MATTHEW A. SEARS is Professor of Classics at the University of New Brunswick. He is the author of Athens, Thrace, and the Shaping of Athenian Leadership (Cambridge University Press, 2013) and of Understanding Greek Warfare (2019). He is also the co-author (with C. Jacob Butera) of Battles and Battlefields of Ancient Greece: A Guide to their History, Topography, and Archaeology (2019).

'At a time when the image of the Spartan has been used to justify white supremacy, military aggression, and controversial commemorative monuments, this book takes an in-depth look not only at Spartan society, military practice, and history, but also at the ways in which the Spartans viewed themselves. Through an examination of ancient literature, art, and archaeology, Matthew A. Sears calls into question many modern presumptions and assumptions about what we 'know' of the Spartans. This volume is certainly a must read for any historian studying the Spartans, but more importantly also for those attempting to use the Spartans as a model for contemporary practice.' C. Jacob Butera, University of North Carolina, Asheville

• Prologue: Brasidas at Amphipolis; 1. Memory and Mirage; 2. Warrior Poets; 3. Few against Many; 4. The Freedom of the Greeks; 5. Remembering Sparta's Other Liberators; 6. Agesilaus, First King of Greece; 7. From Thermopylae to 300; Epilogue: 'Dulce et Decorum Est'.

MATTHEW A. SEARS is Professor of Classics at the University of New Brunswick. He is the author of Athens, Thrace, and the Shaping of Athenian Leadership (Cambridge University Press, 2013) and of Understanding Greek Warfare (2019). He is also the co-author (with C. Jacob Butera) of Battles and Battlefields of Ancient Greece: A Guide to their History, Topography, and Archaeology (2019).

'At a time when the image of the Spartan has been used to justify white supremacy, military aggression, and controversial commemorative monuments, this book takes an in-depth look not only at Spartan society, military practice, and history, but also at the ways in which the Spartans viewed themselves. Through an examination of ancient literature, art, and archaeology, Matthew A. Sears calls into question many modern presumptions and assumptions about what we 'know' of the Spartans. This volume is certainly a must read for any historian studying the Spartans, but more importantly also for those attempting to use the Spartans as a model for contemporary practice.' C. Jacob Butera, University of North Carolina, Asheville

• Prologue: Brasidas at Amphipolis; 1. Memory and Mirage; 2. Warrior Poets; 3. Few against Many; 4. The Freedom of the Greeks; 5. Remembering Sparta's Other Liberators; 6. Agesilaus, First King of Greece; 7. From Thermopylae to 300; Epilogue: 'Dulce et Decorum Est'.

MATTHEW A. SEARS is Professor of Classics at the University of New Brunswick. He is the author of Athens, Thrace, and the Shaping of Athenian Leadership (Cambridge University Press, 2013) and of Understanding Greek Warfare (2019). He is also the co-author (with C. Jacob Butera) of Battles and Battlefields of Ancient Greece: A Guide to their History, Topography, and Archaeology (2019).

'At a time when the image of the Spartan has been used to justify white supremacy, military aggression, and controversial commemorative monuments, this book takes an in-depth look not only at Spartan society, military practice, and history, but also at the ways in which the Spartans viewed themselves. Through an examination of ancient literature, art, and archaeology, Matthew A. Sears calls into question many modern presumptions and assumptions about what we 'know' of the Spartans. This volume is certainly a must read for any historian studying the Spartans, but more importantly also for those attempting to use the Spartans as a model for contemporary practice.' C. Jacob Butera, University of North Carolina, Asheville

• Prologue: Brasidas at Amphipolis; 1. Memory and Mirage; 2. Warrior Poets; 3. Few against Many; 4. The Freedom of the Greeks; 5. Remembering Sparta's Other Liberators; 6. Agesilaus, First King of Greece; 7. From Thermopylae to 300; Epilogue: 'Dulce et Decorum Est'.