Osip Mandelstam – författare

År 1933, mitt under svälten pa Krimhalvön, bestämmer sig den ryske poeten Osip Mandelstam för att skriva en längre essä om Dante, den poet som han i åratal innerligt läst och som tycks stå honom närmre än de samtida kollegorna. Hans Samtal om Dante är inte bara ett vittnesmål om litteraturens kraft utan också en klassiker i Dantelitteraturen. Här presenteras den tillsammans med Ralph Dutlis Dantes sånger (2017). Dutli har översatt Mandelstam till tyska och är ansvarig för en utgåva av hans samlade verk. Dutli har dessutom skrivit en biografi och oräkneliga texter om Mandelstam.

Osip Mandelstam (1891-1938) is widely regarded as one of the twentieth century's most influential poets. This collection, compiled, translated, and edited by poet and scholar Ian Probstein, provides Anglophone audiences with a powerful selection of Mandelstam's most beloved and haunting poems. Both scholars and general readers will gain a deeper understanding of his poetics, as Probstein situates each poem in its historical and literary context. The English translations presented here are so deeply immersed in the Russian sources and language through the ear of a Russian-born Probstein who has spent most of his adult life in the US, that they provide reader's with a Mandelstam unseen any translations that precede it.

“Invaluable. . . . [What] comes across in these translations is the verve and immediacy of the poems’ occasions.”—Seamus HeaneyA groundbreaking translation of the brilliant first book by one of the twentieth century’s most important poetsStone—Osip Mandelstam’s 1913 debut—marked the arrival of perhaps the greatest Russian poet of the twentieth century, one whose refusal to bow to Soviet political and artistic dictates led to his persecution and eventual death in one of Stalin’s prison camps. Mandelstam spent his early years in St. Petersburg, and many of the poems in Stone depict the city’s vast squares, classical buildings, and Dutch canals. Other poems reflect his hunger for Western European culture, his commitment to humanistic values, and his ambition to become a master of the Russian language. This bilingual edition is based on the final version of Stone, published in 1928, and features a biographical and critical introduction and detailed annotations.

';Invaluable. . . . [What] comes across in these translations is the verve and immediacy of the poems' occasions.'Seamus HeaneyA groundbreaking translation of the brilliant first book by one of the twentieth century's most important poetsStoneOsip Mandelstam's 1913 debutmarked the arrival of perhaps the greatest Russian poet of the twentieth century, one whose refusal to bow to Soviet political and artistic dictates led to his persecution and eventual death in one of Stalin's prison camps. Mandelstam spent his early years in St. Petersburg, and many of the poems in Stone depict the city's vast squares, classical buildings, and Dutch canals. Other poems reflect his hunger for Western European culture, his commitment to humanistic values, and his ambition to become a master of the Russian language. This bilingual edition is based on the final version of Stone, published in 1928, and features a biographical and critical introduction and detailed annotations.

';Invaluable. . . . [What] comes across in these translations is the verve and immediacy of the poems' occasions.'Seamus HeaneyA groundbreaking translation of the brilliant first book by one of the twentieth century's most important poetsStoneOsip Mandelstam's 1913 debutmarked the arrival of perhaps the greatest Russian poet of the twentieth century, one whose refusal to bow to Soviet political and artistic dictates led to his persecution and eventual death in one of Stalin's prison camps. Mandelstam spent his early years in St. Petersburg, and many of the poems in Stone depict the city's vast squares, classical buildings, and Dutch canals. Other poems reflect his hunger for Western European culture, his commitment to humanistic values, and his ambition to become a master of the Russian language. This bilingual edition is based on the final version of Stone, published in 1928, and features a biographical and critical introduction and detailed annotations.

“Invaluable. . . . [What] comes across in these translations is the verve and immediacy of the poems’ occasions.”—Seamus HeaneyA groundbreaking translation of the brilliant first book by one of the twentieth century’s most important poetsStone—Osip Mandelstam’s 1913 debut—marked the arrival of perhaps the greatest Russian poet of the twentieth century, one whose refusal to bow to Soviet political and artistic dictates led to his persecution and eventual death in one of Stalin’s prison camps. Mandelstam spent his early years in St. Petersburg, and many of the poems in Stone depict the city’s vast squares, classical buildings, and Dutch canals. Other poems reflect his hunger for Western European culture, his commitment to humanistic values, and his ambition to become a master of the Russian language. This bilingual edition is based on the final version of Stone, published in 1928, and features a biographical and critical introduction and detailed annotations.

“Invaluable. . . . [What] comes across in these translations is the verve and immediacy of the poems’ occasions.”—Seamus HeaneyA groundbreaking translation of the brilliant first book by one of the twentieth century’s most important poetsStone—Osip Mandelstam’s 1913 debut—marked the arrival of perhaps the greatest Russian poet of the twentieth century, one whose refusal to bow to Soviet political and artistic dictates led to his persecution and eventual death in one of Stalin’s prison camps. Mandelstam spent his early years in St. Petersburg, and many of the poems in Stone depict the city’s vast squares, classical buildings, and Dutch canals. Other poems reflect his hunger for Western European culture, his commitment to humanistic values, and his ambition to become a master of the Russian language. This bilingual edition is based on the final version of Stone, published in 1928, and features a biographical and critical introduction and detailed annotations.

Collected prose works by one of Russla's towering literary figures; Osip Mandelstam has in recent years come to be seen as a central figure in European modernism. Though known primarily as a poet, Mandelstam worked in many styles: autobiography, short story, travel writing, and polemic. Mandelstam's biographer, Clarence Brown, presents a collection of the poet's prose works that illuminates Mandelstam's far-ranging talent and places him within the canon of European modernism. This volume includes Mandelstam's ""The Noise of Time,"" a series of autobiographical sketches; ""The Egyptian Stamp,"" a novella echoing Gogol and Dostoevsky; ""Fourth Prose,"" and the famous travel memoirs ""Theodosia"" and ""Journey to Armenia.

Osip Mandelstam has become an almost mythical figure of modern Russian poetry, his work treasured all over the world for its lyrical beauty and innovative, revolutionary engagement with the dark times of the Stalinist era. While he was exiled in the city of Voronezh, the black earth region of Russia, his work, as Joseph Brodsky wrote, developed into “a poetry of high velocity and exposed nerves, becoming more a song than ever before, not a bardlike but a birdlike song … something like a goldfinch tremolo.”Peter France—who has been brilliantly translating Mandelstam’s work for decades—draws heavily from Mandelstam’s later poetry written in Voronezh, while also including poems across the whole arc of the poet’s tragically short life, from his early, symbolist work to the haunting elegies of old Petersburg to his defiant “Stalin poem.” A selection of Mandelstam’s prose irradiates the poetry with warmth and insight as he thinks back on his Petersburg childhood and contemplates his Jewish heritage, the sunlit qualities of Hellenism, Dante’s Tuscany, and the centrality of poetry in society.

Osip Mandelstam (1891-1938) is widely regarded as one of the twentieth century's most influential poets. This collection, compiled, translated, and edited by poet and scholar Ian Probstein, provides Anglophone audiences with a powerful selection of Mandelstam's most beloved and haunting poems. Both scholars and general readers will gain a deeper understanding of his poetics, as Probstein situates each poem in its historical and literary context. The English translations presented here are so deeply immersed in the Russian sources and language through the ear of a Russian-born Probstein who has spent most of his adult life in the US, that they provide reader's with a Mandelstam unseen any translations that precede it.

'There is a salubrious élan about much of the book, and the fact that it is a book, not just a selection the significant poems, amplifies our sense of what Stone really means to its contemporary readers'Seamus Heaney'What makes Robert Tracy's book invaluable is his feeling for context...Another thing that comes across in these translations is the verve and immediacy of the poems' occasions, recalling the Acmeist programme of 'this-worldliness': there are poems about tennis and ice-cream and silent movies, poems that seem to jump into being on impulse' Seamus Heaney, London Review of Books'A blend of classical serenity and brash iconoclasm. This is a splendid introduction to a poet who should be known thoroughly' G.E. Murray, Chicago Sun Times'Professor Tracy has done a superb job. His introduction is excellent, his notes are very comprehensive...and his verse translations are remarkably good. All one can say is "Thank you"' Irish TimesWhen Stone appeared in 1913, it marked the debut of one of Russia's greatest twentieth-century poets. Precision, clarity and concreteness, a concern with form and fascination with European culture, especially architecture, were touchstones for the young poet and remained so for the rest of his extraordinary writing life. This bilingual edition, based on the most complete edition of 1928, was published, alongside The Collected Critical Prose and Letters, to mark Mandelstam's centenary in 1991.

An extensive sampling of the whole of Mandelstam's career from his first collection up to the late poems that were memorised by his wife, when it was too dangerous to have them written down. One of the great poets of the first half of the 20th century, Mandelstam is one of the figures who needs to be translated and re-translated, being too important to be taken for granted.

Osip Mandelstam spent three years in internal exile in the city of Voronezh, in south-western Russia, after someone in his circle of acquaintances had informed the Soviet authorities of his "Stalin Epigram" in 1934. The ninety-odd poems he wrote there are the pinnacle of his poetic achievement, bearing witness to Mandelstam's consistent independence of mind and concern for the freedom of thought. More covertly and controversially, however, they also bear the marks of Mandelstam's attempts to somehow reinstate himself back into Soviet society. In addition to all the poems that Russian editors have suggested constitute the sequence Mandelstam would have wished to see into print, this edition includes the main variants and exclusions preserved in manuscripts and in the memory of Mandelstam's wife and executor, Nadezhda.Alistair Noon's translations of Osip Mandelstam, Concert at a Railway Station: Selected Poems, appeared from Shearsman Books in 2018, with two further volumes, in 2022 - the current volume and Occasional and Joke Poems. His own poetry has appeared in two collections, Earth Records (2012) and The Kerosene Singing (2015), both from Nine Arches Press, and a dozen chapbooks from various presses. He lives in Berlin.Praise for Concert at a Railway Station"To my mind this is the best Mandelstam 'selected' yet and belongs on the bookshelves of everyone with an interest in 20th-Century Russian verse."-Ross Cogan, Poetry Wales"Alistair Noon's translations of Mandelstam are an important contribution to the study and appreciation of this vital writer." -Anton Romanenko, B O D Y"Noon daringly replicates Mandelstam's formal stanzas, using slant rhymes with a zingy freshness of diction that stops the poems from ever sounding like trans-lationese." -Henry King, Glasgow Review of BooksThe cover design is based on that for the Soviet Museum Bulletin published in 1930 by the State Tretyakov Gallery in Moscow, and designed by artist Boris Ender. Ender also designed the cover for Mandelstam's children's book, Two Trams, in 1925.

Parallel to his more famous poems about the buildings of St. Petersburg, the shores of the Black Sea, and the streets of Voronezh, Mandelstam wrote many brief, spontaneous poems about his friends, enemies and everyday occurrences over his entire writing life. Though his poetic, political and personal trajectory was to be a lonely one, he in fact had a convivial and gregarious personality, of which these poems are a product. This volume collects them in English for the first time, with an introduction and notes for context. It provides a fresh perspective on this poet whose sense of the past, the present and the future seems second to none.

Osip Mandelstam was one of the great Russian poets of the 20th century, with a prophetic understanding of its suffering, which he transformed into luminous poetry. Childish and wise, joyous and angry, at once complex and simple, he was sustained for 20 years by his wife and memoirist Nadezhda Mandelstam, who became, with Anna Akhmatova, the saviour of his poetry.The Moscow Notebooks cover his years of persecution, from 1930 to 1934, when he was arrested for writing an unflattering poem about Stalin, and subjected to gruelling interrogations and torture. The Notebooks include that fatal poem – with its clinching line ‘His cockroach moustache laughs, perching on his top lip’ – and present a shattering portrait of Moscow before the Great Terror. He attempted suicide twice, slashing his wrists in prison, and jumping from a hospital window. Exiled to Voronezh, he seemed crushed. A friend described him then as ‘in a state of numbness. His eyes were glassy. His eyelids were inflamed, and this condition never went away. His eyelashes had fallen out. His arm was in a sling.’But it was to be four more years before Mandelstam was completely beaten. In Voronezh he broke a silence of 18 months, writing the 90 poems of the three Voronezh Notebooks. Nadezhda’s memoir Hope Against Hope includes a moving account of their time in Voronezh, and Anna Akhmatova’s poem ‘Voronezh’ describes her visit there in 1936, when ‘in the room of the exiled poet / fear and the Muse stand duty in turn / and the night is endless / and knows no dawn’.With an introduction by Victor Krivulin, this edition combines the two previous separate editions of The Moscow Notebooks and The Voronezh Notebooks published by Bloodaxe.