Anthony Burgess – författare

Fully restored edition of Anthony Burgess' original text of A Clockwork Orange, with a glossary of the teen slang 'Nadsat', explanatory notes, pages from the original typescript, interviews, articles and reviewsEdited by Andrew Biswell With a Foreword by Martin Amis'It is a horrorshow story ...'Fifteen-year-old Alex likes lashings of ultraviolence. He and his gang of friends rob, kill and rape their way through a nightmarish future, until the State puts a stop to his riotous excesses. But what will his re-education mean?A dystopian horror, a black comedy, an exploration of choice, A Clockwork Orange is also a work of exuberant invention which created a new language for its characters. This critical edition restores the text of the novel as Anthony Burgess originally wrote it, and includes a glossary of the teen slang 'Nadsat', explanatory notes, pages from the original typescript, interviews, articles and reviews, shedding light on the enduring fascination of the novel's 'sweet and juicy criminality'.Anthony Burgess was born in Manchester in 1917 and educated at Xaverian College and Manchester University. He spent six years in the British Army before becoming a schoolmaster and colonial education officer in Malaya and Brunei. After the success of his Malayan Trilogy, he became a full-time writer in 1959. His books have been published all over the world, and they include The Complete Enderby, Nothing Like the Sun, Napoleon Symphony, Tremor of Intent, Earthly Powers and A Dead Man in Deptford. Anthony Burgess died in London in 1993.Andrew Biswell is the Professor of Modern Literature at Manchester Metropolitan University and the Director of the International Anthony Burgess Foundation. His publications include a biography, The Real Life of Anthony Burgess, which won the Portico Prize in 2006. He is currently editing the letters and short stories of Anthony Burgess.

In Anthony Burgess’s influential nightmare vision of the future, where the criminals take over after dark, the story is told by the central character, Alex, a teen who talks in a fantastically inventive slang that evocatively renders his and his friends’ intense reaction against their society. Dazzling and transgressive, A Clockwork Orange is a frightening fable about good and evil and the meaning of human freedom. This edition includes the controversial last chapter not published in the first edition, and Burgess’s introduction, “A Clockwork Orange Resucked.”

'I do not know of any other writer who has done as much with language ... a very funny book' William S. Burroughs Fifteen-year-old Alex doesn't just like ultra-violence - he also enjoys rape, drugs and Beethoven's ninth. He and his gang of droogs rampage through a dystopian future, hunting for terrible thrills. But when Alex finds himself at the mercy of the state and subject to the ministrations of Dr Brodsky, and the mind-altering treatment of the Ludovico Technique, he discovers that fun is no longer the order of the day. The basis for Stanley Kubrick's notorious 1971 film, A Clockwork Orange is both a virtuoso performance from an electrifying prose stylist and a serious exploration of the morality of free will.In his introduction, Blake Morrison situates A Clockwork Orange within the context of Anthony Burgess's many other works, explores the author's unhappiness with the Stanley Kubrick film version, analyses the composition of the Nadsat argot spoken by Alex and his droogs, and examines the influences on Burgess's unique, eternally original style.With an Introduction by Blake Morrison

From the acclaimed author of the dystopian classic A Clockwork Orange, The Wanting Seed is an inventive, thought-provoking and darkly absurd novel set in a work rampant with overpopulation. The Wanting Seed is part of our Penguin Essentials series which spotlights the very best of our modern classics.As governments struggle to maintain order in the face of overpopulation and food shortages and homosexuality is glorified in an attempt to further limit family sizes, Tristram Foxe and his wife Beatrice-Joanna find themselves facing dire choices. Their world transforms into a chaos of cannibalistic dining-clubs, fantastic fertility rituals, and wars without anger.

These are Anthony Burgess's candid confessions: he was seduced at the age of nine by an older woman; whilst serving in Gibraltar in World War II he was thrown into jail on VE Day for calling Franco names; he once taught a group of Nazi socialites that the English equivalent of 'heil' was 'sod' and had them crying 'Sod Hitler'. Little Wilson and Big God moves from Moss Side to Malaya recalling Burgess's time as an education officer in the tropics, his tempestuous first marriage, his struggles with Catholicism and the beginning of his prolific writing life. Wise, self-deprecating and bristling with incident, this is a first-class memoir.

Kenneth Toomey is an eminent novelist of dubious talent; Don Carlo Campanati is a man of God, a shrewd manipulator who rises through the Vatican to become the architect of church revolution and a candidate for sainthood. These two men are linked not only by family ties but by a common understanding of mankind's frailties. In this epic masterpiece, Anthony Burgess plumbs the depths of the essence of power and the lengths men will go for it.

Enderby is a poet, social critic and Catholic. He may be found hiding in the lavatory where much of his best work is composed, or perhaps in Rome, brainwashed into respectability by a glamorous wife, aftershave and the dolce vita. Whether he is pursuing revenge and inspiration in Morocco, expounding on his notorious sex film on a TV chat show, or writing a hit musical based on the life and work of Shakespeare, Enderby emerges triumphant.

Among Shakespeare's many biographers none brings to his subject more passion and feeling for the creative act than Anthony Burgess. He breathes life into Shakespeare the man and invigorates his times. His portrait of the age builds upon an almost personal tenderness for Shakespeare and his contemporaries (especially Ben Jonson), and on a profound sense of literary and theatrical history. Anthony Burgess's well-known delight in language infuses his own writing about Shakespeare's works. And in the verve of his biography he conveys the energy of the Elizabethan age.

The daring dystopian satire that inspired one of the most notorious films ever made, beautifully reimagined as part of the Penguin Essentials series'Every generation should discover this book' Time Out________________In this nightmare vision of youth in revolt, fifteen-year-old Alex and his friends set out on a diabolical orgy of robbery, rape, torture and murder. Alex is jailed for his teenage delinquency and the State tries to reform him - but at what cost?Experiment of language? Social prophecy? Black comedy? A Clockwork Orange is all of these. Dazzling and transgressive, this frightening fable about good and evil asks the meaning of human freedom.________________'A gruesomely witty cautionary tale' Time'Not only about man's violent nature and his capacity to choose between good and evil. It is about the excitements and intoxicating effects of language' Daily Telegraph'I do not know of any other writer who has done as much with language . . . a very funny book' William S. Burroughs'One of the cleverest and most original writers of his generation' The Times

My book does not pretend to scholarship, only to a desire to help the average reader who wants to know Joyce's work but has been scared off by the professors. The appearance of difficulty is part of Joyce's big joke; the profundities are always expressed in good round Dublin terms; Joyce's heroes are humble men.

The playground of Mr. Burgess’ humor is a city to which his hero, Denham, J. W., businessman, forty, British, returns on leave from the Far East to find the face of England hardened into a standardized grimace. He is appalled by his observations in all quarters of cheapness, shallowness, vice. He is appalled also by monotony. But monotony reigns only briefly. Soon Everett, the broken-down poet, and Winterbottom, the printer, have involved him in affairs which put a strain on his holiday spirit. And with the appearance of Mr. Raj, Ceylonese gentleman, persistent lecher and unflagging sociologist, speed quickens and control diminishes as Denham is carried helpless down the homestretch of his grueling comic course. Mr. Burgess’ humor stems from the depth of life rather than from its surface. His people are so vividly alive, and the anger, laughter and melodrama of their experiences so affecting that their story takes on dimension rare in novels so thoroughly entertaining.

Here is a midsummer night’s dream of a novel, Anthony Burgess in a mood of comic whimsy. A baronet, Sir Benjamin Drayton, has received a consignment of stone statues of gods and goddesses, including Venus. A ring slipped on Venus’s finger by a young man about to be married upsets a number of arrangements, including the wedding plans.

A Clockwork Orange is as brilliant, transgressive, and influential as when it was published fifty years ago. A nightmare vision of the future told in its own fantastically inventive lexicon, it has since become a classic of modern literature and the basis for Stanley Kubrick’s once-banned film, whose recent reissue has brought this revolutionary tale on modern civilization to an even wider audience. Andrew Biswell, PhD, director of the International Burgess Foundation, has taken a close look at the three varying published editions alongside the original typescript to recreate the novel as Anthony Burgess envisioned it. We publish this landmark edition with its original British cover and six of Burgess’s own illustrations.

Set in postwar Malaya at the time when people and governments alike are bemused and dazzled by the turmoil of independence, this three-part novel is rich in hilarious comedy and razor-sharp in observation. The protagonist of the work is Victor Crabbe, a teacher in a multiracial school in a squalid village, who moves upward in position as he and his wife maintain a steady decadent progress backward.

Tristram Foxe and his wife, Beatrice-Joanna, live in their skyscraper world where official family limitation glorifies homosexuality. Eventually, their world is transformed into a chaos of cannibalistic dining-clubs, fantastic fertility rituals, and wars without anger. It is a novel both extravagantly funny and grimly serious.

Dr. Edwin Spindrift, a very ordinary lecturer in linguistics, has been sent home from Burma with a brain tumor. Closer to words than people, his sense of reality is further altered by his condition. The night before he is to be operated on, Spindrift decides—shaven-headed, shirtless, and penniless—to postpone the surgery by escaping from the hospital. Things and people he hardly knew existed outside of his dictionaries swoop down on him as he careens through adventures in nighttime London.

A sharply written satire, Honey for the Bears sends an unassuming antiques dealer, Paul Hussey, to Russia to do one final deal on the black market as a favor for a dead friend's wife. Even on the ship's voyage across, the Russian sensibility begins to pervade: lots of secrets and lots of vodka. When his American wife is stricken by a painful rash and he is interrogated at his hotel by Soviet agents who know that he is trying to sell stylish synthetic dresses to the masses starved for fashion, his precarious inner balance is thrown off for good. More drink follows, discoveries of his wife's illicit affair with another woman, and his own submerged sexual feelings come breaking through the surface, bubbling up in Russian champagne and caviar.

Denis Hillier is an aging British agent based in Yugoslavia. His old school friend Roper has defected to the USSR to become one of the evil empire's great scientific minds. Hillier must bring Roper back to England or risk losing his fat retirement bonus. As thoughtful as it is funny, this morality tale of a Secret Service gone mad features sex, gluttony, violence, treachery, and religion. Anthony Burgess's cast of astonishing characters includes Roper's German prostitute wife; Miss Devi and her Tamil love treatise; and the large Mr. Theodorescu, international secret monger and lascivious gourmand. A rare combination of the deadly serious and the absurd, the lofty and the lusty, Tremor of Intent will hold you in its thrall.

A magnificent, bawdy telling of Shakespeare’s love life, following young Will’s maturation into sex and writing. A playful romp, it is at the same time a serious look at the forces that midwife art, the effects of time and place, and the ordinariness that is found side by side with the extraordinariness of genius.

A grand and affectionate tragicomic symphony to Napoleon Bonaparte that teases and reweaves Napoleon’s life into a pattern borrowed—in liberty, equality, and fraternity—from Beethoven’s Third “Eroica” Symphony, in this rich, exciting, bawdy, and funny novel Anthony Burgess has pulled out all the stops for a virtuoso performance that is literary, historical, and musical.

A terrifying tale about good and evil and the meaning of human freedom, A Clockwork Orange became an instant classic when it was published in 1962 and has remained so ever since. Anthony Burgess takes us on a journey to a nightmarish future where sociopathic criminals rule the night. Brilliantly told in harsh invented slang by the novel’s main character and merciless droog, fifteen-year-old Alex, this influential novel is now available in a student edition.The Norton Critical Edition of A Clockwork Orange is based on the first British edition and includes Burgess’s original final chapter. It is accompanied by Mark Rawlinson’s preface, explanatory annotations, and textual notes. A glossary of the Russian-origin terms that inspired Alex’s dialect is provided to illustrate the process by which Burgess arrived at the distinctive style of this novel.“Backgrounds and Contexts” presents a wealth of materials chosen by the editor to enrich the reader’s understanding of this unforgettable work, many of them by Burgess himself. Burgess’s views on writing A Clockwork Orange, its philosophical issues, and the debates over the British edition versus the American edition and the novel versus the film adaptation are all included. Related writings that speak to some of the novel’s central issues—youthful style, behavior modification, and art versus morality—are provided by Paul Rock and Stanley Cohen, B. F. Skinner, John R. Platt, Joost A. M. Meerloo, William Sargent, and George Steiner.“Criticism” is divided into two sections, one addressing the novel and the other Stanley Kubrick’s film version. Five major reviews of the novel are reprinted along with a wide range of scholarly commentary, including, among others, David Lodge on the American reader; Julie Carson on linguistic invention; Zinovy Zinik on Burgess and the Russian language; Geoffrey Sharpless on education, masculinity, and violence; Shirley Chew on circularity; Patrick Parrinder on dystopias; Robbie B. H. Goh on language and social control; and Steven M. Cahn on freedom. A thorough analysis of the film adaptation of A Clockwork Orange is provided in reviews by Vincent Canby, Pauline Kael, and Christopher Ricks; in Philip Strick and Penelope Houston’s interview with Stanley Kubrick; and in interpretive essays by Don Daniels, Alexander Walker, Philip French, Thomas Elsaesser, Tom Dewe Mathews, and Julian Petley.A Selected Bibliography is also included.

Anthony Burgess's stage play of his infamous cult novel and film of the same name. Alex and his vicious teenage gang revel in horrific violence, mugging and gang rape. Alex also revels in the music of Beethoven. The Gang communicates in a language which is as complicated as their actions. When a drug-fuelled night of fun ends in murder, Alex is finally busted and banged up. He is given a choice - be brainwashed into good citizenship and set free, or face a lifetime inside. Anthony Burgess's play with music, based on his own provocative 1962 novella of the same name, was first published in 1987. A Clockwork Orange was made into a film classic by Stanley Kubrick in 1971 and was dramatizes by the RSC in 1990.

The fully restored fiftieth anniversary editionForeword by Martin AmisFirst published by William Heinemann in 1962, A Clockwork Orange is widely acknowledged as one of the most influential books of the twentieth century. This special edition, compiled and edited by Andrew Biswell, Burgess's biographer, restores the text of the novel as Burgess originally wrote it, and includes a selection of interviews, articles, reviews and other previously unpublished material.

'Like all good comic writers Mr Burgess lives his creations as much as he writes them. First class'ObserverAnthony Burgess was an officer in the Colonial Service. In The Malayan Trilogy - Time for a Tiger, The Enemy in the Blanket and Beds in the East - he satirises the dog days of colonialism. Victor Crabbe is a well meaning, ineffectual English man in the tropics, keen to teach the Malays what the West can do for them. Through Crabbe's rise and fall and a series of wonderfully colourful characters, Burgess lays bare racial and social prejudices of post-war Malaya during the upheaval of Independence.