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This book argues that the negotiation of agency is central not only to the experience of war but also to its representation in cultural expressions, ranging from a notion of disablement, expressed in victimization, immobilization, traumatization, ...
Using the example of the fundamental American film genre, the Western, this book sets out to evaluate modern Hollywood on the basis of aesthetic, industrial, and ideological factors by the comparison of its formative stage «New Hollywood» (1967-19...