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The Way to Walk is a collection of early Hasidic instructions for living a proper moral and spiritual life.  These were written for an emerging new spiritual elite among the followers of R. Yisra’el Ba‘al Shem Tov, composed in the two decades following his death in 1760.  Hasidism was not yet a popular movement: it began rather as a small community of those seeking a more intense spiritual path than could be expected of the general public. These are the key documents that defined that path, one that was to lead toward devekut, or intimate attachment to God.

Osip Mandelstam (1891-1938) is widely regarded as one of the twentieth century's most influential poets. This collection, compiled, translated, and edited by poet and scholar Ian Probstein, provides Anglophone audiences with a powerful selection of Mandelstam's most beloved and haunting poems. Both scholars and general readers will gain a deeper understanding of his poetics, as Probstein situates each poem in its historical and literary context. The English translations presented here are so deeply immersed in the Russian sources and language through the ear of a Russian-born Probstein who has spent most of his adult life in the US, that they provide reader's with a Mandelstam unseen any translations that precede it.

Lessons of history are often referred to in public discourse, but seldom in scholarly discussions. This book seeks to change this by introducing an innovative analytical model of historical lessons, starting from the basic three-fold perspective that everyone simultaneously is history, shares history, and makes history. Not all history, however, is useful for extracting lessons. Here, what are called borderline historical events, which demonstrate both time-specific and time-transcending qualities, are suggested as useful didactic material. Scholarly works on the Holocaust and Soviet terror, from Raul Hilberg’s and Robert Conquest’s classical works of the 1960s, to more recent books by Jan Gross and Timothy Snyder, are analyzed to identify lessons of history, and how they have changed during a full half-century.

In today’s America, a disturbing surge in anti-Semitism is making alarming inroads into the national mainstream. This book explores the many factors fueling this hostility while also questioning why the American Jewish community has been largely reticent in its response. The author offers a fresh perspective by linking this reticence to the psychological challenges faced by minority groups under constant attack, showing how these pressures have led to historically ineffective responses.Drawing on historical research and psychological analysis, the work highlights a recurring pattern of vulnerability within the Jewish Diaspora and suggests new ways to build a more proactive and resilient community. Whether you’re an academic, a community leader, or simply someone who cares about social justice, this book provides an essential look at how anti-Semitism takes root and points the way forward for a stronger collective response.

In fin-de-siècle and early revolutionary Russia, a group of self-educated workers produced a large body of poetry and prose in which they attempted to comprehend their rapidly changing world. Witnesses to wars and revolution, these men and women grappled on paper with the nature of civilization and the imperatives of ethical truth. In a strikingly original approach to Russian culture, Mark D. Steinberg listens to their words, which are little known today. The results of their literary creativity, he finds, were frequently not what the new Soviet order was expecting from its workers, despite its celebration of the notion of a proletarian art.

A Ukrainian journalist ends each day “scorched by another person’s grief.” A schoolgirl in Croatia cherishes her Barbie and learns to dread air raid sirens more than her geometry homework. A poet imagines the spiritual life of a fish who escapes the hook. An exiled artist recreates her homeland in the shape of a bird. The writers assembled in this volume dream and document and remember, they translate one another’s work and meditate on fragility and resilience in the face of nihilism and obliteration. The collection gathers poems, essays, and stories written and translated in nine languages, reflecting an ongoing effort to communicate and understand across cultures.Both Sides Face East – Durable Words began as a response to the invasion of Ukraine, but stakes a wider claim on behalf of human value and integrity.

A comprehensive, readable history of the Republic of Turkey that gives equal weight to all periods in the first century of the Republic of Turkey.The republican order of Turkey seems not to have changed much since its foundation in 1923, but there were dramatic transformations: From Atatürk’s modernization dictatorship in the 1920s and 1930s, over the massive migration into the cities and the military coups in the second half of the twentieth century, up to Recep Tayyip Erdoğans electoral autocracy since the 2010s. This book makes us understand Turkey’s historical trajectory in the nineteenth and twentieth centuries and the fate of its various communities and ethnic groups—in particular Alevis and Kurds—and argues that a particular trait of Turkish political culture is its constant fluctuation between confidence and contention, grandeur and grievance.

This volume presents the first comprehensive annotated edition of Chekhov's earliest stories in English. Translated as part of a unique project involving 85 volunteers from 9 countries, the 58 stories were all written between 1880 and 1882, when Chekhov was in his early twenties, and still at medical school. They make up volume 1 of the 10 volumes of short stories in the authoritative thirty-volume Academy of Sciences edition of Chekhov’s Complete Collected Works, and have been arranged in chronological order. Ranging from comic tales, hilarious skits, literary parodies, outrageous pot-boilers and poignant novellas, the stories are all aimed at a wide audience, and offer a revealing window into the unknown early chapter of Chekhov's life and literary career.

Amid ethnic violence, political corruption, and petty professionalintrigue, an artist tries to live free of lies.Set during the last years of the Soviet Union, StoneDreams tells the story of Azerbaijani actor Sadai Sadygly, who landsin a Baku hospital while trying to protect an elderly Armenian man from a gangof young Azerbaijanis. Something of a modern-day Don Quixote, Sadai has longbattled the hatred and corruption he observes in contemporary Azerbaijanisociety. Wandering in and out of consciousness, he revisits his hometown, theancient village of Aylis, where Christian Armenians and Muslim Azeris oncelived peacefully together, and dreams of making a pilgrimage of atonement toArmenia. Stone Dreams is a searing, painful meditation onthe ability of art and artists—of individual human beings—to make change in theworld.

Bone China, or Letters Not about Love is an unconventional murder mystery that blends suspense with lyrical storytelling. Its protagonist Mila Freeman is recovering from a broken leg when she receives the news that her old friend—an artist and human rights activist—has been found dead under suspicious circumstances. The death is officially ruled a suicide, but the truth lingers unresolved, seeping into Mila’s world despite her friends’ vow to avoid the subject.What unfolds is a witty and haunting meditation on exile, nostalgia, fractured bodies, and lost loves. Through digressive folktales, etymologies, and a chorus of emails woven into the narrative, Bone China explores the tension between silence and revelation, grief and resilience, intimacy and estrangement.A genre-defying novel, it invites readers into a mystery that is as much about memory and identity as it is about uncovering a death. With sharp wit and emotional depth, Bone China is perfect for readers who crave literary fiction that pushes boundaries while keeping them enthralled by the puzzle at its core.

This memoir is about a Jewish baby born in the Krakow ghetto in November 1942, three years after Hitler conquered Poland, and, remarkably, escaping death—one of a mere one half of one percent of Jewish children in Poland who survived during the Nazi era. Her life was saved because her parents hid her with a Catholic family. Just as remarkably, her mother, still alive after suffering terribly through four of Hitler’s camps, traveled for weeks back to Poland and found her again. The book also depicts the author’s postwar challenges in Germany and America.

Discover a hidden masterpiece from one of history’s greatest writers—now available in its most complete and accessible form. Leo Tolstoy’s Writings for Young Children brings to light Leo Tolstoy’s revolutionary contributions to childhood literacy, a project he considered one of his most significant achievements. Between War and Peace and Anna Karenina, Tolstoy dedicated himself to the cause of education, opening a school on his Yasnaya Polyana estate and developing an innovative approach to teaching literacy. His carefully crafted collection of stories, fables, and historical lessons—designed to engage young minds—became a cornerstone of Russian primary education for decades. For the first time, this volume presents a complete, annotated translation of all 300 stories from Tolstoy's New ABC Book and four Primers for Reading faithfully preserving his original vision.A must-have for scholars of Russian literature, educators, parents, and history enthusiasts, Leo Tolstoy’s Writings for Young Children offers a rare glimpse into the mind of a literary giant as he sought to transform the way children learn to read. Whether you are a student of Tolstoy’s works or a champion of literacy, this essential volume belongs on your bookshelf.

Osip Mandelstam (1891-1938) is widely regarded as one of the twentieth century's most influential poets. This collection, compiled, translated, and edited by poet and scholar Ian Probstein, provides Anglophone audiences with a powerful selection of Mandelstam's most beloved and haunting poems. Both scholars and general readers will gain a deeper understanding of his poetics, as Probstein situates each poem in its historical and literary context. The English translations presented here are so deeply immersed in the Russian sources and language through the ear of a Russian-born Probstein who has spent most of his adult life in the US, that they provide reader's with a Mandelstam unseen any translations that precede it.

Set in nineteenth century Mongolia, under the sway of the Manchu Qing Emperor in Beijing, G.Mend-Ooyo’s novel tells the story of the outlaw Tooroibandi, who is charged by the mysterious Mountain Sage with discovering the fate of the Solitary Tree, which has stood for generations in the Ongon Sands before recently being destroyed by fire. Tooroibandi’s quest is complicated  by an arrogant local official, and enriched by his meeting with Sharmaani, who becomes his wife. All the while he works with his band of fellow outlaws, the Good Men of Shil, to return resources to the local people which had been stolen from them by the authorities. Up above, the action is observed silently by a pair of falcons, who live out their lives distinct from, but always engaged with, the lives of the humans beneath them.

The Buryats are a Mongolian population in Siberian Russia, the largest indigenous minority. The Socialist Way of Life in Siberia presents the dramatic transformation in their everyday lives during the late twentieth century: challenges the common notion that the process of modernization during the later Soviet period created a Buryat national assertiveness rather than assimilation or support for the state.

ENG:What would it take to make urban places greener, more affordable, more equitable, and healthier for everyone? In recent years, cities have stepped up efforts to address climate and sustainability crises. But progress has not been fast enough or gone deep enough. If communities are to thrive in the future, we need to quickly imagine and implement an entirely new approach to urban development: one that is centered on equity and rethinks social, political, and economic systems as well as urban designs. With attention to this need for structural change, Reimagining Sustainable Cities advocates for a community-informed model of racially, economically, and socially just cities and regions. The book aims to rethink urban sustainability for a new era.In Reimagining Sustainable Cities, Stephen M. Wheeler and Christina D. Rosan ask big-picture questions of interest to readers worldwide: How do we get to carbon neutrality? How do we adapt to a climate-changed world? How can we create affordable, inclusive, and equitable cities? While many books dwell on the analysis of problems, Reimagining Sustainable Cities prioritizes solutions-oriented thinking—surveying historical trends, providing examples of constructive action worldwide, and outlining alternative problem-solving strategies. Wheeler and Rosan use a social ecology lens and draw perspectives from multiple disciplines. Positive, readable, and constructive in tone, Reimagining Sustainable Cities identifies actions ranging from urban design to institutional restructuring that can bring about fundamental change and prepare us for the challenges ahead."RUS:Что нужно сделать, чтобы городские районы стали более зелеными, доступными и благоприятными для жизни? Необходимо разработать и внедрить совершенно новый подход к городскому развитию, в основе которого лежат принципы равенства и переосмысление социальных, политических и экономических систем, а так-же городского дизайна.В книге «Переосмысление устойчивых городов» Стивен М. Уилер и Кристина Д. Розан поднимают масштабные вопросы, интересующие читателей по всему миру. Как нам достичь углеродной нейтральности? Как адаптироваться к изменившемуся климату? Как создать доступные, инклюзивные города, которые учитывают интересы всех жителей?В то время как многие другие книги посвящены анализу проблем, «Переосмысление устойчивых городов» отдает приоритет мышлению, ориентированному на решения: исследованию исторических тенденций, примеров эффективных действий и изложению альтернативных стратегий. В позитивном и конструктивном ключе в книге рассмотрены этапы развития — от городского дизайна до институциональной перестройки, способной привести к фундаментальным изменениям и подготовить общество к предстоящим вызовам.

A stranger with a magical fife promises to rid the rat-infested town of Hamelin of its vermin for the sum of one hundred Rhine ducats. Viktor Dyk’s rendition of the medieval Saxon legend of the pied piper masterfully blends lyrical prose with early twentieth century modernism, and has held its own among works of Eastern European literature for over a hundred years. Now this Czech classic is introduced in English translation for the first time.

The Sound of the Sundial is the internationally acclaimed novel by Czech author Hana Andronikova, told over the course of a single day and night, but spanning three continents and much of the twentieth century. In this intimate and affecting love story about a German-Czech builder and his Jewish wife, Andronikova sends her readers on a captivating journey through time and memory, from the Czech town of Zlín in the 1920s to Calcutta in the 1930s, Theresienstadt and Auschwitz during World War II, Toronto in the decades afterward, and finally into modern-day Denver, Colorado. It is at once a deeply personal narrative and an homage to the lost relationship of the Czech, German, and Jewish peoples. In 2002, The Sound of the Sundial received the Czech Republic's prestigious Magnesia Litera Award in the category of Best New Discovery, just a few years before its author died of cancer at the age of 44. It is making its world premiere appearance in English here.

Romania's Floarea uuianu is a fiercely sensual poet and visual artist, known for her provocative playfulness with words and images.The 2007 recipient of the Lucian Blaga International Poetry Festival Prize, she is the only woman to be included in Bucharest's definitive anthology of contemporary poets, Manualul de literature. In Romania, she has published six books of poetry, and her words and images have traveled the world. Now, for the first time in the United States, her poems-masterfully translated by Adam L. Sorkin and Irma Giannetti-are gathered in this book, some with their original counterparts, paired with arresting photo plates wrought by the artist herself. Strange, ferocious, and lovely, her images and words leave a lingering echo.

A Glance into Ilja Kostovski’s Selected PoetryIt is a slightly smirking smile that accompanies the voice calling on Muses in Ilja Kostovski’s epic poetry and final book, Sisiphus and I. In this seminal production of the poet’s work, an eager, if slightly sarcastic, voice cries out from the woodpile of modernity:Don’t tarryYou envious GodThis minute I will goInto the deep forestsAnd will chop for youFirewood in piles.As for Kostovski’s readers, they are the “connoisseurs of sorrow,” the “suicide…leaning on the railings of bridges,” the “self-despisers,” for he is a poet of the lone wolves, the melancholy wanderer we read about in Blake and imagine among the happy crowds at Coney Island in the 1920s, or among the tripping multitudes of Haight Ashbury in the 1960s, or in the city where he made his last residence, the throngs of the upright and enraged of Washington, D.C.Kostovski’s verse is prayer to a God who is or is not there, a nearly desperate, repeating “Come unto me.” It is not merely exhortation to the deity. He invokes, too, the gathering crowds of the lost and broken-hearted, as though the divine could only be conjured by those numbers, or as if the dead God of Nietzsche could be resurrected by a hoard whose suffering is the very thing that binds them. In that case, instead of a savior, the hero of these poems is a common wound: “Come unto me those/Who have turned your roads/Into hazardous games.” The language is straight out of the book of Micah (whose own anaphoric language begins each chapter with “Hear”), an Old Testament prophet no one believes, but the language pops with contemporary hideousness: “Come, candidates for oval offices/ Come, candidates for electric chairs.”In what is perhaps the most powerful poem in the collection, “Sermon at the Washington Monument,” Kostovski the poet recalls his association with Ferlinghetti, who “Told me once/The Anglo-Saxons speak the truth/with half-closed mouths...” From a formal angle, the collection Sisyphus and I is Kostovski’s open-mouthed song to a universe that may or may not be listening. Like the fledgling with mouth turned upward, Kostovski’s poetry is both artistic hallelujah and hungry yawp, whose overarching tone is a kind of “gallows praise”: “I hear America is not singing anymore/All songs are dead/And you are the executioner…/Have you ever known Francois Villion/ Who multiplied his life on the gallows?” The poet calls on writers to awaken—rather like Micah, standing on his street corner—if not to save anything, then to attend it as it passes, flares out, at the height of its beauty.Kostovski, born in the Macedonian province of Greece, is the author of Dostoevsky and Goethe: Two Devils, Two Geniuses. Like his poetry, his scholarship sought out the insight of the outsider, as he himself carried the burden of his generation through exile during Communist overthrows, until he settled in Washington, D.C. The prophetic insight is this: a monument does not memorialize a country, but rather a misinterpreted ideal. The best remembrances are those that serve a human purpose. And the best invitation to the gods, in Kostovski’s reckoning at least, is to chop some firewood, good for burning. This is a poet whose voice at once harkens back to the Tanakh while it recalls the beatniks of San Francisco, the homeless, and the insidious white power structures and silent mausoleums of Washington D.C. We are reminded in these pages that life is to be sung open-mouthed, if at all.

Farewell and a Handkerchief-Poems from the Road is a collection that reflects on the month-long travels of Czech poet Vít?zslav Nezval through Vienna, Paris, southern France, and Italy. During this journey, on May 9, 1933, Nezval had a chance encounter with two of the surrealist movement’s most influential poets-André Breton and Paul Éluard-while sitting at the Cardinal Café on the Grands Boulevards in Paris, a meeting that proved transformative. After returning home, Nezval helped found the Czech Surrealist Group, along with Karel Teige, Jind?ich Stýrský, and Toyen. It became the only official group of its kind outside of France.

In his novel The Eighth Wonder of the World, Plevnes takes his dark sense of humor and undeniable wit on a search for a common ground in an uncommon world. His protagonist Alexander Simsar, during the last 3.3 seconds of his life in Berlin in 1989 (weeks before the fall of Berlin Wall), envisions the creation of a monument-an eighth wonder of the world-that would embrace humanity in all its layers and countenances. In this absurdist novel, Plevnes invents a utopia that unites many of the differences in the world: Christianity, Islam, Judaism, Buddhism, and even Satanism.The Eighth Wonder of the World is yet another of Jordan Plevnes's parables of hope. His preoccupation with the role of beauty in the context of social, religious, and cultural differences is front and center, as is his central question: Does humanism have a prospect of survival in the future of humankind? Plevnes suggests that survival and idealism can be found in beauty and art -and that only beauty and art have the power to save the world.

Miniatures is a collection of short poems by Carsten Rene Nielsen accompanied by illustrations from Mette Norrie that meet at the crossroads of the seen and unseen, blending whimsy and absurdity into a sequence of brief, wonder-driven experiences. Drawing from the 20th century European legacies of Max Jacob, Jean Arp, and Benjamin Peret, and the later American poetry of Charles Simic and Mark Strand, Nielsen invites readers into strange yet strangely familiar spaces-where trees grow from cracked plates, readers use hand mirrors instead of magnifying glasses, and snow has been assigned its own ministry. Mastering spare yet highly controlled language, Keplinger's translation preserves the lyricism of the original, allowing each poem to stand alone while collectively creating a fragmented, surreal vision of reality. Each miniature is a poetic fragment, often only a few lines long, but rich in metaphor and suggestion. Some pieces read like parables infused with satire and humor, while others resemble dreams. Mette Norrie's illustrations naturally extend the book's visual and perceptual scope, enlarging the reader's grasp of what is real, where it encounters what is imaginable.

For centuries, fervently observant Jewish communities have produced thousands of works of Jewish law, thought, and spirituality. But in recent decades, the literature of America’s Haredi [ultra-Orthodox] community has taken on brand-new forms: selfhelp books, cookbooks, monthly magazines, parenting guides, biographies, picture books, even adventure stories and spy novels— all produced by Haredi men and women, for the Haredi readership. What’s changed? Why did these works appear, and what do they mean to the community that produces and consumes them? How has the Haredi world, as it seeks fidelity to unchanging tradition, so radically changed what it writes and what it reads? In answering these questions, Strictly Kosher Reading points to a central paradox in contemporary Haredi life. Haredi Jewry sets itself apart, claiming to reject modern secular culture as dangerous and threatening to everything Torah stands for. But in practice, Haredi popular literature reveals a community thoroughly embedded in contemporary values. Popular literature plays a critical role in helping Haredi Jews to understand themselves as different, even as it shows them to be very much the same.

This groundbreaking book was among the most important of those that presented the teachings of Maimonides, as represented by his many published works, as a unified whole, thus bringing about a renaissance in the study of this seminal scholar. The author, the Reverend Abraham Cohen, states in his original introduction that “the spirit which animated [Maimonides’] mind and pervades his writings is as much needed now as ever before.” Academic Studies Press is proud to make this important work once again available in printed form.

Asher Ginsberg (1856-1927), also known as Ahad Ha-Am, was a prominent pre-state Zionist thinker and considered the founder of Cultural Zionism, fighting for what he described as “a Jewish state and not merely a state of Jews.” This 1912 collection of essays, translated by Leon Simon, expresses his philosophy and beliefs on Zionism and other Jewish topics, helping the reader build an understanding of Ahad Ha-Am and his era.

Throughout history, Judaism has been under attack by other religions, attacks which strengthened the identification of the group as a whole. Modern challenges, however, are coming from different directions, and are producing different results. Jewish identification is declining at the same time as more and more Jewish groups to identify with are rising. Rather than being a disaster, Kaplan argues that the multiplicity of threads in Jewish life today represents the process of a radical transformation “nothing less than metamorphosis.” It is in this way that Judaism is creating its own future, the greater Judaism in the making.

Winner of the 2012 Helen and Stan Vine Canadian Jewish Book Award in Holocaust Literature. A survivor of concentration camps and the Death March, Eli Pfefferkorn looks back on his Holocaust and post-Holocaust experiences to compare patterns of human behavior in extremis with those of ordinary life. What he finds is that the concentration camp Muselmann, who has lost his hunger for life and is thus shunned by his fellow inmates on the soup line, bears an eerie resemblance to an office employee who has fallen from grace and whose coworkers avoid spending time with him at the water cooler. Though the circumstances are unfathomably far apart, the human response to their situations is triggered by self-preservation rather than by calculated evil. By juxtaposing these two separate worlds, Pfefferkorn demonstrates that ultimately the human condition has not changed significantly since Cain slew Abel and the Athenians sentenced Socrates.