Chris Bachelder – författare

A quiet tour de force, Chris Bachelder's Abbott Awaits transforms the ordinary into the extraordinary, startlingly depicting the intense and poignant challenges of a vulnerable, imaginative father as he lives his everyday American existence.In Abbott we see a modern-day Sisyphus: he is the exhausted father of a lively two-year old, the ruminative husband of a pregnant insomniac, and the confused owner of a terrified dog. Confronted by a flooded basement, a broken refrigerator, a urine-soaked carpet, and a literal snake in the woodpile, Abbott endures the beauty and hopelessness of each moment, often while contemplating evolutionary history, altruism, or the passage of time.An expectant father and university teacher on summer break, Abbott tackles the agonizing chores of each day, laboring for peace in his household and struggling to keep his daughter clean and happy, all while staving off a fear of failure as a parent, and even as a human being. As he cleans car seats, forgets to apply sun block, clips his dog's nails, dresses his daughter out of season, and makes unsuccessful furniture-buying trips with his wife, his mind plays out an unrelenting series of paradoxical reflections. Abbott's pensive self-doubt comes to a head one day in late June as he cleans vomited raspberries out of his daughter's car seat and realises: ""The following propositions are both true: (A) Abbott would not, given the opportunity, change one significant element of his life, but (B) Abbott cannot stand his life.""Composed of small moments of domestic wonder and terror, Abbott Awaits is a charming story of misadventure, anxiety, and the everyday battles and triumphs of parenthood.

Here is the absorbing story of twenty-two men who gather every fall to painstakingly reenact what ESPN called “the most shocking play in NFL history” and the Washington Redskins dubbed the “Throwback Special”: the November 1985 play in which the Redskins’ Joe Theismann had his leg horribly broken by Lawrence Taylor of the New York Giants live on Monday Night Football.With wit and great empathy, Chris Bachelder introduces us to Charles, a psychologist whose expertise is in high demand; George, a garrulous public librarian; Fat Michael, envied and despised by the others for being exquisitely fit; Jeff, a recently divorced man who has become a theorist of marriage; and many more. Over the course of a weekend, the men reveal their secret hopes, fears, and passions as they choose roles, spend a long night of the soul preparing for the play, and finally enact their bizarre ritual for what may be the last time. Along the way, mishaps, misunderstandings, and grievances pile up, and the comforting traditions holding the group together threaten to give way.The Throwback Special is a moving and comic tale filled with pitch-perfect observations about manhood, marriage, middle age, and the rituals we all enact as part of being alive.

Given a relatively level playing field -- i.e., water deep enough so that a shark could maneuver proficiently but shallow enough so that a bear could stand and operate with its characteristic dexterity -- who would win in a fight between a bear and a shark? In this fiercely funny, razor-sharp satire of our media-saturated culture, the sovereign nation of Las Vegas is host to Bear v. Shark II. After a disappointing loss in the first computer-generated match-up, the bear is out for blood. With an essay entitled "Bear v. Shark: A Reason to Live," young Curtis Norman wins a national contest and four tickets to the sold-out event. As the Normans head cross-country in their SUV, they encounter a dizzying barrage of voices weighing in on the upcoming spectacle -- everyone from the Freudians, theologians, pundits, and self-published authors on the radio to the bear and shark fanatics, cultists, and resisters at pit stops along the way. Overwhelmed by factoids and ten-second debates, Mr. Norman grows ambivalent about the impending event and the family with whom he can't seem to connect. Still, the Normans push on to Vegas, toward an apocalyptic, surprisingly emotional ending.

So it''s kind of like a parlor game, then?... The question is apparently of Ancient Eastern extraction.... It seems to be a gut thing. The answer just feels right and then you come up with reasons.... Given a relatively level playing field -- i.e., water deep enough so that a Shark could maneuver proficiently, but shallow enough so that a Bear could stand and operate with its characteristic dexterity -- who would win in a fight between a Bear and a Shark? In this brilliant satire of our media-saturated culture, the sovereign nation of Las Vegas -- the entertainment capital of the world -- is host to Bear v. Shark II. After a disappointing loss in the first matchup between the land and the sea, the bear is back with a vengeance and out for blood. All of America is obsessed with the upcoming spectacle, so tickets are hard to come by. With an essay entitled "Bear v. Shark: A Reason to Live," young Curtis Norman wins a national writing contest and four tickets to the event. The Normans load up their SUV and embark on a road trip to Vegas. As they head cross-country, the family is besieged by a dizzying barrage of voices: television and radio personalities, public service announcements, bear and shark pundits, Freudians, theologians, and self-published authors, in addition to the Bear v. Shark fanatics, cultists, and resisters they meet at roadside gas stations and restaurants. Overwhelmed by factoids, statistics, and ten-second debates, the Normans -- along with the rest of country -- can''t seem to get their facts straight, much less figure out a way to actually communicate with one another. Sound bites and verbal tics predominate; misheard, misunderstood, and just plain mistaken information is absorbed, mangled, and regurgitated to hilarious effect; and the most inane subjects -- from the disappearance of Dutch culture to the Shakespearean bias toward the bear -- are vigorously and obsessively debated. These meaningless exchanges of misinformation leave Mr. Norman disenchanted, world-weary, and ambivalent about the impending show, but the family eventually makes it to Vegas for an apocalyptic and surprisingly emotional ending. Written in quick, commercial-like segments that mirror the media it satirizes, Chris Bachelder''s debut is a fiercely funny, razor-sharp novel about the odd intersection of zealotry and trivia, about the barriers to human connection in a society that values entertainment above all else. Through a clever act of novelistic subterfuge, Bachelder makes us laugh at our penchant for absurd and useless information while drawing us into a dazzling spectacle of his own imagination.

In this brilliant satire of our media-saturated culture, Las Vegas is to host a spectacle -- Bear v. Shark II. A basic question is being asked: 'Who would win if a bear got in a fight with a shark?' All of America is desperate to get a ticket but it is young Curtis Norman who, with an essay entitled 'Bear v Shark: A Reason to Live', wins a national writing contest and four tickets to the show. As he and his family head across the country, they are besieged by a dizzying barrage of TV and radio personalities, Freudians, theologians and more, as the whole country bets, debates, takes sides and argues over who is going to win. These meaningless exchanges leave Curtis a little disenchanted and world-weary, so it is in an ambivalent mood about the impending event that he finally arrives in Vegas, for what turns out to be something of an apocalyptic climax.

In the endless days of the pandemic, a woman spends her time sorting fact from fiction in the life and work of Herman Melville. As she delves into Melville’s impulsive purchase of a Massachusetts farmhouse, his fevered revision of Moby-Dick there, his intense friendship with neighbor Nathaniel Hawthorne, and his troubled and troubling marriage to Elizabeth Shaw, she becomes increasingly obsessed by what his devotion to his art reveals about cost, worth, and debt. Her preoccupation both deepens and expands, and her days’ work extends outward to an orbiting cast of Melvillean questers and fanatics, as well as to biographers and writers—among them Elizabeth Hardwick and Robert Lowell—whose lives resonate with Melville’s. As she pulls these distant figures close, her quarantine quest ultimately becomes a midlife reckoning with her own marriage and ambition.Absorbing, charming, and intimate, Dayswork considers the blurry lines between life and literature, the slippage between what happens and what gets recorded, and the ways we locate ourselves in the lives of others. In wry, epigrammatic prose, Chris Bachelder and Jennifer Habel have crafted an exquisite and daring novel.