Anthony Thwaite – författare

Poetry remains a living part of the culture of Japan today. The clichés of everyday speech are often to be traced to famous ancient poems, and the traditional forms of poetry are widely known and loved. The congenial attitude comes from a poetical history of about a millennium and a half. This classic collection of verse therefore contains poetry from the earliest, primitive period, through the Nara, Heian, Kamakura, Muromachi and Edo periods, ending with modern poetry from 1868 onwards, including the rising poets Tamura Ryuichi and Tanikawa Shuntaro.

R. S. Thomas was a major figure in the landscape of contemporary poetry - attested by his Nobel Prize for Literature nomination. His poetry, coloured by personal experience of rural Wales, is stark but passionate.

The enormous popular appeal of Philip Larkin's poetry has long been established; but oddly little is known to his admiring public about the personality behind the work.The Selected Letters will change this, throwing light on a more complex, and in many ways more remarkable, figure than most readers will be expecting. Whether addressing his literary friends - who included Barbara Pym, Kingsley Amis and John Betjeman - or those less prominently placed, Larkin shows himself to have been one of the frankest and most generously entertaining letter-writers of the century.Confessions, jokes, advice, scurrilities, pronouncements on literature and jazz, impromptu verses published here for the first time, gossip and wisdom abound in these pages. They give an astonishing view of a great poet's progress from brash youth to rueful age, and, in complementing the poems, provide a biographical document that no serious reader can afford to ignore.

Philip Larkin's Required Writing, a selection from his miscellaneous prose from 1953-82, was highly praised and enjoyed when it appeared in 1983. Further Requirements gathers together many other interviews, broadcasts, statements and reviews. Some of them date from the period after he had chosen the contents of Required Writing; others come from obscure publications, including some early pieces. This second edition of Further Requirements includes two more essays by Larkin: 'Operation Manuscript' and his Introduction to Earth Memories by Llewelyn Powys.

Since its publication in 1988, Philip Larkin's Collected Poems has become essential reading on any poetry bookshelf. This new edition returns to Larkin's own deliberate ordering of his poems, presenting, in their original sequence, his four published books: The North Ship, The Less Deceived, The Whitsun Weddings and High Windows. It also includes an appendix of poems that Larkin published in other places, from his juvenilia to his final years - some of which might have appeared in a late book, if he had lived. Preserving everything that he published in his lifetime, this new Collected Poems returns the reader to the book Larkin might have intended: it is, for the first time, Larkin's 'own' collected poems.

Philip Larkin met Monica Jones at University College Leicester in autumn 1946, when they were both twenty-four; he was the newly-appointed assistant librarian and she was an English lecturer. In 1950 Larkin moved to Belfast, and thence to Hull, while Monica remained in Leicester, becoming by turns his correspondent, lover and closest confidante, in a relationship which lasted over forty years until the poet's death in 1985.This remarkable unpublished correspondence only came to light after Monica Jones's death in 2001, and consists of nearly two thousand letters, postcards and telegrams, which chronicle - day by day, sometimes hour by hour - every aspect of Larkin's life and the convolutions of their relationship.

Philip Larkin (1922-1985) was the best-loved poet of his generation, and the recipient of innumerable honours, including the Queen's Gold Medal for Poetry, and the W H Smith Award.In Larkin at Sixty, a tribute to him on his sixtieth birthday, twenty writers came together to celebrate the man and the poet with specially written pieces. Some of them are reminiscences, some look at aspects of his professional life as librarian, some consider his taste as it revealed itself in his writings on jazz and in his editing of the Oxford Book of Twentieth Century English Verse. The relationship between his novels and his poems is examined, and several essays explore the poems themselves. Three poets contribute hitherto unpublished poems. Together, all these illuminate with affection and insight the work, the man behind the work, and the appeal of both.The editor, Anthony Thwaite, edited Larkin's Collected Poems, Selected Letters and Further Requirements, and became one of Larkin's chosen literary executors

This is the most authoritative and up to date survey of contemporary British poetry 1960-1995. It is the third version but second edition published by Longman of a successful survey that first appeared 30 years ago, and provides a succinct and accessible overview of British poets, movements and themes, ideal for English courses and the general reader alike.

This is the most authoritative and up to date survey of contemporary British poetry 1960-1995. It is the third version but second edition published by Longman of a successful survey that first appeared 30 years ago, and provides a succinct and accessible overview of British poets, movements and themes, ideal for English courses and the general reader alike.

Anthony Thwaite (1930–2021) was one of the most formidable voices in postwar English letters. Deeply esteemed by fellow poets and critics for his original and technically controlled poetry, Thwaite composed in traditional forms, with orderly stanzas, rhyme schemes, and metrical lines that scan. His voice was highly personal, cautiously intimate, and often witty, and he wrote with a gratifying clarity and freedom from abstraction, making him among the most accessible of modern poets. At the Garden's Dark Edge is a collection of a hundred of Thwaite's poems, selected from a span of more than sixty years, exploring his major themes and recurring topics—among them, the consolations of domestic life, the pleasures of language and creativity, and the many humans and other animals in his life. He was inspired by travel and life abroad—most notably Libya, Japan, and the American South—and his poems deeply engage the individuals and cultures he encountered. A lifelong archaeologist, Thwaite also explored the ruins of the past and what we may recover by exploring it. Intriguingly, his work also faces life's most vexing questions from the perspective of a serious Christian faith.This volume contains several poems that have never been reprinted or collected, and one that has never before been published. By making his work more accessible than ever before, At the Garden's Dark Edge aims to introduce Anthony Thwaite to a new generation of readers and preserve his legacy for future generations. A preface by playwright and novelist Michael Frayn accompanies an editor's introduction.

Anthony Thwaite's new collection is both moving and funny, elegiac and playful. The personal poems span a life-time as Thwaite relives moments of childhood, or reassesses his role as son to a dying mother, or gets told how to behave by his grandson. Elsewhere he laments his old cat and conjures up a Sumerian Anthology of poets. The principal concern of the collection is what lasts and what vanishes: dreams, memories, people and objects. In this quest, he takes us with him to Italy, Siberia and Syria, and is haunted by the mystery of places 'where there are no words'. It is, however, the very craft of his finely wrought poetry and its sudden moments of sheer beauty which make palpable for the reader 'the shape of the invisible soul'.

Anthony Thwaite's "Collected Poems", issued in his seventy-seventh year, give readers a fresh opportunity to explore the sixteen collections he has published since his debut in the "Fantasy Poets" series in 1953. Although his roots are in the Movement, he has developed a recognisably personal style - once described as 'cunningly modulated eloquence' - and a range of concerns which have defined his poetry from the beginning: memory, history, archaeology, travel (he has lived in Japan and Libya, writing of them with subtlety and affection), the complexity of relationships, and now the frustrations of advancing years. Through his own voice and those he has delicately adopted (most memorably in "The Letters of Synesius" and "Victorian Voices"), he has made a significant contribution to the literature of the last half-century, elegantly and perceptively setting the curiosities of the present against the complexities of the past.