Norton Critical Editions – serie

"For the classroom and for the general reader, there’s no better way to experience the context in which Jane Eyre was written, illuminating modern commentary, and the novel itself in an authoritative text.” Fred kaplan, Queens College and The Graduate Center, City University of New York

"Backgrounds and Sources" includes relevant writings by Dostoevsky, among them "Winter Notes on Summer Impressions," the author’s account of a formative trip to the West. New to the Second Edition are excerpts from V. F. Odoevksy’s "Russian Nights" and I. S. Turgenev’s "Hamlet of Shchigrovsk District." In "Responses", Michael Katz links this seminal novel to the theme of the underground man in six famous works, two of them new to the Second Edition: an excerpt from M. E. Saltykov-Shchedrin’s The Swallows, Woody Allen’s Notes from the Overfed, Robert Walser’s The Child, an excerpt from Ralph Ellison’s The Invisible Man, an excerpt from Yevgeny Zamyatin’s We, and an excerpt from Jean-Paul Sartre’s Erostratus. "Criticism" brings together eleven interpretations by both Russian and Western critics from the nineteenth and twentieth centuries, two of them new to the Second Edition. Included are essays by Nikolai K. Mikhailovsky, Vasily Rozanov, Lev Shestov, M. M. Bakhtin, Ralph E. Matlaw, Victor Erlich, Robert Louis Jackson, Gary Saul Morson, Richard H. Weisberg, Joseph Frank, and Tzvetan Todorov. A Chronology and Selected Bibliography are also included.

Through what Joyce described as their "style of scrupulous meanness," the stories present a direct, sometimes searing view of Dublin in the early twentieth century. The text of this Norton Critical Edition is based on renowned Joyce scholar Hans Walter Gabler’s edited text and includes his editorial notes and the introduction to his scholarly edition, which details and discusses Dubliners’ complicated publication history. "Contexts" offers a rich collection of materials that bring the stories and the Irish capital to life for twenty-first century readers, including photographs, newspaper articles and advertising, early versions of two of the stories, and a satirical poem by Joyce about his publication woes. "Criticism" brings together eight illuminating essays on the most frequently taught stories in Dubliners—"Araby," "Eveline," "After the Race," "The Boarding House," "Counterpoints," "A Painful Case," and "The Dead." Contributors include David G. Wright, Heyward Ehrlich, Margot Norris, James Fairhall, Fritz Senn, Morris Beja, Roberta Jackson, and Vincent J. Cheng.

This Norton Critical Edition includes:The 1818 first edition text of the novel, introduced and annotated by J. Paul Hunter.Three maps and eight illustrations.A wealth of source and contextual materials, thematically arranged to promote classroom discussion. Topics include “Sources, Influences, Analogues”, “Circumstances, Composition, Revision” and “Reception, Impact, Adaptation”.Eleven critical essays on Frankenstein’s major themes, six of them new to the Third Edition.A chronology and a selected bibliography.About the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts and criticism—helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

This Norton Critical Edition includes:The 1925 first American edition text, introduced and annotated by Anne Fernald.A map of Mrs. Dalloway’s London.An unusually rich selection of contextual materials, including diary entries and letters related to the composition of the novel, essays, short stories and biographical excerpts, and the only introduction that Virginia Woolf wrote to any of her novels. The voices of other writers are also included, allowing readers to consider the literary passages that influenced Woolf’s art and historical moment.Eight reviews of Mrs. Dalloway, from publication to the present day.A chronology and a selected bibliography.About the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts and criticism—helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

This Norton Critical Edition includes:The first edition of the novel, published by Archibald Constable in London in 1897 and chosen by the editors in order to give readers—insofar as such a thing is possible—a more historically authentic reading experience than has been generally available. Arcane words and usages are footnoted at first appearance.Editorial matter by John Edgar Browning and David J. Skal.Eight background pieces, five of them new to the Second Edition, on Count Dracula specifically and vampires more generally; seven reviews and reactions to Dracula’s publication, five of them new to the Second Edition; and six selections, two of them new to and two others updated for the Second Edition, on Dracula’s many dramatic and filmic variations.Eleven critical essays on Dracula’s central themes, six of them new to the Second Edition.A selected bibliography.About the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts and criticism—helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

A terrifying tale about good and evil and the meaning of human freedom, A Clockwork Orange became an instant classic when it was published in 1962 and has remained so ever since. Anthony Burgess takes us on a journey to a nightmarish future where sociopathic criminals rule the night. Brilliantly told in harsh invented slang by the novel’s main character and merciless droog, fifteen-year-old Alex, this influential novel is now available in a student edition.The Norton Critical Edition of A Clockwork Orange is based on the first British edition and includes Burgess’s original final chapter. It is accompanied by Mark Rawlinson’s preface, explanatory annotations, and textual notes. A glossary of the Russian-origin terms that inspired Alex’s dialect is provided to illustrate the process by which Burgess arrived at the distinctive style of this novel.“Backgrounds and Contexts” presents a wealth of materials chosen by the editor to enrich the reader’s understanding of this unforgettable work, many of them by Burgess himself. Burgess’s views on writing A Clockwork Orange, its philosophical issues, and the debates over the British edition versus the American edition and the novel versus the film adaptation are all included. Related writings that speak to some of the novel’s central issues—youthful style, behavior modification, and art versus morality—are provided by Paul Rock and Stanley Cohen, B. F. Skinner, John R. Platt, Joost A. M. Meerloo, William Sargent, and George Steiner.“Criticism” is divided into two sections, one addressing the novel and the other Stanley Kubrick’s film version. Five major reviews of the novel are reprinted along with a wide range of scholarly commentary, including, among others, David Lodge on the American reader; Julie Carson on linguistic invention; Zinovy Zinik on Burgess and the Russian language; Geoffrey Sharpless on education, masculinity, and violence; Shirley Chew on circularity; Patrick Parrinder on dystopias; Robbie B. H. Goh on language and social control; and Steven M. Cahn on freedom. A thorough analysis of the film adaptation of A Clockwork Orange is provided in reviews by Vincent Canby, Pauline Kael, and Christopher Ricks; in Philip Strick and Penelope Houston’s interview with Stanley Kubrick; and in interpretive essays by Don Daniels, Alexander Walker, Philip French, Thomas Elsaesser, Tom Dewe Mathews, and Julian Petley.A Selected Bibliography is also included.

This Norton Critical Edition includes:An expanded translation from the Akkadian by Benjamin R. Foster based on new discoveries, adding lines throughout the world’s oldest epic masterpiece.Benjamin R. Foster’s full introduction and expanded explanatory annotations.Eleven illustrations.Analogues from the Sumerian and Hittite narrative traditions along with “The Gilgamesh Letter,” a parody of the epic enjoyed by Mesopotamian schoolchildren during the first millennium BCE.Essays by Thorkild Jacobsen, William L. Moran, Susan Ackerman, and Andrew R. George, and a poem by Hillary Major.A Glossary of Proper Names and a Selected Bibliography.

The text of the Fourth Edition of the Norton Critical Edition of Emma is based on the 1816 edition published by John Murray. George Justice has lightly and judiciously emended the text for faithfulness and clarity. The novel is accompanied by detailed explanatory annotations as well as facsimiles of the 1816 title and dedication pages.“Backgrounds” collects a wealth of source material, much of it new to the Fourth Edition. New material includes Austen’s correspondence with her publisher about the business of writing, revealing Austen’s view of her own writing and career. In addition, there are two sets of verses—“Kitty, A Fair But Frozen Maid” and “Robin Adair”—referenced in Emma as well as responses (1815–1950) to Austen and her writing from, among others, Charlotte Brontë, Juliet Pollock, Virginia Woolf, D. W. Harding, and Edmund Wilson.“Reviews and Criticism” includes twelve major interpretations of the novel, nine of them new to the Fourth Edition. New contributors include Jan Fergus, Patricia Meyer Spacks, Tony Tanner, Maaja Stewart, D. A. Miller, Emily Auerbach, Gabrielle D. V. White, Richard Jenkyns, and David Monaghan.A Chronology and Selected Bibliography are also included.

The text here is based on Hershel Parker and Harrison Hayford’s 1967 edition, footnoted to include biographical discoveries. Reviews, letters by Melville and belated praise is collected, and a wealth of new biographical material has been added, while new research is highlighted. Parker also explores what writing Moby-Dick cost Melville and his family.

This Norton Critical Edition includes:Burton Raffel’s masterful translation (“Indeed, Raffel seems to have created a Cervantine English” — Javier Herrero, University of Virginia), lightly revised by Diana de Armas Wilson and including the translator’s note.A revised and expanded introduction as well as revised and expanded explanatory footnotes by Diana de Armas Wilson.A rich selection of contextual materials, including related writings by Cervantes and his contemporaries as well as a modern account of Don Quijote’s influence over five centuries.Fifteen critical essays—seven of them new to the Second Edition—thematically organised to maximise classroom discussion. The new essays are by Ilan Stavans, Anne J. Cruz, Paul Michael Johnson, Pablo Garci´a-Pin~ar, Anthony J. Cascardi, Barbara Fuchs and Andre´s Lema-Hincapie´.A chronology and a selected bibliography.

This Norton Critical Edition includes:• The first edition of the novel (1847), accompanied by a new preface and revised explanatory footnotes.• Key excerpts from Emily Brontë’s diary papers and devoirs, along with thirteen of her sister Charlotte Brontë’s letters regarding publication of both the 1847 and 1850 editions, and Charlotte’s notes of introduction to the posthumous 1850 edition.• Thirteen of Charlotte Brontë’s letters regarding the publication of both the 1847 and 1850 editions of Wuthering Heights, along with key excerpts from her diary and devoirs.• Twenty-one of Emily’s poems, including the eighteen selected for publication by Charlotte with the 1850 edition and a further three poems new to this Fifth Norton Critical Edition.• Thirteen reviews of both the 1847 and 1850 editions of the novel.• Five major critical assessments of Wuthering Heights, three of them new to the Fifth Edition.• A revised chronology and a selected bibliography.About the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts, and criticism—helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

This Norton Critical Edition collects seven different tale types, including multicultural versions and literary rescriptings. Along with the introductions and annotations by Maria Tatar are twenty-four critical essays exploring the various aspects of fairy tales, and new interpretations. A revised and updated selected bibliography is included.

This Norton Critical Edition seeks to give readers a full understanding of Thomas Jefferson’s importance to the intellectual development of the United States, particularly in political theory and scientific learning; of Jefferson’s role in the expansion of the territory and sovereignty of the United States; and of Jefferson’s controversial relation to slavery and race as key issues in American history.The editor has selected Jefferson’s most important published texts—A Summary View of the Rights of British America, the Declaration of Independence, and Notes on the State of Virginia—along with An Appendix to the Notes on Virginia Relative to the Murder of Logan’s Family and his Message to Congress on the Lewis and Clark Expedition. In addition, more than one hundred of Jefferson’s letters (1760–1826) have been judiciously selected from his rich body of correspondence, allowing readers to see Jefferson as a person as well as a public figure. All texts are accompanied by detailed explanatory annotations.“Contexts” reprints contemporary documents that place Jefferson and his writings within the early American Republic, including works by Thomas Paine, John Adams, François-Jean de Beauvoir, and Luther Martin. Also included are diverse and early responses to Jefferson and his writings by, among others, John Quincy Adams, William Cullen Bryant, Washington Irving, James Fenimore Cooper, and Elizabeth Cady Stanton."Criticism" provides representative works of modern interpretation and analysis that confirm Jefferson's continuing relevance. Included are twelve thought-provoking assessments from several disciplinary perspectives by, among others, Annette Gordon Reed, Peter Onuf, and Douglas L. Wilson.A Selected Bibliography is also included.

Herodotus’s history is the earliest continuous prose narrative in Western literature. His long narrative—longer than either of the Homeric epics—continues to hold us spellbound because of the author’s storytelling powers and intelligent curiosity.The perfect introduction to Herodotus, this Norton Critical Edition includes the complete text of The Histories. The translation is fully annotated and is accompanied by an introduction, a chronology of events, and a note on the Persian Wars. Seven maps—all new to the Second Edition—give readers a visual understanding of events and places, 490–479 B.C.E.“Backgrounds” includes a rich collection of historical works by Aeschylus, Bacchylides, Thucydides, Aristotle, and Plutarch. New to the Second Edition are contrasting accounts, by Diodorus of Sicily and Strabo, of the Amazons who were believed to be living in the mountainous regions.“Commentaries” is divided into two sections. Early modern interpretations are represented by Isaac Taylor, John Stuart Mill, and Thomas Babington Macaulay. Seventeen modern assessments—three of them new to the Second Edition—focus on historical origins and backgrounds, Herodotus’s place in history, and central issues concerning both the Persian Wars and Herodotus’s reckoning of them. The new contributors are François Hartog, James Redfield, and Siep Stuurman.A Glossary, Selected Bibliography, and Index are also included.

The authoritative text has been fully annotated and makes available a perennially popular novel, one that has often been mistaken for an actual eyewitness account of the last great plague in England."Backgrounds" encourages comparison of 1665 documents with those of the early 1720s, when England feared a new outbreak of the plague.Included are official government orders and newspaper accounts as well as writings by Defoe, John Graunt, the College of Physicians, and others."Contexts" includes eight comparative pieces united by the theme of a community in crisis.From Thucydides to Boccaccio to modern accounts by Albert Camus, Michel Foucault, and Susan Sontag, this collection represents some of the most celebrated observers and critics in western civilization who have seen what plagues reveal about human nature."Criticism" reprints seven of the best essays on the novel, including interpretations by Sir Walter Scott, Maximillian E. Novak, John J. Richetti, and John Bender, among others.A Chronology and Selected Bibliography are also included.

Study of the genesis of the novel is facilitated by the reproduction of Dickens’ working plans and, for the first time, by some thousands of meticulous textual notes."Backgrounds" offers all of Dickens’ correspondence about Bleak House as well as contextual materials that document the Victorian controversy over pollution, a theme central to the novel, and present contemporary attitudes toward the government, the courts, and the police, to enhance the setting of the story.Also featured are several hundred annotations which fully elucidate for today’s readers the allusions and topical references in this remarkably allusive Victorian masterpiece.Especially helpful is a clear exposition of the nature of law procedures in the Court of Chancery, which is crucial to an understanding of the central action of the story."Critical essays" reprinted here include interpretations by G. K. Chesterton, J. Hillis Miller, George Ford, A. O. J. Cockshut, W. J. Harvey, H. M. Daleski, and Ian Ousby.

This Norton Critical Edition offers one of the largest collections of Middle English lyrics ever made available to the college student.

This translation is for the contemporary reader. Specifically commissioned for stage production, it rings easily on the modern ear and yet remains faithful to Sophocles' original, avoiding the archaisms of other translations.

Giraldi Cinthio’s story—which Shakespeare used for both the plot and many details of Othello—is included here, as is a generous selection of interpretativeresponses to Othello, new to this edition are those by Stanley Cavelland Lois Potter. Edward Pechter’s theatrical and critical overview has been expanded and the bibliography has been updated.

This Norton Critical Edition includes:The first edition of the novel (1859) accompanied by twenty-seven illustrations, from original images by Halbot Knight Browne (“Phiz”) to cartoons from The Simpsons.An expansive introduction and detailed explanatory annotations by Robert Douglas-Fairhurst.Thematically organised contextual materials designed to promote classroom discussion. Topics include “Dickens on France and the French”, “Revolution and Aftermath”, “Living Graves”, “Learning French”, “The Composition of A Tale of Two Cities” and “Theatrical Versions”.Fourteen major critical assessments of A Tale of Two Cities: five contemporary reviews and nine modern essays.A chronology and a selected bibliography.

This edition also includes: The illustrations printed in the original book; Contemporary sources (1853—62), among them newspaper accounts of Northup’s kidnapping and ordeal and commentary by Frederick Douglass, Harriet Beecher Stowe, and Thomas W. MacMahon; A Genealogy of Secondary Sources (1880—2014) presents twenty-three voices spanning three centuries on the memoir’s major themes. Contributors include George Washington Williams, Marion Wilson Starling, Kenneth Stampp, Robert B. Stepto, Trish Loughran and David Fiske, Clifford W. Brown, Jr., and Rachel Seligman, among others.The 2013 film adaptation—12 Years a Slave—is fully considered, with criticism and major reviews of the film as well as Henry Louis Gates's three interviews with its director, Steve McQueen. A Chronology and Selected Bibliography are also included.

This Norton Critical Edition includes:The First Folio (1623) text of Twelfth Night, newly edited and annotated.Natasha Korda’s expert introduction and list of textual edits made to the Folio text for this edition.“Intertexts,” a rich selection of ancient and Renaissance works in conversation with Twelfth Night’s themes of disguised identity, gender fluidity, and fictive letter-writing.Nine illustrations, ranging from a painting alluded to in the text to photographs from modern stagings.Twenty-three critical interpretations of and responses to the play, tracing its reception and critical history from early performances to modern adaptations.“Adaptations and Appropriations” and “Interviews,” sections that explore the play’s various re-imaginings.A selected bibliography and filmography.

“Mesmerizingly good . . . the best, truest translation of Dostoevsky’s masterpiece into English. It’s a magnificent, almost terrifying achievement of translation, one that makes its predecessors, however worthy, seem safe and polite.” —Steve Donoghue, Open Letters MonthlyThis Norton Critical Edition includes:• Michael Katz’s “superb” (Times Literary Supplement) new translation of the world’s most-read Russian novel accompanied by his preface and detailed explanatory footnotes.• Names of principal characters, a note on characters’ names and a map of St. Petersburg.• Key excerpts from Dostoevsky’s notebooks, letters and his early draft of Part II, Chapter 2.• Twenty-six scholarly essays on the novel from Russian, European and American sources.• A chronology and a selected bibliography.

This edition includes a newly edited text based on the 1902 edition. Textual History and Editing Principles provides an overview of the controversies and ambiguities surrounding Heart of Darkness. Included are background and source materials, and contemporary responses to the novella along with essays in criticism, including a new section on film adaptations.

The text is that of the 1813 first edition, accompanied by revised and expanded explanatory annotations.This edition also includes: biographical portraits of Austen by members of her family and, new to the fourth edition, those by Jon Spence (Becoming Jane Austen) and Paula Byrne (The Real Jane Austen: A Life in Small Things). Also included are fifteen critical essays, twelve of them new to the fourth edition, reflecting the finest current scholarship. Contributors include Janet Todd, Jim Collins, Andrew Elfenbein, Felicia Bonaparte and Tiffany Potter, amongst others. “Writers on Austen”—a new section of brief comments by Mark Twain, Virginia Woolf, W. H. Auden and others. A Chronology and revised and expanded Selected Bibliography.

This second edition also includes: revised and expanded explanatory footnotes, a new preface and a note on the text by Leland S. Person; key passages from Hawthorne’s notebooks and letters that suggest the close relationship between his private and public writings, and seven new critical essays by Brook Thomas, Michael Ryan, Thomas R. Mitchell, Jay Grossman, Jamie Barlowe, John Ronan and John F. Birk. A Chronology and revised and expanded Selected Bibliography is also included.

This Norton Critical Edition includes:• The First Folio (1623) text, accompanied by the editors’ preface and detailed explanatory annotations.• A rich collection of source materials by Ovid, Giovanni Pico della Mirandola, King James I, Michel de Montaigne and others centered on the play’s major themes of magic, witchcraft, politics, religion, geography and travel.• Seventeen wide-ranging scholarly essays, seven of them new to the Second Edition.• Nineteen rescriptings that speak to The Tempest’s enduring inspiration and provocation for writers from Thomas Heywood and Percy Bysshe Shelley to Aimé Césaire and Ted Hughes.• A Selected Bibliography.About the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts and criticism—helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

In both poetry and prose, the editors have chosen selections intended to give readers a clear sense of Adrienne Rich’s evolution and accomplishment. Accompanying this is the latest selection of study on her life and work.