the science of climate change – what was happening, why it was happening, and how to stop it. Over the next ten years, we had the very real opportunity to stop it. Obviously, we failed. Nathaniel Rich tells the essential story of why and how, thanks to the actions of politicians and businessmen, that failure came about. It is crucial to an understanding of where we are today. ‘The excellent and appalling Losing Earth by Nathaniel Rich describes how close we came in the 70s to dealing with the causes of global warming and how US big business and Reaganite politicians in the 80s ensured it didn’t happen. Read it.’ – John Simpson ‘An eloquent science history, and an urgent eleventh-hour call to save what can be saved.’ – Nature ‘To change the future, we must first understand our past, and Losing Earth is a crucial part of that when it comes to the environmental battles we’re facing.’– Stylist

New Orleans, 1918. The birth of jazz, the Spanish flu, an axe murderer on the loose. The lives of a traumatized cop, a conflicted Mafia matriarch, and a brilliant trumpeter converge. In Nathaniel Rich's King Zeno, the Crescent City gets the rich, dark, sweeping novel it so deserves.New Orleans, a century ago: a city determined to reshape its destiny and, with it, the nation’s. Downtown, a new American music is born. In Storyville, prostitution is outlawed and the police retake the streets with maximum violence. In the Ninth Ward, laborers break ground on a gigantic canal that will split the city, a work of staggering human ingenuity intended to restore New Orleans’s faded mercantile glory. The war is ending and a prosperous new age dawns. But everything is thrown into chaos by a series of murders committed by an axe-wielding maniac with a peculiar taste in music.The axe murders scramble the fates of three people from different corners of town. Detective William Bastrop is an army veteran haunted by an act of wartime cowardice, recklessly bent on redemption. Isadore Zeno is a jazz cornetist with a dangerous side hustle. Beatrice Vizzini is the widow of a crime boss who yearns to take the family business straight. Each nurtures private dreams of worldly glory and eternal life, their ambitions carrying them into dark territories of obsession, paranoia, and madness.In New Orleans, a city built on swamp, nothing stays buried long.