Storyboarding Essentials

SCAD Creative Essentials (How to Translate Your Story to the Screen for Film, TV, and Other Media)

AvDavid Harland Rousseau,Benjamin Reid Phillips

Häftad, Engelska, 2013

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Beskrivning

This is a comprehensive guide to visual storytelling from Savannah College of Art and Design, one of the world's leaders in sequential arts instruction. Storyboarding is the process of graphically organising a project - a motion picture, animation or motion graphic - in order to translate artists' ideas from story to screen. Whether you're a filmmaker, animator or video-game artist - storyboarding is a skill that is absolutely critical. Storyboarding Essentials covers everything students and working professionals need to master the art of writing and formatting scripts, creating frames, and following visual logic to create a cohesive narrative.

Produktinformation

Utgivningsdatum:2013-06-25
Mått:218 x 275 x 13 mm
Vikt:794 g
Format:Häftad
Språk:Engelska
Antal sidor:192
Förlag:Watson-Guptill Publications
ISBN:9780770436940

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Mer om författaren

BENJAMIN REID PHILLIPS has been teaching drawing, storyboarding, and sequential art courses at SCAD since 2004. He is also a sequential artist and illustrator. DAVID HARLAND ROUSSEAU has taught drawing and design courses at SCAD since 2005. He is an author, award-winning illustrator, graphic designer, and former video journalist.

Innehållsförteckning

ContentsForeword, by Stratton LeopoldIntroduction1. What Is Storyboarding?The Types of StoryboardsA Visual Road Map2. Interpreting the Written WordScript BasicsScript BreakdownsSpec Scripts Versus Shooting Scripts“And Now, a Word from Our Sponsor”Exercise: Script Breakdowns and ThumbnailsA Difference of Opinion: The Great Savannah RaceInterview: Kenny Chaplin, DGA/DGC3. RenderingRough or Polished FinishLittle Drawings, Big IdeasThe Right Tool for the JobCompositingA Difference of Opinion: Un-DeadwoodInterview: Keith Ingham4. Principles, Elements, and ConventionsAspect RatiosGetting StartedBlocking the CompositionStaying OrganizedNumberingHow to Insert ShotsExercise: Numbering5. ContinuityWhat Is Continuity?Axis and AlliesBreaking the Axis30 Degrees of SeparationNeutralizing and Cutaway ShotsScreen Direction and Visual LogicAvoiding ConfusionBuilding Tension and Creating a SurpriseDon’t Turn AroundA Difference of Opinion: Hyde from Jekyll—the Chase6. What the Camera SeesThe CameraDeep and WideShooting on LocationFraming Heights and AnglesOther Shots to ConsiderCut to the ChaseBehind the ScenesExercise: Identifying Framing Heights and Angles7. Move Me!No Reaction Without “Action!”MovementsDrawings Versus DiagramsCamera Moves as DrawingsPhotomatics and DigimaticsOrder Out of ChaosExercise: Movement CallsA Difference of Opinion: Hyde from Jekyll—TransmogrificationInterview: Whitney Cogar8. The Martini ShotPutting It All TogetherA Toast to StoryboardingAfterword: Humans Tell Stories, by Tina O’HaileyAppendixIndex