Opera
3 797 produkter
3 797 produkter
481 kr
Skickas inom 7-10 vardagar
Boken innehåller texten till samtliga ingående operor: Rhenguldet, Valkyrian, Siegfried och Ragnarök. Wagners tyska originaltext står sida vid sida med ny svensk översättning. Vid översättningen har särskilt lagts vinn om att göra texten och innehållet begripliga. Den svenska texten är inte avsedd att sjungas. Inledande förord om Nibelungensagan av Maren Jönsson.
- Nyhet
297 kr
Skickas inom 3-6 vardagar
274 kr
Skickas
Experience the passion and drama of the world's greatest operas with this sumptuously illustrated visual guide.Immerse yourself in more than 400 years of the world's most celebrated operas and discover the fascinating stories behind them. Explore the lives of singers such as Maria Callas, Luciano Pavarotti, and Jonas Kaufmann. Meet composers like Mozart, Wagner, and Britten, and the librettists with whom they collaborated to create the magical blend of words and music that make up opera.From its origins in the 17th-century courts of Italy to live screenings in public spaces today, Opera: The Definitive Illustrated Story follows the history of opera from Monteverdi's L'Orfeo in 1607, to Cosi fan Tutte, La Bohème, and modern operas such as Brokeback Mountain. It explains musical terminology, traces historical developments, and sets everything in cultural context.This awe-inspiring opera book further features:-Includes all of the most important operas from the Renaissance to the 21st century-Profiles the key composers, librettists, performers, and companies, with details of their lives, works, and influence-Arranged in chronological order to show the evolution of the genre-Clear, informative explanation of musical terminology and different types of operaFilled with photographs of all the key figures and performances, this book revels in the sets and costumes that make up the grand spectacle of opera. It also explores the great opera houses of the world, such as La Scala, Milan, the Met in New York, and the Sydney Opera House. Opera: The Definitive Illustrated Story is the essential book for anyone who wants to understand and enjoy the constantly evolving world of this beloved art form.Did you know that there are more than 25,000 opera performances per year worldwide? Opera: The Definitive Illustrated Story can be regarded as the most lavishly illustrated history of opera currently available, covering all of the most important operas from the Renaissance to the 21st century, and is completely global in scope. A must-have volume for opera buffs, whether as a gift or self-purchase, if you're a music lover looking for an accessible introduction to opera, then this is the book for you!
Wagner som dramaturg : hur Wagner satte samman sina mytologiska källor till Nibelungens ring samt en liten handbok för att tränga in i verket
Häftad, Svenska, 2021
197 kr
Skickas
Ännu en bok om Wagners Ring? Trots att Richard Wagner är en av västvärldens mest omskrivna och analyserade gestalter, så har knappt någon gått in i hans dramaturgiska verkstad för att kolla hur han knådade om de fornnordiska myterna till musikhistoriens mest omfattande epos Nibelungens ring. Vilka myter tog han, hur ändrade han och satte samman dem till en alldeles egen handling? Då Wagner lämnade Dresden för att gå i landsflykt 1849 hade redan skrivit ner 800 sidor för hand med olika utkast från omkring tio källor - till de mest använda hör Den poetiska Eddan och dess tyska bearbetning Nibelungenlied, men också bröderna Grimms nedtecknade sagor och myter. Hur hamnade de isländska och västnorska myterna, med rötterna i 800-talet, i en av vår tids mest omskrivna, omtolkade och spelade tyska musikverk? Varför valde han det temat istället för Jesus från Nasaret?
Denna bok tar avstamp i Wagner som dramaturg och textförfattare, men kan även ses som en behändig handbok i Nibelungens ring för den som behöver en lättfattlig introduktion till det gigantiska och mångskiktade verket. Den avslutas med en liten ledmotivskola samt några noteringar kring de mest tongivande Ringen-uppsättningarna fram till idag. Som bilaga finns rollistor och handling akt för akt, så att den mindre insatta lätt kan orientera sig. Detta är den första boken om Ringen på svenska sedan jubileumsåret 1976.
Göran Gademan, docent i teatervetenskap, är dramaturg och castingsamordnare på Göteborgsoperan och kommer här ut med sin tredje bok på Gidlunds (Operabögar 2003, Operahistoria 2015). Han har även gjort sig känd som "evig stormästare" i SVT:s Kontrapunkt, varefter han hamnade på femte plats på magasinet OPUS lista över svenska musikpersonligheter. Under pandemin förde han kulturarbetarnas talan genom att grunda föreningen "Öppna salongerna" för att öppna teatrar och konserthus på ett smittsäkert sätt, vilket renderade honom en nominering till Stora Målpriset 2020. Hans umgänge med Wagners epos började då han var i nedre tonåren och kulminerar under 2021, då han som dramaturg går i mål med Göteborgsoperans Ring, inför vilken han nyöversatt hela verket för textmaskin.
213 kr
Skickas
Det står en ensam musiker där, allra längst bak i orkesterdikets mörker, ansiktet lite upplyst av det bleka skenet från en monitor. Koncentrerad. Förmodligen står det ett notställ och någon form av instrument bredvid. Kanske en klocka som hänger på ett ställ, en virveltrumma eller en vindmaskin. Snart hör publiken hur åskan börjar mullra. En kanon ljuder. Eller kanske hörs bara en liten vissling någonstans långt, långt borta.
Som professionell slagverkare är man tvungen att, i alla fall hjälpligt, kunna ta sig runt hela det till synes oändliga hav av olika instrument som går under samlingsnamnet slagverk. Det ingår i arbetsbeskrivningen att ta sig an exempelvis en bendir från Marocko, oljefat från Trinidad eller tablas från Indien om nu partituret föreskriver detta.
Underhållande och gediget beskriver Roger Svedberg slagverkens historia och mångfald, från bastrumma och bjällerstav till bilhorn - och vad som krävs av en yrkesverksam slagverkare utöver ett speciellt psyke, stor kunskap och nerver av stål.
241 kr
Skickas inom 7-10 vardagar
Published in the run-up to the 200th anniversary of the composer’s birth in 2013, and written by one of the most distinguished Wagner scholars in the world, this will be the Wagner book of the bicentenary. Richard Wagner (1813–1883) is one of the most influential – and also one of the most polarizing – composers in the history of music. Over the course of his long career, he produced a stream of spellbinding works that challenged musical convention through their richness and tonal experimentation, ultimately paving the way for modernism. This book presents an in-depth but easy-to-read overview of Wagner’s life, work and times. Making use of the very latest scholarship – much of it undertaken by the author himself in connection with his editorship of The Wagner Journal – Millington reassesses received notions about Wagner and his work, demolishing ill-informed opinion in favour of proper critical understanding. It is a radical – and occasionally controversial – reappraisal of this most perplexing of composers. The book considers a whole range of themes, including the composer’s original sources of inspiration; his fetish for exotic silks; his relationship with his wife, Cosima, and with his mistress, Mathilde Wesendonck; his anti-semitism; the operas’ proto-cinematic nature; and the turbulent legacy both of the Bayreuth Festival and of Wagnerism itself. The volume’s arrangement – unique among books on the composer – combines an accessible text, intriguing images and original documents in carefully co-ordinated sections, thus ensuring a consistently fresh approach.
89 kr
Skickas
"Några dagar innan Scener ur hjärtat gavs ut för första gången i augusti 2018 så satte sig Greta utanför Sveriges riksdag och påbörjade sin skolstrejk för klimatet en strejk som pågår än idag, både på Mynttorget i Gamla stan och runtom i världen. Sedan dess har många saker förändrats. Både för henne och för oss som familj.
Denna nya pocketutgåva är en utökad berättelse med nya scener från sommaren 2018 och det som hände i inledningen av Gretas skolstrejk. Pengarna som vi eventuellt tjänar på denna bok kommer att gå till Greenpeace, WWF, Lära med Djur, Fältbiologerna, Kung över Livet, Naturskyddsföreningen, Barn i Behov och Djurens Rätt, via en stiftelse som vi har upprättat. Så är det. För det har Greta och Beata bestämt."
Malena Ernman, maj 2019
157 kr
Skickas
Every generation or so an opera singer attains the kind of public adulation and affection usually reserved for film stars or pop singers. Luciano Pavarotti reached this level of fame: he was the most celebrated tenor of all time, his concerts attended by thousands, his records selling millions of copies.In Pavarotti: My World, he talks candidly about his successes and trials, from his forays into popular music and his performances in China, to the boos he endured at La Scala, from the near-fatal illness of his youngest daughter, to his worldwide efforts to convert people to the joys of classical music and opera.Pavarotti's acclaimed autobiography shows us how this great artist felt about his extraordinary voice, how he saw his work and how he regarded his extraordinary position in the world of music and entertainment. Generously illustrated with photographs taken from Pavarotti's private collection, this is an intimate, absorbing and wonderfully honest account of an astonishing talent.
150 kr
Skickas inom 3-6 vardagar
A superbly insightful and moving exploration of Wagner's last opera, by one of Britain's leading intellectuals Wagner's last music-drama tells the story of Parsifal, the 'pure fool, knowing through compassion', who has been called to rescue the Kingdom of the Grail from the sins that have polluted it. The Grail is a symbol of purity in a world of lust and power, but although Parsifal is the culmination of Wagner's life-long obsession with the religious frame of mind, the redemption sought by his characters is far from the Christian archetype. For Wagner, redemption occurs inthis life, when compassion prevails over enslavement, and purity replaces spiritual pollution. His music here ties together suffering and contrition, sin and forgiveness, downfall and redemption in an inextricable knot, healing the fractures and uniting the warring elements in human life in a way that is clear, convincing and uncanny. More than any other of his works, Parsifal expresses in music a depth of feeling for which we do not have words.This short but penetrating book, by a writer who was uniquely both a leading philosopher and musicologist, shows us how Wagner achieves this profound work, explaining the story, its musical ideas, and their coming together into a sublime whole which gives us the musical equivalent of forgiveness and closure. There are few writers who can so enhance our understanding of one of the greatest works in western music.
Del 23 - X Position
Släpp sångarna loss! : genus, gestaltningsnormer och konstnärligt handlingsutrymme i opera
Häftad, Svenska, 2023
249 kr
Skickas
Hur kan operasångarens konstnärliga handlingsutrymme vidgas? Det är en av frågorna i Släpp sångarna loss! där Tove Dahlberg i samarbete med andra yrkesverksamma inom scenkonsten undersöker genus och gestaltningsnormer i operavärlden. Med scener ur standardrepertoaren och nyskrivna verk som arbetsmaterial vaskas nya verktyg och förhållningssätt fram. Teoretiska perspektiv omvandlas till en vokal och kroppslig sångarpraktik. Längs vägen utforskas gestaltningskonventioner - hur de skiljer sig åt i olika röstfack och hur de kan förändras. Tove Dahlberg leker med stereotyper, inspireras av dragking-teknik, utmanar hur kanoniserade roller brukar gestaltas och vad som ingår i sångarens yrkesroll. Hon undersöker också gestaltning av intimitet och skillnader mellan trygghet och tillit.
TOVE DAHLBERG är sångare, utbildad först inom jazz vid Kungliga Musikhögskolan i Stockholm, därefter inom opera vid Operastudio '67 och dåvarande Operahögskolan i Stockholm. Hon har haft solistuppdrag vid Covent Garden i London, La Monnaie-operan i Bryssel, Opéra National de Lyon och Lincoln Center i New York och på operafestivalerna i Glyndebourne, Florens och Aix-en-Provence. I Sverige har hon framträtt vid Kungliga Operan, Drottningholms slottsteater och Folkoperan. Bland rollerna märks Dorabella i Così fan tutte (Mozart), Cherubin i Figaros bröllop (Mozart), Kleopatra i Julius Caesar (Händel) och titelrollerna i Julie (Philippe Boesmans efter Strindbergs drama) och Pelléas och Mélisande (Debussy). Släpp sångarna loss! är Tove Dahlbergs doktorsavhandling.
156 kr
Skickas inom 5-8 vardagar
From football hooligan to opera singer, from the Cockney Reds to Catullus, from a hectic household to tranquility of spirit, Mark Glanville has travelled many paths, been many people – this is his remarkable story.The story of Mark Glanville’s journey from violently bullied Jewish boy (Goldberg is the real family name) at Pimlico comprehensive to Principal Bass with the Lisbon Opera via a period travelling the country as a member of the Cockney Reds, the notorious Manchester United-supporting hooligans.Throughout all these vastly opposed phases and worlds, Glanville’s driving force is his search for self-knowledge. His home life is overshadowed by the larger-than-life character of his famous father and his extensive philandering, his mother’s obsession with psychotherapy and hostile relationships with his siblings. He fights to defend his Jewishness at school, only to be told by his father that he has no right to call himself one. A bookish teenager Glanville is obsessed with jazz and opera but he spends his weekends with a group of hooligans who are unsure whether to accept him or beat him up because of his posh accent. Then reading Classics at Oxford (explaining his absence away to the Cockney Reds as a four-year prison sentence for manslaughter) he is simultaneously drawn to and repelled by the Oxbridge ‘society set’. The story of his struggle towards equilibrium, to learn from his own and his family’s mistakes, and to find his own identity, eventually re-embracing Judaism and music, is both gripping and inspiring.An impressive new voice, Mark Glanville writes with refreshing honesty, humour and a complete lack of sentimentality. The utterly opposing aspects of his life make for a sometimes controversial but always fascinating read.
123 kr
Skickas inom 5-8 vardagar
The perfect introduction to the Master.Over a century after his death, Richard Wagner’s music dramas stand at the centre of the culture of classical music. He was a walking contradiction: aggressive, flirtatious, disciplined, capricious, heroic, visionary and poisonously anti-Semitic. His ten great mature masterpieces constitute an unmatched body of work, created against a backdrop of poverty, revolution, violent controversy, critical contempt and hysterical hero-worship.In this book, Simon Callow plunges the reader headlong into Wagner’s world, examining the intellectual and artistic climate of this composer like no other who ever lived, creator of perhaps the most sublime and most troubling body of work in the history of music.
The Complete Beatles Songs: The Stories Behind Every Track Written by the Fab Four
Inbunden, Engelska, 2015
432 kr
Skickas inom 3-6 vardagar
198 kr
Skickas
Abbate and Parker's A History of Opera is the first full new history of opera in sixty years - now in paperback in an updated second edition'The best single volume ever written on the subject' The Times Literary SupplementWhy has opera transfixed and fascinated audiences for centuries? Carolyn Abbate and Roger Parker answer this question in their scrupulous and provocative retelling of the history of opera, examining its development, the means by which it communicates, and its societal role. In a new revision with an expanded examination of opera as an institution in the twenty-first century this book explores the tensions that have sustained opera over 400 years: between words and music, character and singer, inattention and absorption. Abbate and Parker argue that, though the genre's most popular and enduring works were almost all written in a distant European past, opera continues to transform the viewer with its enduring power.
194 kr
Skickas
This concise edition of the critically-acclaimed New Penguin Opera Guide focusses on the composers and works most frequently performed today - ranging from Britten to Massenet, and from Mozart to Wagner. Composer biographies are accompanied by informed articles on individual operas, offering plot synopses, musical analysis and general commentary.
231 kr
Skickas inom 5-8 vardagar
1 222 kr
Skickas inom 7-10 vardagar
The popularity of Carmen endures across generations and continents, with one of the most frequently performed and instantly recognizable operatic scores of all time and a libretto derived from Prosper Mérimée's novella of the same name, written 30 years prior to the opera's 1875 debut. In Georges Bizet's Carmen--the latest volume in the Oxford Keynotes series--author Nelly Furman explores the evolution of Carmen's story and its meaning, illuminating how the titular heroine has maintained her status as a universally recognizable cultural icon.Grounded in Ludovic Halévy's and Henri Meilhac's libretto--and drawing on a wealth of mostly French critical theory--this book traces the textual, operatic, and cinematic tellings and retellings of the story, from its success as a novella in the industrial age through to its iconic position in our own cinematic era. As Furman delicately navigates the fraught terrain of racial and gendered discourse and ideology that Bizet's setting of Mérimée's work traverses, she uncovers the elements of the story that give it cultural salience and resonance, both in its own right and in support of Bizet's acclaimed musical score. In doing so, Furman reveals how past and present renderings of the Carmen tale mirror the changing concerns and shifting values of individual authors and their societies--and how each new rendering has helped to embed Carmen into the global conscience.
326 kr
Skickas inom 3-6 vardagar
The popularity of Carmen endures across generations and continents, with one of the most frequently performed and instantly recognizable operatic scores of all time and a libretto derived from Prosper Mérimée's novella of the same name, written 30 years prior to the opera's 1875 debut. In Georges Bizet's Carmen--the latest volume in the Oxford Keynotes series--author Nelly Furman explores the evolution of Carmen's story and its meaning, illuminating how the titular heroine has maintained her status as a universally recognizable cultural icon.Grounded in Ludovic Halévy's and Henri Meilhac's libretto--and drawing on a wealth of mostly French critical theory--this book traces the textual, operatic, and cinematic tellings and retellings of the story, from its success as a novella in the industrial age through to its iconic position in our own cinematic era. As Furman delicately navigates the fraught terrain of racial and gendered discourse and ideology that Bizet's setting of Mérimée's work traverses, she uncovers the elements of the story that give it cultural salience and resonance, both in its own right and in support of Bizet's acclaimed musical score. In doing so, Furman reveals how past and present renderings of the Carmen tale mirror the changing concerns and shifting values of individual authors and their societies--and how each new rendering has helped to embed Carmen into the global conscience.
Opera After the Zero Hour
The Problem of Tradition and the Possibility of Renewal in Postwar West Germany
Inbunden, Engelska, 2019
876 kr
Skickas inom 5-8 vardagar
Opera After the Zero Hour: The Problem of Tradition and the Possibility of Renewal in Postwar West Germany presents opera as a site for the renegotiation of tradition in a politically fraught era of rebuilding. Though the "Zero Hour" put a rhetorical caesura between National Socialism and postwar West Germany, the postwar era was characterized by significant cultural continuity with the past. With nearly all of the major opera houses destroyed and a complex relationship to the competing ethics of modernism and restoration, opera was a richly contested art form, and the genre's reputed conservatism was remarkably multi-faceted. Author Emily Richmond Pollock explores how composers developed different strategies to make new opera "new" while still deferring to historical conventions, all of which carried cultural resonances of their own. Diverse approaches to operatic tradition are exemplified through five case studies in works by Boris Blacher, Hans Werner Henze, Carl Orff, Bernd Alois Zimmermann, and Werner Egk. Each opera alludes to a distinct cultural or musical past, from Greek tragedy to Dada, bel canto to Berg. Pollock's discussions of these pieces draw on source studies, close readings, unpublished correspondence, institutional history, and critical commentary to illuminate the politicized artistic environment that influenced these operas' creation and reception. The result is new insight into how the particular opposition between a conservative genre and the idea of the "Zero Hour" motivated the development of opera's social, aesthetic, and political value after World War II.
Opera as Hypermedium
Meaning-Making, Immediacy, and the Politics of Perception
Inbunden, Engelska, 2021
1 138 kr
Skickas inom 5-8 vardagar
Drawing on the concept of hypermediacy from media studies, this book situates opera within the larger context of contemporary media practices, and particularly those that play up the multiplicity, awareness and enjoyment of media. It is driven by the underlying question of what politics of representation and perception opera performs within this context. This entails approaching operas as audiovisual events (rather than works or texts) and paying attention to what they do by visual means, along with the operatic music and singing. The book concentrates on events that foreground their use of media and technology, drawing attention to opera's inherently hypermedial aspects. It works with the recognition that such events nevertheless engender powerful effects of immediacy, which are not contingent on illusionism or the seeming transparency of the medium. It analyzes how effects like presence, liveness and immersion are produced, contesting some critical claims attached to them. It also sheds light on how these effects, often perceived as visceral or material in nature, are related to the production of meaning in opera. The discussion pertains to contemporary pieces such as Louis Andriessen and Peter Greenaway's Rosa and Writing to Vermeer, as well as productions of the canonical repertory such as Wagner's Ring Cycle by Robert Lepage at the Met and La Fura dels Baus in Valencia.
598 kr
Skickas inom 5-8 vardagar
The Shubert name has been synonymous with Broadway for almost as long as Broadway entertainment itself. With seventeen Broadway theatres including the Ambassador, the Music Box, and the Winter Garden, The Shubert Organization perpetuates brothers Lee and Jacob Shubert's business legacy. In The Shuberts and Their Passing Shows: The Untold Tale of Ziegfeld's Rivals, author Jonas Westover investigates beyond the Shuberts' business empire into their early revues and the centrifugal role they played in developing American theatre as an art form. The Shubert-produced revues, titled Passing Shows, were terrifically popular in the teens and twenties, consistently competing with Florenz Ziegfeld's Follies for the greatest numbers of stars, biggest spectacles, and ultimately the largest audiences. The Shuberts and Their Passing Shows is the first-ever book to unpack the colorful history of the productions, delving into their stars, costumes, stagecraft, and orchestration in unprecedented detail.Providing a fresh and exciting window into American theatrical history, Westover traces the fascinating history of the Shuberts' revue series, presented annually from 1912-1924, and covers more broadly the glorious days of early Broadway. In addition to its compelling history of Broadway's Golden Age, The Shuberts and Their Passing Shows also provides a revisionary argument about the overarching history of the revue. Bolstered by a rich collection of documents in the Shubert Theater Archive, Westover argues against the popular misconception that the Shubert's competitor, producer Florenz Ziegfield - responsible for the better-known Follies - was the sole proprietor of Broadway audiences. As Westover proves, not only were the Passing Shows as popular as the Follies but also a key component in a history of the revue that is vastly more complex than previous scholarship has shown.The Shuberts and Their Passing Shows brings to fruition years of original research and invaluable insights into the gilded formation of present day Broadway.
2 320 kr
Skickas inom 5-8 vardagar
Opera has always been a vital and complex mixture of commercial and aesthetic concerns, of bourgeois politics and elite privilege. In its long heyday in the eighteenth and nineteenth centuries, it came to occupy a special place not only among the arts but in urban planning, too — this is, perhaps surprisingly, often still the case. The Oxford Handbook of the Operatic Canon examines how opera has become the concrete edifice it was never meant to be, by tracing its evolution from a market entirely driven by novelty to one of the most canonic art forms still in existence.Throughout the book, a lively assembly of musicologists, historians, and industry professionals tackle key questions of opera's past, present, and future. Why did its canon evolve so differently from that of concert music? Why do its top ten titles, all more than a century old, now account for nearly a quarter of all performances worldwide? Why is this system of production becoming still more top-heavy, even while the repertory seemingly expands, notably to include early music?Topics range from the seventeenth century to the present day, from Russia to England and continental Europe to the Americas. To reflect the contested nature of many of them, each is addressed in paired chapters. These complement each other in different ways: by treating the same geographical location in different periods, by providing different national or regional perspectives on the same period, or by thinking through similar conceptual issues in contrasting or changing contexts. Posing its questions in fresh, provocative terms, The Oxford Handbook of the Operatic Canon challenges scholarly assumptions in music and cultural history, and reinvigorates the dialogue with an industry that is, despite everything, still growing.
1 433 kr
Skickas inom 5-8 vardagar
The Singer's Guide to German Diction is the essential foundation for a complete course in German diction for singers, vocal coaches, choral conductors, and anyone wishing to learn to learn the proper pronunciation of High German. Written by Valentin Lanzrein and Richard Cross, who each have years of experience on stage, in the voice studio, and in the diction classroom, it provides an all-encompassing and versatile reference for the rules of German diction and their exceptions.Featuring an easily navigable format that uses tables and charts to support a visual understanding of the text, this guide allows the reader to find information on diction rules and quick help with the formation of each sound. It also places an emphasis on exceptions to the rules, which are crucial in learning the proper pronunciation of any language. Exceptions are not only provided with the diction rules, but are also gathered in a specific section for ease of reference. A glossary of difficult words, names, and exceptions is provided in the appendix, along with a section on Latin pronounced in the German manner.Extensive pronunciation exercises, as well as IPA transcription worksheets and short examples from the vocal literature, are used for practical application of the diction rules, and feature musical exercises drawn from art song, opera, and oratorio. The book's companion website supplements these musical exercises with high-quality audio clips recorded by leading professional singers, providing an invaluable resource for independent study. A comprehensive companion for teachers, students, and singers alike, The Singer's Guide to German Diction brings German diction to life through its well-structured system of practice and reference materials.
827 kr
Skickas inom 3-6 vardagar
The Singer's Guide to German Diction is the essential foundation for a complete course in German diction for singers, vocal coaches, choral conductors, and anyone wishing to learn to learn the proper pronunciation of High German. Written by Valentin Lanzrein and Richard Cross, who each have years of experience on stage, in the voice studio, and in the diction classroom, it provides an all-encompassing and versatile reference for the rules of German diction and their exceptions.Featuring an easily navigable format that uses tables and charts to support a visual understanding of the text, this guide allows the reader to find information on diction rules and quick help with the formation of each sound. It also places an emphasis on exceptions to the rules, which are crucial in learning the proper pronunciation of any language. Exceptions are not only provided with the diction rules, but are also gathered in a specific section for ease of reference. A glossary of difficult words, names, and exceptions is provided in the appendix, along with a section on Latin pronounced in the German manner.Extensive pronunciation exercises, as well as IPA transcription worksheets and short examples from the vocal literature, are used for practical application of the diction rules, and feature musical exercises drawn from art song, opera, and oratorio. The book's companion website supplements these musical exercises with high-quality audio clips recorded by leading professional singers, providing an invaluable resource for independent study. A comprehensive companion for teachers, students, and singers alike, The Singer's Guide to German Diction brings German diction to life through its well-structured system of practice and reference materials.
350 kr
Skickas inom 5-8 vardagar
Ever since its invention in Florence around 1600, opera has exerted a peculiar fascination for creative artists and audiences alike. A "Western" genre with a global reach, it is often regarded as the pinnacle of high art, where music and drama come together in unique ways, supported by stellar singers and spectacular staging. Yet it is also patently absurd-why should anyone sing on the stage?-and shrouded in mystique. In this engaging and entertaining guide, renowned music scholar Tim Carter unravels its many layers to offer a thorough introduction to Italian opera from the seventeenth to the early-twentieth century.Eschewing the technical music detail that all too often dominates writing on opera, Carter begins instead where the composers themselves did: with the text. Walking readers through the relationship between music and words that lies at the heart of any opera, Carter then offers explorations of five of the most enduring, emblematic, and often performed Italian operas: Monteverdi's The Coronation of Poppaea; Handel's Julius Caesar in Egypt; Mozart's The Marriage of Figaro; Verdi's Rigoletto; and Pucini's La Bohème. Shedding light on the creative collusions and collisions involved in bringing opera to the stage, the various, and varying, demands of its text and music, and the nature of its musical drama, Carter shows how Italian opera has developed over the course of music history. Complete with synopses, cast lists, and suggested further reading for each opera discussed, Understanding Italian Opera is a must-read for anyone with an interest in and love for opera.
464 kr
Skickas inom 5-8 vardagar
A mesmerizing figure in concert, Charles Munch was celebrated for his electrifying public performances. He was a pioneer in many arenas of classical music--establishing Berlioz in the canon, perfecting the orchestral work of Debussy and Ravel, and leading the world to Roussel, Honegger, and Dutilleux. A pivotal figure, his accomplishments put him on a par with Arturo Toscanini and Leonard Bernstein.In Charles Munch, D. Kern Holoman provides the first full biography of this giant of twentieth-century music, tracing his dramatic survival in occupied Paris, his triumphant arrival at the Boston Symphony Orchestra, and his later years, when he was a leading cultural figure in the United States, a man known and admired by Presidents Truman, Eisenhower, and Kennedy. He turned to conducting only in middle age, after two decades as a violinist and concertmaster, a background which gave him special insight into the relationship between conductor and orchestra. At the podium, his bond with his musicians unleashed something in them and in himself. "A certain magic took wing that amounts to the very essence of music in concert," the author writes, as if "public performance loosed the facets of character and artistry and poetry otherwise muffled by his timidity and simple disinclination to say much." In concert, Munch was arresting, even seductive, sweeping his baton in an enormous arch from above his head down to his knee. Yet as Holoman shows, he remained a lonely, even sad figure, a widower with no children, a man who fled admirers and avoided reporters. With groundbreaking research and sensitive, lyrical writing, Charles Munch penetrates the enigma to capture this elusive musical titan.
1 989 kr
Skickas inom 5-8 vardagar
Purcell's Dido and Aeneas stands as the greatest operatic achievement of seventeenth-century England, and yet, despite its global renown, it remains cloaked in mystery. The date and place of its first performance cannot be fixed with precision, and the absolute accuracy of the surviving scores, which date from almost 100 years after the work was written, cannot be assumed.In this thirtieth-anniversary new edition of her book, Ellen Harris closely examines the many theories that have been proposed for the opera's origin and chronology, considering the opera both as political allegory and as a positive exemplar for young women. Her study explores the work's historical position in the Restoration theater, revealing its roots in seventeenth-century English theatrical and musical traditions, and carefully evaluates the surviving sources for the various readings they offer-of line designations in the text (who sings what), the vocal ranges of the soloists, the use of dance and chorus, and overall layout. It goes on to provide substantive analysis of Purcell's musical declamation and use of ground bass.In tracing the performance history of Dido and Aeneas, Harris presents an in-depth examination of the adaptations made by the Academy of Ancient Music at the end of the eighteenth century based on the surviving manuscripts. She then follows the growing interest in the creation of an "authentic" version in the nineteenth and early twentieth centuries through published editions and performance reviews, and considers the opera as an important factor in the so-called English Musical Renaissance. To a significant degree, the continuing fascination with Purcell's Dido and Aeneas rests on its apparent mutability, and Harris shows this has been inherent in the opera effectively from its origin.
706 kr
Skickas inom 5-8 vardagar
Purcell's Dido and Aeneas stands as the greatest operatic achievement of seventeenth-century England, and yet, despite its global renown, it remains cloaked in mystery. The date and place of its first performance cannot be fixed with precision, and the absolute accuracy of the surviving scores, which date from almost 100 years after the work was written, cannot be assumed.In this thirtieth-anniversary new edition of her book, Ellen Harris closely examines the many theories that have been proposed for the opera's origin and chronology, considering the opera both as political allegory and as a positive exemplar for young women. Her study explores the work's historical position in the Restoration theater, revealing its roots in seventeenth-century English theatrical and musical traditions, and carefully evaluates the surviving sources for the various readings they offer-of line designations in the text (who sings what), the vocal ranges of the soloists, the use of dance and chorus, and overall layout. It goes on to provide substantive analysis of Purcell's musical declamation and use of ground bass.In tracing the performance history of Dido and Aeneas, Harris presents an in-depth examination of the adaptations made by the Academy of Ancient Music at the end of the eighteenth century based on the surviving manuscripts. She then follows the growing interest in the creation of an "authentic" version in the nineteenth and early twentieth centuries through published editions and performance reviews, and considers the opera as an important factor in the so-called English Musical Renaissance. To a significant degree, the continuing fascination with Purcell's Dido and Aeneas rests on its apparent mutability, and Harris shows this has been inherent in the opera effectively from its origin.
427 kr
Skickas inom 5-8 vardagar
In this third edition of the classic Verdi, renowned authority Julian Budden offers a comprehensive overview of Verdi the man and the artist, tracing his ascent from humble beginnings to the status of a cultural patriarch of the new Italy, whose cause he had done much to promote, and demonstrating the gradual enlargement over the years of his artistic vision. This concise study is an accessible, insightful, and engaging summation of Verdi scholarship, acquainting the non-specialist with the personal details Verdi's life, with the operatic world in which he worked, and with his political ideas, his intellectual vision, and his powerful means of communicating them through his music. In his survey of the music itself, Budden emphasizes the unique character of each work as well as the developing sophistication of Verdi's style. He covers all of the operas, the late religious works, the songs, and the string quartet. A glossary explains even the most obscure operatic terms current in Verdi's time.
1 236 kr
Skickas inom 7-10 vardagar
Gioachino Rossini's The Barber of Seville surveys the opera's fascinating performance history, mapping out the myriad changes that have affected the work since its premiere, exploring many of the personalities responsible for those alterations, and taking into account the range of reactions that these changes have prompted in spectators and critics from the nineteenth century to the present. Opening with a wide-ranging overview of the types of alterations that have been imposed on Rossini's score for the past two centuries, the first chapter addresses the mechanics behind these changes as well as the cultural forces that both fostered and encouraged them. The book next looks at some of the opera's earliest revivals, drawing attention to alterations that were made to the score and to individual singers who were responsible for the changes, especially those who appeared in the roles of Almaviva and Bartolo. An entire chapter is devoted to Rosina, examining the wide array of creative liberties that prima donnas have unremittingly and unrepentantly taken with their interpretations of Rossini's character. The final sections turn to the opera's recent history, observing how the Rossini Renaissance brought with it a new dedication to the "work concept" and to shedding the types of alterations that had long characterized performances of this work. The book closes with a consideration of operatic consumerism from the nineteenth century to the present, exploring the myriad ways that one can now experience The Barber of Seville in all its recorded, digitized, and commodified glory.