Sarah M. Dunnigan is senior lecturer in English Literature at Edinburgh University. Her research interests include medieval and early modern Scottish literature, Scottish women’s writing, fairy tales, and children’s literature. Suzanne Gilbert, senior lecturer in English at Stirling University, publishes on eighteenth- and nineteenth-century Scottish literature, ballads, and chapbooks. She and Ian Duncan are general editors of the Stirling/South Carolina Research Edition of The Collected Works of James Hogg (Edinburgh University Press), for which she co-edited Queen Hynde (1998) and edited The Mountain Bard (2007). Her edition of Hogg’s Scottish Pastorals for the series is forthcoming.

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• Series Editor’s Preface; Introduction, Sarah Dunnigan and Suzanne Gilbert; 1. The Roots of Living Tradition, Margaret Bennett; 2. Genre, Emily Lyle, Valentina Bold, Ian Russell; 3. Folk Belief and Scottish Traditional Literatures, Lizanne Henderson; 4. Transmission, James Porter; 5. ‘Tradition’ and Literature in the Medieval Period, John McNamara; 6. Vernacular Gaelic Tradition, Robert Dunbar; 7. The Early Modern Period, Sarah Dunnigan; 8. The Heroic Ballads of Gaelic Scotland, Anja Gunderloch; 9. Eighteenth-Century Antiquarianism, Valentina Bold; 10. Lowland Song Culture in the Eighteenth-Century, Katherine Campbell and Kirsteen McCue; 11. Tradition and Scottish Romanticism, Suzanne Gilbert; 12. Nineteenth-Century Highland and Island Folklore, Jason Marc Harris; 13. Tradition and Innovation in Twentieth-Century Scottish Gaelic Literature, Michael Newton; 14. The Politics of the Modern Scottish Folk Revival, Corey Gibson; 15. Continuing the Living Tradition, Margaret Bennett; Endnotes; Further Reading; Notes on Contributors; Index.

Sarah M. Dunnigan is senior lecturer in English Literature at Edinburgh University. Her research interests include medieval and early modern Scottish literature, Scottish women’s writing, fairy tales, and children’s literature. Suzanne Gilbert, senior lecturer in English at Stirling University, publishes on eighteenth- and nineteenth-century Scottish literature, ballads, and chapbooks. She and Ian Duncan are general editors of the Stirling/South Carolina Research Edition of The Collected Works of James Hogg (Edinburgh University Press), for which she co-edited Queen Hynde (1998) and edited The Mountain Bard (2007). Her edition of Hogg’s Scottish Pastorals for the series is forthcoming.

Select Guide Rating

• Series Editor’s Preface; Introduction, Sarah Dunnigan and Suzanne Gilbert; 1. The Roots of Living Tradition, Margaret Bennett; 2. Genre, Emily Lyle, Valentina Bold, Ian Russell; 3. Folk Belief and Scottish Traditional Literatures, Lizanne Henderson; 4. Transmission, James Porter; 5. ‘Tradition’ and Literature in the Medieval Period, John McNamara; 6. Vernacular Gaelic Tradition, Robert Dunbar; 7. The Early Modern Period, Sarah Dunnigan; 8. The Heroic Ballads of Gaelic Scotland, Anja Gunderloch; 9. Eighteenth-Century Antiquarianism, Valentina Bold; 10. Lowland Song Culture in the Eighteenth-Century, Katherine Campbell and Kirsteen McCue; 11. Tradition and Scottish Romanticism, Suzanne Gilbert; 12. Nineteenth-Century Highland and Island Folklore, Jason Marc Harris; 13. Tradition and Innovation in Twentieth-Century Scottish Gaelic Literature, Michael Newton; 14. The Politics of the Modern Scottish Folk Revival, Corey Gibson; 15. Continuing the Living Tradition, Margaret Bennett; Endnotes; Further Reading; Notes on Contributors; Index.

Sarah M. Dunnigan is senior lecturer in English Literature at Edinburgh University. Her research interests include medieval and early modern Scottish literature, Scottish women’s writing, fairy tales, and children’s literature. Suzanne Gilbert, senior lecturer in English at Stirling University, publishes on eighteenth- and nineteenth-century Scottish literature, ballads, and chapbooks. She and Ian Duncan are general editors of the Stirling/South Carolina Research Edition of The Collected Works of James Hogg (Edinburgh University Press), for which she co-edited Queen Hynde (1998) and edited The Mountain Bard (2007). Her edition of Hogg’s Scottish Pastorals for the series is forthcoming.

Select Guide Rating

• Series Editor’s Preface; Introduction, Sarah Dunnigan and Suzanne Gilbert; 1. The Roots of Living Tradition, Margaret Bennett; 2. Genre, Emily Lyle, Valentina Bold, Ian Russell; 3. Folk Belief and Scottish Traditional Literatures, Lizanne Henderson; 4. Transmission, James Porter; 5. ‘Tradition’ and Literature in the Medieval Period, John McNamara; 6. Vernacular Gaelic Tradition, Robert Dunbar; 7. The Early Modern Period, Sarah Dunnigan; 8. The Heroic Ballads of Gaelic Scotland, Anja Gunderloch; 9. Eighteenth-Century Antiquarianism, Valentina Bold; 10. Lowland Song Culture in the Eighteenth-Century, Katherine Campbell and Kirsteen McCue; 11. Tradition and Scottish Romanticism, Suzanne Gilbert; 12. Nineteenth-Century Highland and Island Folklore, Jason Marc Harris; 13. Tradition and Innovation in Twentieth-Century Scottish Gaelic Literature, Michael Newton; 14. The Politics of the Modern Scottish Folk Revival, Corey Gibson; 15. Continuing the Living Tradition, Margaret Bennett; Endnotes; Further Reading; Notes on Contributors; Index.