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43 produkter
43 produkter
205 kr
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Edited by Hollis Robbins and Henry Louis Gates, Jr; this collection comprises work from forty-nine writers arranged into sections of memoir, poetry and essays on feminism, education and the legacy of black women writers. Many of these pieces engage with social movements like abolition, women's suffrage, temperance and civil rights, but the thematic centre is black women's intellect and personal ambition. The diverse selection includes well-known writers like Sojourner Truth, Hannah Crafts and Harriet Jacobs, as well as lesser-known writers like Ella Sheppard, who offers a firsthand account of life in a world-famous singing group. Taken together, these incredible works insist that the writing of black women writers be read, remembered and addressed.
157 kr
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Born a free man in New York State in 1808, Solomon Northup was kidnapped in Washington, D.C., in 1841. He spent the next twelve years as a slave on a Louisiana cotton plantation. During this time he was frequently abused and often afraid for his life. After regaining his freedom in 1853, Northup published this gripping account of his captivity. As an educated man, Northup was able to present an exceptionally detailed description of slave life and plantation society. Indeed, this book is probably the fullest, most realistic picture of the 'peculiar institution' during the three decades before the Civil War. Northup tells his story both from the viewpoint of an outsider, who had experienced thirty years of freedom and dignity in the United States before his capture, and as a slave, reduced to total bondage and submission. Very few personal accounts of American slavery were written by slaves with a similar history. This extraordinary slave narrative, new to Penguin Classics, has a new introduction by prize-winning historian and author Ira Berlin, an an essay by Henry Louis Gates Jr.
152 kr
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A newly edited collection of the seminal writings and speeches of a legendary writer, orator, and civil rights leader.The life of Frederick Douglass is nothing less than the history of America in the 19th century from slavery to reconstruction. His influence was felt in the political sphere, major social movements, literary culture, and even international affairs. His resounding words tell not only his own remarkable story, but also that of a burgeoning nation forced to reckon with its tremulous moral ground. This compact volume offers a full course on a necessary historical figure, giving voice once again to a man whose guiding words are needed now as urgently as ever. The Portable Frederick Douglass includes the full range of Douglass's writings, from autobiographical writings that span from his life as a slave child to his memories of slavery as an elder statesman in the late 1870s; his protest fiction (one of the first works of African American fiction); his brilliant oratory, constituting the greatest speeches of the Civil War era, which launched his political career; and his journalistic essays that range from cultural and political critique toart, literature, law, history, philosophy, and reform.
200 kr
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A collection of essential writings from the iconic foremother of Black intellectual history, feminism and activismThe Portable Anna Julia Cooper will introduce a new generation of readers to an educator, public intellectual and community activist whose prescient insights and eloquent prose underlie some of the most important developments in modern American intellectual thought and African-American social and political activism.This volume brings together, for the first time, Anna Julia Cooper's major collection of essays, A Voice from the South, along with several previously unpublished poems, plays, journalism and selected correspondences, including over thirty previously unpublished letters between Anna Julia Cooper and W. E. B. Du Bois.
144 kr
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New to Penguin Classics, one of the most influential works of Black social criticism ever written The Mis-education of the Negro is today considered one of the most influential works by 'the father of Black history', Carter G. Woodson, setting the table for generations of antiracist teaching pioneered by Black educators.As both student and teacher, Woodson witnessed the distortions of Black life in the history and literature taught in schools and universities. He believed that there was a relationship between these distortions and the violence that circumscribed Black life in the material world, declaring, "There would be no lynching it if did not start in the schoolroom." Mixing social criticism, history, theory and memoir, The Mis-education of the Negro argues cogently that students, teachers, and leaders needed to be educated in a manner that was accountable to Black experiences and lived realities, both past and present.
566 kr
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The Harlem Renaissance is the best known and most widely studied cultural movement in African American history. Now, in Harlem Renaissance Lives, esteemed scholars Henry Louis Gates Jr. and Evelyn Brooks Higginbotham have selected 300 key biographical entries culled from the eight-volume African American National Biography, providing an authoritative who's who of this seminal period. Here readers will find engagingly written and authoritative articles on notable African Americans who made significant contributions to literature, drama, music, visual art, or dance, including such central figures as poet Langston Hughes, novelist Zora Neale Hurston, aviator Bessie Coleman, blues singer Ma Rainey, artist Romare Bearden, dancer Josephine Baker, jazzman Louis Armstrong, and the intellectual giant W. E. B. Du Bois. Also included are biographies of people like the Scottsboro Boys, who were not active within the movement but who nonetheless profoundly affected the artistic and political statements that came from Harlem Renaissance figures. The volume will also feature a preface by the editors, an introductory essay by historian Cary D. Wintz, and 75 illustrations.
899 kr
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This book features a comprehensive collection of essays by Alain Locke (1885-1954), the most formidable African American public intellectual of his generation. It is by far the largest collection of his brilliant essays, gathered from a career that spanned forty years. The range of the work covers an impressively broad field of subjects: philosophy, literary criticism, art and music criticism, value theory, race, politics, and multiculturalism. His inquisitive mind, his refined taste and his pragmatic temperament brought him renown as the "godfather" of the Harlem Renaissance. But his contributions to many fields extended well beyond that remarkable period, to the very beginning of the civil rights movement. Locke's standing among today's readers will be secured through this presentation of his skillful writing and impressive thought. By virtue of his learning and his commitment to intellectual excellence, Locke can now be seen in the sweep of American culture. Here he can take his rightful place, as the leading African American thinker between W. E. B. Du Bois and Martin Luther King, Jr.Here, Charles Molesworth gathers Locke's writings to showcase his achievements as a whole, both as a civil rights pioneer and as a writer of significant gifts. With a foreword by Henry Louis Gates, Jr., this collection provides a definitive resource on the works of a towering figure in African American thought.
240 kr
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The study of identity crosses all disciplinary borders to address such issues as the multiple interactions of race, class and gender in feminist, lesbian and gay studies, postcolonialism and globalization, and the interrelation of nationalism and ethnicity in ethnic and area studies. The work aims to disrupt the discourse of identity by exploring the formation of identities and problem of subjectivity. Scholars in literary criticism, anthropology, sociology and philosophy explore such topics as "Gypsies" in the Western imagination, the mobilization of the West in Chinese television, the lesbian identity and the woman's gaze in fashion photography, and the regulation of black women's bodies in early 20th-century urban areas. This collection of 20 articles brings together work by Michael Gorra and Judith Butler among others.
188 kr
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This edition also includes: The illustrations printed in the original book; Contemporary sources (1853—62), among them newspaper accounts of Northup’s kidnapping and ordeal and commentary by Frederick Douglass, Harriet Beecher Stowe, and Thomas W. MacMahon; A Genealogy of Secondary Sources (1880—2014) presents twenty-three voices spanning three centuries on the memoir’s major themes. Contributors include George Washington Williams, Marion Wilson Starling, Kenneth Stampp, Robert B. Stepto, Trish Loughran and David Fiske, Clifford W. Brown, Jr., and Rachel Seligman, among others.The 2013 film adaptation—12 Years a Slave—is fully considered, with criticism and major reviews of the film as well as Henry Louis Gates's three interviews with its director, Steve McQueen. A Chronology and Selected Bibliography are also included.
238 kr
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The readable companion, in the oral-history tradition of Studs Terkel, to the PBS documentary series, peeking behind the veil "that still, far too often, separates black America from white."Renowned scholar and New York Times bestselling author Gates delivers a stirring and authoritative companion to the major new PBS documentary America Behind the Color Line. The book includes thought-provoking essays from Colin Powell, Morgan Freeman, Russell Simmons, Vernon Jordan, Alicia Keys, Bernie Mac, and Quincy Jones.
287 kr
Kommande
Del 1 - Image of the Black in Western Art
Image of the Black in Western Art, Volume II
From the Early Christian Era to the "Age of Discovery", Part 1: From the Demonic Threat to the Incarnation of Sainthood
Inbunden, Engelska, 2010
816 kr
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In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector’s items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.From the Demonic Threat to the Incarnation of Sainthood, written largely by noted French scholar Jean Devisse, has established itself as a classic in the field of medieval art. It surveys as never before the presence of black people, mainly mythical, in art from the early Christian era to the fourteenth century. The extraordinary transformation of Saint Maurice into a black African saint, the subject of many noble and deeply touching images, is a highlight of this volume. The new introduction by Paul Kaplan provides a fresh perspective on the image of the black in medieval European art and contextualizes the classic essays on the subject.
Del 2 - Image of the Black in Western Art
Image of the Black in Western Art, Volume II
From the Early Christian Era to the "Age of Discovery", Part 2: Africans in the Christian Ordinance of the World
Inbunden, Engelska, 2010
816 kr
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In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector’s items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.Africans in the Christian Ordinance of the World, written by a small team of French scholars, has established itself as a classic in the field of medieval art. The most striking development in this period was the gradual emergence of the black Magus, invariably a figure of great dignity, in the many representations of the Adoration of the Magi by the greatest masters of the time. The new introduction by Paul Kaplan provides a fresh perspective on the image of the black in medieval European art and contextualizes the classic essays on the subject.
Del 1 - Image of the Black in Western Art
Image of the Black in Western Art, Volume IV
From the American Revolution to World War I, Part 1: Slaves and Liberators
Inbunden, Engelska, 2012
816 kr
Skickas inom 7-10 vardagar
In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector’s items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.Slaves and Liberators looks at the political implications of the representation of Africans, from the earliest discussions of the morality of slavery, through the rise of abolitionism, to the imposition of European imperialism on Africa. Popular imagery and great works, like Gericault’s Raft of the Medusa and Turner’s Slave Ship, are considered in depth, casting light on widely differing European responses to Africans and their descendants.
Del 2 - Image of the Black in Western Art
Image of the Black in Western Art, Volume IV
From the American Revolution to World War I, Part 2: Black Models and White Myths
Inbunden, Engelska, 2012
816 kr
Skickas inom 7-10 vardagar
In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector’s items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.Black Models and White Myths examines the tendentious racial assumptions behind representations of Africans that emphasized the contrast between “civilization” and “savagery” and the development of so-called scientific and ethnographic racism. These works often depicted Africans within a context of sexuality and exoticism, representing their allegedly natural behavior as a counterpoint to inhibited European conduct.
Del 1 - Image of the Black in Western Art
Image of the Black in Western Art, Volume III
From the "Age of Discovery" to the Age of Abolition, Part 1: Artists of the Renaissance and Baroque
Inbunden, Engelska, 2010
816 kr
Skickas inom 7-10 vardagar
In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector’s items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.The much-awaited Artists of the Renaissance and Baroque has been written by an international team of distinguished scholars, and covers the sixteenth and seventeenth centuries. The rise of slavery and the presence of black people in Europe irrevocably affected the works of the best artists of the time. Essays on the black Magus and the image of the black in Italy, Spain, and Britain, with detailed studies of Rembrandt and Heliodorus’s Aethiopica, all presented with superb color plates, make this new volume a worthy addition to this classic series.
Del 2 - Image of the Black in Western Art
Image of the Black in Western Art, Volume III
From the "Age of Discovery" to the Age of Abolition, Part 2: Europe and the World Beyond
Inbunden, Engelska, 2011
816 kr
Skickas inom 7-10 vardagar
In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector’s items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.Europe and the World Beyond focuses geographically on peoples of South America and the Mediterranean as well as Africa—but conceptually it emphasizes the many ways that visual constructions of blacks mediated between Europe and a faraway African continent that was impinging ever more closely on daily life, especially in cities and ports engaged in slave trade.
Del 3 - Image of the Black in Western Art
Image of the Black in Western Art, Volume III
From the "Age of Discovery" to the Age of Abolition, Part 3: The Eighteenth Century
Inbunden, Engelska, 2011
816 kr
Skickas inom 7-10 vardagar
In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector’s items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.Europe and the World Beyond focuses geographically on peoples of South America and the Mediterranean as well as Africa—but conceptually it emphasizes the many ways that visual constructions of blacks mediated between Europe and a faraway African continent that was impinging ever more closely on daily life, especially in cities and ports engaged in slave trade.The Eighteenth Century features a particularly rich collection of images of Africans representing slavery’s apogee and the beginnings of abolition. Old visual tropes of a master with adoring black slave gave way to depictions of Africans as victims and individuals, while at the same time the intellectual foundations of scientific racism were established.
Del 1 - Image of the Black in Western Art
Image of the Black in Western Art, Volume V
The Twentieth Century, Part 1: The Impact of Africa
Inbunden, Engelska, 2014
816 kr
Skickas inom 7-10 vardagar
In the 1960s, art patrons Dominique and Jean de Menil founded an image archive showing the ways that people of African descent have been represented in Western art from the ancient world to modern times. Highlights from the image archive, accompanied by essays written by major scholars, appeared in three large-format volumes, consisting of one or more books, that quickly became collector's items. A half-century later, Harvard University Press and the Du Bois Institute are proud to have republished five of the original books and to present five completely new ones, extending the series into the twentieth century.The Impact of Africa, the first of two books on the twentieth century, looks at changes in the Western perspective on African art and the representation of Africans, and the paradox of their interpretation as simultaneously "primitive" and "modern." The essays include topics such as the new medium of photography, African influences on Picasso and on Josephine Baker's impression of 1920s Paris, and the influential contribution of artists from the Caribbean and Latin American diasporas.
Del 2 - Image of the Black in Western Art
Image of the Black in Western Art, Volume V
The Twentieth Century, Part 2: The Rise of Black Artists
Inbunden, Engelska, 2014
816 kr
Skickas inom 7-10 vardagar
In the 1960s, art patrons Dominique and Jean de Menil founded an image archive showing the ways that people of African descent have been represented in Western art from the ancient world to modern times. Highlights from the image archive, accompanied by essays written by major scholars, appeared in three large‐format volumes, consisting of one or more books, that quickly became collector’s items. A half‐century later, Harvard University Press and the Du Bois Institute are proud to have republished five of the original books and five completely new ones, extending the series into the twentieth century.The Rise of Black Artists, the second of two books on the twentieth century and the final volume in The Image of the Black in Western Art, marks an essential shift in the series and focuses on representation of blacks by black artists in the West. This volume takes on important topics ranging from urban migration within the United States to globalization, to Négritude and cultural hybridity, to the modern black artist’s relationship with European aesthetic traditions and experimentation with new technologies and media. Concentrating on the United States, Europe, and the Caribbean, essays in this volume shed light on topics such as photography, jazz, the importance of political activism to the shaping of black identities, as well as the post-black art world.
Image of the Black in Western Art, Volume I
From the Pharaohs to the Fall of the Roman Empire
Inbunden, Engelska, 2010
816 kr
Skickas inom 7-10 vardagar
In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector’s items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.The new edition of From the Pharaohs to the Fall of the Roman Empire offers a comprehensive look at the fascinating and controversial subject of the representation of black people in the ancient world. Classic essays by distinguished scholars are aptly contextualized by Jeremy Tanner’s new introduction, which guides the reader through enormous changes in the field in the wake of the “Black Athena” story.
Who’s Black and Why?
A Hidden Chapter from the Eighteenth-Century Invention of Race
Inbunden, Engelska, 2022
279 kr
Skickas inom 7-10 vardagar
“A fascinating, if disturbing, window onto the origins of racism.”—Publishers Weekly“The eighteenth-century essays published for the first time in Who’s Black and Why? contain a world of ideas—theories, inventions, and fantasies—about what blackness is, and what it means. To read them is to witness European intellectuals, in the age of the Atlantic slave trade, struggling, one after another, to justify atrocity.”—Jill Lepore, author of These Truths: A History of the United StatesThe first translation and publication of sixteen submissions to the notorious eighteenth-century Bordeaux essay contest on the cause of black skin—an indispensable chronicle of the rise of scientifically based, anti-Black racism.In 1739 Bordeaux’s Royal Academy of Sciences announced a contest for the best essay on the sources of “blackness.” What is the physical cause of blackness and African hair, and what is the cause of Black degeneration, the contest announcement asked. Sixteen essays, written in French and Latin, were ultimately dispatched from all over Europe. The authors ranged from naturalists to physicians, theologians to amateur savants. Documented on each page are European ideas about who is Black and why.Looming behind these essays is the fact that some four million Africans had been kidnapped and shipped across the Atlantic by the time the contest was announced. The essays themselves represent a broad range of opinions. Some affirm that Africans had fallen from God’s grace; others that blackness had resulted from a brutal climate; still others emphasized the anatomical specificity of Africans. All the submissions nonetheless circulate around a common theme: the search for a scientific understanding of the new concept of race. More important, they provide an indispensable record of the Enlightenment-era thinking that normalized the sale and enslavement of Black human beings.These never previously published documents survived the centuries tucked away in Bordeaux’s municipal library. Translated into English and accompanied by a detailed introduction and headnotes written by Henry Louis Gates, Jr., and Andrew Curran, each essay included in this volume lays bare the origins of anti-Black racism and colorism in the West.
The Image of the Black in Latin American and Caribbean Art
From Colony to Nation
Inbunden, Engelska, 2024
1 045 kr
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The Image of the Black in Latin American and Caribbean Art is the first comprehensive survey of the visual representation of people of African descent in Latin America and the Caribbean, some twelve million of whom were forcibly imported into the Americas during the transatlantic slave trade. This first volume spans four centuries, from the first Spanish occupation of Latin America and the Caribbean in the fifteenth century; through the establishment of slave colonies on the mainland and islands by the British, French, and Danish; to the revolutionary emergence of independence, first in Haiti in 1804, and then across Latin America. Essays by leading scholars and superb illustrations bring to light a remarkable range of imagery that provides vivid insights into the complex racial history of the period.The two volumes complement the vision of Dominique and Jean de Menil, art patrons who, during the 1960s, founded an archive to collect images depicting the myriad ways that people of African descent have been represented in Western art from the ancient world to modern times. The Image of the Black in Latin American and Caribbean Art continues the de Menil family’s original mission and brings to the fore a renewed focus on a rich and understudied area.
816 kr
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The Image of the Black in Latin American and Caribbean Art is the first comprehensive survey of the visual representation of people of African descent in Latin America and the Caribbean, some twelve million of whom were forcibly imported into the Americas during the transatlantic slave trade. This second volume explores the period from the final abolition of slavery in Brazil and Cuba in the nineteenth century through the independence of the Caribbean islands to the present day. The images and essays here reveal the damaging legacy of colonialism and slavery and the vigorous efforts of Afrodescendant artists to assert their identity in the face of prejudice and denial.These volumes complement the vision of Dominique and Jean de Menil, art patrons who, during the 1960s, founded an archive to collect images depicting the myriad ways that people of African descent have been represented in Western art from the ancient world to modern times. The Image of the Black in Latin American and Caribbean Art continues the de Menil family’s original mission and brings to the fore a renewed focus on a rich and understudied area.
Who’s Black and Why?
A Hidden Chapter from the Eighteenth-Century Invention of Race
Häftad, Engelska, 2024
169 kr
Skickas inom 7-10 vardagar
2023 PROSE Award in European History“An invaluable historical example of the creation of a scientific conception of race that is unlikely to disappear anytime soon.”—Washington Post“Reveals how prestigious natural scientists once sought physical explanations, in vain, for a social identity that continues to carry enormous significance to this day.”—Nell Irvin Painter, author of The History of White People“A fascinating, if disturbing, window onto the origins of racism.”—Publishers Weekly“To read [these essays] is to witness European intellectuals, in the age of the Atlantic slave trade, struggling, one after another, to justify atrocity.”—Jill Lepore, author of These Truths: A History of the United StatesIn 1739 Bordeaux’s Royal Academy of Sciences announced a contest for the best essay on the sources of “blackness.” What is the physical cause of blackness and African hair, and what is the cause of Black degeneration, the contest announcement asked. Sixteen essays, written in French and Latin, were ultimately dispatched from all over Europe. Documented on each page are European ideas about who is Black and why. Looming behind these essays is the fact that some four million Africans had been kidnapped and shipped across the Atlantic by the time the contest was announced.The essays themselves represent a broad range of opinions, which nonetheless circulate around a common theme: the search for a scientific understanding of the new concept of race. More important, they provide an indispensable record of the Enlightenment-era thinking that normalized the sale and enslavement of Black human beings.These never previously published documents survived the centuries tucked away in Bordeaux’s municipal library. Translated into English and accompanied by a detailed introduction and headnotes written by Henry Louis Gates, Jr., and Andrew Curran, each essay included in this volume lays bare the origins of anti-Black racism and colorism in the West.
776 kr
Skickas inom 7-10 vardagar
The Image of the Black in African and Asian Art asks how the black figure was depicted by artists from the non-Western world. Beginning with ancient Egypt—positioned properly as part of African history—this volume focuses on the figure of the black as rendered by artists from Africa, East Asia, and the Indian subcontinent. The aesthetic traditions illustrated here are as diverse as the political and social histories of these regions. From Igbo Mbari sculptures to modern photography from Mali, from Indian miniatures to Japanese prints, African and Asian artists portrayed the black body in ways distinct from the European tradition, even as they engaged with Western art through the colonial encounter and the forces of globalization.This volume complements the vision of art patrons Dominique and Jean de Menil who, during the 1960s, founded an image archive to collect the ways that people of African descent have been represented in Western art from the ancient world to modern times. A half‐century later, Harvard University Press and the Hutchins Center for African and African American Research completed the historic publication of The Image of the Black in Western Art—ten books in total—beginning with Egyptian antiquities and concluding with images that span the twentieth century. The Image of the Black in African and Asian Art reinvigorates the de Menil family’s original mission and reorients the study of the black body with a new focus on Africa and Asia.
Speaking of Race, Speaking of Sex
Hate Speech, Civil Rights, and Civil Liberties
Inbunden, Engelska, 1995
1 152 kr
Skickas inom 10-15 vardagar
A provocative anthology on questions of hate speech and speech regulation designed to protect minoritiesAt the University of Pennsylvania, a student is reprimanded for calling a group of African-American students water buffalo. Several prominent American law schools now request that professors abstain from discussing the legal aspects of rape for fear of offending students. As debates over multiculturalism and political correctness crisscross the land, no single issue has been more of a flash point in the ongoing culture wars than hate speech codes, which seek to restrict bigoted or offensive speech and punish those who engage in it. In this provocative anthology, a range of prominent voices argue that hate speech restrictions are not only dangerous, but counterproductive. The lessons of history indicate that speech regulation designed to protect minorities is destined to be used against them. Acknowledging the legitimacy of the concerns that prompt speech codes and combining support for civil liberties with an acute concern for civil tights issues, Speaking of Race, Speaking of Sex demonstrates that it is difficult, if not impossible, to draw the line between unprotected insults and protected ideas. Decrying such speech regulation as overly concerned with the symbols of racism rather than its realities, Speaking of Race, Speaking of Sex offers a balanced and well-reasoned perspective on one of the most controversial issues of our time.
Speaking of Race, Speaking of Sex
Hate Speech, Civil Rights, and Civil Liberties
Häftad, Engelska, 1996
401 kr
Skickas inom 7-10 vardagar
A provocative anthology on questions of hate speech and speech regulation designed to protect minoritiesAt the University of Pennsylvania, a student is reprimanded for calling a group of African-American students water buffalo. Several prominent American law schools now request that professors abstain from discussing the legal aspects of rape for fear of offending students. As debates over multiculturalism and political correctness crisscross the land, no single issue has been more of a flash point in the ongoing culture wars than hate speech codes, which seek to restrict bigoted or offensive speech and punish those who engage in it. In this provocative anthology, a range of prominent voices argue that hate speech restrictions are not only dangerous, but counterproductive. The lessons of history indicate that speech regulation designed to protect minorities is destined to be used against them. Acknowledging the legitimacy of the concerns that prompt speech codes and combining support for civil liberties with an acute concern for civil tights issues, Speaking of Race, Speaking of Sex demonstrates that it is difficult, if not impossible, to draw the line between unprotected insults and protected ideas. Decrying such speech regulation as overly concerned with the symbols of racism rather than its realities, Speaking of Race, Speaking of Sex offers a balanced and well-reasoned perspective on one of the most controversial issues of our time.
446 kr
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Explores the family trees and genealogical identity of 12 of America's most extraordinary peopleAs a nation of immigrants, the American experience is vibrantly defined by the diverse racial, ethnic, cultural, and religious heritage of its people. Perhaps because so many of their ancestors migrated to this country relatively recently, Americans are especially concerned with their family trees, carving out personal histories by combing through documents such as wills and estate records, federal and state censuses, and private family papers, and mining the stories and tales handed down to them by their forebears.Since 2007, the Harvard scholar Henry Louis Gates, Jr., has been helping African Americans find long-buried details about their ancestors by researching their family trees and then, when the paper trail ends, by analyzing their DNA and marrying that information to a wealth of historical data. Now, in Faces of America Gates explores the family trees of twelve of America's most recognizable and extraordinary citizens, individuals who learn that they are of Asian, English, French, German, Irish, Italian, Jamaican, Jewish, Latino, Native American, Swiss, and Syrian ancestry: Inaugural poet Elizabeth Alexander, chef Mario Batali, comedian and television personality Stephen Colbert, writer Louise Erdrich, writer Malcolm Gladwell, actress Eva Longoria, cellist Yo Yo Ma, writer and director Mike Nichols, former monarch of Jordan Queen Noor, surgeon and author Dr. Mehmet Oz, actress Meryl Streep, and Olympic gold medalist and figure skater Kristi Yamaguchi.In addition, each of the subjects in Faces of America underwent dense genotyping to trace their genetic ancestry on their father's line, their mother's line, and their percentages of European, Asian, Native American, and African ancestry. Faces of America unfolds as a riveting journey into our country's complex ancestral past. Readers will share in the surprise and delight, the shock and sadness of these twelve individuals themselves as Gates unveils their rich family stories, traced back to their arrival on America's shores, and beyond, deep into the history of their ancestors' countries of origin. America, as Gates shows us, is a nation of many historical threads, interwoven and united in the present moment. In this compelling book, Gates demonstrates that where we come from profoundly and fundamentally informs who we are today.
555 kr
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Selected as a 2012 Outstanding Title by AAUP University Press Books for Public and Secondary School LibrariesThe history of how six Latin American countries acknowledge—or deny—their African past 12.5 million Africans were shipped to the New World during the Middle Passage. While just over 11.0 million survived the arduous journey, only about 450,000 of them arrived in the United States. The rest—over ten and a half million—were taken to the Caribbean and Latin America. This astonishing fact changes our entire picture of the history of slavery in the Western hemisphere, and of its lasting cultural impact. These millions of Africans created new and vibrant cultures, magnificently compelling syntheses of various African, English, French, Portuguese, and Spanish influences.Despite their great numbers, the cultural and social worlds that they created remain largely unknown to most Americans, except for certain popular, cross-over musical forms. So Henry Louis Gates, Jr. set out on a quest to discover how Latin Americans of African descent live now, and how the countries acknowledge—or deny—their African past; how the fact of race and African ancestry play themselves out in the multicultural worlds of the Caribbean and Latin America. Starting with the slave experience and extending to the present, Gates unveils the history of the African presence in six Latin American countries—Brazil, Cuba, the Dominican Republic, Haiti, Mexico, and Peru—through art, music, cuisine, dance, politics, and religion, but also the very palpable presence of anti-black racism that has sometimes sought to keep the black cultural presence from view. In Brazil, he delves behind the façade of Carnaval to discover how this 'rainbow nation' is waking up to its legacy as the world's largest slave economy.In Cuba, he finds out how the culture, religion, politics and music of this island is inextricably linked to the huge amount of slave labor imported to produce its enormously profitable 19th century sugar industry, and how race and racism have fared since Fidel Castro's Communist revolution in 1959.In Haiti, he tells the story of the birth of the first-ever black republic, and finds out how the slaves's hard fought liberation over Napoleon Bonaparte's French Empire became a double-edged sword. In Mexico and Peru, he explores the almost unknown history of the significant numbers of black people—far greater than the number brought to the United States—brought to these countries as early as the sixteenth and seventeenth centuries, and the worlds of culture that their descendants have created in Vera Cruz on the Gulf of Mexico, the Costa Chica region on the Pacific, and in and around Lima, Peru.Professor Gates' journey becomes ours as we are introduced to the faces and voices of the descendants of the Africans who created these worlds. He shows both the similarities and distinctions between these cultures, and how the New World manifestations are rooted in, but distinct from, their African antecedents. "Black in Latin America" is the third instalment of Gates's documentary trilogy on the Black Experience in Africa, the United States, and in Latin America. In America Behind the Color Line, Professor Gates examined the fortunes of the black population of modern-day America. In Wonders of the African World, he embarked upon a series of journeys to reveal the history of African culture. Now, he brings that quest full-circle in an effort to discover how Africa and Europe combined to create the vibrant cultures of Latin America, with a rich legacy of thoughtful, articulate subjects whose stories are astonishingly moving and irresistibly compelling.