Peter Hulme – författare

In 1877 a US ornithologist stumbled across a small indigenous Caribbean population, the Caribs, still living in a remote part of the small island of Dominica. His account of his stay among the Caribs started a trickle of visitors which grew to a steady stream and is now in the full flood of mass tourism. Remnants of Conquest offers an account and analysis of these visitors' writings as they struggle to understand the way of life of a twentieth-century indigenous community, inhabitants of a postcolonial world. The visitors who have followed the ornithologist's footsteps include the novelist Jean Rhys, who was fulfilling a childhood ambition, a colonial officer who expected to meet Red Indians in warpaint, a British naval officer who bombarded the Reserve with starshells, and an anthropologist who settled on the island with a Carib woman. Through this close focus on a small place extensively written about, Remnants of Conquest raises crucial questions about the postcolonial perceptions of indigeneity.

This Norton Critical Edition includes:• The First Folio (1623) text, accompanied by the editors’ preface and detailed explanatory annotations.• A rich collection of source materials by Ovid, Giovanni Pico della Mirandola, King James I, Michel de Montaigne and others centered on the play’s major themes of magic, witchcraft, politics, religion, geography and travel.• Seventeen wide-ranging scholarly essays, seven of them new to the Second Edition.• Nineteen rescriptings that speak to The Tempest’s enduring inspiration and provocation for writers from Thomas Heywood and Percy Bysshe Shelley to Aimé Césaire and Ted Hughes.• A Selected Bibliography.About the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts and criticism—helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

First Published in 2002. Modes and categories inherited from the past no longer seem to fit the reality experienced by a new generation. ‘New Accents’ is intended as a positive response to the initiative offered by such a situation. Each volume in the series will seek to encourage rather than resist the process of change, to stretch rather than reinforce the boundaries that currently define literature and its academic study. The present selection of papers, made from nearly two hundred published, represents in some measure the diversity of the work at the eight Essex Sociology of Literature Conferences.

Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century’s end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than imperial. This volume explores how individual films emerged from and commented on postcolonial spaces and the building and breaking down of the European empire. Each chapter is a case study examining how a particular film from a postcolonial nation emerges from and reflects that nation’s unique postcolonial situation. This analysis of one nation’s struggle with its coloniality allows each essay to investigate just what it means to be postcolonial.

First Published in 2002. Modes and categories inherited from the past no longer seem to fit the reality experienced by a new generation. ‘New Accents’ is intended as a positive response to the initiative offered by such a situation. Each volume in the series will seek to encourage rather than resist the process of change, to stretch rather than reinforce the boundaries that currently define literature and its academic study. The present selection of papers, made from nearly two hundred published, represents in some measure the diversity of the work at the eight Essex Sociology of Literature Conferences.

In Cannibalism and the Colonial World, published in 1998, an international team of specialists from a variety of disciplines - anthropology, literature, art history - discusses the historical and cultural significance of western fascination with the topic of cannibalism. Addressing the image as it appears in a series of texts - popular culture, film, literature, travel writing and anthropology - the essays range from classical times to contemporary critical discourse. Cannibalism and the Colonial World examines western fascination with the figure of the cannibal and how this has impacted on the representation of the non-western world. This group of literary and anthropological scholars analyses the way cannibalism continues to exist as a term within colonial discourse and places the discussion of cannibalism in the context of postcolonial and cultural studies.

In Cannibalism and the Colonial World, published in 1998, an international team of specialists from a variety of disciplines - anthropology, literature, art history - discusses the historical and cultural significance of western fascination with the topic of cannibalism. Addressing the image as it appears in a series of texts - popular culture, film, literature, travel writing and anthropology - the essays range from classical times to contemporary critical discourse. Cannibalism and the Colonial World examines western fascination with the figure of the cannibal and how this has impacted on the representation of the non-western world. This group of literary and anthropological scholars analyses the way cannibalism continues to exist as a term within colonial discourse and places the discussion of cannibalism in the context of postcolonial and cultural studies.

The Cambridge Companion to Travel Writing brings together specialists from anthropology, history, literary and cultural studies to offer a broad and vibrant introduction to travel writing in English between 1500 and the present. This comprehensive introduction to the subject features specially commissioned contributions, including six essays surveying the period's travel writing; a further six focusing on geographical areas of particular interest - Arabia, the Amazon, Tahiti, Ireland, Calcutta, the Congo and California; and three final chapters analysing some of the theoretical and cultural dimensions to this enigmatic and influential genre of writing. Several invaluable tools are also provided, including an extensive list of further reading, and a detailed five-hundred year chronology listing important events and publications. This volume will be of interest to teachers and students alike.

The issues of colonialism and imperialism have recently come to the forefront of thinking in the humanities. Disciplines such as history, literature and anthropology are taking stock of their extensive and usually unacknowledged legacy of Empire. At the same time, contemporary cultural theory has had to respond to post-colonial pressure, with its different registers and agendas. This volume ranges, geographically, from Brazil to India and South Africa, from the Andes to the Caribbean and the USA. This range is matched by a breadth of historical perspectives. Central to the whole volume is a critique of the very idea of the "postcolonial" itself. Contributors include Annie Coombes, Simon During, Peter Hulme, Neil Lazarus, David Lloyd, Anne McClintock, Zita Nunes, Benita Parry, Graham Pechey, Mary Louise Pratt, Renato Rosaldo and Gayatri Chakravorty Spivak.

The first complete account of the life and work of Wilfred Adolphus Domingo (1889-1968), one of the most significant West Indian anti-colonialists of the twentieth century.When W. A. Domingo died in 1968, the Jamaican ex-premier Norman Manley wrote that 'no one in the world made greater sacrifices or suffered more for the cause he believed in—the cause of freedom for Jamaica and our escape from the bonds and fetters of British Imperialism.' Despite this claim, Domingo has remained a shadowy figure. This book brings him, at last, into the foreground of anti-colonial struggle in the Caribbean.The book looks at Domingo's ideological tenets and political commitments at various stages in his life. Each section contains a substantial introduction followed by a selection of Domingo's writings, including new biographical information which sheds light on Domingo's early years as well as on his relationships with Marcus Garvey and the Communist movement.

The Enlightenment, a broad and complex phenomenon, is a vital part of the history of European culture. It shaped intellectual life from the middle of the seventeenth century until the early nineteenth century and in its shadows many intellectual battles are still being fought. The contributors to this original and provocative book, The Enlightenment and Its Shadows (originally published in 1990) subject both Enlightenment and subsequent responses to it to critical scrutiny.Passionately committed to an interdisciplinary approach, the contributions are drawn from a variety of disciplines: art history and theory, government, history, language and linguistics, literature, philosophy, sociology, music, economics—and present a distinctively broad and polemical view of the Enlightenment, which is enhanced by the imaginative use of numerous illustrations. The essays demonstrate the continuing importance of the Enlightenment to a range of debates of the time on such issues as human rights, nature, economics, and colonialism. They focus on England, Scotland, France, and Germany, and their innovative approach does justice to the complexity of figures like Voltaire, Ferguson, Kant, Burke, and Rousseau.Essential reading for students of the history, literature, culture, philosophy, and politics of Europe between 1650 and 1820, the book will be invaluable for general readers interested in the period.

Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century’s end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than imperial. This volume explores how individual films emerged from and commented on postcolonial spaces and the building and breaking down of the European empire. Each chapter is a case study examining how a particular film from a postcolonial nation emerges from and reflects that nation’s unique postcolonial situation. This analysis of one nation’s struggle with its coloniality allows each essay to investigate just what it means to be postcolonial.

The British Empire drew on the talents of many remarkable figures, whose lives reveal a wonderfully rich involvement with the crucial issues of the period. In many cases they left a legacy of travel writing, novels, biography and ethnography which made important contributions to our knowledge of other cultures."Writing, Travel and Empire" explores the lives and writings of eight such figures, including Sir George Grey, Gertrude Bell, Sir Hugh Clifford, and Roger Casement. All travelled the Empire - from Grey, the renowned colonial governor who undertook dangerous journeys to the interior of Australia, to Tom Harrisson, the emaciated polymath, war hero and Arctic explorer, whose time in the New Hebrides embraced both cannibalistic rituals and a meeting with film legend Douglas Fairbanks Sr, who sought Harrisson out for a Hollywood feature about savage life.All saw themselves as writers, despite their very different approaches and interests, and each was writing against a backdrop of the impending disappearance of indigenous cultures around the world.Writing from the margins of what was shortly to become the more formalised discipline of anthropology, their work yields interesting insights into both the issues of empire and the ways in which academic disciplines define the boundaries of their subject. Embracing themes such as gender and travel, racial science, the globalisation of 'native management' and the internal colonies, and with a geographical coverage that extends from South America to Russia via Africa and the South Seas, "Writing Travel and Empire" will engage all those with an interest in cultural geography, anthropology, history, postcolonial studies, biography and travel writing.

The Dinner at Gonfarone’s is organised as a partial biography, covering five years in the life of the young Nicaraguan poet, Salomón de la Selva, but it also offers a literary geography of Hispanic New York (Nueva York) in the turbulent years around the First World War. De la Selva is of interest because he stands as the largely unacknowledged precursor of Latino writers like Junot Díaz and Julia Álvarez, writing the first book of poetry in English by an Hispanic author. In addition, through what he called his pan-American project, de la Selva brought together in New York writers from all over the American continent. He put the idea of trans-American literature into practice long before the concept was articulated.De la Selva’s range of contacts was enormous, and this book has been made possible through discovery of caches of letters that he wrote to famous writers of the day, such as Edwin Markham and Amy Lowell, and especially Edna St Vincent Millay. Alongside de la Selva’s own poetry – his book Tropical Town (1918) and a previously unknown 1916 manuscript collection – The Dinner at Gonfarone’s highlights other Hispanic writing about New York in these years by poets such as Rubén Darío, José Santos Chocano, and Juan Ramón Jiménez, all of whom were part of de la Selva’s extensive network.

The Dinner at Gonfarone’s is organised as a partial biography, covering five years in the life of the young Nicaraguan poet, Salomón de la Selva, but it also offers a literary geography of Hispanic New York (Nueva York) in the turbulent years around the First World War. De la Selva is of interest because he stands as the largely unacknowledged precursor of Latino writers like Junot Díaz and Julia Álvarez, writing the first book of poetry in English by an Hispanic author. In addition, through what he called his pan-American project, de la Selva brought together in New York writers from all over the American continent. He put the idea of trans-American literature into practice long before the concept was articulated.De la Selva’s range of contacts was enormous, and this book has been made possible through discovery of caches of letters that he wrote to famous writers of the day, such as Edwin Markham and Amy Lowell, and especially Edna St Vincent Millay. Alongside de la Selva’s own poetry – his book Tropical Town (1918) and a previously unknown 1916 manuscript collection – The Dinner at Gonfarone’s highlights other Hispanic writing about New York in these years by poets such as Rubén Darío, José Santos Chocano, and Juan Ramón Jiménez, all of whom were part of de la Selva’s extensive network.

The British Empire drew on the talents of many remarkable figures, whose lives reveal a wonderfully rich involvement with the crucial issues of the period. In many cases they left a legacy of travel writing, novels, biography and ethnography which made important contributions to our knowledge of other cultures."Writing, Travel and Empire" explores the lives and writings of eight such figures, including Sir George Grey, Gertrude Bell, Sir Hugh Clifford, and Roger Casement. All travelled the Empire - from Grey, the renowned colonial governor who undertook dangerous journeys to the interior of Australia, to Tom Harrisson, the emaciated polymath, war hero and Arctic explorer, whose time in the New Hebrides embraced both cannibalistic rituals and a meeting with film legend Douglas Fairbanks Sr, who sought Harrisson out for a Hollywood feature about savage life.All saw themselves as writers, despite their very different approaches and interests, and each was writing against a backdrop of the impending disappearance of indigenous cultures around the world.Writing from the margins of what was shortly to become the more formalised discipline of anthropology, their work yields interesting insights into both the issues of empire and the ways in which academic disciplines define the boundaries of their subject. Embracing themes such as gender and travel, racial science, the globalisation of 'native management' and the internal colonies, and with a geographical coverage that extends from South America to Russia via Africa and the South Seas, "Writing Travel and Empire" will engage all those with an interest in cultural geography, anthropology, history, postcolonial studies, biography and travel writing.

Cuba’s Wild East: A Literary Geography of Oriente recounts a literary history of modern Cuba that has four distinctive and interrelated characteristics. Oriented to the east of the island, it looks aslant at a Cuban national literature that has sometimes been indistinguishable from a history of Havana. Given the insurgent and revolutionary history of that eastern region, it recounts stories of rebellion, heroism, and sacrifice. Intimately related to places and sites which now belong to a national pantheon, its corpus—while including fiction and poetry—is frequently written as memoir and testimony. As a region of encounter, that corpus is itself resolutely mixed, featuring a significant proportion of writings by US journalists and novelists as well as by Cuban writers.

‘American Tropics’ refers to a kind of extended Caribbean, an area that includes the southern USA, the Atlantic littoral of Central America, the Caribbean islands, and northern South America. European colonial powers fought intensively here against indigenous populations and against each other for control of land and resources. The regions in the American Tropics share a history in which the dominant fact is the arrival of millions of white Europeans and black Africans; share an environment that is tropical or sub-tropical; and share a socio-economic model (the plantation), whose effects lasted at least well into the twentieth century.The imaginative space of the American Tropics therefore offers a differently centred literaryhistory from those conventionally produced as US, Caribbean, or Latin American literature.This important collection brings together essays by distinguished scholars, including the late Neil Whitehead, Richard Price, Sally Price, and Susan Gillman, that engage with the idea of a literary geography of the American Tropics and that represent the rich diversity of the writing produced within this geographical area.

W. Adolphe Roberts (1886-1962) was a prolific writer —poet, novelist, journalist, historian. As a political activist he also laid the groundwork for Jamaican independence. Finally published, 52 years after his death, his autobiography, These Many Years, offers a representative Caribbean life: rural upbringing, precocious talent, travel to the USA, literary success, adventures across the world, involvement in politics, return to Jamaica.In New York Roberts worked as a journalist and editor. However, in the mid-1930s, he made contact with Jamaican activists in Harlem and launched the Jamaica Progressive League, pioneering the movement for self-government. Moving back to Jamaica, Roberts decided against a political career, dedicating himself to studying the region and writing books such as The Caribbean: The Story of Our Sea of Destiny and Six Great Jamaicans: Biographical Sketches.Roberts’ zestful account of his literary life, his open recollection of his many lovers, and his frank assessment of his political friends and enemies, including Norman Manley and Alexander Bustamante, make These Many Years a vital source for the Jamaican national story.