Julia Sushytska – författare

Deleuze remains indifferent to the ambient pathos related to the end of metaphysics and compares the undertakings of destruction, overcoming and deconstruction of metaphysics with the gestures of murderers. He considers himself “a pure metaphysician,” which is rather unique in the contemporary philosophical landscape. What are we to make of this and similar claims? What do they mean in light of the effort made during the last several centuries to overcome, overturn, destroy, or deconstruct metaphysics? If we consider Deleuze’s work more closely, might find him engaging in the kind of thinking that is commonly referred to as metaphysical? And if Deleuze is indeed a metaphysician, does this undercut the many insightful contributions of the twentieth century philosophers who dedicate their thought to bringing down Western metaphysical tradition? Or does it suggest that there is a sense of metaphysics that should nevertheless be preserved? These and similar questions are addressed in this volume by a series of international scholars. The goal of the book is to critically engage an aspect of Deleuze’s thought that, for the most part, has been neglected, and to understand better his “immanent metaphysics.” It also seeks to explore the consequences of such an engagement.

A Ukrainian journalist ends each day “scorched by another person’s grief.” A schoolgirl in Croatia cherishes her Barbie and learns to dread air raid sirens more than her geometry homework. A poet imagines the spiritual life of a fish who escapes the hook. An exiled artist recreates her homeland in the shape of a bird. The writers assembled in this volume dream and document and remember, they translate one another’s work and meditate on fragility and resilience in the face of nihilism and obliteration. The collection gathers poems, essays, and stories written and translated in nine languages, reflecting an ongoing effort to communicate and understand across cultures.Both Sides Face East – Durable Words began as a response to the invasion of Ukraine, but stakes a wider claim on behalf of human value and integrity.

A Ukrainian journalist ends each day “scorched by another person’s grief.” A schoolgirl in Croatia cherishes her Barbie and learns to dread air raid sirens more than her geometry homework. A poet imagines the spiritual life of a fish who escapes the hook. An exiled artist recreates her homeland in the shape of a bird. The writers assembled in this volume dream and document and remember, they translate one another’s work and meditate on fragility and resilience in the face of nihilism and obliteration. The collection gathers poems, essays, and stories written and translated in nine languages, reflecting an ongoing effort to communicate and understand across cultures.Both Sides Face East – Durable Words began as a response to the invasion of Ukraine, but stakes a wider claim on behalf of human value and integrity.

A Ukrainian journalist ends each day “scorched by another person’s grief.” A schoolgirl in Croatia cherishes her Barbie and learns to dread air raid sirens more than her geometry homework. A poet imagines the spiritual life of a fish who escapes the hook. An exiled artist recreates her homeland in the shape of a bird. The writers assembled in this volume dream and document and remember, they translate one another’s work and meditate on fragility and resilience in the face of nihilism and obliteration. The collection gathers poems, essays, and stories written and translated in nine languages, reflecting an ongoing effort to communicate and understand across cultures.Both Sides Face East – Durable Words began as a response to the invasion of Ukraine, but stakes a wider claim on behalf of human value and integrity.