Visar resultat för..."Louisiana"

Surveying the films, installations and performances of the superstar Icelandic artistWidely recognized as one of the most exciting and significant voices of contemporary art, Icelandic performance and multimedia artist Ragnar Kjartansson takes a loving yet critical look at Western culture. His longform video installations explore the dynamics of repetition, often through music, and develop into feats of endurance, both physical and emotional. The Guardian deemed his 2012 work The Visitors “the best artwork of the 21st century.”Combining quintessential videos such as Me and My Mother and Bliss with lesser-known paintings and sculptures, the retrospective at the Louisiana Museum of Modern Art presents three new pieces made for the exhibition (including the title work with the plywood flames burning on the catalog cover) and captures the litany of senses Kjartansson has embraced without hesitation in his 20-year career. New work created for the anthology includes a painted plywood monument to “an epic waste of love and understanding” and a new performance piece titled Scaredman. The richly illustrated catalog includes personal contributions and dialogues in response to each of the artist's works on display by leading contemporary artists and scholars. Curator Tine Colstrup discusses A Lot of Sorrow with Marina Abramović, and reflects on Terrible, Terrible with Pussy Riot activist Maria Alyokhina. The book proves itself an invaluable guide to Kjartansson’s examination of love, identity, melancholy, masculinity and power.Ragnar Kjartansson (born 1976), a native of Reykjavik, Iceland, studied at the Iceland Academy of the Arts and the Royal Academy of Arts, Stockholm. He represented Iceland at the 53rd Biennale di Venezia in 2009 and participated in the 2013 Encyclopedic Palace of the World at the 55th Biennale di Venezia in 2013.

Works from the past two decades and a new series from the Swedish master of the oneiric and the unsettlingMamma Andersson (born 1962) ranks as one of the most important painters of her generation. The Swedish artist is an eminent interpreter of the unique language of painting. With a sharp sense of mood, color and materiality, she has developed a personal take on the classical genres of painting: still lifes, interiors and landscapes are at the crux of her work. Her signature aesthetic is the result of repeated applications and overpainting. Oil on canvas is covered in spray paint, paint is dragged in thin bands across the surface, producing a material fullness and variety.This catalog accompanies the Louisiana’s exhibition Mamma Andersson: Humdrum Days, and contains contributions from the author Karl Ove Knausgård, the playwright Magnus Florin and the art writer and poet Barry Schwabsky, in addition to a conversation between Mamma Andersson and the exhibition’s curator, Marie Laurberg.

A quiet tour de force, Chris Bachelder's Abbott Awaits transforms the ordinary into the extraordinary, startlingly depicting the intense and poignant challenges of a vulnerable, imaginative father as he lives his everyday American existence.In Abbott we see a modern-day Sisyphus: he is the exhausted father of a lively two-year old, the ruminative husband of a pregnant insomniac, and the confused owner of a terrified dog. Confronted by a flooded basement, a broken refrigerator, a urine-soaked carpet, and a literal snake in the woodpile, Abbott endures the beauty and hopelessness of each moment, often while contemplating evolutionary history, altruism, or the passage of time.An expectant father and university teacher on summer break, Abbott tackles the agonizing chores of each day, laboring for peace in his household and struggling to keep his daughter clean and happy, all while staving off a fear of failure as a parent, and even as a human being. As he cleans car seats, forgets to apply sun block, clips his dog's nails, dresses his daughter out of season, and makes unsuccessful furniture-buying trips with his wife, his mind plays out an unrelenting series of paradoxical reflections. Abbott's pensive self-doubt comes to a head one day in late June as he cleans vomited raspberries out of his daughter's car seat and realises: ""The following propositions are both true: (A) Abbott would not, given the opportunity, change one significant element of his life, but (B) Abbott cannot stand his life.""Composed of small moments of domestic wonder and terror, Abbott Awaits is a charming story of misadventure, anxiety, and the everyday battles and triumphs of parenthood.

A timeless tribute to nautical knitwear—crafted for today and cherished for generations.Inspired by the rugged beauty and enduring traditions of 19th- and early 20th-century Scandinavian seafarers, this stunning volume offers 23 knitting patterns drawn from the photographic archives of the Maritime Museum in Helsingør, Denmark.With designs for adults and children, each pattern blends historical authenticity with modern wearability—making this a perfect gift for knitters, history lovers, and anyone drawn to the elegance of Nordic craft.Specially designed for advanced beginners to expert knitters, the book features: Clear, easy-to-follow instructions with skill-building progression Gender- and age-neutral garments for the whole family Size variations and stitch explanations tailored for accessibility Gorgeous historic and contemporary photography of each sweater Beautifully packaged and richly illustrated, Nordic Sailors' & Fishermen’s Sweaters is more than a pattern book—it’s a celebration of maritime heritage, textile artistry, and the enduring warmth of handmade tradition.

A sweeping journey through the roaring art and culture of the Weimar RepublicAt the center of this volume are the Neue Sachlichkeit (New Objectivity) artists—Otto Dix, George Grosz and Albert Renger-Patzsch—and the groundbreaking photographer August Sander, in particular his famed series People of the 20th Century, which portrayed both prominent and anonymous Germans from all parts of society in a simple and matter-of-fact pictorial style. Sander and the Neue Sachlichkeit artists both pursued an anti-Expressionist aesthetic, embracing social engagement and a rejection of romantic idealism. The Cold Gaze also looks at the extraordinary writers associated with the Weimar Republic, such as Vicki Baum, Bertolt Brecht, Alfred Döblin, Hans Fallada, Erich Kästner and Christopher Isherwood. Further points of focus by a range of contributing writers include Germany’s Americanization during this period; Marcel Breuer’s innovations in furniture design; the invention and ascent of the Futura font; the Weimar cult of technology; and much more.This richly illustrated catalog unfolds a period that was at once euphoric and harsh, an extraordinary moment in modernity birthed in the shadows between two world wars.

Winner of the Goldsmith Book Prize by the Harvard Shorenstein Center on Media, Politics and Public PolicyManipulating the Masses tells the story of the enduring threat to American democracy that arose out of World War I: the establishment of pervasive, systematic propaganda as an instrument of the state. During the Great War, the federal government exercised unprecedented power to shape the views and attitudes of American citizens. Its agent for this was the Committee on Public Information (CPI), established by President Woodrow Wilson one week after the United States entered the war in April 1917.Driven by its fiery chief, George Creel, the CPI reached every crevice of the nation, every day, and extended widely abroad. It established the first national newspaper, made prepackaged news a quotidian aspect of governing, and pioneered the concept of public diplomacy. It spread the Wilson administration's messages through articles, cartoons, books, and advertisements in newspapers and magazines; through feature films and volunteer Four Minute Men who spoke during intermission; through posters plastered on buildings and along highways; and through pamphlets distributed by the millions. It enlisted the nation's leading progressive journalists, advertising executives, and artists. It harnessed American universities and their professors to create propaganda and add legitimacy to its mission.Even as Creel insisted that the CPI was a conduit for reliable, fact-based information, the office regularly sanitized news, distorted facts, and played on emotions. Creel extolled transparency but established front organizations. Overseas, the CPI secretly subsidized news organs and bribed journalists. At home, it challenged the loyalty of those who occasionally questioned its tactics. Working closely with federal intelligence agencies eager to sniff out subversives and stifle dissent, the CPI was an accomplice to the Wilson administration's trampling of civil liberties.Until now, the full story of the CPI has never been told. John Maxwell Hamilton consulted over 150 archival collections in the United States and Europe to write this revealing history, which shows the shortcuts to open, honest debate that even well-meaning propagandists take to bend others to their views. Every element of contemporary government propaganda has antecedents in the CPI. It is the ideal vehicle for understanding the rise of propaganda, its methods of operation, and the threat it poses to democracy.

Punk, humor, poetry and pure rage: the full story of Pussy Riot as told by the group’s membersThe Russian art collective and activist group Pussy Riot, formed in Moscow in 2011, is famous for its spontaneous and courageous actions challenging the Russian regime. Edited by Maria (Masha) Alyokhina, member and cofounder of the feminist-activist performance collective, this volume compiles, in chronological order, the last decade-plus of Pussy Riot’s happenings in Russia. Recurrent themes in the group’s feminist, anti-Putin practice include freedom of expression, human rights, LGBTQ+ rights and the release of political prisoners, while recent actions and works feature anti-war statements and support for Ukraine. Accompanying the eponymous traveling exhibition—the group’s largest presentation of work to date and its first-ever museum show—it is bolstered by a vast selection of photos and video stills, as well as personal accounts from the group’s members. In addition to documenting the performances themselves, the catalog chronicles the consequences of these nonviolent public actions for those who took part: these include arrests, beatings, imprisonment, poisoning, surveillance and house arrest. In addition to the iconic performances, such as Punk Prayer (2012), the exhibition catalog also documents a wide range of lesser-known actions as well as the escape from Russia of some of Pussy Riot’s key members in 2022. Told from the perspective of the Pussy Riot activists themselves, the exhibition and accompanying catalog provide a critical and timely insight into the evolution of Putin’s Russia over the past 10 years, including the military invasion of Ukraine.

This collection of fifty-two poems from the author of Angel Fire and Anonymous Sins explores the annihilation of the time-bound ego, a liberating, sometimes terrifying experience for all who live within the ""fabulous beast"" of history and nature. The poems explore the shifting, elusive point at which the inwardness of individual experience touches upon the larger consciousness of a species or an era, forming a connection with a ""self"" that goes beyond subjectivity.The poems are grouped into four parts: ""Broken Connections,"" ""Forbidden Testimonies,"" ""The Child-Martyr"" and ""A Posthumous Sketch,"" are prose poems which, though technically different from the others, are concerned with the same theme, the relationship between the individual and a larger, all-inclusive whole. Neither fatalistic nor rebellious, the poems convey the idea that as long as we live in time we must struggle, and that is this struggle that determines our humanity.

During the Civil War, North Carolinian William Dorsey Pender established himself as one of the Confederate Army of Northern Virginia's best young generals. He served in most of the significant engagements of the war in the eastern theater while under the command of Joseph E. Johnston at Seven Pines and Robert E. Lee from the Seven Days to Gettysburg. His most crucial contributions to Confederate success came at the battles of Second Manassas, Shepherdstown, Fredericksburg, and Chancellorsville. After an effective first day at Gettysburg, Pender was struck by a shell and disabled, necessitating his return to Virginia for what he hoped would be only an extended convalescence. Although Pender initially survived the wound, he died soon thereafter due to complications from his injury.In this thorough biography of Pender, noted Civil War historian Brian Steel Wills examines both the young general's military career and his domestic life. While Pender devoted himself to military service, he also embraced the Episcopal Church and was baptized before his command in the field. According to Wills, Pender had an insatiable quest for "glory" in both earthly and heavenly realms, and he delighted in his role as a husband and father. In Pender's voluminous correspondence with his wife, Fanny, he shared his beliefs and offered views and opinions on a vast array of subjects. In the end, Wills suggests that Pender's story captures both the idealistic promise and the despair of a war that cost the lives of many Americans and changed the nation forever.

On a Saturday night in 1948, Hank Williams stepped onto the stage of the Louisiana Hayride and sang "Lovesick Blues." Up to that point, Williams's yodeling style had been pigeon-holed as hillbilly music, cutting him off from the mainstream of popular music. Taking a chance on this untried artist, the Hayride--a radio "barn dance" or country music variety show like the Grand Ole Opry--not only launched Williams's career, but went on to launch the careers of well-known performers such as Jim Reeves, Webb Pierce, Kitty Wells, Johnny Cash, and Slim Whitman.Broadcast from Shreveport, Louisiana, the local station KWKH's 50,000-watt signal reached listeners in over 28 states and lured them to packed performances of the Hayride's road show. By tracing the dynamic history of the Hayride and its sponsoring station, ethnomusicologist Tracey Laird reveals the critical role that this part of northwestern Louisiana played in the development of both country music and rock and roll. Delving into the past of this Red River city, she probes the vibrant historical, cultural, and social backdrop for its dynamic musical scene. Sitting between the Old South and the West, this one-time frontier town provided an ideal setting for the cross-fertilization of musical styles. The scene was shaped by the region's easy mobility, the presence of a legal "red-light" district from 1903-17, and musical interchanges between blacks and whites, who lived in close proximity and in nearly equal numbers. The region nurtured such varied talents as Huddie Ledbetter, the "king of the twelve-string guitar," and Jimmie Davis, the two term "singing governor" of Louisiana who penned "You Are My Sunshine."Against the backdrop of the colorful history of Shreveport, the unique contribution of this radio barn dance is revealed. Radio shaped musical tastes, and the Hayride's frontier-spirit producers took risks with artists whose reputations may have been shaky or whose styles did not neatly fit musical categories (both Hank Williams and Elvis Presley were rejected by the Opry before they came to Shreveport). The Hayride also served as a training ground for a generation of studio sidemen and producers who steered popular music for decades after the Hayride's final broadcast. While only a few years separated the Hayride appearances of Hank Williams and Elvis Presley--who made his national radio debut on the show in 1954--those years encompassed seismic shifts in the tastes, perceptions, and self-consciousness of American youth. Though the Hayride is often overshadowed by the Grand Ole Opry in country music scholarship, Laird balances the record and reveals how this remarkable show both documented and contributed to a powerful transformation in American popular music.

On a Saturday night in 1948, Hank Williams stepped onto the stage of the Louisiana Hayride and sang "Lovesick Blues." Up to that point, Williams's yodeling style had been pigeon-holed as hillbilly music, cutting him off from the mainstream of popular music. Taking a chance on this untried artist, the Hayride--a radio "barn dance" or country music variety show like the Grand Ole Opry--not only launched Williams's career, but went on to launch the careers ofwell-known performers such as Jim Reeves, Webb Pierce, Kitty Wells, Johnny Cash, and Slim Whitman.Broadcast from Shreveport, Louisiana, the local station KWKH's 50,000-watt signal reachedlisteners in over 28 states and lured them to packed performances of the Hayride's road show. By tracing the dynamic history of the Hayride and its sponsoring station, ethnomusicologist Tracey Laird reveals the critical role that this part of northwestern Louisiana played in the development of both country music and rock and roll. Delving into the past of this Red River city, she probes the vibrant historical, cultural, and social backdrop for its dynamic musical scene. Sitting between the OldSouth and the West, this one-time frontier town provided an ideal setting for the cross-fertilization of musical styles. The scene was shaped by the region's easy mobility, the presence of a legal"red-light" district from 1903-17, and musical interchanges between blacks and whites, who lived in close proximity and in nearly equal numbers. The region nurtured such varied talents as Huddie Ledbetter, the "king of the twelve-string guitar," and Jimmie Davis, the two term "singing governor" of Louisiana who penned "You Are My Sunshine."Against the backdrop of the colorful history of Shreveport, the unique contribution of this radio barn dance is revealed. Radio shapedmusical tastes, and the Hayride's frontier-spirit producers took risks with artists whose reputations may have been shaky or whose styles did not neatly fit musical categories (both Hank Williams andElvis Presley were rejected by the Opry before they came to Shreveport). The Hayride also served as a training ground for a generation of studio sidemen and producers who steered popular music for decades after the Hayride's final broadcast. While only a few years separated the Hayride appearances of Hank Williams and Elvis Presley--who made his national radio debut on the show in 1954--those years encompassed seismic shifts in the tastes, perceptions, and self-consciousness of American youth.Though the Hayride is often overshadowed by the Grand Ole Opry in country music scholarship, Laird balances the record and reveals how this remarkable show both documented and contributed to a powerfultransformation in American popular music.

A true pivotal moment in American history, the Louisiana Purchase redefined the boundaries of the United States and recharted the course of its history. The story behind it transcends borders The United States bought the Louisiana Territory from Napoleonic France in 1803, paying--so the story goes--a mere 15 million dollars, or "four cents an acre." The young nation more than doubled its size, absorbing the greater part of an entire continent in a single real estate transaction. This overlooks a critical feature of the purchase, however: the agreement signed by Thomas Jefferson did not grant the American republic the land; it merely allowed it to assume the authority to negotiate the acquisition of the land, which was still owned by Native Americans. The Louisiana Purchase was a founding event of what ultimately became the U.S.-Indian Treaty System, one that produced over two hundred Native American cessions between 1804 and 1970 and cost the United States billions of dollars.Alexander Mikaberidze's provocative and engrossing book examines what lay behind what eventually became one of the costliest undertakings in American history--not only in dollars but in lives displaced and cultures erased. To do that, he looks beyond the period's diplomatic wranglings and delves into a broader story of European colonialism to illuminate why Louisiana was passed around--from France to Spain, then back to France--before the U.S. purchase. How did it go from being a burden to a prize? Understanding the full significance of the Louisiana Purchase means expanding the narrative. The country's destiny was determined by men who had never walked the streets of New Orleans or gazed upon the majestic panoramas of the Rockies but who instead managed the finances of the world's empires. Territorial ambition remains a persistent feature in American politics. This book compels us to appreciate the larger story of the purchase and its place in both national and global history.

A novel explanation for state prison privatization: that they do so to limit legal and political accountability for inmate lawsuits.One of the most controversial developments in the American criminal justice in the last few decades has been the development of the modern private prison industry. While there are many explanations proffered for the adoption of this policy--including partisanship, economic stress, unionization, and lobbying efforts by private prison firms--none fully explain why states privatize their prisons. In Captive Market, Anna Gunderson proposes a novel explanation for why states adopt this policy. She shows that states privatize prisons to limit legal and political accountability for inmate lawsuits, an unintended consequence of the legal rights revolution for prisoners. Evidence from an original dataset and interviews with private prison companies, government officials, and advocacy groups suggest that growing prisoner lawsuits are a significant driver of prison privatization in the United States. With over 160,000 inmates currently held in private facilities across the country, it is vital to understand the causes of this rise and the nuances of private prison policy, one with significant consequences for the American criminal legal system. An eye-opening account of an industry that many are aware of but few know much about, this book will reshape our understanding of the fundamental nature of the American carceral state.

In The Louisiana State Constitution, Lee Hargrave provides a compehensive history and provision-by-provision commentary of the state's current constitution. Descriptive analysis provides readers with important information about the origins of the constitutional provisions, as well as ways in which the courts and other governmental bodies have interpreted them. Previously published by Greenwood, this title has been brought back in to circulation by Oxford University Press with new verve. Re-printed with standardization of content organization in order to facilitate research across the series. This title, as with all titles in the series, is set to join the dynamic revision cycle of The Oxford Commentaries on the State Constitutions of the United States.The Oxford Commentaries on the State Constitutions of the United States is an important new series that reflects a renewed international interest in constitutional history and provides expert insight into each of the 50 state constitutions. Each volume in this innovative series contains a historical overview of the state's constitutional development, a section-by-section analysis of its current constitution, and a comprehensive guide to further research.Under the expert editorship of Professor G. Alan Tarr, Director of the Center on State Constitutional Studies at Rutgers University, this series provides essential reference tools for understanding state constitutional law. Books in the series can be purchased individually or as part of a complete set, giving readers unmatched access to these important political documents.

A lively report of travels in early nineteenth-century Texas and Louisiana and a fascinating account of the discovery, exploration, and settlement of those areas is presented in the work of this ebullient young French dramatist and journalist who traveled to Louisiana in 1837 and to Texas in 1839. FrÉdÉric Gaillardet, an alert and talented writer of the romantic school, was lured away for a decade from a successful career in Paris to satisfy his wanderlust and to seek inspiration on the American frontier. During that time he visited the American Southwest, and he talked with many personages there-men like Sam Houston, Mirabeau B. Lamar, and Achille Murat. His character sketches of these men add zest to the book, as do the facets of Gaillardet's own personality and life displayed in these pages. Gaillardet's reports of his travels were published in various French-language newspapers of the time; a few were incorporated into the author's posthumous memoirs. His opinions, as recorded in his writings, exerted undeniable influence in the French decision to recognize Texas; one of his theses was that the Republic of Texas might become a curb, rather than a stepping stone, to an expanding United States. Despite Gaillardet's historical importance, however, none of these chapters has ever appeared before in English translation. This collection was gathered from several sources: the Journal des DÉbats, the Constitutionnel, the Courrier des États-Unis, and Gaillardet's memoirs, entitled L'Aristocratie en AmÉrique. The latter chapters concentrate on the career of a prominent Louisiana lawyer, politician, and diplomat, Pierre SoulÉ, whose much maligned name Gaillardet repeatedly and stoutly defended. A less favorable treatment of SoulÉ, contained in Fanny CalderÓn de la Barca's AttachÉ in Madrid, is reprinted in the appendix to aid the reader in judging the accuracy of Gaillardet's analysis of this arresting figure. Copious footnotes to clarify the text have been added by the translator. His introduction presents a biographical sketch of Gaillardet, together with a careful analysis of the book, which has been translated lucidly and vividly.

Transforms our understanding of Louisiana Creole community identity formation and practiceOver the course of more than three centuries, the diverse communities of Louisiana have engaged in creative living practices to forge a vibrant, multifaceted, and fully developed Creole culture. Against the backdrop of ongoing anti-Blackness and Indigenous erasure that has sought to undermine this rich culture, Louisiana Creoles have found transformative ways to uphold solidarity, kinship, and continuity, retaking Louisiana Creole agency as a post-contact Afro-Indigenous culture. Engaging themes as varied as foodways, queer identity, health, historical trauma, language revitalization, and diaspora, Louisiana Creole Peoplehood explores vital ways a specific Afro-Indigenous community asserts agency while promoting cultural sustainability, communal dialogue, and community reciprocity.With interviews, essays, and autobiographic contributions from community members and scholars, Louisiana Creole Peoplehood tracks the sacred interweaving of land and identity alongside the legacies and genealogies of Creole resistance to bring into focus the Afro-Indigenous people written out of settler governmental policy. In doing so, this collection intervenes against the erasure of Creole Indigeneity to foreground Black/Indian cultural sustainability, agency, and self-determination.

Transforms our understanding of Louisiana Creole community identity formation and practiceOver the course of more than three centuries, the diverse communities of Louisiana have engaged in creative living practices to forge a vibrant, multifaceted, and fully developed Creole culture. Against the backdrop of ongoing anti-Blackness and Indigenous erasure that has sought to undermine this rich culture, Louisiana Creoles have found transformative ways to uphold solidarity, kinship, and continuity, retaking Louisiana Creole agency as a post-contact Afro-Indigenous culture. Engaging themes as varied as foodways, queer identity, health, historical trauma, language revitalization, and diaspora, Louisiana Creole Peoplehood explores vital ways a specific Afro-Indigenous community asserts agency while promoting cultural sustainability, communal dialogue, and community reciprocity.With interviews, essays, and autobiographic contributions from community members and scholars, Louisiana Creole Peoplehood tracks the sacred interweaving of land and identity alongside the legacies and genealogies of Creole resistance to bring into focus the Afro-Indigenous people written out of settler governmental policy. In doing so, this collection intervenes against the erasure of Creole Indigeneity to foreground Black/Indian cultural sustainability, agency, and self-determination.

Topics discussed include: language shift and code mixing speaker attitudes the role of schools and media in the maintenance of these languages and such language planning initiatives as the CODOFIL program to revive the sue of French in Louisiana.

During the past 50 years, coastal Louisiana has suffered catastrophic land loss due to both natural and human causes. This loss has increased storm vulnerability and amplified risks to lives, property, and economies--a fact underscored by Hurricanes Katrina and Rita. Drawing Louisiana's New Map reviews a restoration plan proposed by the U.S. Army Corps of Engineers and the State of Louisiana, finding that, although the individual projects in the study are scientifically sound, there should be more and larger scale projects that provide a comprehensive approach to addressing land loss over such a large area. More importantly, the study should be guided by a detailed map of the expected future landscape of coastal Louisiana that is developed from agreed upon goals for the region and the nation.

The U.S. Army Corps of Engineers released the Louisiana Coastal Protection and Restoration (LACPR) draft final technical report in March, 2009. In response to federal legislation, the Corps had to analyze hurricane protection, and design and present a full range of measures to protect against a storm equivalent to a category 5 hurricane. The request included measures for flood control, coastal restoration, and hurricane protection, and stipulated close coordination with the State of Louisiana and its appropriate agencies. This is the second and final report from the National Research Council (NRC) Committee on the Review of the Louisiana Coastal Protection and Restoration (LACPR) Program. The committee was charged to review two draft reports from the LACPR team and to assess the hurricane risk reduction framework, alternatives for flood control, storm protection, coastal restoration, and risk analysis. This report presents this committee's review and advice for improvements of the LACPR March 2009 draft final technical report.

My Louisiana Sky is a 1998 Boston Globe - Horn Book Award Honor Book for Fiction.

In an attempt to take the subject of Louisiana politics out from under the dominating shadow of Huey Long, the author focuses on the form and content of Louisiana's one-party bifactional politics from 1920 to 1952. The rise of the Long faction is treated within the framework of a continuing movement of class protest originating in 19th-century Louisiana and extending beyond Long's death in 1935.

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In his youth a prominent figure of the Harlem Renaissance of the 1920s, Arna Wendell Bontemps matured into a renaissance man in the broadest sense, a person fully engaged in the life of the intellect. He contributed vastly to the culture of his era through his own writings--fiction, plays, poetry, children's books, scholarship, and criticism--and advanced it through teaching, librarianship, and as a sponsor and patron of other artists. This detailed and fond biography provides a thorough analysis of Bontemps's private and public lives. Author Kirkland Jones is effective at portraying Bontemps's Creole family background and childhood in Louisiana and California, his roles as rebellious but devoted son and loving and supportive husband and father, his fertile contributions to the arts, and his abiding commitment to service, which is perhaps most in evidence in his building of African-American library collections at Fisk University.A colleague and friend of Langston Hughes, Countee Cullen, and other outstanding African-American writers, Bontemps has been curiously neglected by biographers. Utilizing copious archival and interview materials in this carefully researched study, Kirkland Jones fills out the portrait of Bontemps that previously could only be glimpsed from biographies of his contemporaries and his published correspondence with them. In the process, factual errors about Bontemps's life are corrected. A work of painstaking scholarship, this biography nevertheless is written to appeal to young people and adults interested in this admirable and fascinating gentleman-scholar-poet as well as to students of American and African-American literature and cultural and intellectual history.