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Rejected by his tribe and hunted by the kin of the man he killed, Ukhayyad and his thoroughbred camel flee across the desolate Tuareg deserts of the Libyan Sahara. Between bloody wars against the Italians in the north and famine raging in the south, Ukhayyad rides for the remote rock caves of Jebel Hasawna. There, he says farewell to the mount who has been his companion through thirst, disease, lust, and loneliness. Alone in the desert, haunted by the prophetic cave paintings of ancient hunting scenes and the cries of jinn in the night, Ukhayyad awaits the arrival of his pursuers and their insatiable hunger for blood and gold. Gold Dust is a classic story of the brotherhood between man and beast, the thread of companionship that is all the difference between life and death in the desert. It is a story of the fight to endure in a world of limitless and waterless wastes, and a parable of the struggle to survive in the most dangerous landscape of all: human society.

Tucked away in a rundown quarter, just out of sight of downtown Cairo, a group of intellectuals gather regularly to smoke hashish in Hakeem’s den. The den is the center of their lives, both a refuge and a stimulus, and at the center of the den is the remarkable man who keeps their hashish bowls topped up—Rowdy Salih.While his former life is a mystery to his loyal clientele of writers, painters, film directors, and even window dressers, each sees himself reflected in Salih; but without his humor, humility, or insight, or his occasional passions fueled by hootch. And when the nation has to face its own demons during the peace initiative of the 1970s, it is Rowdy Salih who speaks for them all. This is a comic novel with a broken heart, very like Salih himself, whose warm rough voice calls out long after we have recovered from the novel’s painful conclusion.

The ancient Egyptian tomb evolved rapidly over a period of about 2,500 years, from a simple backfilled pit to an enormous stone pyramid with complex security arrangements. Much of this development was arguably driven by the ever-present threat of tomb robbery, which compelled tomb builders to introduce special architectural measures to prevent it. However, until now most scholarly Egyptological discussions of tomb security have tended to be brief and usually included only as part of a larger work, the topic instead being the subject of lurid speculation and fantasy in novels, the popular press, and cinema.In Securing Eternity, Reg Clark traces in detail the development of the Egyptian royal and private tombs from the Predynastic Period to the early Fourth Dynasty. In doing so, he demonstrates that many of the familiar architectural elements of the Egyptian tomb that we take for granted today in fact originated from security features to protect the tomb, rather than from monumental or religious considerations. Richly illustrated with more than 150 photographs and tomb plans, this unique study will be of interest to students, specialists, and general readers alike.

The complete series of innovative new coursebooks in Egyptian colloquial ArabicDrawing on her years of experience as an Arabic instructor and course developer, Samia Louis has used a functional approach to create a bright, innovative set of coursebooks for the study of Egyptian colloquial Arabic—the spoken dialect most frequently studied and most widely understood in the Arab world. Now three new books, for beginner, early advanced, and higher advanced students, have been added to the series. Designed according to the ACTFL guidelines for teaching Arabic as a foreign language, each book of Kallimni ‘Arabi trains students through highly structured lessons in the crucial skills, with particular emphasis on listening and speaking, using real-life situations and expressions. The associated audio files carry recordings of the dialogs and exercises in each chapter, made by Egyptian native speakers.“The books in the [Kallimni ‘Arabi] series altogether present the best Arabic textbooks available . . . miles ahead of most others.”—David Wilmsen, American University of Beirut

In the nineteenth century hundreds of thousands of Africans were forcibly migrated northward to Egypt and other eastern Mediterranean destinations, yet relatively little is known about them. Studies have focused mainly on the mamluk and harem slaves of elite households, who were mostly white, and on abolitionist efforts to end the slave trade, and most have relied heavily on western language sources. In the past forty years new sources have become available, ranging from Egyptian religious and civil court and police records to rediscovered archives and accounts in western archives and libraries. Along with new developments in the study of African slavery these sources provide a perspective on the lives of non-elite trans-Saharan Africans in nineteenth century Egypt and beyond. The nine essays in this volume examine the lives of slaves and freed men and women in Egypt and the region. Contributors: Kenneth M. Cuno, Y. Hakan Erdem, Michael Ferguson, Emad Ahmad Helal Shams al-Din, Liat Kozma, George Michael La Rue, Ahmad A. Sikainga, Eve M. Troutt Powell, and Terence Walz.

There is no escaping the Jerusalem of the religious imagination. Not once but three times holy, its overwhelming spiritual significance looms large over the city's complex urban landscape and the diurnal rhythms and struggles that make up its earthbound existence. Nonetheless, writes Paola Caridi, in this intimate and hard-hitting portrayal of the city, it is possible to close one's eyes and, "like the blind listening to sounds," discern the conflict and plurality of belonging that mark out the city' secular character. Jerusalem without God leads the reader through the streets, malls, suburbs, traffic jams, and squares of Jerusalem's present moment, into the daily lives of the men and women who inhabit it. Caridi brings contemporary Jerusalem alive by describing it as a place of sights and senses, sounds and smells, but she also shows us a city riven by the harsh asymmetry of power and control embodied in its lines, limits, walls, and borders.She explores a cruel city, where Israeli and Palestinian civilians sometimes spend hours in the same supermarkets, only to return to the confines of their respective districts, invisible to each other; a city memorable for its ancient stones and shimmering sunsets but dotted with Israeli checkpoints, "postmodern drawbridges," that control the movement of people, ideas, and potential attackers. Describing Jerusalem through the lenses of urban planners and politicians, anthropologists and archaeologists, advertisers and scholars, Jerusalem without God reveals a city that is as diverse as it is complex, and ultimately, argues its author, one whose destiny cannot be tied to any single religious faith, tradition, or political ideology.

Twice a princess, twice exiled, Neslishah Sultan had an eventful life. When she was born in Istanbul in 1921, cannons were fired in the four corners of the Ottoman Empire, commemorative coins were issued in her name, and her birth was recorded in the official register of the palace. After all, she was an imperial princess and the granddaughter of Sultan Vahiddedin. But she was the last member of the imperial family to be accorded such honors: in 1922 Vahiddedin was deposed and exiled, replaced as caliph—but not as sultan—by his brother (and Neslishah’s other grandfather) Abdülmecid; in 1924 Abdülmecid was also removed from office, and the entire imperial family, including three-year-old Neslishah, was sent into exile.Sixteen years later on her marriage to Prince Abdel Moneim, the son of the last khedive of Egypt, she became a princess of the Egyptian royal family. And when in 1952 her husband was appointed regent for Egypt’s infant king, she took her place at the peak of Egyptian society as the country’s first lady, until the abolition of the monarchy the following year. Exile followed once more, this time from Egypt, after the royal couple faced charges of treason. Eventually Neslishah was allowed to return to the city of her birth, where she died at the age of 91 in 2012.Based on original documents and extensive personal interviews, this account of one woman’s extraordinary life is also the story of the end of two powerful dynasties thirty years apart.

This volume presents the results of recent archaeological and historical studies of the Ottoman fort of Quseir, which was Upper Egypt’s only direct outlet to the Red Sea at that time. Illustrated with over 100 maps, drawings, and photographs, this groundbreaking study examines a key example of Ottoman-era material culture in Egypt. With contributions from seven historians and archaeologists, Quseir traces the development and history of an important Ottoman fortress, built near an abandoned medieval port. Its establishment was part of a constant struggle by the Ottoman state to maintain control of the desert and the routes across it. Studies of the archaeological remains from the fort reveal the presence of reused stones from a Greco-Roman temple and emphasize its key role as a regional grain entrepôt and port of embarkation for Muslim pilgrims on the way to Mecca. Quseir is a portrait of a place at the boundary of two powerful cultural and economic systems. While serving as an outlet for the pilgrims and produce of Upper Egypt, Quseir also played a role in the distinctive maritime culture of the Red Sea. This study also reveals in detail for the first time the story of the struggle between the British and French for control of Quseir during the Napoleonic occupation of 1798–1801. American Research Center in Egypt Conservation Series 2

An essential, easy-to-use handbook for students at all levelsIn a compact, easy-to-use format, this new book offers a convenient guide to grammar for any student of Modern Standard Arabic (MSA), the version of Arabic most commonly used in journalism, formal writing, and literature. Drawing on over a decade of experience as a full-time teacher of Arabic, Azza Hassanein explains the rules in straight-forward English, illustrating usage with examples throughout.The book covers all the rules of grammar and morphology that students require for elementary, intermediate, and advanced levels of Arabic. As a compact guide, it is an ideal auxiliary, no matter what textbook the student is using. While students of the language will find Modern Standard Arabic Grammar extremely helpful, it is also a valuable tool for linguists who want to acquire a clear idea about the skeletal structure of the language, as well as translators who are working with written Arabic.Covering all the important grammatical rules of MSA, from nisba adjectives and nominal and verbal sentences to more complex constructions such as conditional sentences and the subjunctive, this unique handbook fills a real need for the growing number of people worldwide learning Arabic.

Despite their dry climates, Egypt’s deserts sustain a rich variety of plant life, from towering doum palm trees to the tamarisk shrub and flowering acacias. With this practical guide, noted ecologist Irina Springuel explains the best techniques for cultivating gardens using species indigenous to Egypt. The Desert Garden outlines Egypt’s natural vegetation and describes the habitats where its most popular plants can be found in the wild. She provides guidance on where to obtain the plant material for propagation and cultivation, drawing on her decades of experience in growing local desert plants, and offers advice on the most effective methods of watering plants, from subsurface irrigation to buried clay pots filled with water—an efficient technique that has been used since pharaonic times.Springuel focuses on thirty-eight of the most popular species of desert flora, illustrating each with color photographs and black and white drawings. For each, she provides useful information on its ecology and uses, with historical details about its uses in ancient Egyptian medicine and culture, where available, as well as archaeological plant material. Included here is material for beginners who want a small and simple private garden as well as for anyone planning extensive landscaping around a hotel or historic monument. Presented in straightforward language for the lay reader, while offering accurate scientific detail for professionals and scientists, The Desert Garden is an ideal companion for anyone interested in growing desert plants, both in Egypt and in similar desert environments elsewhere in the world.

How do Egyptian Muslims celebrate Ramadan? How do Copts—Egyptian Christians—celebrate Easter? What should you expect to find on the table when invited to eat in an Egyptian home? What do you say when an Egyptian colleague sneezes? Exactly what do Egyptians do with a mortar and pestle, a sieve, and a bag of nuts seven days after the birth of a baby?Samia Abdennour, once an outsider from Palestine, now thoroughly at home in Egypt, is here to tell you all about these matters—and many more. In a book that aims to introduce the unfamiliar newcomer or interested foreign reader to the hows, whats, and whys of Egyptians life, the author covers such diverse topics as birth, marriage, and death; religious festivals and fasting; food in the home and on the street; business etiquette and terms of politeness. She describes how some traditions differ between the two religious communities, the Muslims and the Copts, and how some customs are shared by all Egyptians—like the spring festival of Shamm al-Nisim (‘smelling the breezes’) that goes back to pharaonic times.With Egyptian Customs and Festivals, you need never be at a loss in a social situation in Egypt—or fail to understand what your neighbors are up to. Illustrated throughout with color photographs of daily life and special occasions, this fascinating and informative book is a must-have for anyone new to Egyptian culture.

Cynthia Nelson was an outstanding professor of anthropology at AUC and the founding director of the Institute of Gender and Women’s Studies. This collection of her essays, which highlight her distinguished scholarly career, is grouped under three main themes: phenomenology and the meaning of religious phenomena in Egypt; women, power, and politics in the Middle East; and the politics and ethics of location. Cynthia Nelson was the editor of the first Cairo Papers monograph in 1977: thirty years later, this issue marks her legacy to the humanistic and social scientific understanding of Egypt, a legacy balanced by the enormous institutional contributions she made to establishing feminist anthropology in Egypt. Cairo Papers Vol. 28, No. 2

The complete series of innovative new coursebooks in Egyptian colloquial ArabicAimed at the growing number of students studying Arabic worldwide, Kallimni ‘Arabi Aktar takes an innovative, functional approach to the study of Egyptian colloquial Arabic—the spoken dialect most frequently studied and most widely understood in the Arab world. Picking up where the previous title in this series, Kallimni ‘Arabi, leaves off, this volume is designed for adult students at the high-intermediate/low-advanced levels of language proficiency. Drawing on her years of experience as an Arabic instructor, author Samia Louis has developed a course rich in everyday cultural content and real-life functional language as well as comprehensive grammar. Written in accordance with the ACTFL guidelines for teaching Arabic as a foreign language, this highly structured course trains students in the crucial skills, with emphasis on listening and speaking.Each chapter includes a conversation unit that enables students to improve their communication skills and allows for progressive acquisition of vocabulary and grammar through interactive classroom tasks and everyday situations, from expressing personal likes and dislikes to initiating conversations and describing events and experiences. The online associated audio files carry recordings of each chapter’s dialogues and exercises, made by native Egyptian speakers to enrich the student’s exposure to the spoken language in its natural context and speed.

Short stories from an Iraqi writerLove and death and the passage between entry into the world and exit from it are the focus of this collection of short stories. Buthaina Al Nasiri is an Iraqi author who has lived in Cairo since 1979. Despite this physical and temporal distance from her homeland, much of her material derives from it and many of the stories in this collection reflect her deeply felt nostalgia for Iraq. In contrast to many contemporary female writers, she confesses to being less interested in the position of women in society than in that of people in general and the sufferings they experience between birth and the end of life. None the less, some of her best stories depict the many-colored relationships that exist between the sexes.Buthaina Al Nasiri’s work has been widely translated into European languages, but this is the first volume of her stories to appear in English, for which renowned translator Denys Johnson-Davies has selected work from a career of short-story writing spanning some thirty years.

Arab women’s writing in the modern age began with ‘A’isha al-Taymuriya, Warda al-Yaziji, Zaynab Fawwaz, and other nineteenth-century pioneers in Egypt and the Levant. This unique study—first published in Arabic in 2004—looks at the work of those pioneers and then traces the development of Arab women’s literature through the end of the twentieth century, and also includes a meticulously researched, comprehensive bibliography of writing by Arab women. In the first section, in nine essays that cover the Arab Middle East from Morocco to Iraq and Syria to Yemen, critics and writers from the Arab world examine the origin and evolution of women’s writing in each country in the region, addressing fiction, poetry, drama, and autobiographical writing.The second part of the volume contains bibliographical entries for over 1,200 Arab women writers from the last third of the nineteenth century through 1999. Each entry contains a short biography and a bibliography of each author’s published works. This section also includes Arab women’s writing in French and English, as well as a bibliography of works translated into English.With its broad scope and extensive research, this book is an indispensable resource for anyone interested in Arabic literature, women’s studies, or comparative literature.Contributors: Emad Abu Ghazi, Radwa Ashour, Mohammed Berrada, Ferial J. Ghazoul, Subhi Hadidi, Haydar Ibrahim, Yumna al-‘Id, Su‘ad al-Mani‘, Iman al-Qadi, Amina Rachid, Huda al-Sadda, Hatim al-Sakr.

ONE OF THE 50 MOST IMPORTANT ARABIC NOVELS OF THE 2OTH CENTURY (THE NATIONAL)A classic of modern Egyptian literature, award-winning author Salwa Bakr tells stories in the style of The Arabian Nights from a women's prison during the Nasser regimeFrom her cell in a women’s prison, Aziza decides to create a golden chariot to take her to heaven, where her wishes and dreams can be fulfilled. As she muses on who to take with her, she tells the life stories of her fellow prisoners and decides in her heart which ones deserve a free ride to paradise. Aziza’s cruelly frank comments about her friends and their various crimes—including murder, theft, and drug-dealing—weave these tales together into a contemporary Arabian Nights. Salwa Bakr takes a wry and cynical look at how women from widely differing backgrounds, some innocent and some guilty, come together in a single prison ward.Salwa Bakr’s writing depicts life at the grassroots of Egypt’s culture, admiring its resilience in the face of poverty and inequality. With a strong distrust of imported kitsch, western consumerism is contrasted with the indigenous culture. In The Golden Chariot, Salwa Bakr opens a magical door, through which we are able to see the injustices of a society in transition. Beyond these stories of crime, we glimpse the yearning and longing for a better life, and the problems of not being able to realize these dreams by honest means.

A major early novel by the Egyptian Nobel Laureate, published for the first time in EnglishThe completion of Khan al-Khalili in 1945 marked a turning point in Naguib Mahfouz’s career. Departing from the traditional themes drawn from Egyptian antiquity that characterize the author’s earlier works, Khan al-Khalili reflects instead a deep concern with the lives and problems of contemporary Egyptians.The time is 1942, the Second World War is at its height, and the Africa Campaign is raging along the northern coast of Egypt as far as El Alamein. Against this backdrop of international upheaval, the novel tells the story of the Akifs, a middle-class family that has taken refuge in Cairo’s historic and bustling Khan al-Khalili neighborhood. Believing that the German forces will never bomb such a famously religious part of the city, they seek safety among the crowded alleyways, busy cafés, and ancient mosques of the Khan, adjacent to the area where Mahfouz himself spent much of his young life. Through the eyes of Ahmad, the eldest Akif son and the novel’s central character, Mahfouz presents a richly textured vision of the Khan, drawing on his own memories to assemble a lively cast of characters whose world is framed by the sights, smells, and flavors of his childhood home. As Ahmad, a minor civil servant who has sacrificed both education and personal ambition in order to support his family, interacts with the people and traditions of Khan al-Khalili, a debate emerges that pits old against new, history against modernity, and faith against secularism. Addressing one of the fundamental questions of the modern era, Mahfouz asks whether, like the German bombs that threaten Khan al-Khalili daily, progress must necessarily be accompanied by the destruction of the past.Fans of Midaq Alley, The Beginning and the End, and The Cairo Trilogy will not want to miss this engaging and sensitive portrayal of a family at the crossroads of the old world and the new.

Sustainable development and environmental change have become two of the watchwords of the new century. But what do they mean for ordinary people living in some of the harshest environments in the world where survival is the driving force? This book sets out to examine these issues and how they affect, and are affected by, Bedouin communities living in the arid areas of the Nubian Desert in southeastern Egypt. Written by a joint Egyptian, Russian, and British research team, this book seeks to examine how the Bedouin of this area have coped with the environmental changes brought about after the construction of the Aswan High Dam and resulting formation of Lake Nasser. After documenting the nature of these changes, the authors show the practical and strategic ways in which the Bedouin have responded by adapting both their use of environmental resources and the social and economic dimensions of their community. Bedouins by the Lake argues that people in these communities are active agents of change and must not be seen as passive victims. For them, sustainable development and environmental change are not abstract academic debates, but real-life, everyday issues around which they must organize their lives.

This beautifully produced new paperback edition of Silent Images explores a puzzling contradiction: Despite the multitude of artifacts and texts that have come to us from ancient Egypt, much still remains obscure regarding the lives of women. Women were, from the historical perspective, silent—but how should this silence be interpreted? What was the reality of women’s lives behind the standardized images? We know that their chief role in society as mothers and anchors of the family was honored and respected, although it meant a degree of segregation and, in most periods, excluded them from public office. Nevertheless, in law they were the equals of men and they could, and did, own property, which they administered and disposed of themselves.Zahi Hawass’s book searches for a more realistic picture of women’s lives in ancient Egypt. As well as reconsidering the evidence from tomb and temple, the author draws on unpublished material from his excavations at the workers’ cemetery at Giza, which sheds light on the womenfolk of the workmen who built and maintained the pyramids. The text is complemented by lavish illustrations of places and objects, many made especially for this book.

The Fayoum, a large and exceptionally fertile depression in Egypt’s Western Desert, some 90 kilometers southwest of Cairo, is a region both rich in history and outstanding in natural beauty. Its historical legacy includes temples, pyramids, and towns from the Middle Kingdom and the Ptolemaic Period, as well as churches, monasteries, and mosques from later times.Neil Hewison here outlines the history (and prehistory) of the Fayoum and its lakes, describes the agriculture and rural life of the region, then guides the visitor around the province site by site, never averse to taking an interesting detour along the way.Originally published in 1984, this guide to one of Egypt’s most distinctive and beautiful regions quickly became regarded as a classic. The text has been thoroughly revised and updated for this new edition, including a new section on the recently declared UNESCO World Heritage Site of Wadi al-Hitan, the Valley of the Whales. The book is illustrated with color photographs and two maps.Recommended by Lonely Planet.

In Egypt a new era has dawned, but the dawn has taken an ominous turn. President Gamal Abdel Nasser has just proclaimed the first in a series of nationalization decrees, the stock exchange has shut down, and its parking attendant, Sayyid, is staring at penury. Across the street, the office of the Ministry’s Supervisory Board of Administrative Organization is engulfed in an eerie silence, and the narrator, one of the two remaining fulltime occupants of that nearly defunct government office, has fallen desperately in love with the other, Doha—forceful, erudite, and, a complete enigma, with a spiritual bond to the Egyptian goddess Aset.In this sophisticated, richly textured novel the author explores such themes as apathy and despair, courage and self-sacrifice, ambition and temptation, disillusionment and political faith, and, above all, commitment and betrayal.

This collection of short stories, both poignant and skillfully crafted, bring to life the tragic demise of traditional Nubian life and culture. If the earlier dams that were built across the Nile during the first half of the twentieth century caused increasing numbers of the men-folk to migrate north to Cairo and Alexandria to work as servants, waiters, and doormen, the completion of the High Dam in 1964 sounded the death knell. While the temples of Abu Simbel were meticulously relocated at great expense, the drowning of the ancient heartland of the Nubian people along the banks of the Nile went largely unnoticed. Haggag Oddoul’s work, as well as documenting the personal tragedy of individuals caught up in massive social transformation, also casts a nostalgic light on the heritage and way of life of the Nubians: their rhythmic dancing, their beautiful women, the lively humor of their elders, and the enormous centrality of their traditions and the spirits with which they shared the environment. Two stories in this collection, ‘’Zeinab Uburty’’ and ‘’Nights of Musk,’’ offer a bucolic and dream-like insight into the world that has disappeared for ever under the water behind the dam. Meanwhile, two other stories, ‘’Adila, Grandmother’’ and ‘’The River People,’’ document the departure of the men, while the women are left behind to go fallow, and the second and third generations born in the cities of the north have only their grandmother’s tales and her pigeon Arabic to remind them of their heritage.

Here, for the first time, is a volume of short stories from this commercially and culturally vital and vibrant center of the Arab world. Life before oil in this region was harsh, and many of the stories in this collection—by both men and women from all corners of the country—tell of those times and the almost unbelievable changes that have come about in the space of two generations. Some tell of the struggles faced in the early days, while others bring the immediate past and the present together, revealing that the past, with all its difficulties and dangers, nonetheless possesses a certain nostalgia.Contributors: Abdul Hamid Ahmed, Roda al-Baluchi, Hareb al-Dhaheri, Nasser Al-Dhaheri, Maryam Jumaa Faraj, Jumaa al-Fairuz, Nasser Jubran, Saleh Karama, Lamees Faris al-Marzuqi, Mohamed al-Mazroui, Ebtisam Abdullah Al-Mu’alla, Ibrahim Mubarak, Mohamed al-Murr, Sheikha al-Nakhy, Mariam Al Saedi, Omniyat Salem, Salma Matar Seif, Ali Abdul Aziz al-Sharhan, Muhsin Soleiman, ‘A’ishaa al-Za‘aby.

The complete series of innovative new coursebooks in Egyptian colloquial ArabicAimed at the growing number of students studying Arabic worldwide, the Kallimni ‘Arabi series takes an innovative, functional approach to the study of Egyptian colloquial Arabic—the spoken dialect most frequently studied and most widely understood in the Arab world. Kallimni ‘Arabi Mazboot, the fourth book in the series, is designed for adult students at the early advanced stage of learning the language.Drawing on her years of experience as an Arabic instructor, author Samia Louis has developed a course rich in everyday cultural content and real-life functional language as well as comprehensive grammar. Written in accordance with the ACTFL guidelines for teaching Arabic as a foreign language, this highly structured course trains students in the crucial skills, with emphasis on listening and speaking.Each chapter includes a conversation unit that enables students to improve their communication skills and allows for progressive acquisition of vocabulary and grammar through interactive classroom tasks and everyday situations, from expressing personal likes and dislikes to initiating conversations and describing events and experiences. The associated audio files have recordings of each chapter’s dialogues and exercises, made by native Egyptian speakers to enrich the student’s exposure to the spoken language in its natural context and speed. The associated audiovisual files comprise a series of video programs entitled “People’s Opinions,” which further help the students to place colloquial Egyptian within context.“The books in the [Kallimni ‘Arabi] series altogether present the best Arabic textbooks available . . . miles ahead of most others.”—David Wilmsen, American University of Beirut

This is a fully revised and expanded new edition of the favorite "Modern Standard Arabic" study series. This three-part course in Modern Standard Arabic for non-native speakers approaches the language through a series of themed topics - daily life in the Arab world, politics and governance, literature and the arts, science and medicine, astronomy - concentrates principally on listening and speaking skills. In each section, vocabulary is built up as various linguistic structures and strategies are introduced and practiced in a clear introduction to Arabic grammar. A CD accompanies Volume 1, and in addition to a full glossary of vocabulary items at the end of each volume (with meanings in both English and French), a supplementary dictionary, al-Mu'jam al-musa'id, gives a complete key to the vocabulary of all three books in four languages: English, French, German, and Spanish. Comprehensive and easily digestible, varied and informative, these books make an ideal basis for a classroom-based course in Arabic anywhere in the world.

A young man’s dreams for a better future as a student in the Teachers’ Institute are shattered after he assaults one of his instructors for discriminating against him. From then on, he begins his descent into the underworld. Penniless, he seeks refuge in Wikalat ‘Atiya, a historic but now completely run-down caravanserai that has become the home of the town’s marginal and underprivileged characters. This award-winning novel takes on epic dimensions as the narrator escorts us on a journey to this underworld, portraying—as he sinks further into its intricate relationships—the many characters that inhabit it. Through a labyrinth of tales, reminiscent of the popular Arab tradition of storytelling, we are introduced to these denizens, whose lives oscillate between the real and the fantastic, the contemporary and the timeless. And while the narrator starts out as a spectator of these characters’ lives, he soon becomes an integral part of the lodging house’s community of rogues.

Clamor of the Lake begins with the appearance of an old fisherman of unknown origin sailing a black boat. Taciturn and enigmatic, he takes on a woman and her twin boys. While he gives away nothing about his past, his undemanding companionship prompts the woman to narrate her turbulent life. Meanwhile, in a nearby village by the lake, Gomaa and his wife have found respite from the dreariness of their existence in the fantastic objects the sea churns up during gales—a sword, alluring panties, a talisman. But when the waves cast up a chest that speaks in a language no one can comprehend, Gomaa is haunted by its voice. As the tumult of the lake drives a wedge between the couple, it turns two neighbors into close allies: Karawia, a café proprietor, and Afifi, a grocer. Eventually, they too will be haunted by the siren song of the lake.In Mohamed El-Bisatie’s lyrical novel, the stories of these various figures converge on the mercurial presence of the lake, which in the end proves the narrative’s true hero. An accomplished experiment in the poetics of space, Clamor of the Lake won the 1995 Cairo International Book Fair Award for Best Novel of the Year.

A carefully curated collection of short story masterpieces from the "genius of the short story" (Tawfiq al-Hakim) and the Arab world's greatest short-story writer of the twentieth century''Like the Russian aristocrats of Chekhov, the provincial bourgeoisie of Flaubert, or the Ibo villagers of Achebe, Idris raises his authentic characters into convincing types within their context: he makes us live their agonies and hopes.''—Ferial GhazoulYusuf Idris (1927–91), who belonged to the same generation of pioneering Egyptian writers as Naguib Mahfouz and Tawfiq al-Hakim, is widely celebrated as the father of the Arabic short story. He studied and practiced medicine, but his interests were in politics and the support of the nationalist struggle, and in writing—and his writing, whether in his regular newspaper columns or in his fiction, often reflected his political convictions. He was nominated for the Nobel Prize for literature more than once, and when the prize went to Naguib Mahfouz in 1988, Idris felt that he had been passed over because of his outspoken views on Israel. In all, Yusuf Idris wrote some twelve collections of superbly crafted short stories, mainly about ordinary, poor people, many of which have been translated into English and are included, along with an extract from one of his novels, in this collection of the best of his work.