Lost Summer

Häftad, Engelska, 2003

180 kr

Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.

Beskrivning

Suspense, intrigue and a classic love triangle set against the brooding atmosphere of a remote tarn in the Lake District, from the author of STILL WATER.Adam Turner is an investigative journalist plagued by the memory of a girl who vanished from the town where he grew up. When he is asked to look into a suspicious car accident in which three students were killed, he sees a chance to exorcise the demons that have haunted him since his youth.Past and present rapidly collide as Adam finds himself in conflict with the friend who once betrayed him and the very emotions he’s tried to avoid for years come rapidly to the surface. Amid the rugged landscape of the fells and the surrounding forests the tension escalates, breeding violence…

Produktinformation

Utgivningsdatum:2003-07-07
Mått:111 x 178 x 24 mm
Vikt:207 g
Format:Häftad
Språk:Engelska
Antal sidor:400
Förlag:HarperCollins Publishers
ISBN:9780007139361
Miljömärkning:Produced using independently certified paper to ensure responsible forestry management. (Certification is by FSC, PEFC or SFI.) Produced in the UK using 100% renewable electricity.

Utforska kategorier

Deckare inom Deckare
Moderna och samtida romaner inom Skönlitteratur

Mer om författaren

Stuart Harrison was born and grew up in England. He lived in New Zealand for many years before returning to England to write his first novel, THE SNOW FALCON. He has now settled back in Auckland with his wife and two sons, where he writes full time.

Recensioner i media

LOST SUMMER‘A tense mystery that blends romance with suspense’ WOMAN’S DAYSTILL WATER‘This smart, absorbing novel grapples subtly with the idea that in life things are rarely black and white…and that, even with murder, things are not what they always seem’ DAILY MAILTHE SNOW FALCON‘The story is as tough as it is tender, an exceptionally well-woven tapestry of romance and danger’ Nelson DeMilleBETTER THAN THIS‘His thrillers are more emotional and human than those of his contemporaries’ IRELAND ON SUNDAY