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• Foreword: Freedom Is a Debt to Repay; A Legacy to UpholdSandra ShannonIntroduction: "Sustaining the Complexity" of Lynn Nottage Jocelyn L. Buckner Production History ChronologyScott KnowlesOn the Table: Crumbs of Freedom and Fugitivity – A 21st Century (Re)reading of Crumbs from the Table of Joy Jaye Austin Williams "Guess Who’s Coming to Dinner": Choral Aesthetics in Mud, River, StoneJennifer L. Hayes Intimate Spaces/Public Places: Locating Sites of Migration, Connection, and Identity in Intimate Apparel Adrienne Macki Braconi"It’s All About a Rabbit, or It Ain’t": The Folkloric Fabulations of Lynn NottageFaedra Chatard CarpenterDiasporic Desire in Las MeninasJocelyn L. BucknerVera Stark at the Crossroads of HistoryHarvey YoungSpecial Section on RuinedMelodrama, Sensation, and Activism in RuinedJennifer-Scott MobleyRenegotiating Realism: Hybridity of Form and Political Potentiality in RuinedJeff PadenLand Rights and Womb Rights: Forging Difficult Diasporic Kinships in RuinedEsther J. TerryInterview On Creativity and Collaboration: A Conversation with Lynn Nottage, Seret Scott, and Kate WhoriskeyJocelyn L. Buckner Afterword: Lynn Nottage’s FuturitySoyica Colbert

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• Foreword: Freedom Is a Debt to Repay; A Legacy to UpholdSandra ShannonIntroduction: "Sustaining the Complexity" of Lynn Nottage Jocelyn L. Buckner Production History ChronologyScott KnowlesOn the Table: Crumbs of Freedom and Fugitivity – A 21st Century (Re)reading of Crumbs from the Table of Joy Jaye Austin Williams "Guess Who’s Coming to Dinner": Choral Aesthetics in Mud, River, StoneJennifer L. Hayes Intimate Spaces/Public Places: Locating Sites of Migration, Connection, and Identity in Intimate Apparel Adrienne Macki Braconi"It’s All About a Rabbit, or It Ain’t": The Folkloric Fabulations of Lynn NottageFaedra Chatard CarpenterDiasporic Desire in Las MeninasJocelyn L. BucknerVera Stark at the Crossroads of HistoryHarvey YoungSpecial Section on RuinedMelodrama, Sensation, and Activism in RuinedJennifer-Scott MobleyRenegotiating Realism: Hybridity of Form and Political Potentiality in RuinedJeff PadenLand Rights and Womb Rights: Forging Difficult Diasporic Kinships in RuinedEsther J. TerryInterview On Creativity and Collaboration: A Conversation with Lynn Nottage, Seret Scott, and Kate WhoriskeyJocelyn L. Buckner Afterword: Lynn Nottage’s FuturitySoyica Colbert

Select Guide Rating

• Foreword: Freedom Is a Debt to Repay; A Legacy to UpholdSandra ShannonIntroduction: "Sustaining the Complexity" of Lynn Nottage Jocelyn L. Buckner Production History ChronologyScott KnowlesOn the Table: Crumbs of Freedom and Fugitivity – A 21st Century (Re)reading of Crumbs from the Table of Joy Jaye Austin Williams "Guess Who’s Coming to Dinner": Choral Aesthetics in Mud, River, StoneJennifer L. Hayes Intimate Spaces/Public Places: Locating Sites of Migration, Connection, and Identity in Intimate Apparel Adrienne Macki Braconi"It’s All About a Rabbit, or It Ain’t": The Folkloric Fabulations of Lynn NottageFaedra Chatard CarpenterDiasporic Desire in Las MeninasJocelyn L. BucknerVera Stark at the Crossroads of HistoryHarvey YoungSpecial Section on RuinedMelodrama, Sensation, and Activism in RuinedJennifer-Scott MobleyRenegotiating Realism: Hybridity of Form and Political Potentiality in RuinedJeff PadenLand Rights and Womb Rights: Forging Difficult Diasporic Kinships in RuinedEsther J. TerryInterview On Creativity and Collaboration: A Conversation with Lynn Nottage, Seret Scott, and Kate WhoriskeyJocelyn L. Buckner Afterword: Lynn Nottage’s FuturitySoyica Colbert