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Minuteman: A Technical History of the Missile That Defined American Nuclear Warfare is a detailed history of the Minuteman intercontinental ballistic missile program, which has served as a powerful component of US nuclear strategies for over half a century.  David K. Stumpf examines breakthroughs in solid propellant, lightweight inertial guidance systems and lightweight reentry vehicle development, the construction of over a thousand launch and launch control facilities, and key flight test and operational flight programs, and places the Minuteman program in context with world events.

The centrality of food to the human experience always places it at the crux of global crises, whether catastrophic climate change, the collapse of biodiversity in our shared ecosystem, the threat of pandemics, or the poverty and suffering associated with resource scarcity. The continual reality of these challenges has prompted professionals throughout the food industry to seek innovative solutions, as chefs and restaurateurs adjust to customer demands and political imperatives for socially responsible civic action.  Chefs, Restaurants, and Culinary Sustainability explores how chefs around the world approach culinary sustainability in highly unstable times while working in myriad professional domains. Building on empirical data collected from a wide range of cultural, historical, political, and economic settings, the contributors to this collection provide a sophisticated and engaging examination of how chefs in diverse culinary contexts tackle the increasingly urgent societal and environmental need for a more secure food future.

The message of modern physics is that physical reality has, at its frontiers, all the aspects of a transcendent order. At the foundation of things, elementary particles can exert instantaneous long-distance influences on each other, can be meaningfully said to have mind-like properties, and can exist in states which are, as Heisenberg wrote, “not quite real, but between the idea of a thing and a real thing.” Thus, just as dead atoms form living organisms and stupid molecules form intelligent brains, metaphysical entities form physical reality. This remarkable book clearly explains the concepts of quantum physics in order to show how science and spirituality are not separate.

Winner of the 2006 Booker Worthen Literary Prize and the 2004 Ragsdale AwardA dominating spirit of public service animated the life of Sidney Sanders McMath (1912–2003), the thirty-fourth governor of Arkansas. Promises Kept, completed and published when McMath was in his nineties, tells his story in his own words—from the piney hills of South Arkansas to the battlefields of World War II; through the human dramas of the courtroom to the marbled corridors of the State Capitol.In Promises Kept, McMath recounts a rural upbringing that grounded him in the concerns of everyday Arkansans. He tells his life story through key milestones, including distinguished military service and a dramatic political rise to governor of Arkansas. During his four years in office, he pursued reform and modernization by expanding roads and electricity to rural areas, fighting the poll tax, building the state's first medical center, opening Democratic primaries to Black voters, and standing with President Harry Truman in resisting the segregationist Dixiecrats. McMath's political career ended amid unproven allegations tied to the highway program—charges he addresses directly here—and concludes with his return to the law, where landmark cases earned him honors.Throughout, McMath reveals the excitement and the hard choices of real democracy, offering compelling human stories and a crucial perspective of a pivotal time in Arkansas history.

When twenty-nine-year-old Frank Stanford put three bullets in his chest on June 3, 1978, he ended a life that had been inextricably linked with poetry since childhood. Deeply influential but largely unknown outside his corner of the poetry world, this prodigy of the American South inspired a cult following that has kept his reputation and work flickering on the periphery of the American literary tradition ever since.The Life and Poetry of Frank Stanford offers for the first time a comprehensive study of Stanford’s life and work, introducing to a broad readership poetry that remains both captivating to poets and, in its celebration of everyday experience over academic erudition, accessible to those who rarely read poetry.Stanford’s poems range from one line to his 15,263-line epic, The Battlefield Where the Moon Says I Love You. The vital thread running through all of his poetry is an ear for language that vies with Walt Whitman in its expansiveness and generosity. Stanford’s omnivorous attraction to vernacular, particularly Black and rural vernacular, centered on an admiration for the marginalized and eccentric. Blending the Southern Gothic of Faulkner and O’Connor with a racially egalitarian vision, his poetry thrives on the stories and traditions of the oppressed and forgotten.The themes that preoccupied Stanford’s prolific output—language, sex, death, class, geography, commercialism, surrealism, film, race—also preoccupied the poet in his daily life, which was marked by heavy drinking, philandering, mental instability, emotional abuse, and, through it all, an inveterate desire for beauty. Constantly attentive to this tension, biographer James McWilliams traces the short and painfully complicated life of this hidden talent who left a lifetime’s worth of poetry that, through its grounding in the mundane, achieved a vision of the transcendent.

Winner, 2024 Etel Adnan Poetry PrizeAt its core, Rawand Mustafa’s Umbilical Discord is an impossible attempt. Ambitious in scope, it strives to trace the billion-branched reach of the Palestinian context within a fixed yet flowing form—columnar, helical, intertwining, tense, intense. Incorporating testimonies by elder Palestinian women who survived the Nakba, or Palestinian Catastrophe of 1948, Mustafa re-presents the ongoing shockwaves from this historical upheaval by interlacing witnesses’ stories with related recollections from her own family history. The overlapping accounts from Palestinian women that Mustafa has painstakingly translated or gathered from family members recall moments of supreme perseverance in the face of unimaginable violence, separation, and loss, while weaving together past and present, collective and individual, Arabic and English, memory and imagination, homeland and host country. As Trish Salah observes in the foreword for Umbilical Discord, “these are poems of yearning and of being, both in spite of and fractured by an impossible history. [. . .] Mustafa offers resistant traces of the geographies and names dis/re-membered in [. . .] efforts to erase the material architecture and cultural memory of Arab life in Palestine. What must be traversed in order to come to tell a history? As Mustafa writes in ‘dis cord,’ her opening poem, [. . .] ‘I attempt / my story / on a lost / foundation.’ ”

Between 1972, when he published his first book, The Signing Knives, and 1978, when he died at the age of twenty-nine, Frank Stanford published seven volumes of poetry. Within a year of his death, two posthumous collections were published. At the time of this death, as Leon Stokesbury asserts in his introduction, “Stanford was the best poet in America under the age of thirty-five.”The Light the Dead See collects the best work from those nine volumes and six previously unpublished poems. In the earlier poems, Stanford creates a world where he could keep childhood alive, deny time and mutability, and place a version of himself at the center of great myth and drama.Later, the denial of time and mutability gives way to an obsessive and familiar confrontation with death. Although Stanford paid an enormous price for his growing familiarity with Death as a presence, the direct address to that presence is a source of much of the striking originality and stunning power in the poetry.

Winner of the 2010 Lois Roth Persian Translation PrizeSin includes the entirety of Farrokhzad’s last book, numerous selections from her fourth and most enduring book, Reborn, and selections from her earlier work, and creates a collection that is true to the meaning, the intention, and the music of the original poems.

Partly because its colonial settlements were tiny, remote, and inconsequential, the early history of Arkansas has been almost entirely neglected. Even Arkansas Post, the principal eighteenth-century settlement, served mainly as a temporary place of residence for trappers and voyageurs. It was also an entrepot for travelers on the Mississippi—a place to be while on the way elsewhere. Only a very few inhabitants, true agricultural settlers, ever established themselves a or around the Post.For most of the eighteenth century, Arkansas’s non-Indian population was less than one hundred, and never much exceeded five or six hundred. Its European residents of that era, mostly French, have left virtually no physical trace: the oldest buildings and the oldest marked graves in the state date from the 1820s. Drawing on original French and Spanish archival sources, Morris Arnold chronicles for the first time the legal institutions of colonial Arkansas, the attitude of its population towards European legal ideas as were current in Arkansas when Louisiana was transferred to the United States in 1803. Because he views the clash of legal traditions in the upper reaches of the Jefferson’s Louisiana as part of a more general cultural conflict, Arnold closely examines the social and economic characteristics of Arkansas’s early residents in order to explain why, following the American takeover, the common law was introduced into Arkansas with such relative ease.

Examines the departure from meter and rhyme in modern poetry and the increased use of free verse

Philadelphia sports—anchored by the Eagles, Flyers, Phillies, and 76ers— have a long, and sometimes tortured, history. Philly fans have booed more than their share and have earned a reputation as some of the most hostile in the country. They’ve been known, so the tales go, to jeer Santa Claus and cheer at the injury of an opposing player.Strangely though, much of America’s perception of Philadelphia sports has been shaped by a fictional figure: Rocky. The series of Hollywood films named after their title character has told and retold the Cinderella story of an underdog boxer rising up against long odds. One could plausibly make the argument that Rocky is Philadelphia’s most famous athlete.Beyond the major sports franchises and Rocky, lesser-known ath- letic competition in Philadelphia offers much to the interested observer. The city’s boxing culture, influence on Negro Leagues baseball, role in establishing interscholastic sport, and leadership in the rise of cricket all deserve and receive close investigation in this new collection. Philly Sports combines primary research and personal experiences—playing in the Palestra, scouting out the tombstones of the city’s best athletes, enjoying the fervor of a Philadelphia night with a local team in pursuit of a championship title. The essence of Philadelphia sport, and to a cer- tain extent the city itself, is distilled here.

Partly a roman à clef, partly a paradic "novel-within-a-novel," Writing for Love and Money is perhaps best described as a comic odyssey into the world of the bestseller, a tour guide for writing a blockbuster. Playfully weaving literary puns and allusions into an enthralling narrative, Perutz allows Kate, assisted by a host of "real" and fictional authors, to learn page by page the ingredients of popular fiction. While some critics may argue about the genre—is the book a novel? a memoir? an expose?—Perutz's readers will agree that Writing for Love and Money is one of the funniest nonnovels, nonmemoirs, nonexposes they've read.

Arkansas’s rich folk tradition is shown by the variety of its manifestations: a 250-year-old ballad, an archaic method of hewing railroad crossties with a broadax, the use of poultices and toddies to treat the common cold, and swamps of evil repute are all parts of the tradition that constitutes Arkansas folklore. In fact, as the essays selected by W.K. McNeil and William M. Clements show, these few examples only begin to tell the story.Starting with a working description of folklore as “cultural material that is traditional and unofficial” and characterized by a pattern of oral transmission, variation, formulaic structures, and usually uncertain origin, the authors survey in detail a wide array of folk objects, activities, beliefs, and customs. Among the rich offerings in this sourcebook are a discussion of the history of folklore research in Arkansas, an examination of some of the traditional songs and music still being preformed, a thoughtful exploration of the serious side of “tall tales” and “windies,” an investigation of folk architecture in Arkansas and what it reveals about our cultural origins, a study of many traditional foods and there preparation methods, an analysis of superstitions and beliefs, and a description of festivals and celebrations that are observed to this day.Complemented by biographies of reference works and audio and video recordings of the state’s folk materials, An Arkansas Folklore Sourcebook is the first complete guide to the study of one state’s “unofficial culture.”

The critic Norman Granz called tenor saxophonist Lester Young "the greatest musician I have heard on the instrument." Douglas Ramsey speaks of Young as "the gentle bedeviled genius whose vision of beauty found expression even though he was hounded throughout his life by nearly every demon the twentieth century had managed to spawn." This is his story, told with love and candor.

This powerful collection of fifteen memoirs by and about one of the greatest poets of our time weaves an unforgettable drama of friendship, grace, and courage, through long years of heartbreak and hunger.

Peter Viereck's career has been an ongoing experiment in the symbiosis of poetry and history. Tide and Continuities is the embodiment and culmination of that career. It includes many new poems, never before published, and work--some with stunning revisions--from books as recent as his 1987 epic, Archer in the Marrow: The Applewood Cycles, and as early as his 1948 Pulitzer Prize–winning collection, Terror and Decorum. Tide and Continuties is the revelation of a great American poet.

Keeping Faith is Jimmy Carter’s account of the satisfaction, frustration, and solitude that attend the man in the Oval Offce. Mr. Carter writes candidly about the crises that confronted him during his tenure as President of the United States and leader of the free world, from 1977 to 1981.“The President who cared” details his anguish over the hostage crisis in Iran, his triumph against all odds at Camp David, his secret communications with China’s Deng Xiaoping, and his dramatic and revealing encounters with Soviet President Leonid Brezhnev, West German Chancellor Helmut Schmidt, and other world leaders.Mr. Carter also shares glimpses of his private world - his feelings of being an outsider in Washington, his relationship with Rosalynn, his pain about the attacks on his friends and his brother Billy.Captivatingly written, this rich historical document delineates a morally responsible president who has continued to earn respect and admiration as a world statesman and advocate for the poor and repressed of all nations.

“The man revealed in these pages seems to embody so much of what Americans claim to admire - self-reliance, honesty, humor, modesty, intelligence - the stuff of heroes.” - The New York Times Book Review

“What makes Rosalynn Carter so interesting and her memoir so compelling is her awareness that she is part of a long and distinguished historical tradition: the southern lady in politics . . . What ought to be a continuing legacy is Rosalynn’s success in breaking new ground as a First Lady, without uprooting the traditions of the past.” - Minneapolis Tribune

Hatif Janabi’s poems are passionate, jolting, apocalyptic, and painful. They deal with war and death, perception and truth, drawing from his family life, his exile in Poland, the Gulf War, violence in Iraq, and his experience in the United States.The speaker in many of Janabi’s poems moves from a confrontational stance to one of resigned desperation, and from coyness to deep longing, where, occasionally, hope surfaces. The associative processes and the often bizarre surreal imagery he employs are very effective in expressing his profound sense of political and spiritual alienation. Janabi is among a generation of Arab poets who, because of censorship, can speak only obliquely about the harsh reality of their lives. In these poems he has created symbolic landscapes that attempt to reveal the political, social, and psychological stresses with which suffering people live.

Bill Clinton has long been touted as a master of public speaking form and political discourse. Taken from his speeches as a twenty-seven-year-old candidate for Congress though his 1992 victory speech, Preface to the Presidency reveals the power and range of his contribution to our nation's political dialogue.

Renowned poets and experts in metrics respond to Robert Wallace's pivotal essay which clarifies and simplifies methods of studying poetry. Former United States Poet Laureate Robert Hass has called Wallace's essay a paradigm shift in our understanding of English prosody.

This collection of essays represents a large-scale attempt to characterize the long-neglected Arkansas Delta. The historical, social, economic, geographic, and cultural issues the authors address make it abundantly clear that the Delta—long thought to be a land of relative stasis—is actually changing quite rapidly. It is clear, too, that this strange land is filled with haunting contradictions.Winner of the 1994 Virginia C. Ledbetter Prize

In the winter of 1818, Henry Rowe Schoolcraft set out from Potosi, Missouri, to document lead mines in the interior of the Ozarks. Intending only to make his fortune by publishing an account of the area's mineral resources, he became the first skilled observer to witness and record frontier life in the Ozarks.The journal kept by Schoolcraft as he traveled ninety days in the rugged terrain of southern Missouri and northern Arkansas was originally published in 1821 and has become an essential record of Ozark territorial society and natural history documenting some of the earliest American settlers in the region, the power and beauty of many lost portions of the White River, the majesty of the open prairies, and the wealth of wildlife once found in the Ozarks.

In a literature where recognition is hard earned, this anthology demonstrates what distinguishes contemporary Bolivian fiction and poetry from the rest of Latin American writing and shows clearly how Bolivian writers relate to that tradition.Bolivia is a landlocked nation of mountains and high, arid plains, a place native writer JesÚs Urzagasti calls the “Land of Silence.” This crucible of indigenous and European influences has contributed to the creation of a writing style that is always down-to-earth, often grittily realistic.From this fundamental base, Bolivian writers express provincial customs and values, decry political oppression, and sound universal themes of isolation, even resignation; but, more often, they show the will to move forward as a people. This rich thematic mix encourages what critic Edgar Lora has called the “dynamic and vigorous social dis course” and the resulting “subversive, militant, and revolutionary” qualities of Bolivian literature.Editor Sandra Reyes has gathered a panoramic sampling of twenty two poets and eighteen fiction writers. Focusing predominantly on living, practicing writers, this anthology defines the current literary voice of Bolivia and gives us a distillation of the contemporary Bolivian consciousness.

The Little Rock Central High School integration crisis did not end in1957 when President Eisenhower sent a portion of the first Airborne Division to protect nine black students. The turmoil was entering its second year in 1958 when Arkansas governor Orval Faubus invoked a hastily passed state law to close the high schools rather than obey the federal court orders that would integrate them.A group of respectable, middle-class white women, faced with the prospect of no schools as well as the further loss of their city’s good name, turned militant. Led by Adolphine Fletcher Terry, a prominent, “old family” civic leader in her seventies, the wome n quickly put together the Women’s Emergency Committee to Open Our Schools (WEC), a highly effective organization that bombarded the city with ads, fliers, and statements challenging Faubus’s action. At peak membership, the WEC mustered two thousand to their cause. Largely inexperienced in politics when they joined the WEC, these women became articulate, confident promoters of public schools and helped others to understand that those schools must be fully integrated.Forty years later, Sara Murphy, a key member of the WEC, recounts the rarely told sto1y of these courageous women who formed a resistance movement. With passion and sensitivity, she reconstructs the challenges and triumphs of that battle, which issued from the mutual link Southern white women shared with disfranchised African Americans in their common goal for full citizenship.

The University of Arkansas Press Award for Arabic Literature in Translation, 1997In this, the first Nubian novel ever translated, Awad Shalali, a Nubian worker in modern Egypt, dreams of Dongola—the capital of medieval Nubia, now lost to the flood waters of the Aswan High Dam. In Dongola, the Nubians reached their zenith. They defeated and dominated Upper Egypt, and their archers, deadly accurate in battle, were renowned as “the bowman of the glance.Helima, Awad’s wife, must deal with the reality of today’s Nubia, a poverty-stricken bottomland. Men like Awad now work in Cairo for good wages while the women remain at home in squalor, dominated by the Islam of their conquerors and ignorant of the glory now covered by the Nile’s water. Left to tend Awad’s sick mother and his dying country, Halima grows despondent and learns the truths behind the Upper Egyptian lyric: “Time, you are a traitor—what have you done with my love?Through his characters’ pain and suffering, Idris Ali paints in vibrant detail, with wit and a keen sense of history’s absurdities, the story of cultures and hearts divided, of lost lands, impossible dreams, and abandoned lives.

Honored with the 1990 American Institute of Architects Gold Medal for a lifetime of outstanding achievement, Fay Jones is an Arkansas original. In receiving the medal from Prince Charles of Great Britain, Jones was hailed as a “powerful and special genius who embodies nearly all the qualities we admire in an architect” and as an artist who used his vision to craft “mysterious and magical places” not only in Arkansas but all over the world.This book accompanied a special museum exhibit of Jones’s life and work at the Old State House in Little Rock. It traces Jones’s development from his early years as a student of Frank Lloyd Wright and Bruce Goff, to the culmination of his ability in such arresting structures as Pinecote Pavilion in Picayune, Mississippi; Thorncrown Chapel in Eureka Springs, Arkansas; and Chapman University Chapel in Orange, California. Through the black-and-white photographs of the homes, chapels, and other buildings that Jones has created and the accompanying captions and interviews of the architect, the reader is allowed a view into this man’s remarkable talent.Designing structures that fuse architecture and landscape, the organic and the man-made, Jones has created special places which touch their viewers with the power and subtlety of poetry. Herein we learn why.From the Foreword by Robert Adams Ivy Jr.:“Fay Jones’s architecture begins in order and ends in mystery. . . . His role can perhaps best be understood as mediator, a human consciousness that has arisen from the Arkansas soil and scoured the cosmos, then spoken through the voices of stone and wood, steel and glass. Art, philosophy, craft, and human aspiration coalesce in his masterworks, transformed from acts of will into harmonies: Jones lets space sing.”