Lurana Donnels O'Malley is Professor of Theatre at the University of Hawai'i Manoa, USA, where she teaches Theatre History, Dramatic Literature, and Directing. She is also active as a director. In 1998, she translated and edited the first published English-language translations of two of Catherine the Great's comedies.

’O'Malley offers many insightful details in her textual analysis of Catherine's theatrical productions and leaves no doubt that Catherine's dramatic works belong to the revised canon of Russian and European theater...This is a beautifully and expertly produced book. Black-and-white illustrations enhance this volume's appeal... An appendix provides helpful references to Aleksandr Pypin's edition of Catherine collected works [...]; as Catherinian scholarship continues to grow, one hopes that this rare publication will be reissued as well.’ The Russian Review ’This is a major contribution to the voluminous scholarship on Catherine the Great... offers fresh perspectives on her literary preoccupations... O'Malley has every reason to take price in a sterling synthesis based on years of patient research.’ Slavic Review ’The chief merits of this study lie in elegant close readings, careful scholarship and persuasive claims for the complexity, literary style, innovation and inherent playability of Catherine's works for the stage. ...[an] excellent study of Catherine's dramatic works, which should be required reading for theatre historians.’ Theatre Research International

• Contents: Preface; Catherine’s life and writings; Early comedies; Later comedies; The Shakespearean influence; Comic operas; Epilogue; Appendix; Bibliography; Index.

Lurana Donnels O'Malley is Professor of Theatre at the University of Hawai'i Manoa, USA, where she teaches Theatre History, Dramatic Literature, and Directing. She is also active as a director. In 1998, she translated and edited the first published English-language translations of two of Catherine the Great's comedies.

’O'Malley offers many insightful details in her textual analysis of Catherine's theatrical productions and leaves no doubt that Catherine's dramatic works belong to the revised canon of Russian and European theater...This is a beautifully and expertly produced book. Black-and-white illustrations enhance this volume's appeal... An appendix provides helpful references to Aleksandr Pypin's edition of Catherine collected works [...]; as Catherinian scholarship continues to grow, one hopes that this rare publication will be reissued as well.’ The Russian Review ’This is a major contribution to the voluminous scholarship on Catherine the Great... offers fresh perspectives on her literary preoccupations... O'Malley has every reason to take price in a sterling synthesis based on years of patient research.’ Slavic Review ’The chief merits of this study lie in elegant close readings, careful scholarship and persuasive claims for the complexity, literary style, innovation and inherent playability of Catherine's works for the stage. ...[an] excellent study of Catherine's dramatic works, which should be required reading for theatre historians.’ Theatre Research International

• Contents: Preface; Catherine’s life and writings; Early comedies; Later comedies; The Shakespearean influence; Comic operas; Epilogue; Appendix; Bibliography; Index.

Lurana Donnels O'Malley is Professor of Theatre at the University of Hawai'i Manoa, USA, where she teaches Theatre History, Dramatic Literature, and Directing. She is also active as a director. In 1998, she translated and edited the first published English-language translations of two of Catherine the Great's comedies.

’O'Malley offers many insightful details in her textual analysis of Catherine's theatrical productions and leaves no doubt that Catherine's dramatic works belong to the revised canon of Russian and European theater...This is a beautifully and expertly produced book. Black-and-white illustrations enhance this volume's appeal... An appendix provides helpful references to Aleksandr Pypin's edition of Catherine collected works [...]; as Catherinian scholarship continues to grow, one hopes that this rare publication will be reissued as well.’ The Russian Review ’This is a major contribution to the voluminous scholarship on Catherine the Great... offers fresh perspectives on her literary preoccupations... O'Malley has every reason to take price in a sterling synthesis based on years of patient research.’ Slavic Review ’The chief merits of this study lie in elegant close readings, careful scholarship and persuasive claims for the complexity, literary style, innovation and inherent playability of Catherine's works for the stage. ...[an] excellent study of Catherine's dramatic works, which should be required reading for theatre historians.’ Theatre Research International

• Contents: Preface; Catherine’s life and writings; Early comedies; Later comedies; The Shakespearean influence; Comic operas; Epilogue; Appendix; Bibliography; Index.