Mirror of Magic (häftad)
Format
Inbunden (Hardback)
Språk
Engelska
Antal sidor
512
Utgivningsdatum
2018-11-29
Upplaga
6
Förlag
Inner Traditions Bear and Company
Dimensioner
264 x 188 x 38 mm
Vikt
1180 g
ISBN
9781620557907

Mirror of Magic

A History of Magic in the Western World

Inbunden,  Engelska, 2018-11-29
423
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A collector's edition of the classic, illustrated, and comprehensive history of magic and the occult In the occult classic The Mirror of Magic, renowned Surrealist Kurt Seligmann (1900-1962) draws from his encyclopedic practitioner's knowledge and extensive antiquarian collection to offer a comprehensive, illustrated history of magic and the occult from Mesopotamia and ancient Egypt through the 18th century. He explores the gods and divinatory arts of the legendary Sumerians and the star-wise Babylonians, including the birth of astrology. He examines the afterlife beliefs of the ancient Egyptians and the dream interpretation practices and oracles of ancient Greece, including the mysteries of Eleusis and the magical philosophy of Plato, Socrates, and other Greeks. He uncovers the origins of Gnosticism and the suppression and banishment of magic by the post-pagan, Christian emperors of Rome. Seligmann reviews the principles of alchemy, sharing famous transmutations and allegorical illustrations of the alchemical process and explores the Hermetica and its remarkable adepts. Investigating the Middle Ages, the author discusses the work of European magicians of the time, including Albertus Magnus, Roger Bacon, Agrippa, Nostradamus, and Pico Della Mirandola. First published in 1948, this history of magic and the occult seeks to "mirror" the magical worldview throughout the ages. Beautifully illustrated with images from the author's rare library, this collector's edition features all of the artwork--more than 250 images--from the original 1948 edition.

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Kurt Seligmann (1900-1962) was a Swiss-American Surrealist painter and expert on magic, known for his extensive collection of rare books and his monumental role in the popularization of Surrealism in the United States. After the outbreak of World War II in 1939, he was the first European Surrealist to arrive in New York. After the war his work was exhibited widely and acquired by museums throughout the United States and Europe. He taught for many years at various colleges in New York City.